Bibliography for HART20028: Paris | University of Bristol

@book{Adler_1986, address={Oxford}, title={Manet}, publisher={Phaidon}, author={Adler, Kathleen}, year={1986} }

@inbook{Adler_2006, address={London}, title={‘We’ll Always Have Paris’: Paris as Training Ground and Proving Ground}, booktitle={Americans in Paris, 1860-1900}, publisher={National Gallery}, author={Adler, Kathleen}, year={2006}, pages={11–55} }

@book{Antliff_Leighten_2001, address={New York}, title={Cubism and culture}, publisher={Thames & Hudson}, author={Antliff, Mark and Leighten, Patricia Dee}, year={2001} }

@inbook{Bezucha_1990, address={Columbia}, title={An Introduction to the History}, booktitle={The art of the July Monarchy: France 1830 to 1848}, publisher={University of Missouri Press}, author={Bezucha, Robert J}, year={1990}, pages={17–48} }

@book{Bishop_Debray_Rabinow_San Francisco Museum of Modern Art_Grand Palais (Paris, France)_Metropolitan Museum of Art (New York, N.Y.), address={[San Francisco, Calif.]}, title={The Steins collect: Matisse, Picasso, and the Parisian avant-garde}, publisher={San Francisco Museum of Modern Art}, author={Bishop, Janet C. and Debray, Cécile and Rabinow, Rebecca A. and San Francisco Museum of Modern Art and Grand Palais (Paris, France) and Metropolitan Museum of Art (New York, N.Y.)} }

@inbook{Blake_Frascina_1993, address={New Haven, [Conn.]}, title={Modern Practices of Art and Modernity}, volume={Modern art-practices and debates}, booktitle={Modernity and modernism: French painting in the nineteenth century}, publisher={Yale University Press}, author={Blake, Nigel and Frascina, Frascina}, year={1993}, pages={50–140} }

@inbook{Boime_1986, address={New Haven}, title={The Crystallization of French Official Art}, booktitle={The Academy and French painting in the nineteenth century}, publisher={Yale University Press}, author={Boime, Albert}, year={1986}, pages={1–21} }

@inbook{Boime_1996, address={Princeton, N.J.}, title={Manet’s ‘A Bar at the Folies-Bergere’ as an allegory of nostalgia}, volume={The Princeton series in nineteenth-century art, culture, and society}, booktitle={12 Views of Manet’s Bar}, publisher={Princeton University Press}, author={Boime, Albert}, year={1996}, pages={47–70} }

@book{Boime, address={New Haven [Conn.]}, title={The Academy and French painting in the nineteenth century}, publisher={Yale University Press}, author={Boime, Albert} }

@book{Boime, address={Princeton, N.J.}, title={Art and the French commune: imagining Paris after war and revolution}, publisher={Princeton University Press}, author={Boime, Albert} }

@inbook{Broude_1986, address={New Haven}, title={Outing impressionism: homosexuality and homosocial bonding in the work of Caillebotte and Bazille}, booktitle={Gustave Caillebotte and the fashioning of identity in impressionist Paris}, publisher={Yale University Press}, author={Broude, Norma.}, year={1986}, pages={117–174} }

@book{Brown_1983, address={Ann Arbor, Mich}, title={The image of the ‘Bohémien’ from Diaz to Manet and Van Gogh}, publisher={University Microfilms International}, author={Brown, Marilyn}, year={1983} }

@book{Caillebotte_Broude_2002, address={New Brunswick, NJ}, title={Gustave Caillebotte and the fashioning of identity in impressionist Paris}, publisher={Rutgers University Press}, author={Caillebotte, Gustave and Broude, Norma}, year={2002} }

@book{Caillebotte_Distel_Galeries nationales du Grand Palais (France)_Art Institute of Chicago_Los Angeles County Museum of Art, address={Paris}, title={Gustave Caillebotte, urban impressionist}, publisher={Réunion des Musées Nationaux}, author={Caillebotte, Gustave and Distel, Anne and Galeries nationales du Grand Palais (France) and Art Institute of Chicago and Los Angeles County Museum of Art} }

