Bibliography for DRAM23124: Popular Performance: Cabaret, Music Hall, Musicals and Revue BETA

@article{Allan Moore_2002, title={Authenticity as Authentication}, volume={21}, url={http://www.jstor.org/stable/853683?seq=1#page_scan_tab_contents}, number={2}, journal={Popular Music}, publisher={Cambridge University Press}, author={Allan Moore}, year={2002}, pages={209–223} }

@article{Auslander_2004, title={Performance Analysis and Popular Music: A Manifesto}, volume={14}, DOI={10.1080/1026716032000128674}, number={1}, journal={Contemporary Theatre Review}, author={Auslander, Philip}, year={2004}, month={Feb}, pages={1–13} }

@inbook{Auslander_dawsonera_2008a, address={London}, edition={2nd ed}, title={Tryin’ to Make it Real}, url={https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203938133}, booktitle={Liveness: performance in a mediatized culture}, publisher={Routledge}, author={Auslander, Philip and dawsonera}, year={2008} }

@book{Auslander_dawsonera_2008b, address={London}, edition={2nd ed}, title={Liveness: performance in a mediatized culture}, url={https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203938133}, publisher={Routledge}, author={Auslander, Philip and dawsonera}, year={2008} }

@inbook{Baudelaire_1964, address={London}, title={The Painter of Modern Life}, booktitle={The painter of modern life and other essays}, publisher={Phaidon Press}, author={Baudelaire, Charles}, editor={Mayne, Jonathan}, year={1964}, pages={1–40} }

@inbook{Berghaus_2005, address={New York}, title={Dadaism}, volume={Palgrave studies in theatre and performance history}, booktitle={Theatre, performance, and the historical avant-garde}, publisher={Palgrave Macmillan}, author={Berghaus, Günter}, year={2005}, pages={135–180} }

@inbook{Bishop_2012, address={London}, title={Artificial Hells: The Historic Avant-Garde}, booktitle={Artificial hells : participatory art and the politics of spectatorship}, publisher={Verso}, author={Bishop, Claire}, year={2012}, pages={41–75} }

@inbook{Bratton_2006, address={Cambridge}, title={The music hall}, volume={The Cambridge companions to literature and classics}, url={http://universitypublishingonline.org/ref/id/companions/CBO9780511999543A016}, DOI={10.1017/CCOL052179157X.010}, booktitle={The Cambridge companion to Victorian and Edwardian theatre}, publisher={Cambridge University Press}, author={Bratton, Jacky}, year={2006}, pages={164–182} }

@article{Brigstocke_2012, title={Defiant laughter: humour and the aesthetics of place in late 19th century Montmartre}, volume={19}, DOI={10.1177/1474474011414637}, number={2}, journal={cultural geographies}, author={Brigstocke, Julian}, year={2012}, month={Apr}, pages={217–235} }

@article{Clare Parfitt, title={‘Like a butterfly under glass’: the cancan, Loïe Fuller and cinema}, url={http://www.tandfonline.com/doi/abs/10.1386/padm.5.2-3.107/1}, journal={International Journal of Performance Arts and Digital Media}, publisher={Routledge}, author={Clare Parfitt}, pages={107–120} }

@inbook{Dyer_1992a, address={London}, title={Introduction}, booktitle={Only entertainment}, publisher={Routledge}, author={Dyer, Richard}, year={1992}, pages={1–4} }

@inbook{Dyer_1992b, address={London}, title={Entertainment and Utopia}, booktitle={Only entertainment}, publisher={Routledge}, author={Dyer, Richard}, year={1992}, pages={19–35} }

@inbook{Earl_1986, address={Milton Keynes}, title={Building the Halls}, volume={Popular music in Britain}, booktitle={Music hall : the business of pleasure}, publisher={Open University Press}, author={Earl, John}, editor={Bailey, Peter}, year={1986}, pages={1–32} }

@book{Frith_1988a, address={New York}, title={Music for pleasure: essays in the sociology of pop}, publisher={Routledge}, author={Frith, Simon}, year={1988} }

@book{Frith_1988b, address={New York}, title={Facing the music: a Pantheon guide to popular culture}, publisher={Pantheon Books}, author={Frith, Simon}, year={1988} }

@book{Frith_2014, address={Farnham}, title={Popular music matters: essays in honour of Simon Frith}, volume={Ashgate popular and folk music series}, publisher={Ashgate}, author={Frith, Simon}, editor={Marshall, Lee and Laing, Dave}, year={2014} }

