Bibliography for HART10217: Introduction to Modern Art

@book{Apollonio_1973, address={London}, title={Futurist manifestos}, volume={The world of art library. Modern movements}, publisher={Thames & Hudson}, author={Apollonio, Umbro}, year={1973} }

@inbook{Bachert_1992, address={New Haven}, title={Collecting the Art of Käthe Kollwitz}, booktitle={Kathe Kollwitz}, publisher={Yale University Press}, author={Bachert, Hildegard}, year={1992}, pages={117–136} }

@book{Bann_1974, address={London}, title={The Tradition of Constructivism}, volume={The documents of 20th century art}, publisher={Thames and Hudson}, author={Bann, Stephen}, year={1974} }

@book{Barron_Tuchman_Los Angeles County Museum of Art_1980, address={Los Angeles}, title={The Avant-garde in Russia, 1910-1930: new perspectives}, publisher={Los Angeles County Museum of Art}, author={Barron, Stephanie and Tuchman, Maurice and Los Angeles County Museum of Art}, year={1980} }

@inbook{Baudelaire_1863, address={London}, title={The Painter of Modern Life}, booktitle={Modern art and modernism: a critical anthology}, publisher={Harper & Row}, author={Baudelaire, Charles}, year={1863}, pages={23–27} }

@book{Bergdoll_Dickerman_Frankel_2009, address={New York}, title={Bauhaus 1919-1933: workshops for modernity}, publisher={Museum of Modern Art}, author={Bergdoll, Barry and Dickerman, Leah and Frankel, David}, year={2009} }

@book{Bergeret-Gourbin_Penwarden_Musée Marmottan_2014, address={Paris}, title={Monet’s Impression sunrise: the biography of a painting}, publisher={Hazan}, author={Bergeret-Gourbin, Anne-Marie and Penwarden, Charles and Musée Marmottan}, editor={Mathieu, Marianne and Lobstein, Dominique}, year={2014} }

@book{Berman_2010, address={London}, edition={[New ed.]}, title={All that is solid melts into air: the experience of modernity}, publisher={Verso}, author={Berman, Marshall}, year={2010} }

@inbook{Clark_1984, address={London}, title={Olympia’s Choice}, booktitle={The painting of modern life: Paris in the art of Manet and his followers}, publisher={Thames and Hudson}, author={Clark, T.J.}, year={1984}, pages={79–146} }

@book{Dickerman_Doherty_Centre Georges Pompidou_National Gallery of Art (U.S.)_Museum of Modern Art (New York)_2005, address={Washington, DC}, title={Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris}, publisher={National Gallery of Art in association with D.A.P./ Distributed Art Publishers}, author={Dickerman, Leah and Doherty, Brigid and Centre Georges Pompidou and National Gallery of Art (U.S.) and Museum of Modern Art (New York)}, year={2005} }

@inbook{Doherty_2005, address={Washington, DC}, title={Berlin Dada}, booktitle={Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris}, publisher={National Gallery of Art in association with D.A.P./ Distributed Art Publishers}, author={Doherty, Brigid}, year={2005}, pages={87–112} }

@book{Druick_Zegers_Salvesen_Lister_Weaver_Art Institute of Chicago_Rijksmuseum Vincent van Gogh_2001, address={Chicago}, title={Van Gogh and Gauguin: the studio of the south}, publisher={Thames & Hudson}, author={Druick, Douglas W. and Zegers, Peter Kort and Salvesen, Britt and Lister, Kristin Hoermann and Weaver, Mary C. and Art Institute of Chicago and Rijksmuseum Vincent van Gogh}, year={2001} }

@inbook{F.T._1909, address={London}, title={The founding and manifesto of futurism}, volume={The world of art library. Modern movements}, booktitle={Futurist manifestos}, publisher={Thames & Hudson}, author={F.T., Marinetti}, year={1909}, pages={19–131} }

@inbook{Gaughan_2004, address={London}, title={Narrating the Dada Game Plan}, volume={Art of the twentieth century}, booktitle={Art of the avant-gardes}, publisher={Yale University Press in association with the Open University}, author={Gaughan, Martin}, year={2004}, pages={339–358} }