@book{Carey_Griffiths_British Museum. Department of Prints and Drawings_1978, address={London}, title={From Manet to Toulouse-Lautrec: French lithographs, 1860-1900 : catalogue of an exhibition at the Department of Prints and Drawings in the British Museum, 1978}, publisher={British Museum Publications}, author={Carey, Frances and Griffiths, Antony and British Museum. Department of Prints and Drawings}, year={1978} }

@inbook{Clark_1985, address={London}, title={The View from Notre Dame}, booktitle={The painting of modern life: Paris in the art of Manet and his followers}, publisher={Thames and Hudson}, author={Clark, T. J.}, year={1985}, pages={23–78} }

@book{Clark_1999, address={London}, edition={Rev. ed}, title={The painting of modern life: Paris in the art of Manet and his followers}, publisher={Thames & Hudson}, author={Clark, T. J.}, year={1999} }

@inbook{Clayson_1991, address={New Haven}, title={Painting the traffic in women}, url={http://www.getty.edu/publications/virtuallibrary/0892367296.html}, booktitle={Painted love: prostitution in French art of the impressionist era}, publisher={Yale University Press}, author={Clayson, Hollis}, year={1991}, pages={1–26} }

@article{Clayson_1999, title={A wintry masculinity: Art, soldiering, and gendered space in Paris under siege}, volume={20}, DOI={10.1080/08905499908583458}, number={4}, journal={Nineteenth-Century Contexts}, author={Clayson, Hollis}, year={1999}, month={Jan}, pages={385–408} }

@inbook{Clayson_2002, address={Chicago, London}, title={The Food Crisis}, booktitle={Paris in despair: art and everyday life under siege (1870-71)}, publisher={University of Chicago Press}, author={Clayson, Hollis}, year={2002}, pages={163–191} }

@book{Clayson, address={Chicago}, title={Paris in despair: art and everyday life under siege (1870-71)}, publisher={University of Chicago Press}, author={Clayson, Hollis} }

@book{Clayson, address={New Haven}, title={Painted love: prostitution in French art of the impressionist era}, publisher={Yale University Press}, author={Clayson, Hollis} }

@book{Collins, address={Princeton, N.J.}, title={12 Views of Manet’s Bar}, publisher={Princeton University Press}, author={Collins, Bradford R.} }

@article{Cottington_1988, title={What the Papers Say: Politics and Ideology in Picasso’s Collages of 1912}, volume={47}, DOI={10.2307/776984}, number={4}, journal={Art Journal}, author={Cottington, David}, year={1988}, month={Winter} }

@book{Cottington_2004, address={Manchester}, title={Cubism and its histories}, publisher={Manchester University Press}, author={Cottington, David}, year={2004} }

@book{Cottington, address={New Haven}, title={Cubism in the shadow of war: the avant-garde and politics in Paris 1905-1914}, publisher={Yale University Press}, author={Cottington, David} }

@book{Cowling_Mundy_Tate Gallery_1990, address={London}, title={On classic ground: Picasso, Léger, de Chirico, and the new classicism, 1910-1930}, publisher={Tate Gallery}, author={Cowling, Elizabeth and Mundy, Jennifer and Tate Gallery}, year={1990} }

@book{Cowling_Tate Modern (Gallery)_Galeries nationales du Grand Palais (France)_Museum of Modern Art (New York, N.Y.)_2002, address={London}, title={Matisse, Picasso}, publisher={Tate Pub}, author={Cowling, Elizabeth and Tate Modern (Gallery) and Galeries nationales du Grand Palais (France) and Museum of Modern Art (New York, N.Y.)}, year={2002} }

@book{Daumier, address={Los Angeles}, title={Honore ́Daumier 1808-1879: the Armand Hammer Daumier Collection, incorporating a collection from George Longstreet}, publisher={Armand Hammer Foundation}, author={Daumier, Honoré} }

@inbook{De Young_2011, address={Hanover, N.H.}, title={‘Housewife or harlot’: Art, fashion, and morality in the Paris salon of 1868}, volume={Becoming modern : new nineteenth-century studies}, booktitle={Cultures of femininity in modern fashion}, publisher={University Press of New England}, author={De Young, Justine}, year={2011} }

