Bibliography for HART30035: German Expressionism

@inbook{Adam_1992a, address={London}, title={The Nordic Myth: National Socialist Ideology}, booktitle={The arts of the Third Reich}, publisher={Thames and Hudson}, author={Adam, Peter}, year={1992}, pages={23–27} }

@inbook{Adam_1992b, address={London}, title={The Visualization of National Socialist Ideology}, booktitle={The arts of the Third Reich}, publisher={Thames and Hudson}, author={Adam, Peter}, year={1992}, pages={129–173} }

@book{Ades_Hayward Gallery_Centre de Cultura Contemporània de Barcelona_Deutsches Historisches Museum_Council of Europe. Exhibition, address={London}, title={Art and power: Europe under the dictators 1930-45}, publisher={Thames and Hudson in association with Hayward Gallery}, author={Ades, Dawn and Hayward Gallery and Centre de Cultura Contemporània de Barcelona and Deutsches Historisches Museum and Council of Europe. Exhibition} }

@article{Anne Higonnet_2009, title={Making Babies, Painting Bodies: Women, Art, and Paula Modersohn-Becker’s Productivity}, volume={30}, url={https://www.jstor.org/stable/40605294?seq=1#metadata_info_tab_contents}, number={2}, journal={Woman’s Art Journal}, publisher={Old City Publishing, Inc.}, author={Anne Higonnet}, year={2009} }

@article{Antliff_2002, title={Fascism, Modernism, and Modernity}, volume={84}, DOI={10.2307/3177257}, number={1}, journal={The Art Bulletin}, author={Antliff, Mark}, year={2002}, month={Mar} }

@inbook{Bachert_1992, address={New Haven}, title={Collecting the Art of Käthe Kollwitz}, booktitle={Kathe Kollwitz}, publisher={Yale University Press}, author={Bachert, Hildegard}, year={1992}, pages={117–136} }

@inbook{Bahr_1984, address={New York}, title={Expressionism (1916)}, booktitle={‘Primitivism’ in 20th century art: affinity of the tribal and the modern}, publisher={Museum of Modern Art}, author={Bahr, Hermann}, editor={Rubin, William}, year={1984} }

@book{Behr_1988, address={Oxford}, title={Women expressionists}, publisher={Phaidon}, author={Behr, Shulamith}, year={1988} }

@inbook{Behr_2006, address={London}, title={Kandinsky, Münter and Creative Partnership}, booktitle={Kandinsky: the path to abstraction}, publisher={Tate}, author={Behr, Shulamith}, year={2006}, pages={76–100} }

@inbook{Behr, address={Farnham, Surrey}, title={Künstlergruppe Brücke and the public sphere: bridging the gender divide}, booktitle={New perspectives on Brücke expressionism: bridging history}, publisher={Ashgate}, author={Behr, Shulamith}, pages={99–123} }

@inbook{Betterton_1996, address={London}, title={Mother Figures: The Maternal Nude in the work of Käthe Kollwitz and Paula Modersohn-Becker}, url={https://www-taylorfrancis-com.bris.idm.oclc.org/books/9781315003931/chapters/10.4324/9781315003931-10}, booktitle={An intimate distance: women, artists, and the body}, publisher={Routledge}, author={Betterton, Rosemary}, year={1996}, pages={20–45} }

@article{Braun_1991, title={Return of the Repressed}, volume={79}, number={10}, journal={Art in America. Annual guide to galleries, museums, artists.}, author={Braun, Emily}, year={1991}, pages={116–123} }

@article{Carl E. Schorske_1982, title={Mahler and Klimt: Social Experience and Artistic Evolution}, volume={111}, url={https://www.jstor.org/stable/20024801?seq=1#metadata_info_tab_contents}, number={3}, journal={Daedalus}, publisher={The MIT Press}, author={Carl E. Schorske}, year={1982} }

@inbook{Clark_1997, address={London}, title={Art Propaganda and Fascism}, booktitle={Art and propaganda in the twentieth century: the political image in the age of mass culture}, publisher={Weidenfeld and Nicolson}, author={Clark, Toby}, year={1997}, pages={47–71} }