@inbook{Gemma_2013, address={London}, title={On stage: the new Viennese}, booktitle={Facing the modern: the portrait in Vienna 1900}, publisher={National Gallery Company}, author={Gemma, Blackshaw}, year={2013}, pages={14–33} }

@inbook{Golding_1994, address={London}, edition={3rd ed., expanded and updated}, title={Cubism}, volume={World of art}, booktitle={Concepts of modern art: from Fauvism to Postmodernism}, publisher={Thames and Hudson}, author={Golding, John}, year={1994}, pages={50–78} }

@book{Gray_1971, address={London}, title={The Russian experiment in art, 1863-1922}, publisher={Thames & Hudson}, author={Gray, Camilla}, year={1971} }

@inbook{Heller_1992, address={London}, title={Observations, in the form of a survey, on the history of print cycles in German Art from the fifteenth to the nineteenth century}, booktitle={The German print portfolio, 1890-1930: serials for a private sphere}, publisher={Philip Wilson in assocation with the David and Alfred Smart Museum of Art, University of Chicago}, author={Heller, Reinhold}, year={1992}, pages={9–31} }

@book{Herbert_1988, address={New Haven}, title={Impressionism: art, leisure, and Parisian society}, publisher={Yale University Press}, author={Herbert, Robert L.}, year={1988} }

@inbook{House_1979, address={London}, title={The Legacy of Impressionism in France}, booktitle={Post-Impressionism: cross-currents in European painting}, publisher={Royal Academy of Arts in association with Weidenfeld and Nicolson}, author={House, John}, year={1979}, pages={13–25} }

@inbook{Jason_2004, address={London}, title={Approaches to cubism}, volume={Art of the twentieth century}, booktitle={Art of the avant-gardes}, publisher={Yale University Press in association with the Open University}, author={Jason, Gaiger}, year={2004}, pages={135–155} }

@article{J.M._1980, address={Henley-on-Thames}, title={The nature of cubism: a study in conflicting explanations}, volume={5}, number={4}, journal={Art history}, publisher={Routledge & Kegan Paul}, author={J.M., Nash}, year={1980} }

@book{Jones_2004, address={Cambridge, Mass}, title={Irrational modernism: a neurasthenic history of New York Dada}, publisher={MIT Press}, author={Jones, Amelia}, year={2004} }

@inbook{Kets de Vries_2016, address={Wellesley, Massachusetts}, title={Mother’s Arms: Käthe Kollwitz’s Women and War}, booktitle={Käthe Kollwitz and the women of war: femininity, identity, and art in Germany during World Wars I and II}, publisher={The Davis Museum at Wellesley College}, author={Kets de Vries, Henriette}, editor={Whitner, Claire C.}, year={2016}, pages={11–19} }

@book{Krell_1996, address={London}, title={Manet and the painters of contemporary life}, volume={World of art}, publisher={Thames and Hudson}, author={Krell, Alan}, year={1996} }

@book{Kuenzli_1987, address={New York}, title={Dada and surrealist film}, publisher={Willis Locker & Owens}, author={Kuenzli, Rudolf E.}, year={1987} }

@book{Kunstmuseum Stuttgart_Staatliche Akademie der Bildenden Künste Stuttgart_2012a, address={Ostfildern}, title={Otto Dix and the new objectivity}, publisher={Hatje Cantz}, author={Kunstmuseum Stuttgart and Staatliche Akademie der Bildenden Künste Stuttgart}, year={2012} }

@book{Kunstmuseum Stuttgart_Staatliche Akademie der Bildenden Künste Stuttgart_2012b, address={Ostfildern}, title={Otto Dix and the new objectivity}, publisher={Hatje Cantz}, author={Kunstmuseum Stuttgart and Staatliche Akademie der Bildenden Künste Stuttgart}, year={2012} }

@article{Lajer-Burcharth_1985, title={Modernity and the Condition of Disguise: Manet’s "Absinthe Drinker”}, volume={45}, DOI={10.1080/00043249.1985.10792272}, number={1}, journal={Art Journal}, author={Lajer-Burcharth, Ewa}, year={1985}, month={Mar}, pages={18–26} }