@book{Dickerman_Doherty_Centre Georges Pompidou_National Gallery of Art (U.S.)_Museum of Modern Art (New York, N.Y.), address={Washington [D.C.]}, title={Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris}, publisher={National Gallery of Art in association with D.A.P./ Distributed Art Publishers, New York}, author={Dickerman, Leah and Doherty, Brigid and Centre Georges Pompidou and National Gallery of Art (U.S.) and Museum of Modern Art (New York, N.Y.)} }

@book{Dolan_2013, address={England}, title={Manet, Wagner, and the musical culture of their time}, publisher={Ashgate}, author={Dolan, Therese}, year={2013} }

@inbook{Dunlop,_1972, address={London}, title={The Salon d’Autumne}, booktitle={The shock of the new: seven historic exhibitions of modern art}, publisher={Weidenfeld and Nicolson}, author={Dunlop, Ian}, year={1972}, pages={88–119} }

@book{Elderfield_Matisse_Museum of Modern Art (New York, N.Y.), address={New York}, title={Henri Matisse: a retrospective}, publisher={Museum of Modern Art}, author={Elderfield, John and Matisse, Henri and Museum of Modern Art (New York, N.Y.)} }

@book{Elderfield_Museum of Modern Art (New York, N.Y.)_San Francisco Museum of Modern Art_Kimbell Art Museum, address={New York}, title={The ‘wild beasts’: Fauvism and its affinities}, publisher={Museum of Modern Art}, author={Elderfield, John and Museum of Modern Art (New York, N.Y.) and San Francisco Museum of Modern Art and Kimbell Art Museum} }

@book{Eliel_Ducros_Gronberg_Los Angeles County Museum of Art_2001, address={Los Angeles, Calif}, title={L’Esprit nouveau: Purism in Paris, 1918-1925}, publisher={Los Angeles County Museum of Art in association with Harry N. Abrams}, author={Eliel, Carol S. and Ducros, Françoise and Gronberg, Tag and Los Angeles County Museum of Art}, year={2001} }

@book{Flam_Matisse_1986, address={London}, title={Matisse: the man and his art, 1869-1918}, publisher={Thames and Hudson}, author={Flam, Jack D. and Matisse, Henri}, year={1986} }

@article{Florman_2003, title={The Difference Experience Makes in ‘The Philosophical Brothel’}, volume={85}, DOI={10.2307/3177369}, number={4}, journal={The Art Bulletin}, author={Florman, Lisa}, year={2003}, month={Dec} }

@book{Friedrich_1992, address={London}, title={Olympia: Paris in the age of Manet}, publisher={Aurum}, author={Friedrich, Otto}, year={1992} }

@book{Garb_1994, address={New Haven}, title={Sisters of the brush: women’s artistic culture in late nineteenth-century Paris}, publisher={Yale University Press}, author={Garb, Tamar}, year={1994} }

@book{Gluck_2005, address={Cambridge, Mass}, title={Popular Bohemia: modernism and urban culture in nineteenth-century Paris}, publisher={Harvard University Press}, author={Gluck, Mary}, year={2005} }

@book{Green_1987, address={New Haven}, title={Cubism and its enemies: modern movements and reaction in French art, 1916-1928}, publisher={Yale University Press}, author={Green, Christopher}, year={1987} }

@article{Green_1989, title={Circuits of Production, Circuits of Consumption: The Case of Mid-Nineteenth-Century French Art Dealing}, volume={48}, DOI={10.2307/776917}, number={1}, journal={Art Journal}, author={Green, Nicholas}, year={1989}, month={Spring} }

@book{Green_Kinsman_National Gallery of Australia_1996, address={Canberra}, title={Paris in the late nineteenth century}, publisher={National Gallery of Australia}, author={Green, Pauline and Kinsman, Jane and National Gallery of Australia}, year={1996} }

@book{Greenhalgh, address={Manchester, UK}, title={Ephemeral vistas: the expositions universelles, great exhibitions, and world’s fairs, 1851-1939}, publisher={Manchester University Press}, author={Greenhalgh, Paul} }