@article{Crockett_1992, title={The Most Famous Painting of the ‘Golden Twenties’? Otto Dix and the Trench Affair}, volume={51}, DOI={10.2307/777257}, number={1}, journal={Art Journal}, author={Crockett, Dennis}, year={1992}, month={Spring} }

@inbook{Deshmukh_1996, address={Washington}, title={The Cultural Politics of Max Lieberman}, booktitle={Imagining modern German culture, 1889-1910}, publisher={National Gallery of Art}, author={Deshmukh, Marion}, year={1996}, pages={165–183} }

@article{Diane Radycki_2009, title={‘Pictures of Flesh’: Modersohn-becker and the Nude}, volume={30}, url={https://www.jstor.org/stable/40605293?seq=1#metadata_info_tab_contents}, number={2}, journal={Woman’s Art Journal}, publisher={Old City Publishing, Inc.}, author={Diane Radycki}, year={2009} }

@inbook{Duncan_1982, address={Boulder, CO.}, title={Virility and domination in early twentieth century vanguard painting}, url={https://www-taylorfrancis-com.bris.idm.oclc.org/books/e/9780429500534/chapters/10.4324/9780429500534-16}, booktitle={Feminism and art history: questioning the litany}, publisher={Westview Press}, author={Duncan, Carol}, editor={Broude, Norma and Garrard, Mary D.}, year={1982} }

@article{van Dyke_2009, title={Otto Dix’s Streetbattle and the Limits of Satire in Dusseldorf, 1928}, volume={32}, DOI={10.1093/oxartj/kcp005}, number={1}, journal={Oxford Art Journal}, author={van Dyke, J.}, year={2009}, month={Mar}, pages={37–65} }

@inbook{Eberle_1985a, address={New Haven}, title={Otto Dix: Fighting for a Lost Cause}, booktitle={World War I and the Weimar artists: Dix, Grosz, Beckmann, Schlemmer}, publisher={Yale University Press}, author={Eberle, Matthias}, year={1985}, pages={22–53} }

@inbook{Eberle_1985b, address={New Haven}, title={George Grosz: The Irate Dandy: Art as a Weapon in the Class Struggle}, booktitle={World War I and the Weimar artists: Dix, Grosz, Beckmann, Schlemmer}, publisher={Yale University Press}, author={Eberle, Matthias}, year={1985}, pages={54–72} }

@inbook{Eberle_2011, address={New York}, edition={First edition}, title={Criticism, Conflict and Controversy}, volume={v. 14}, booktitle={Max Liebermann and international modernism: an artist’s career from empire to Third Reich}, publisher={Berghahn Books}, author={Eberle, Matthias}, editor={Deshmukh, Marion F. and Forster-Hahn, Françoise and Gaehtgens, Barbara}, year={2011}, pages={127–141} }

@article{Florman_1990, title={Gustav Klimt and the Precedent of Ancient Greece}, volume={72}, DOI={10.2307/3045736}, number={2}, journal={The Art Bulletin}, author={Florman, Lisa}, year={1990}, month={Jun} }

@inbook{Forster-Hahn_2011, address={New York}, edition={First edition}, title={How Modern is Modern? Max Liebermann and the Discourses of Modernism}, volume={v. 14}, booktitle={Max Liebermann and international modernism: an artist’s career from empire to Third Reich}, publisher={Berghahn Books}, author={Forster-Hahn, Francoise}, editor={Deshmukh, Marion F. and Forster-Hahn, Françoise and Gaehtgens, Barbara}, year={2011}, pages={143–156} }

@article{Franciscono_1973, title={The Imagery of Max Beckmann’s The Night}, volume={33}, DOI={10.2307/775666}, number={1}, journal={Art Journal}, author={Franciscono, Marcel}, year={1973}, month={Autumn} }

@inbook{Gaiger_2004a, address={New Haven}, title={The Brücke}, volume={bk. 2}, booktitle={Art of the avant-gardes}, publisher={Yale University Press in association with the Open University}, author={Gaiger, Jason}, editor={Edwards, Steve and Wood, Paul}, year={2004}, pages={24–37} }

@inbook{Gaiger_2004b, address={New Haven}, title={Der Blaue Reiter}, volume={bk. 2}, booktitle={Art of the avant-gardes}, publisher={Yale University Press in association with the Open University}, author={Gaiger, Jason}, editor={Edwards, Steve and Wood, Paul}, year={2004}, pages={48–56} }