@book{Leavens_1983, address={Ann Arbor}, title={From ‘291’ to Zurich: the birth of Dada}, volume={Studies in the fine arts}, publisher={UMI Research}, author={Leavens, Ileana B.}, year={1983} }

@book{Lodder_1983, address={New Haven}, title={Russian Constructivism}, publisher={Yale University Press}, author={Lodder, Christina}, year={1983} }

@inbook{Lodder_2004, address={London}, title={Soviet constructivism}, volume={Art of the twentieth century}, booktitle={Art of the avant-gardes}, publisher={Yale University Press in association with the Open University}, author={Lodder, Christina}, year={2004}, pages={359–393} }

@inbook{Meecham_Sheldon_2005, address={London}, edition={2nd ed}, title={What, when and where was modernism?}, booktitle={Modern art: a critical introduction}, publisher={Routledge}, author={Meecham, Pam and Sheldon, Julie}, year={2005}, pages={13–48} }

@book{Michalski_2003, address={Köln}, title={New objectivity: painting, graphic art and photography in Weimar Germany 1919-1933}, publisher={Taschen}, author={Michalski, Sergiusz}, year={2003} }

@book{Milner_1983, address={London}, title={Vladimir Tatlin and the Russian avant-garde}, publisher={Yale University Press}, author={Milner, John}, year={1983} }

@book{Milner_1996, address={New Haven}, title={Kazimir Malevich and the art of geometry}, publisher={Yale University Press}, author={Milner, John}, year={1996} }

@article{Moorjani_1986, title={Käthe Kollwitz on Sacrifice, Mourning, and Reparation: An Essay in Psychoaesthetics}, volume={Vol. 101}, url={https://pmt-eu.hosted.exlibrisgroup.com/primo-explore/fulldisplay?docid=44BU_SFX_DS954925425196&context=L&vid=44BU_VU1〈=en_US&search_scope=default_scope&adaptor=Local%20Search%20Engine&tab=default_tab&query=any,contains,MLN&sortby=rank}, number={5}, journal={MLN}, publisher={Baltimore Johns Hopkins University Press}, author={Moorjani, Angela}, year={1986}, pages={1110–1134} }

@book{Mundy_Tate Modern (Gallery)_Museu Nacional d’Art de Catalunya_2008, address={London}, title={Duchamp, Man Ray, Picabia}, publisher={Tate Publishing}, author={Mundy, Jennifer and Tate Modern (Gallery) and Museu Nacional d’Art de Catalunya}, year={2008} }

@inbook{Norbert_1981, address={Harmondsworth}, title={Futurism}, volume={Pelican books}, booktitle={Concepts of modern art}, publisher={Penguin}, author={Norbert, Lynton}, year={1981} }

@article{Nord_1989, title={Manet and Radical Politics}, volume={19}, DOI={10.2307/204364}, number={3}, journal={Journal of Interdisciplinary History}, author={Nord, Philip}, year={1989}, month={Winter} }

@inbook{P._1986, address={Oxford}, title={The first impressionist exhibition in context}, booktitle={The New painting: impressionism 1874-1886}, publisher={Phaidon}, author={P., Tucker}, year={1986}, pages={93–117} }

@inbook{Paul_1998, address={Cambridge}, title={Making Sense of Edouard Manet’s ‘Le déjeuner sur l’herbe’}, volume={Masterpieces of Western painting}, booktitle={Manet’s Le déjeuner sur l’herbe}, publisher={Cambridge University Press}, author={Paul, Tucker}, year={1998}, pages={1–37} }

@inbook{Prelinger_1992, address={New Haven}, title={Kollwitz Reconsidered}, booktitle={Kathe Kollwitz}, publisher={Yale University Press}, author={Prelinger, Elizabeth}, year={1992}, pages={13–88} }

@book{Reff_1976, address={London}, title={Manet, ‘Olympia’}, volume={Art in context}, publisher={Allen Lane}, author={Reff, Theodore}, year={1976} }

@book{Rewald_Buruma_Eberle_Metropolitan Museum of Art (New York)_2006, address={New York}, title={Glitter and doom: German portraits from the 1920s}, publisher={Metropolitan Museum of Art}, author={Rewald, Sabine and Buruma, Ian and Eberle, Matthias and Metropolitan Museum of Art (New York)}, year={2006} }