@phdthesis{Griffiths_2013, title={The Jury of the Paris Fine Art Salon, 1831-1852}, url={https://ore.exeter.ac.uk/repository/handle/10871/12221}, author={Griffiths, Harriet Celia}, year={2013} }

@article{Gronberg_1992, title={Speaking Volumes: The Pavillon de l’Esprit Nouveau}, volume={15}, DOI={10.1093/oxartj/15.2.58}, number={2}, journal={Oxford Art Journal}, author={Gronberg, Tag}, year={1992}, month={Jan}, pages={58–69} }

@book{Gronberg_1998, address={Manchester}, title={Designs on modernity: exhibiting the city in 1920s Paris}, publisher={Manchester University Press}, author={Gronberg, Tag}, year={1998} }

@book{Groom_Art Institute of Chicago_2012, address={Chicago}, title={Impressionism, fashion, & modernity}, publisher={Art Institute of Chicago}, author={Groom, Gloria Lynn and Art Institute of Chicago}, year={2012} }

@book{Hanson_1977, title={Manet and the modern tradition}, author={Hanson, Anne Coffin}, year={1977} }

@inbook{Harvey_2003, address={New York}, title={Dreaming the Body Politic: Revolutionary Politics and Utopian Schemes}, url={https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=182818&ppg=6}, booktitle={Paris, capital of modernity}, publisher={Routledge}, author={Harvey, David}, year={2003}, pages={59–89} }

@book{Harvey_2006, address={New York}, edition={1st pbk. ed}, title={Paris, capital of modernity}, publisher={Routledge}, author={Harvey, David}, year={2006} }

@book{Herbert, address={New Haven, Conn}, title={Impressionism: art, leisure and Parisian society}, publisher={Yale University Press}, author={Herbert, Robert L.} }

@book{Hicken, address={Aldershot, Hants}, title={Apollinaire, cubism and orphism}, publisher={Ashgate}, author={Hicken, Adrian} }

@inbook{Higonnet_2002, address={Cambridge, Mass}, title={Paris in the World}, booktitle={Paris: capital of the world}, publisher={Belknap Press of Harvard University Press}, author={Higonnet, Patrice}, year={2002}, pages={230–260} }

@book{Krell_Manet_1996, address={New York, N.Y.}, title={Manet and the painters of contemporary life}, publisher={Thames and Hudson}, author={Krell, Alan and Manet, Édouard}, year={1996} }

@book{Lampert_2006, address={London}, title={Rodin}, publisher={Royal Academy of Arts}, author={Lampert, Catherine}, year={2006} }

@inbook{Lampert_2013, address={London}, title={The Silent Hero of Modern Life}, booktitle={Daumier: visions of Paris}, publisher={Royal Academy of Arts}, author={Lampert, Catherine}, year={2013}, pages={14–25} }

@book{Landes_2001, address={Ithaca}, title={Visualizing the nation: gender, representation, and revolution in eighteenth-century France}, publisher={Cornell University Press}, author={Landes, Joan B.}, year={2001} }

@book{Laughton, address={New Haven}, title={Honoré Daumier}, publisher={Yale University Press}, author={Laughton, Bruce} }

@article{Leighten_1985, title={Picasso’s Collages and the Threat of War, 1912-13}, volume={67}, DOI={10.2307/3050849}, number={4}, journal={The Art Bulletin}, author={Leighten, Patricia}, year={1985}, month={Dec} }

@article{Leighten_1990, title={The White Peril and L’Art negre: Picasso, Primitivism, and Anticolonialism}, volume={72}, DOI={10.2307/3045764}, number={4}, journal={The Art Bulletin}, author={Leighten, Patricia}, year={1990}, month={Dec} }

@book{Leighten_Paul Avrich Collection (Library of Congress), address={Princeton, N.J.}, title={Re-ordering the universe: Picasso and anarchism, 1897-1914}, publisher={Princeton University Press}, author={Leighten, Patricia Dee and Paul Avrich Collection (Library of Congress)} }