@article{Gemma Blackshaw_2007, title={The Pathological Body: Modernist Strategising in Egon Schiele’s Self-Portraiture}, volume={30}, url={https://www.jstor.org/stable/4500071?seq=1#metadata_info_tab_contents}, number={3}, journal={Oxford Art Journal}, publisher={Oxford University Press}, author={Gemma Blackshaw}, year={2007} }

@article{Goggin_1991, title={‘Decent’ vs. ‘Degenerate’ Art: The National Socialist Case}, volume={50}, DOI={10.2307/777328}, number={4}, journal={Art Journal}, author={Goggin, Mary-Margaret}, year={1991}, month={Winter} }

@book{Gordon, address={New Haven}, title={Expressionism: art and idea}, publisher={Yale University Press}, author={Gordon, Donald E.} }

@inbook{Guenther_Los Angeles County Museum of Art_Art Institute of Chicago, address={Los Angeles, Calif}, title={1937: Modern Art and Politics in Prewar Germany}, url={https://archive.org/stream/degenerateartfa00barr/degenerateartfa00barr#page/8/mode/2up}, booktitle={‘Degenerate art’: the fate of the avant-garde in Nazi Germany}, publisher={Los Angeles County Museum of Art}, author={Guenther, Peter W. and Los Angeles County Museum of Art and Art Institute of Chicago}, editor={Barron, Stephanie}, pages={9–24} }

@inbook{Haxthausen_1990, title={"A New Beauty”: Ernst Ludwig Kirchner’s Images of Berlin}, url={https://www.jstor.org/stable/10.5749/j.ctttv05x.8?refreqid=excelsior%3Ad1695b2380890b308da62920e3e3c3bf}, booktitle={Berlin: culture and metropolis}, publisher={University of Minnesota Press}, author={Haxthausen, Charles W.}, year={1990}, pages={58–94} }

@article{Heller_1977, title={Recent Scholarship on Vienna’s ‘Golden Age,’ Gustav Klimt, and Egon Schiele}, volume={59}, DOI={10.2307/3049602}, number={1}, journal={The Art Bulletin}, author={Heller, Reinhold}, year={1977}, month={Mar} }

@inbook{Heller_1992, address={London}, title={Observations, in the form of a survey, on the history of print cycles in German Art from the fifteenth to the nineteenth century}, booktitle={The German print portfolio, 1890-1930: serials for a private sphere}, publisher={Philip Wilson Publishers, in association with the David and Alfred Smart Museum of Art, the University of Chicago}, author={Heller, Reinhold}, editor={Born, Richard A. and D’Alessandro, Stephanie}, year={1992}, pages={9–31} }

@book{Heller_Münter_Milwaukee Art Museum, address={Munich}, title={Gabriele Münter: the years of expressionism, 1903-1920}, publisher={Prestel}, author={Heller, Reinhold and Münter, Gabriele and Milwaukee Art Museum} }

@inbook{Herbert_1983, address={[New York]}, title={Der Blaue Reiter}, booktitle={German expressionism: Die Brücke and Der Blaue Reiter}, publisher={Hippocrene Books}, author={Herbert, Barry}, year={1983}, pages={98–194} }

@inbook{Jenkins_2007, address={Toronto}, title={Heimat Art, Modernism, Modernity}, url={https://www.jstor.org/stable/10.3138/9781442684522.6?seq=1#metadata_info_tab_contents}, booktitle={Localism, landscape, and the ambiguities of place: German-speaking central Europe, 1860-1930}, publisher={University of Toronto Press}, author={Jenkins, Jennifer}, year={2007}, pages={60–75} }

@article{Jill Lloyd_1985, title={Emil Nolde’s Still Lifes, 1911-1912: Modernism, Myth, and Gesture}, url={https://www.jstor.org/stable/20166722?seq=1#metadata_info_tab_contents}, number={9}, journal={RES: Anthropology and Aesthetics}, publisher={The University of Chicago Press}, author={Jill Lloyd}, year={1985} }

