Anderson, M.G. (2002) Female playwrights and eighteenth-century comedy: negotiating marriage on the London stage. New York: Palgrave.
Beadle, R., Fletcher, A.J., and Cambridge Collections Online (Online service) (2008) The Cambridge companion to medieval English theatre. 2nd ed. Cambridge: Cambridge University Press. Available at: http://dx.doi.org/10.1017/CCOL9780521864008.
Behn, A. and Spencer, J. (1998) The rover: The feigned courtesans ; The lucky chance ; The emperor of the moon. Oxford: Oxford University Press.
Betteridge, T., Walker, G., and Oxford Handbooks Online (Online service) (2012) The Oxford handbook of Tudor drama. Oxford: Oxford University Press. Available at: http://dx.doi.org/10.1093/oxfordhb/9780199566471.001.0001.
Bevis, R.W. and dawsonera (2013) English drama: Restoration and eighteenth century, 1660-1789. London. Available at: https://www.taylorfrancis.com/books/9781315836454.
Blackwood, John (editor) (no date) ‘The diary of Samuel Pepys / edited with an introduction by John Warrington.’, Blackwood’s Edinburgh magazine, 66(408), pp. 501–518. Available at: https://search.proquest.com/docview/8229815/2A7EB65209044A9PQ/14?accountid=9730.
Bloomsbury (Firm) (2013) Mankind. Edited by G.A. Lester. [London]: Bloomsbury. Available at: http://dx.doi.org/10.5040/9781408169223.00000021.
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Bradbrook, M.C. (1980) Themes and Conventions of Elizabethan Tragedy. 2nd ed. Cambridge: Cambridge University Press. Available at: http://dx.doi.org/10.1017/CBO9780511620362.
Bratton, J.S. (2003) New readings in theatre history. Cambridge: Cambridge University Press.
Bratton, J.S., Cook, J. and Gledhill, C. (1994) Melodrama: stage, picture, screen. London: British Film Institute.
Braunmuller, A.R. and Hattaway, M. (1990) The Cambridge companion to English Renaissance drama. Cambridge: Cambridge University Press.
Callaghan, D. (1989) Woman and gender in Renaissance tragedy: a study of King Lear, Othello, The Duchess of Malfi, and The White Devil. Atlantic Highlands, N.J.: Humanities Press International.
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Carpenter, S. (no date) The Sixteenth Century Court Audience: Performers and Spectators. Available at: http://www.sitm.info/history/1998-2001/SITM_files/papers/Sarah_Carpenter.html.
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Craik, T.W. (1958a) The Tudor interlude: stage, costume and acting. Leicester: Leicester University Press.
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Dollimore, J. (2010) Radical tragedy: religion, ideology and power in the drama of Shakespeare and his contemporaries. Reissued 3rd ed. Basingstoke: Palgrave Macmillan.
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Ennis, D.J. and Slagle, J.B. (2007) Prologues, epilogues, curtain-raisers, and afterpieces: the rest of the eighteenth-century London stage. Newark, [Del.]: University of Delaware Press.
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Hanawalt, B. and Kobialka, M. (eds) (2000) Medieval practices of space. Minneapolis: University of Minnesota Press. Available at: http://www.jstor.org/stable/10.5749/j.cttts5rv.
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