@article{Lorente_1995, title={Galleries of modern art in nineteenth-century Paris and London: their location and urban influence}, volume={22}, DOI={10.1017/S0963926800000468}, number={2}, journal={Urban History}, author={Lorente, Jesús-Pedro}, year={1995}, month={Aug}, pages={187–204} }

@inbook{Mainardi,_1987, address={New Haven}, title={Second Empire Art Policy: The 1850s}, booktitle={Art and politics of the Second Empire: the universal expositions of 1855 and 1867}, publisher={Yale University Press}, author={Mainardi, Patricia}, year={1987}, pages={33–38} }

@book{Mainardi_1987, address={New Haven}, title={Art and politics of the Second Empire: the universal expositions of 1855 and 1867}, publisher={Yale University Press}, author={Mainardi, Patricia}, year={1987} }

@article{Mainardi_1989a, title={The Double Exhibition in Nineteenth-Century France}, volume={48}, DOI={10.2307/776915}, number={1}, journal={Art Journal}, author={Mainardi, Patricia}, year={1989}, month={Spring} }

@article{Mainardi_1989b, title={Assuring the Empire of the Future: The 1798 Fete de la Liberte}, volume={48}, DOI={10.2307/776966}, number={2}, journal={Art Journal}, author={Mainardi, Patricia}, year={1989}, month={Summer} }

@inbook{Mainardi_1993a, address={Cambridge}, title={Pictures to See and Pictures to Sell}, booktitle={The end of the Salon: art and the state in the early Third Republic}, publisher={Cambridge University Press}, author={Mainardi, Patricia}, year={1993}, pages={9–35} }

@book{Mainardi_1993b, address={Cambridge}, title={The end of the Salon: art and the state in the early Third Republic}, publisher={Cambridge University Press}, author={Mainardi, Patricia}, year={1993} }

@article{Mainardi_2008, title={By Susan S. Waller. Aldershot: Ashgate, 2006. Pp. xvii+168. $99.95.}, volume={80}, DOI={10.1086/586778}, number={1}, journal={The Journal of Modern History}, author={Mainardi, Patricia}, year={2008}, month={Mar}, pages={156–157} }

@book{Malcolm Gee_1981, address={New York}, title={Dealers, critics, and collectors of modern painting}, publisher={Garland Pub.}, author={Malcolm Gee}, year={1981} }

@book{Man Ray_Lottman_2001, address={New York}, title={Man Ray’s Montparnasse}, publisher={H.N. Abrams}, author={Man Ray and Lottman, Herbert R.}, year={2001} }

@book{Manet_Rothenstein_Wilenski_1945, address={London}, title={Manet ; with an introduction by John Rothenstein and notes by R.H. Wilenski}, publisher={Faber}, author={Manet, Edouard and Rothenstein, John and Wilenski, R. H.}, year={1945} }

@book{Manet_Stevens_Nichols_2012, address={Toledo}, title={Manet: portraying life}, publisher={Toledo Museum of Art}, author={Manet, Édouard and Stevens, Mary Anne and Nichols, Lawrence W.}, year={2012} }

@book{McCauley, address={New Haven}, title={Industrial madness: commercial photography in Paris, 1848-1871}, publisher={Yale University Press}, author={McCauley, Elizabeth Anne} }

@article{Melot_1988, title={Daumier and Art History: Aesthetic Judgement/Political Judgement}, volume={11}, DOI={10.1093/oxartj/11.1.3}, number={1}, journal={Oxford Art Journal}, author={Melot, Michel}, year={1988}, month={Jan}, pages={3–24} }

@book{Metropolitan Museum of Art (N.Y.)_Palais des beaux-arts (Paris)_1980, address={New York}, title={After Daguerre: masterworks of French photography (1848-1900) from the Bibliothèque Nationale : [catalogue of an exhibition held at the Musée du Petit Palais, Paris, September 18-November 23, 1980, and the Metropolitan Museum of Art, New York, December 18,1980-February 15,1981]}, publisher={Metropopolitan Museum of Art}, author={Metropolitan Museum of Art (N.Y.) and Palais des beaux-arts (Paris)}, year={1980} }