@book{Richter_1965, address={London}, title={Dada: art and anti-art}, volume={The world of art library}, publisher={Thames and Hudson}, author={Richter, Hans}, year={1965} }

@book{Rowe_2013, address={Manchester}, title={After Dada: Marta Hegemann and the Cologne avant-garde}, publisher={Manchester University Press}, author={Rowe, Dorothy C.}, year={2013} }

@book{Schmied_Hayward Gallery_Arts Council of Great Britain_1978, address={[London]}, title={Neue Sachlichkeit and German realism of the twenties: [exhibition] Hayward Gallery, London, 11 November 1978-14 January 1979}, publisher={Arts Council of Great Britain}, author={Schmied, Wieland and Hayward Gallery and Arts Council of Great Britain}, year={1978} }

@article{Schulte_Selwyn_1996, title={Käthe Kollwitz’s Sacrifice}, volume={41}, url={http://www.jstor.org/stable/4289436}, journal={History Workshop Journal}, publisher={ENGLAND Oxford University Press / UK}, author={Schulte, Regina and Selwyn, Pamela}, year={1996}, pages={193–221} }

@article{Sharp_2011, address={Lincoln, Neb}, title={Käthe Kollwitz’s Witness to War: Gender, Authority and Reception}, volume={27}, journal={Women in German yearbook: feminist studies in German literature & culture}, publisher={University of Nebraska Press}, author={Sharp, Ingrid}, year={2011}, pages={87–107} }

@book{Smith_1995, address={London}, title={Impressionism: beneath the surface}, volume={Everyman art library}, publisher={Weidenfeld & Nicholson}, author={Smith, Paul G.}, year={1995} }

@book{Solomon R. Guggenheim Museum (New York)_1992, address={New York}, title={The great Utopia: the Russian and Soviet avant-garde, 1915-1932}, publisher={Solomon R. Guggenheim Museum}, author={Solomon R. Guggenheim Museum (New York)}, year={1992} }

@inbook{Stephanie_2015, address={Munich}, title={New Objectivity: German expressionism after realism}, booktitle={New objectivity: modern German art in the Weimar Republic, 1919-1933}, publisher={DelMonico}, author={Stephanie, Barron}, editor={Barron, Stephanie and Eckmann, Sabine}, year={2015}, pages={15–25} }

@inbook{Taylor_1991a, address={London}, title={Revolution and civil war}, booktitle={Art and literature under the Bolsheviks: Vol.1: The crisis of renewal, 1917-1924}, publisher={Pluto Press}, author={Taylor, B.}, year={1991}, pages={27–108} }

@book{Taylor_1991b, address={London}, title={Art and literature under the Bolsheviks: Vol.1: The crisis of renewal, 1917-1924}, publisher={Pluto Press}, author={Taylor, Brandon}, year={1991} }

@book{Taylor_1992, address={London}, title={Art and literature under the Bolsheviks: Vol.2: Authority and Revolution, 1924-1932}, publisher={Pluto Press}, author={Taylor, Brandon}, year={1992} }

@book{Thomson_1983, address={Secaucus, New Jersey}, title={The Post-Impressionists}, publisher={Chartwell}, author={Thomson, Belinda}, year={1983} }

@inbook{Thomson_1985, address={Oxford}, title={Chapter 6}, booktitle={Seurat}, publisher={Phaidon}, author={Thomson, Richard}, year={1985}, pages={97–126} }

@book{Tzara_1977, address={London}, title={Seven Dada manifestos and lampisteries}, publisher={Calder}, author={Tzara, Tristan}, year={1977} }

@inbook{Werkner_2005, address={Aldershot}, title={Art in Vienna Around 1900}, booktitle={Klimt, Schiele, Moser, Kokoschka: Vienna 1900}, publisher={Lund Humphries}, author={Werkner, Patrick}, year={2005}, pages={35–43} }

@book{Peters_2015, address={Munich}, title={Berlin metropolis, 1918-1933}, publisher={Prestel}, year={2015} }

Bibliography for HART10217: Introduction to Modern Art BETA