@book{Kandinsky_Marc_Lankheit_Falkenstein_Terzian_Hinderlie_1974, address={London}, edition={New documentary ed}, title={The Blaue Reiter almanac}, publisher={Thames and Hudson}, author={Kandinsky, Wassily and Marc, Franz and Lankheit, Klaus and Falkenstein, Henning and Terzian, Manug and Hinderlie, Gertrude}, year={1974} }

@book{Kandinsky_Sadleir_2006, address={London}, edition={[New ed. ]}, title={Concerning the spiritual in art}, publisher={Tate}, author={Kandinsky, Wassily and Sadleir, Michael}, year={2006} }

@inbook{Kets de Vries_2016, address={Wellesley, MA}, title={Mother’s Arms: Käthe Kollwitz’s Women and War}, booktitle={Käthe Kollwitz and the women of war: femininity, identity, and art in Germany during World Wars I and II}, publisher={Davis Museum at Wellesley College}, author={Kets de Vries, Henriette}, editor={Whitner, Claire C.}, year={2016}, pages={11–19} }

@book{Kirchner_Lloyd_Moeller_National Gallery of Art (U.S.)_Royal Academy of Arts (Great Britain), address={London}, title={Ernst Ludwig Kirchner: the Dresden and Berlin years}, publisher={Royal Academy of Arts}, author={Kirchner, Ernst Ludwig and Lloyd, Jill and Moeller, Magdalena M. and National Gallery of Art (U.S.) and Royal Academy of Arts (Great Britain)} }

@book{Kort_Neue Galerie New York_2008, address={New York, NY}, title={Ernst Ludwig Kirchner: Berlin street scene}, publisher={Neue Galerie New York}, author={Kort, Pamela and Neue Galerie New York}, year={2008} }

@article{L. D. Ettlinger_1968, title={German Expressionism and Primitive Art}, volume={110}, url={https://www.jstor.org/stable/875584?seq=1#metadata_info_tab_contents}, number={781}, journal={The Burlington Magazine}, publisher={Burlington Magazine Publications Ltd.}, author={L. D. Ettlinger}, year={1968} }

@inbook{Lasko_2003, address={Manchester}, title={The Blaue Reiter}, booktitle={The expressionist roots of modernism}, publisher={Manchester University Press}, author={Lasko, Peter}, year={2003}, pages={83–97} }

@inbook{Lenman_1997, address={Manchester}, title={Introduction: painting and society in Germany 1850-1914}, booktitle={Artists and society in Germany, 1850-1914}, publisher={Manchester University Press}, author={Lenman, Robin}, year={1997} }

@article{Levi_1998, title={‘Judge for Yourselves!’-The ‘Degenerate Art’ Exhibition as Political Spectacle}, volume={85}, DOI={10.2307/779182}, journal={October}, author={Levi, Neil}, year={1998}, month={Summer} }

@article{Levine_1976, title={The Iconography of Franz Marc’s Fate of the Animals}, volume={58}, DOI={10.2307/3049502}, number={2}, journal={The Art Bulletin}, author={Levine, Frederick S.}, year={1976}, month={Jun} }

@book{Levine_1979, address={New York}, edition={First edition}, title={The apocalyptic vision: the art of Franz Marc as German expressionism}, publisher={Harper & Row}, author={Levine, Frederick S.}, year={1979} }

@inbook{Lewis, address={Princeton, N.J.}, title={Modern Art for an Elite Public}, booktitle={Art for all?: the collision of modern art and the public in late-nineteenth-century Germany}, publisher={Princeton University Press}, author={Lewis, Beth Irwin}, pages={28–92} }

@book{Lloyd_1991, address={New Haven, Conn}, title={German expressionism: primitivism and modernity}, publisher={Yale University Press}, author={Lloyd, Jill}, year={1991} }

@inbook{Lloyd_2009, address={Ostfildern}, title={Brücke: National Identity and International Style}, booktitle={Brücke: the birth of Expressionism in Dresden and Berlin, 1905-1913}, publisher={Hatje Cantz}, author={Lloyd, Jill}, editor={Heller, Reinhold}, year={2009}, pages={59–77} }