@book{Milner_1988, address={New Haven}, title={The studios of Paris: the capital of art in the nineteenth century}, publisher={Yale University Press}, author={Milner, John}, year={1988} }

@book{Mondenard_Barberie_Reynaud_Wolf_Kennel_Marville_National Gallery of Art (U.S.)_Metropolitan Museum of Art (New York, N.Y.)_National Gallery of Canada_2013, address={Washington}, title={Charles Marville: photographer of Paris}, publisher={National Gallery of Art}, author={Mondenard, Anne de and Barberie, Peter and Reynaud, Françoise and Wolf, Joke de and Kennel, Sarah and Marville, Charles and National Gallery of Art (U.S.) and Metropolitan Museum of Art (New York, N.Y.) and National Gallery of Canada}, year={2013} }

@article{Montagné Villette_Hardill_2010, title={Paris and fashion: reflections on the role of the Parisian fashion industry in the cultural economy}, volume={30}, DOI={10.1108/01443331011072235}, number={9/10}, journal={International Journal of Sociology and Social Policy}, author={Montagné Villette, Solange and Hardill, Irene}, year={2010}, month={Sep}, pages={461–471} }

@book{Morton_Schmunk_2011, address={London}, title={The arts entwined: music and painting in the nineteenth century}, volume={2}, publisher={Routledge}, author={Morton, Marsha and Schmunk, Peter L.}, year={2011} }

@inbook{Munholland_2001, address={New Brunswick, N.J., London}, title={Republican Order and Republican Tolerance in Fin-de-Siecle France}, booktitle={Montmartre and the making of mass culture}, publisher={Rutgers University Press}, author={Munholland, John Kim}, year={2001}, pages={15–36} }

@book{Musée d’art moderne de la ville de Paris_2000, address={Paris}, title={L’Ecole de Paris, 1904-1929: la part de l’autre : Musée d’art moderne de la ville de Paris, 30 novembre 2000-11 mars 2001}, publisher={Paris musées}, author={Musée d’art moderne de la ville de Paris}, year={2000} }

@article{Nancy Forgione_2005, title={Everyday Life in Motion: The Art of Walking in Late-Nineteenth-Century Paris}, volume={87}, url={https://www.jstor.org/stable/25067208?seq=1#metadata_info_tab_contents}, number={4}, journal={The Art Bulletin}, publisher={CAA}, author={Nancy Forgione}, year={2005} }

@inbook{Nochlin_2007, address={London}, title={Courbet, the Commune, and the Visual Arts}, booktitle={Courbet}, publisher={Thames & Hudson}, author={Nochlin, Linda}, year={2007}, pages={84–94} }

@article{Perez_1983a, title={Atget’s ‘Stillness’}, volume={36}, DOI={10.2307/3856708}, number={2}, journal={The Hudson Review}, author={Perez, Gilberto}, year={1983}, month={Summer} }

@article{Perez_1983b, title={Atget’s ‘Stillness’}, volume={36}, DOI={10.2307/3856708}, number={2}, journal={The Hudson Review}, author={Perez, Gilberto}, year={1983}, month={Summer} }

@inbook{Perry_1995, address={Manchester}, title={‘In the Wings of Modern Painting’: Women Artists, the Fauves and the Cubists}, booktitle={Women artists and the Parisian avant-garde: modernism and `feminine’ art, 1900 to the late 1920s}, publisher={Manchester University Press}, author={Perry, Gill}, year={1995}, pages={39–81} }

@book{Picasso_Braque_Rose_Gunning_PaceWildenstein (Firm)_2007, address={New York}, title={Picasso, Braque and early film in cubism: April 20-June 23, 2007 PaceWildenstein}, publisher={Pace Wildenstein}, author={Picasso, Pablo and Braque, Georges and Rose, Bernice and Gunning, Tom and PaceWildenstein (Firm)}, year={2007} }

@book{Poggi, address={New Haven}, title={In defiance of painting: cubism, futurism, and the invention of collage}, publisher={Yale University Press}, author={Poggi, Christine} }

@book{Prendergast_1992, address={Cambridge, Mass., USA}, title={Paris and the nineteenth century}, publisher={Blackwell}, author={Prendergast, Christopher}, year={1992} }