@inbook{Gendron_2002, address={Chicago}, title={The Song of Montmartre}, booktitle={Between Montmartre and the Mudd Club: popular music and the avant-garde}, publisher={University of Chicago Press}, author={Gendron, Bernard}, year={2002}, pages={29–56} }

@inbook{Hawkins_2000a, address={Aldershot}, title={How do you write about chanson?}, booktitle={Chanson: the French singer-songwriter from Aristide Bruant to the present day}, publisher={Ashgate}, author={Hawkins, Peter}, year={2000}, pages={10–22} }

@inbook{Hawkins_2000b, address={Aldershot}, title={What is not chanson: some fine distinctions}, booktitle={Chanson: the French singer-songwriter from Aristide Bruant to the present day}, publisher={Ashgate}, author={Hawkins, Peter}, year={2000}, pages={23–34} }

@book{Hesmondhalgh_Negus_2002, address={London}, title={Popular music studies}, publisher={Arnold}, author={Hesmondhalgh, David and Negus, Keith}, year={2002} }

@inbook{Hindson_2007, address={Manchester}, title={All the noblest arts...}, booktitle={Female performance practice on the fin-de-siècle popular stages of London and Paris : experiment and advertisement}, publisher={Manchester University Press}, author={Hindson, Catherine}, year={2007}, pages={34–57} }

@article{Houchin_1984, title={The Origins of the ‘Cabaret Artistique’}, volume={28}, DOI={10.2307/1145557}, number={1}, journal={The Drama Review: TDR}, author={Houchin, John}, year={1984}, month={Spring} }

@book{Inglis_2003, address={London}, title={Popular music and film}, publisher={Wallflower}, author={Inglis, Ian}, year={2003} }

@book{Inglis_2006, address={Aldershot}, title={Performance and popular music: history, place and time}, volume={Ashgate popular and folk music series}, publisher={Ashgate}, author={Inglis, Ian}, year={2006} }

@book{James_2016, title={Rock ‘N’ Film}, url={http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199387595.001.0001/acprof-9780199387595}, DOI={10.1093/acprof:oso/9780199387595.001.0001}, publisher={Oxford University Press}, author={James, David E.}, year={2016} }

@inbook{Jelavich_1993, address={Cambridge, Mass}, title={Introduction}, volume={Studies in cultural history}, booktitle={Berlin cabaret}, publisher={Harvard University Press}, author={Jelavich, Peter}, year={1993}, pages={1–7} }

@article{Karen C. C. Dalton and Henry Louis Gates, Jr._1998, title={Josephine Baker and Paul Colin: African American Dance Seen through Parisian Eyes}, volume={24}, url={http://www.jstor.org/stable/1344112?seq=1#page_scan_tab_contents}, number={4}, journal={Critical Inquiry}, publisher={The University of Chicago Press}, author={Karen C. C. Dalton and Henry Louis Gates, Jr.}, year={1998}, pages={903–934} }

@article{Lareau_2005, title={Lavender Songs: Undermining Gender in Weimar Cabaret and Beyond}, volume={28}, DOI={10.1080/0300776042000300954}, number={1}, journal={Popular Music and Society}, author={Lareau, Alan}, year={2005}, month={Feb}, pages={15–33} }

@article{Laurence Senelick_1975, title={Politics as Entertainment: Victorian Music-Hall Songs}, volume={19}, url={http://www.jstor.org/stable/3825910?seq=1#page_scan_tab_contents}, number={2}, journal={Victorian Studies}, publisher={Indiana University Press}, author={Laurence Senelick}, year={1975}, pages={149–180} }

@article{Peter Bailey_1994, title={Conspiracies of Meaning: Music-Hall and the Knowingness of Popular Culture}, url={http://www.jstor.org/stable/651146?seq=1#page_scan_tab_contents}, number={144}, journal={Past & Present}, publisher={Oxford University Press}, author={Peter Bailey}, year={1994}, pages={138–170} }

@inbook{1983a, address={London}, edition={Rev. and expanded ed}, title={Culture}, booktitle={Keywords: a vocabulary of culture and society}, publisher={Fontana Press}, author={Raymond Williams}, year={1983}, pages={87–93} }

@inbook{1983b, address={London}, edition={Rev. and expanded ed}, title={Folk}, booktitle={Keywords: a vocabulary of culture and society}, publisher={Fontana Press}, author={Raymond Williams}, year={1983}, pages={136–137} }

@inbook{1983c, address={London}, edition={Rev. and expanded ed}, title={Masses}, booktitle={Keywords: a vocabulary of culture and society}, publisher={Fontana Press}, author={Raymond Williams}, year={1983}, pages={192–197} }

