1.
Introduction to Performance Studies Unit Handbook.
2.
Wade L. Posh. West End edition. London: Oberon Books; 2012.
3.
Aston E. Structure of Class Feeling/Feeling of Class Structure: Laura Wade’s Posh and Katherine Soper’s Wish List. Modern Drama [Internet]. 2018;61(2). Available from: https://bris.on.worldcat.org/external-search?queryString=Posh Laura Wade&clusterResults=on&stickyFacetsChecked=on#/oclc/7675372516
4.
Michael Billington. Posh. Guardian [Internet]. 2010 Apr 16; Available from: https://www.theguardian.com/stage/2010/apr/16/posh-royal-court-billington
5.
Brook P. The empty space. London: Penguin; 1968.
6.
Davis TC, Postlewait T. Theatricality. Cambridge: Cambridge University Press; 2003.
7.
Elam K. The semiotics of theatre and drama. London: Methuen; 1980.
8.
Toro F de, Hubbard C. Theatre semiotics: text and staging in modern theatre [Internet]. Toronto, Ont: University of Toronto Press; Available from: https://www.jstor.org/stable/10.3138/9781442682597
9.
Bennett S. Theatre audiences: a theory of production and reception. 2nd ed. London: Routledge;
10.
McAuley G. Space in performance: making meaning in the theatre. Ann Arbor: University of Michigan Press;
11.
Schechner R. Performance studies: an introduction [Internet]. 2nd ed. New York: Routledge; 2006. Available from: https://bris.on.worldcat.org/oclc/62118361
12.
Kirby M. A Formalist Theatre. Philadelphia: University of Pennsylvania Press; 1987.
13.
Worthen WB. Drama, Performativity, and Performance. PMLA [Internet]. 19981001;113(5). Available from: https://bris.on.worldcat.org/search?databaseList=638&queryString=Drama, Performance and Performativity Worthen#/oclc/5548081446
14.
Heddon D, Iball H, Zerihan R. Come Closer: Confessions of Intimate Spectators in One to One Performance. Contemporary Theatre Review. 2012 Feb;22(1):120–33.
15.
IMMA (Various). What is Performance Art? [Internet]. Available from: https://www.imma.ie/en/downloads/whatisperformanceart.pdf
16.
Richardson JG. Handbook of theory and research for the sociology of education. Westport, Conn: Greenwood Press; 1986.
17.
"Black people don’t go to galleries” – The reproduction of taste and cultural value – Media Diversified [Internet]. Available from: https://mediadiversified.org/2013/10/21/black-people-dont-go-to-galleries-the-reproduction-of-taste-and-cultural-value/
18.
Butler J. Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory. Theatre Journal. 1988 Dec;40(4).
19.
Beasley C. What is feminism?: an introduction to feminist theory. London: Thousand Oaks, Calif; 1999.
20.
Lo J. Toward a Topography of Cross-Cultural Theatre Praxis. TDR / The Drama Review [Internet]. 2002;46(3). Available from: https://bris.on.worldcat.org/search?databaseList=638&queryString=Toward a topography of intercultural&clusterResults=true#/oclc/441168901
21.
Goodman L, De Gay J. The Routledge reader in politics and performance. London: Routledge; 2000.