@book{Reff_National Gallery of Art (U.S.), address={Washington}, title={Manet and modern Paris: one hundred paintings, drawings, prints, and photographs by Manet and his contemporaries}, publisher={National Gallery of Art}, author={Reff, Theodore and National Gallery of Art (U.S.)} }

@article{Roger Fry_1922, title={French Art of the Nineteenth Century-Paris}, volume={40}, url={https://www.jstor.org/stable/861510?seq=1#metadata_info_tab_contents}, number={231}, journal={The Burlington Magazine for Connoisseurs}, publisher={Burlington Magazine Publications Ltd.}, author={Roger Fry}, year={1922} }

@article{Roos_1986, title={Rodin’s Monument to Victor Hugo: Art and Politics in the Third Republic}, volume={68}, DOI={10.2307/3051045}, number={4}, journal={The Art Bulletin}, author={Roos, Jane Mayo}, year={1986}, month={Dec} }

@inbook{Roos_1996a, address={Cambridge}, title={Paris Interlude}, booktitle={Early impressionism and the French state (1866-1874)}, publisher={Cambridge University Press}, author={Roos, Jane Mayo}, year={1996}, pages={91–100} }

@book{Roos_1996b, address={Cambridge [England]}, title={Early impressionism and the French state (1866-1874)}, publisher={Cambridge University Press}, author={Roos, Jane Mayo}, year={1996} }

@book{Rosenblum_1961, address={New York}, title={Cubism and twentieth-century art}, publisher={Abrams}, author={Rosenblum, Robert}, year={1961} }

@book{Rosenblum_Stevens_Dumas_Royal Academy of Arts (Great Britain)_Solomon R. Guggenheim Museum_2000, address={New York}, title={1900: art at the crossroads}, publisher={Harry N. Abrams}, author={Rosenblum, Robert and Stevens, Maryanne and Dumas, Ann and Royal Academy of Arts (Great Britain) and Solomon R. Guggenheim Museum}, year={2000} }

@book{Rubin_Picasso_Braque_Museum of Modern Art (New York, N.Y.), address={New York}, title={Picasso and Braque: pioneering cubism}, publisher={Museum of Modern Art}, author={Rubin, William and Picasso, Pablo and Braque, Georges and Museum of Modern Art (New York, N.Y.)} }

@book{Sarmant_Musée Carnavalet_2015, address={Paris}, title={Napoléon et Paris: rêves d’une capitale}, publisher={Paris-Musées}, author={Sarmant, Thierry and Musée Carnavalet}, year={2015} }

@book{Siegfried_Boilly, address={New Haven}, title={The art of Louis-Léopold Boilly: modern life in Napoleonic France}, publisher={Yale University Press}, author={Siegfried, Susan L. and Boilly, Louis} }

@inbook{Silver_1989a, address={London}, title={Internecine Warfare}, booktitle={Esprit de corps: the art of the Parisian avant-garde and the First World War, 1914-1925}, publisher={Thames and Hudson}, author={Silver, Kenneth}, year={1989}, pages={146–185} }

@book{Silver_1989b, address={London}, title={Esprit de corps: the art of the Parisian avant-garde and the First World War, 1914-1925}, publisher={Thames and Hudson}, author={Silver, Kenneth E.}, year={1989} }

@inbook{Smith_1995, address={London}, title={Manet, Baudelaire, and the Artist as Flaneur}, volume={Everyman art library}, booktitle={Impressionism: beneath the surface}, publisher={Weidenfeld & Nicholson}, author={Smith, Paul}, year={1995}, pages={33–57} }

@book{Spate, address={Oxford}, title={Orphism: the evolution of non-figurative painting in Paris, 1910-1914}, publisher={Oxford University Press}, author={Spate, Virginia} }

@inbook{Steele_1998, address={Oxford}, edition={2nd ed. rev. and updated}, title={The Black Prince of Elegance}, booktitle={Paris fashion: a cultural history}, publisher={Berg}, author={Steele, Valerie}, year={1998}, pages={77–96} }