@inbook{1983d, address={London}, edition={Rev. and expanded ed}, title={Ordinary}, booktitle={Keywords: a vocabulary of culture and society}, publisher={Fontana Press}, author={Raymond Williams}, year={1983}, pages={225–227} }

@inbook{1983e, address={London}, edition={Rev. and expanded ed}, title={Popular}, booktitle={Keywords: a vocabulary of culture and society}, publisher={Fontana Press}, author={Raymond Williams}, year={1983}, pages={236–238} }

@inbook{1983f, address={London}, edition={Rev. and expanded ed}, title={Taste}, booktitle={Keywords: a vocabulary of culture and society}, publisher={Fontana Press}, author={Raymond Williams}, year={1983}, pages={313–315} }

@article{Rebellato_2006, title={Playwriting and globalisation: Towards a site-unspecific theatre}, volume={16}, DOI={10.1080/10486800500451047}, number={1}, journal={Contemporary Theatre Review}, author={Rebellato, Dan}, year={2006}, month={Feb}, pages={97–113} }

@inbook{Rutherford_1986, address={Milton Keynes}, title={‘Harmless Nonsense’: the Comic Sketch and the Development of Music-Hall Entertainment}, volume={Popular music in Britain}, booktitle={Music hall : performance and style}, publisher={Open University Press}, author={Rutherford, Lois}, editor={Bratton, J.S.}, year={1986}, pages={131–151} }

@article{Savran_2004, title={Toward a Historiography of the Popular}, volume={45}, DOI={10.1017/S004055740400016X}, number={02}, journal={Theatre Survey}, author={Savran, David}, year={2004}, month={Nov}, pages={211–217} }

@inbook{Scott_2008, address={Oxford}, title={No Smoke without Water}, url={http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780195309461.001.0001/acprof-9780195309461-chapter-8}, DOI={10.1093/acprof:oso/9780195309461.003.0008}, booktitle={Sounds of the metropolis: the nineteenth-century popular music revolution in London, New York, Paris, and Vienna}, publisher={Oxford University Press}, author={Scott, Derek B.}, year={2008}, pages={196–218} }

@book{Silverman_2010, address={Amsterdam}, title={The popular avant-garde}, volume={Avant-garde critical studies}, publisher={Rodopi}, author={Silverman, Renée M.}, year={2010} }

@inbook{Speck_2009, address={Amsterdam}, title={The Joy of Anti-Art: Subversion through Humour in Dada}, volume={Amsterdamer Beiträge zur neueren Germanistik}, booktitle={Gender and laughter: comic affirmation and subversion in traditional and modern media}, publisher={Rodopi}, author={Speck, Oliver}, year={2009}, pages={371–382} }

@inbook{Storey_dawsonera_2009a, address={Harlow}, edition={5th ed}, title={What is popular culture}, url={https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781408241578}, booktitle={Cultural theory and popular culture: an introduction}, publisher={Pearson Longman}, author={Storey, John and dawsonera}, year={2009}, pages={1–16} }

@book{Storey_dawsonera_2009b, address={Harlow}, edition={5th ed}, title={Cultural theory and popular culture: an introduction}, url={https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781408241578}, publisher={Pearson Longman}, author={Storey, John and dawsonera}, year={2009} }

@inbook{Tzara_1977, address={London}, title={Dada Manifesto 1918}, booktitle={Seven Dada manifestos and lampisteries}, publisher={Calder}, author={Tzara, Tristan}, year={1977}, pages={3–13} }

@article{Visconti, title={Playtime at the Moulin Rouge}, volume={50}, url={https://literature.proquest.com/pageImage.do?ftnum=3252785541&fmt=page&area=criticism&journalid=18357040&articleid=R04986104&pubdate=2013}, journal={Essays in French Literature and Culture,}, author={Visconti, Will}, pages={107–122} }

@article{Walkowitz_1998, title={Going Public: Shopping, Street Harassment, and Streetwalking in Late Victorian London}, url={https://www.jstor.org/stable/2902937}, number={62}, journal={Representations}, author={Walkowitz, Judith R.}, year={1998}, month={Apr}, pages={1–30} }

@inbook{Weitz_2007, address={Princeton, N.J.}, title={Introduction}, booktitle={Weimar Germany: promise and tragedy}, publisher={Princeton University Press}, author={Weitz, Eric D.}, year={2007}, pages={1–5} }

@inbook{Williams_1983, address={London}, edition={Rev. and expanded ed}, title={Art}, booktitle={Keywords: a vocabulary of culture and society}, publisher={Fontana Press}, author={Williams, Raymond}, year={1983}, pages={40–43} }