1.
Savran, D.: Toward a Historiography of the Popular. Theatre Survey. 45, 211–217 (2004). https://doi.org/10.1017/S004055740400016X.
2.
Dyer, R.: Introduction. In: Only entertainment. pp. 1–4. Routledge, London (1992).
3.
Williams, R.: Art. In: Keywords: a vocabulary of culture and society. pp. 40–43. Fontana Press, London (1983).
4.
Raymond Williams: Culture. In: Keywords: a vocabulary of culture and society. pp. 87–93. Fontana Press, London (1983).
5.
Raymond Williams: Folk. In: Keywords: a vocabulary of culture and society. pp. 136–137. Fontana Press, London (1983).
6.
Raymond Williams: Masses. In: Keywords: a vocabulary of culture and society. pp. 192–197. Fontana Press, London (1983).
7.
Raymond Williams: Ordinary. In: Keywords: a vocabulary of culture and society. pp. 225–227. Fontana Press, London (1983).
8.
Raymond Williams: Popular. In: Keywords: a vocabulary of culture and society. pp. 236–238. Fontana Press, London (1983).
9.
Raymond Williams: Taste. In: Keywords: a vocabulary of culture and society. pp. 313–315. Fontana Press, London (1983).
10.
Storey, J., dawsonera: What is popular culture. In: Cultural theory and popular culture: an introduction. pp. 1–16. Pearson Longman, Harlow (2009).
11.
Peter Bailey: Conspiracies of Meaning: Music-Hall and the Knowingness of Popular Culture. Past & Present. 138–170 (1994).
12.
Bratton, J.: The music hall. In: The Cambridge companion to Victorian and Edwardian theatre. pp. 164–182. Cambridge University Press, Cambridge (2006). https://doi.org/10.1017/CCOL052179157X.010.
13.
Earl, J.: Building the Halls. In: Bailey, P. (ed.) Music hall : the business of pleasure. pp. 1–32. Open University Press, Milton Keynes (1986).
14.
Rutherford, L.: ‘Harmless Nonsense’: the Comic Sketch and the Development of Music-Hall Entertainment. In: Bratton, J.S. (ed.) Music hall : performance and style. pp. 131–151. Open University Press, Milton Keynes (1986).
15.
Laurence Senelick: Politics as Entertainment: Victorian Music-Hall Songs. Victorian Studies. 19, 149–180 (1975).
16.
Walkowitz, J.R.: Going Public: Shopping, Street Harassment, and Streetwalking in Late Victorian London. Representations. 1–30 (1998).
17.
Karen C. C. Dalton and Henry Louis Gates, Jr.: Josephine Baker and Paul Colin: African American Dance Seen through Parisian Eyes. Critical Inquiry. 24, 903–934 (1998).
18.
Scott, D.B.: No Smoke without Water. In: Sounds of the metropolis: the nineteenth-century popular music revolution in London, New York, Paris, and Vienna. pp. 196–218. Oxford University Press, Oxford (2008). https://doi.org/10.1093/acprof:oso/9780195309461.003.0008.
19.
Brigstocke, J.: Defiant laughter: humour and the aesthetics of place in late 19th century Montmartre. cultural geographies. 19, 217–235 (2012). https://doi.org/10.1177/1474474011414637.
20.
Houchin, J.: The Origins of the ‘Cabaret Artistique’. The Drama Review: TDR. 28, (1984). https://doi.org/10.2307/1145557.
21.
Gendron, B.: The Song of Montmartre. In: Between Montmartre and the Mudd Club: popular music and the avant-garde. pp. 29–56. University of Chicago Press, Chicago (2002).
22.
Baudelaire, C.: The Painter of Modern Life. In: Mayne, J. (ed.) The painter of modern life and other essays. pp. 1–40. Phaidon Press, London (1964).
23.
Hindson, C.: All the noblest arts... In: Female performance practice on the fin-de-siècle popular stages of London and Paris : experiment and advertisement. pp. 34–57. Manchester University Press, Manchester (2007).
