Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
1998.
The First Quarto of Hamlet.
p.
1.
2002.
Romeo and Juliet.
p.
255.
2003.
Shakespeare by Stages.
p.
162.
Kidnie, Margaret Jane
2007.
A Companion to Shakespeare and Performance.
p.
101.
Syme, Holger Schott
2008.
Unediting the Margin: Jonson, Marston, and the Theatrical Page.
English Literary Renaissance,
Vol. 38,
Issue. 1,
p.
142.
Pearson, Meg F.
2010.
“That bloody mind I think they learned of me”: Aaron as tutor inTitus Andronicus.
Shakespeare,
Vol. 6,
Issue. 1,
p.
34.
McGrath, Michael J.
2010.
The Metadramatic Function of the Aside in La traición en la amistad
.
Comedia Performance,
Vol. 7,
Issue. 1,
p.
86.
Lin, Erika T.
2011.
Imagining the Audience in Early Modern Drama, 1558–1642.
p.
113.
Lin, Erika T.
2012.
Shakespeare and the Materiality of Performance.
p.
107.
Lin, Erika T.
2012.
Shakespeare and the Materiality of Performance.
p.
41.
Lin, Erika T.
2012.
Shakespeare and the Materiality of Performance.
p.
23.
Lin, Erika T.
2012.
Shakespeare and the Materiality of Performance.
p.
135.
McGrath, Michael J.
2014.
The (Ir)relevance of the Aside in Golden Age Drama.
Romance Quarterly,
Vol. 61,
Issue. 4,
p.
227.
Decamp, Eleanor
2016.
Civic and Medical Worlds in Early Modern England.
p.
3.
Decamp, Eleanor
2016.
Civic and Medical Worlds in Early Modern England.
p.
99.
Decamp, Eleanor
2016.
Civic and Medical Worlds in Early Modern England.
p.
61.
MacConochie, Alex
2017.
“Lady, Shall I Lie in Your Lap?”: Gender, Status, and Touch on the English Stage.
Renaissance Drama,
Vol. 45,
Issue. 1,
p.
25.
Greenberg, Marissa
2017.
A New Companion to Renaissance Drama.
p.
403.
Amelang, David J.
2017.
From directions to descriptions: Reading the theatrical Nebentext in Ben Jonson’s Workes as an authorial outlet.
Sederi,
p.
7.
West, William N.
2017.
Early Modern Theatricality.
p.
151.