@book{Long_Rigby_Barron_Roth_1995, address={Berkeley}, title={German expressionism: documents from the end of the Wilhelmine Empire to the rise of National Socialism}, publisher={University of California Press}, author={Long, Rose-Carol Washton and Rigby, Ida Katherine and Barron, Stephanie and Roth, Nancy}, year={1995} }

@inbook{Lübbren_2001, address={New Brunswick, NJ}, title={Painting Place Myths}, booktitle={Rural artists’ colonies in Europe, 1870-1910}, publisher={Rutgers University Press}, author={Lübbren, Nina}, year={2001}, pages={115–136} }

@article{Marlowe-Storkovich_2003, title={‘Medicine’ by Gustav Klimt}, volume={24}, DOI={10.2307/1483769}, number={47}, journal={Artibus et Historiae}, author={Marlowe-Storkovich, Tina}, year={2003} }

@article{Mesch_1992, title={The National Socialist ‘Degenerate Art’ Exhibition (1937) and the Subject of Hygienic Vision}, journal={Chicago art journal}, author={Mesch, Claudia}, year={1992}, pages={3–12} }

@inbook{Mittig_1991, address={Cambridge [England]}, title={Art and Oppression in Fascist Germany}, booktitle={The Divided heritage: themes and problems in German modernism}, publisher={Cambridge University Press}, author={Mittig, Hans-Ernst}, year={1991}, pages={191–215} }

@book{Modersohn-Becker_Manley_Garner_Volk_Rennison_2014, address={[Humlebaek]}, title={Paula Modersohn-Becker}, publisher={Louisiana Museum of Modern Art}, author={Modersohn-Becker, Paula and Manley, James and Garner, Glen and Volk, Elizabeth and Rennison, Lucinda}, editor={Holm, Michael Juul and Colstrup, Tine and Rydal Jørgensen, Lærke}, year={2014} }

@article{Moffitt_1985, title={‘Fighting Forms: The Fate of the Animals.’ The Occultist Origins of Franz Marc’s ‘Farbentheorie’}, volume={6}, DOI={10.2307/1483239}, number={12}, journal={Artibus et Historiae}, author={Moffitt, John F.}, year={1985} }

@article{Moorjani_1986, title={Kathe Kollwitz on Sacrifice, Mourning, and Reparation: An Essay in Psychoaesthetics}, volume={101}, DOI={10.2307/2905713}, number={5}, journal={MLN}, author={Moorjani, Angela}, year={1986}, month={Dec} }

@inbook{Neue Galerie New York_2009, address={Ostfildern}, title={Brücke in Dresden and Berlin, 1905-1913}, booktitle={Brücke: the birth of Expressionism in Dresden and Berlin, 1905-1913}, publisher={Hatje Cantz}, author={Neue Galerie New York}, editor={Heller, Reinhold}, year={2009}, pages={13–57} }

@inbook{Obler_2014, address={New Haven}, title={The Matter of Geist}, booktitle={Intimate collaborations: Kandinsky & Münter, Arp & Taeuber}, publisher={Yale University Press}, author={Obler, Bibiana K.}, year={2014}, pages={73–118} }

@inbook{Paret_2001, address={New York}, title={Modernism and the Alien Element in German Art}, booktitle={German encounters with Modernism: 1840-1945}, publisher={Cambridge University Press}, author={Paret, Peter}, year={2001}, pages={60–91} }

@inbook{Paret, address={England}, edition={1st ed}, title={Expressionism in Imperial Germany}, booktitle={German Expressionism: art and society}, publisher={Thames and Hudson}, author={Paret, Peter}, pages={29–34} }

@inbook{Paret, address={Berkeley, CA}, title={The Berlin Secession}, booktitle={Berlin metropolis: Jews and the new culture, 1890-1918}, publisher={University of California Press}, author={Paret, Peter} }

@article{Paul Fox_2006, title={Confronting Postwar Shame in Weimar Germany: Trauma, Heroism and the War Art of Otto Dix}, volume={29}, url={https://www.jstor.org/stable/3841015?seq=1#metadata_info_tab_contents}, number={2}, journal={Oxford Art Journal}, publisher={Oxford University Press}, author={Paul Fox}, year={2006} }

@inbook{Perry_1993, address={New Haven}, title={The expressive and the Expressionist}, booktitle={Primitivism, cubism, abstraction: the early twentieth century}, publisher={Yale University Press, in association with the Open University}, author={Perry, Gill}, year={1993}, pages={62–81} }

