1.
Introduction to Performance Studies Unit Handbook.
2.
Wade, L. Posh. (Oberon Books, 2012).
3.
Aston, E. Structure of Class Feeling/Feeling of Class Structure: Laura Wade’s Posh and Katherine Soper’s Wish List. Modern Drama 61, (2018).
4.
Michael Billington. Posh. Guardian (2010).
5.
Brook, P. The empty space. (Penguin, 1968).
6.
Davis, T. C. & Postlewait, T. Theatricality. (Cambridge University Press, 2003).
7.
Elam, K. The semiotics of theatre and drama. (Methuen, 1980).
8.
Toro, F. de & Hubbard, C. Theatre semiotics: text and staging in modern theatre. (University of Toronto Press).
9.
Bennett, S. Theatre audiences: a theory of production and reception. (Routledge).
10.
McAuley, G. Space in performance: making meaning in the theatre. (University of Michigan Press).
11.
Schechner, R. Performance studies: an introduction. (Routledge, 2006).
12.
Kirby, M. A Formalist Theatre. (University of Pennsylvania Press, 1987).
13.
Worthen, W. B. Drama, Performativity, and Performance. PMLA 113, (19981001).
14.
Heddon, D., Iball, H. & Zerihan, R. Come Closer: Confessions of Intimate Spectators in One to One Performance. Contemporary Theatre Review 22, 120–133 (2012).
15.
IMMA (Various). What is Performance Art?
16.
Richardson, J. G. Handbook of theory and research for the sociology of education. (Greenwood Press, 1986).
17.
"Black people don’t go to galleries” – The reproduction of taste and cultural value – Media Diversified. https://mediadiversified.org/2013/10/21/black-people-dont-go-to-galleries-the-reproduction-of-taste-and-cultural-value/.
18.
Butler, J. Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory. Theatre Journal 40, (1988).
19.
Beasley, C. What is feminism?: an introduction to feminist theory. (Thousand Oaks, Calif, 1999).
20.
Lo, J. Toward a Topography of Cross-Cultural Theatre Praxis. TDR / The Drama Review 46, (2002).
21.
Goodman, L. & De Gay, J. The Routledge reader in politics and performance. (Routledge, 2000).