@book{Symmons, address={London}, title={Daumier}, publisher={Chaucer}, author={Symmons, Sarah} }

@article{Tag Gronberg_1992, title={Speaking Volumes: The ‘Pavillon de l’Esprit Nouveau’}, volume={15}, url={http://www.jstor.org/stable/1360501}, number={2}, journal={Oxford Art Journal}, publisher={Oxford University Press}, author={Tag Gronberg}, year={1992}, pages={58–69} }

@phdthesis{Thidemann, Anne_2004, title={The art of dealing: commercial galleries in Paris towards the end of the nineteenth century.}, url={https://www.repository.cam.ac.uk/handle/1810/265467}, author={Thidemann, Anne}, year={2004} }

@book{Thomson_2012, address={New Haven}, title={Art of the actual: naturalism and style in early Third Republic France, 1880-1900}, publisher={Yale University Press}, author={Thomson, Richard}, year={2012} }

@book{Troy_1991, title={Modernism and the decorative arts in France: Art Nouveau and Le Corbusier}, publisher={Yale University Press}, author={Troy, Nancy J.}, year={1991} }

@article{Tseng_2014, title={Nadar’s Photography of Subterranean Paris: Mapping the Urban Body}, volume={38}, DOI={10.1080/03087298.2014.881150}, number={3}, journal={History of Photography}, author={Tseng, Shao-Chien}, year={2014}, month={Jul}, pages={233–254} }

@book{Turner_Ellis_Davenport_1996, address={Washington, D.C.}, title={Americans in Paris: (1921-1931) : Man Ray, Gerald Murphy, Stuart Davis, Alexander Calder}, publisher={Counterpoint}, author={Turner, Elizabeth Hutton and Ellis, Elizabeth Garrity and Davenport, Guy}, year={1996} }

@book{Varnedoe_Caillebotte_1987, address={New Haven}, title={Gustave Caillebotte}, publisher={Yale University Press}, author={Varnedoe, Kirk and Caillebotte, Gustave}, year={1987} }

@article{Walker_2005, title={DAUMIER}, volume={12}, DOI={10.1111/j.1467-8357.2005.555_1.x}, number={2}, journal={The Art Book}, author={Walker, John A}, year={2005}, month={May}, pages={57–57} }

@book{Waller, address={Aldershot, England}, title={The invention of the model: artists and models in Paris, 1830-1870}, publisher={Ashgate}, author={Waller, Susan} }

@article{Ward_1991, title={Impressionist Installations and Private Exhibitions}, volume={73}, DOI={10.2307/3045832}, number={4}, journal={The Art Bulletin}, author={Ward, Martha}, year={1991}, month={Dec} }

@book{Wayne_Modigliani_Albright-Knox Art Gallery_Kimbell Art Museum_Los Angeles County Museum of Art_2002, address={New York}, title={Modigliani & the artists of Montparnasse}, publisher={Harry N. Abrams in association with the Albright-Knox Art Gallery, Buffalo, New York}, author={Wayne, Kenneth and Modigliani, Amedeo and Albright-Knox Art Gallery and Kimbell Art Museum and Los Angeles County Museum of Art}, year={2002} }

@book{Wilson_Chassey_Royal Academy of Arts (Great Britain)_Museo Guggenheim Bilbao_2002, address={London}, title={Paris: capital of the arts, 1900-1968}, publisher={Royal Academy of Arts}, author={Wilson, Sarah and Chassey, Eric de and Royal Academy of Arts (Great Britain) and Museo Guggenheim Bilbao}, year={2002} }

@book{Wilson-Bareau_Musée d’Orsay_National Gallery of Art (U.S.), address={Washington}, title={Manet, Monet, and the Gare Saint-Lazare}, publisher={National Gallery of Art}, author={Wilson-Bareau, Juliet and Musée d’Orsay and National Gallery of Art (U.S.)} }

@book{D’Souza_McDonough_2006, address={Manchester}, title={The invisible flâneuse?: gender, public space, and visual culture in nineteenth-century Paris}, publisher={Manchester University Press}, year={2006} }

Bibliography for HART20028: Paris BETA