@article{Peter Vergo_1973, title={Gustav Klimt’s Beethoven Frieze}, volume={115}, url={https://www.jstor.org/stable/877280?seq=1#metadata_info_tab_contents}, number={839}, journal={The Burlington Magazine}, publisher={Burlington Magazine Publications Ltd.}, author={Peter Vergo}, year={1973} }

@inbook{Pirsig-Marshall, address={Farnham, Surrey}, title={Otto Mueller and the Brücke}, booktitle={New perspectives on Brücke expressionism: bridging history}, publisher={Ashgate}, author={Pirsig-Marshall, Tania} }

@inbook{Prelinger_1992, address={New Haven}, title={Kollwitz Reconsidered}, booktitle={Kathe Kollwitz}, publisher={Yale University Press}, author={Prelinger, Elizabeth}, year={1992}, pages={13–88} }

@inbook{Price, address={Aldershot, Hants, England}, title={The Rise of Berlin in Imperial Germany}, booktitle={Representing Berlin: sexuality and the city in Imperial and Weimar Germany}, publisher={Ashgate}, author={Price, Dorothy C.} }

@article{Regina Schulte and Pamela Selwyn_1996, title={Käthe Kollwitz’s Sacrifice}, url={https://www.jstor.org/stable/4289436?seq=1#metadata_info_tab_contents}, number={41}, journal={History Workshop Journal}, publisher={Oxford University Press}, author={Regina Schulte and Pamela Selwyn}, year={1996} }

@inbook{Schubert, address={Munich}, title={Death in the Trench: The Death of the Portrait: Otto Dix’s Wartime Self-Portraits 1915-1918}, booktitle={Otto Dix}, publisher={Prestel}, author={Schubert, Dietrich}, pages={33–55} }

@inbook{Schulz, address={Berkeley, CA}, title={Max Liebermann as a ‘Jewish’ painter}, booktitle={Berlin metropolis: Jews and the new culture, 1890-1918}, publisher={University of California Press}, author={Schulz, Chana} }

@inbook{Selz_1997, address={Cambridge [England]}, title={Max Beckmann: The Self Portraits}, booktitle={Beyond the mainstream: essays on modern and contemporary art}, publisher={Cambridge University Press}, author={Selz, Peter}, year={1997}, pages={91–106} }

@article{Sharp_2011, title={Kääthe Kollwitz’s Witness to War: Gender, Authority, and Reception}, volume={27}, DOI={10.5250/womgeryearbook.27.2011.0087}, journal={Women in German Yearbook}, author={Sharp, Ingrid}, year={2011} }

@book{Short, address={New York}, title={The art theory of Wassily Kandinsky, 1909-1928: the quest for synthesis}, publisher={Peter Lang}, author={Short, Christopher} }

@book{Siebrecht_2014, address={Oxford}, title={The aesthetics of loss: German women’s art of the First World War}, url={https://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199656684.001.0001/acprof-9780199656684}, publisher={Oxford University Press}, author={Siebrecht, Claudia}, year={2014} }

@inbook{Simmel_1992, address={Oxford}, title={The Metropolis and Mental Life}, booktitle={Art in theory 1900-1990: an anthology of changing ideas}, publisher={Blackwell}, author={Simmel, Georg}, year={1992}, pages={130–135} }

@article{Simmons_2000a, title={August Macke’s Shoppers: Commodity Aesthetics, Modernist Autonomy and the Inexhaustible Will of Kitsch}, volume={63}, DOI={10.2307/1587426}, number={1}, journal={Zeitschrift für Kunstgeschichte}, author={Simmons, Sherwin}, year={2000} }

@article{Simmons_2000b, title={Ernst Kirchner’s Streetwalkers: Art, Luxury, and Immorality in Berlin, 1913-16}, volume={82}, DOI={10.2307/3051367}, number={1}, journal={The Art Bulletin}, author={Simmons, Sherwin}, year={2000}, month={Mar} }

@inbook{Soika, address={Farnham, Surrey}, title={Max Pechstein: outsider or trailblazer?}, booktitle={New perspectives on Brücke expressionism: bridging history}, publisher={Ashgate}, author={Soika, Aya} }