24.
Hawkins, P.: How do you write about chanson? In: Chanson: the French singer-songwriter from Aristide Bruant to the present day. pp. 10–22. Ashgate, Aldershot (2000).
25.
Hawkins, P.: What is not chanson: some fine distinctions. In: Chanson: the French singer-songwriter from Aristide Bruant to the present day. pp. 23–34. Ashgate, Aldershot (2000).
26.
Clare Parfitt: ‘Like a butterfly under glass’: the cancan, Loïe Fuller and cinema. International Journal of Performance Arts and Digital Media. 107–120.
27.
Visconti, W.: Playtime at the Moulin Rouge. Essays in French Literature and Culture,. 50, 107–122.
28.
Tzara, T.: Dada Manifesto 1918. In: Seven Dada manifestos and lampisteries. pp. 3–13. Calder, London (1977).
29.
Speck, O.: The Joy of Anti-Art: Subversion through Humour in Dada. In: Gender and laughter: comic affirmation and subversion in traditional and modern media. pp. 371–382. Rodopi, Amsterdam (2009).
30.
Weitz, E.D.: Introduction. In: Weimar Germany: promise and tragedy. pp. 1–5. Princeton University Press, Princeton, N.J. (2007).
31.
Lareau, A.: Lavender Songs: Undermining Gender in Weimar Cabaret and Beyond. Popular Music and Society. 28, 15–33 (2005). https://doi.org/10.1080/0300776042000300954.
32.
Jelavich, P.: Introduction. In: Berlin cabaret. pp. 1–7. Harvard University Press, Cambridge, Mass (1993).
33.
Rebellato, D.: Playwriting and globalisation: Towards a site-unspecific theatre. Contemporary Theatre Review. 16, 97–113 (2006). https://doi.org/10.1080/10486800500451047.
34.
Auslander, P.: Performance Analysis and Popular Music: A Manifesto. Contemporary Theatre Review. 14, 1–13 (2004). https://doi.org/10.1080/1026716032000128674.
35.
Allan Moore: Authenticity as Authentication. Popular Music. 21, 209–223 (2002).
36.
Auslander, P., dawsonera: Tryin’ to Make it Real. In: Liveness: performance in a mediatized culture. Routledge, London (2008).
37.
Inglis, I.: Popular music and film. Wallflower, London (2003).
38.
James, D.E.: Rock ‘N’ Film. Oxford University Press (2016). https://doi.org/10.1093/acprof:oso/9780199387595.001.0001.
39.
Auslander, P., dawsonera: Liveness: performance in a mediatized culture. Routledge, London (2008).
40.
Berghaus, G.: Dadaism. In: Theatre, performance, and the historical avant-garde. pp. 135–180. Palgrave Macmillan, New York (2005).
41.
Bishop, C.: Artificial Hells: The Historic Avant-Garde. In: Artificial hells : participatory art and the politics of spectatorship. pp. 41–75. Verso, London (2012).
42.
Dyer, R.: Entertainment and Utopia. In: Only entertainment. pp. 19–35. Routledge, London (1992).
43.
Inglis, I.: Performance and popular music: history, place and time. Ashgate, Aldershot (2006).
44.
Frith, S.: Music for pleasure: essays in the sociology of pop. Routledge, New York (1988).
45.
Frith, S.: Facing the music: a Pantheon guide to popular culture. Pantheon Books, New York (1988).
46.
Frith, S.: Popular music matters: essays in honour of Simon Frith. Ashgate, Farnham (2014).
47.
Hesmondhalgh, D., Negus, K.: Popular music studies. Arnold, London (2002).
48.
Storey, J., dawsonera: Cultural theory and popular culture: an introduction. Pearson Longman, Harlow (2009).
49.
Silverman, R.M.: The popular avant-garde. Rodopi, Amsterdam (2010).