Bibliography for MUSIM0036: Readings in Musicology BETA

1

Carey J. The intellectuals and the masses: pride and prejudice among the literary intelligentsia, 1880-1939. London: : Faber and Faber 1992.

2

Collini S. English pasts: essays in culture and history. Oxford: : Oxford University Press 1999.

3

Huyssen A. After the great divide: modernism, mass culture, postmodernism. Basingstoke: : Macmillan Press 1988.

4

Hansen M. The Mass Production of the Senses: Classical Cinema as Vernacular Modernism. Modernism/modernity 1999;6:59–77. doi:10.1353/mod.1999.0018

5

Tunbridge L, Borio G, Franklin P, et al. Round Table: Modernism and its Others. Journal of the Royal Musical Association 2014;139:177–204. doi:10.1080/02690403.2014.887301

6

Chowrimootoo C. The Timely Traditions of Albert Herring. The Opera Quarterly 2011;27:379–419. doi:10.1093/oq/kbs004

7

Rainey LS. Institutions of modernism: literary elites and public culture. New Haven, Conn: : Yale University Press 1998.

8

Grimley DM, Rushton J, Cambridge Collections Online (Online service). The Cambridge Companion to Elgar. Cambridge: : Cambridge University Press 2005. http://dx.doi.org/10.1017/CCOL9780521826235

9

Harper-Scott JPE, Cambridge Books Online (Online service). Edward Elgar, Modernist. Cambridge: : Cambridge University Press 2006. http://dx.doi.org/10.1017/CBO9780511719974

10

Harris A. Romantic moderns: English writers, artists and the imagination from Virginia Woolf to John Piper. London: : Thames and Hudson 2010.

11

Levine LW. Highbrow / lowbrow: the emergence of cultural hierarchy in America. Cambridge, Mass: : Harvard University Press 1988.

12

Rubin, Joan Shelley, --. Rethinking the Creation of Cultural Hierarchy in America. Reception: Texts;6:4–18.https://muse.jhu.edu/article/548925

13

Bourgeois Reveries.docx - Google Drive. https://drive.google.com/file/d/0BwLSFxjmCjpyTHk1aDZNeEhGSlE/view