@article{Stamm_2009, title={Paula Modersohn-Becker and the Body in Art}, volume={30}, url={https://www.jstor.org/stable/40605295?seq=1#metadata_info_tab_contents}, number={2}, journal={Woman’s Art Journal}, publisher={Old City Publishing, Inc.}, author={Stamm, Rainer}, year={2009} }

@article{Strauss_2009, title={Helen Serger’s Galerie La Boetie: Paula Modersohn Becker on Madison Avenue}, volume={30}, url={https://www.jstor.org/stable/40605297?seq=1#metadata_info_tab_contents}, number={2}, journal={Woman’s Art Journal}, publisher={Old City Publishing, Inc.}, author={Strauss, Monica J.}, year={2009} }

@article{Vangen_2009, title={Left and Right: Politics and Images of Motherhood in Weimar Germany}, volume={30}, url={https://www.jstor.org/stable/40605296?seq=1#metadata_info_tab_contents}, number={2}, journal={Woman’s Art Journal}, publisher={Old City Publishing, Inc.}, author={Vangen, Michelle}, year={2009} }

@inbook{Vergo_1993, address={London}, edition={3rd ed}, title={Secession}, booktitle={Art in Vienna, 1898-1918: Klimt, Kokoschka, Schiele and their contemporaries}, publisher={Phaidon}, author={Vergo, Peter}, year={1993}, pages={18–85} }

@inbook{Vergo_2013, address={Ostfildern}, title={Music, Kandinsky and the Idea of the Gesamtkunstwerk}, booktitle={Vasily Kandinsky: from Blaue Reiter to the Bauhaus, 1910-1925}, publisher={Hatje Cantz}, author={Vergo, Peter}, year={2013}, pages={49–63} }

@inbook{Washton Long_1995, address={Berkeley}, title={Die Brücke}, booktitle={German expressionism: documents from the end of the Wilhelmine Empire to the rise of National Socialism}, publisher={University of California Press}, author={Washton Long, Rose-Carol}, year={1995}, pages={21–36} }

@inbook{West_2001a, address={New Brunswick, N.J.}, title={Introduction}, booktitle={The visual arts in Germany, 1890-1937: utopia and despair}, publisher={Rutgers University Press}, author={West, Shearer}, year={2001} }

@inbook{West_2001b, address={New Brunswick, N.J.}, title={Chapter 2}, booktitle={The visual arts in Germany, 1890-1937: utopia and despair}, publisher={Rutgers University Press}, author={West, Shearer}, year={2001} }

@inbook{West_2001c, address={New Brunswick, N.J.}, title={The Spiritual in Art}, booktitle={The visual arts in Germany, 1890-1937: utopia and despair}, publisher={Rutgers University Press}, author={West, Shearer}, year={2001} }

@inbook{West_2001d, address={New Brunswick, N.J.}, title={Community and Personality: art on the left}, booktitle={The visual arts in Germany, 1890-1937: utopia and despair}, publisher={Rutgers University Press}, author={West, Shearer}, year={2001} }

@inbook{West_2001e, address={New Brunswick, N.J.}, title={Reaction: degenerate art}, booktitle={The visual arts in Germany, 1890-1937: utopia and despair}, publisher={Rutgers University Press}, author={West, Shearer}, year={2001} }

@inbook{Wood_2004, address={New Haven}, title={The Spiritual in Art: Kandinsky}, volume={bk. 2}, booktitle={Art of the avant-gardes}, publisher={Yale University Press in association with the Open University}, author={Wood, Paul}, editor={Edwards, Steve and Wood, Paul}, year={2004}, pages={238–246} }

@book{Wye_Kirchner, address={New York}, title={Kirchner and the Berlin Street}, publisher={Museum of Modern Art}, author={Wye, Deborah and Kirchner, Ernst Ludwig} }

@book{Malycheva_Wünsche_2016, address={Boston}, title={Marianne Werefkin and the women artists in her circle}, volume={volume 33}, url={https://www.jstor.org/stable/10.1163/j.ctt1w8h0q1}, publisher={Brill}, year={2016} }

Bibliography for HART30035: German Expressionism BETA