Bibliography for HART30035: German Expressionism

Adam P, ‘The Nordic Myth: National Socialist Ideology’, The arts of the Third Reich (Thames and Hudson 1992)

——, ‘The Visualization of National Socialist Ideology’, The arts of the Third Reich (Thames and Hudson 1992)

Ades D and others, Art and Power: Europe under the Dictators 1930-45 (Thames and Hudson in association with Hayward Gallery)

Anne Higonnet, ‘Making Babies, Painting Bodies: Women, Art, and Paula Modersohn-Becker’s Productivity’ (2009) 30 Woman’s Art Journal <https://www.jstor.org/stable/40605294?seq=1#metadata_info_tab_contents>

Antliff M, ‘Fascism, Modernism, and Modernity’ (2002) 84 The Art Bulletin

Bachert H, ‘Collecting the Art of Käthe Kollwitz’, Kathe Kollwitz (Yale University Press 1992)

Bahr H, ‘Expressionism (1916)’ in William Rubin (ed), ‘Primitivism’ in 20th century art: affinity of the tribal and the modern (Museum of Modern Art 1984)

Behr S, Women Expressionists (Phaidon 1988)

——, ‘Kandinsky, Münter and Creative Partnership’, Kandinsky: the path to abstraction (Tate 2006)

——, ‘Künstlergruppe Brücke and the Public Sphere: Bridging the Gender Divide’, New perspectives on Brücke expressionism: bridging history (Ashgate)

Betterton R, ‘Mother Figures: The Maternal Nude in the Work of Käthe Kollwitz and Paula Modersohn-Becker’, An intimate distance: women, artists, and the body (Routledge 1996) <https://www-taylorfrancis-com.bris.idm.oclc.org/books/9781315003931/chapters/10.4324/9781315003931-10>

Braun E, ‘Return of the Repressed’ (1991) 79 Art in America. Annual guide to galleries, museums, artists. 116

Carl E. Schorske, ‘Mahler and Klimt: Social Experience and Artistic Evolution’ (1982) 111 Daedalus <https://www.jstor.org/stable/20024801?seq=1#metadata_info_tab_contents>

Clark T, ‘Art Propaganda and Fascism’, Art and propaganda in the twentieth century: the political image in the age of mass culture (Weidenfeld and Nicolson 1997)

Crockett D, ‘The Most Famous Painting of the “Golden Twenties”? Otto Dix and the Trench Affair’ (1992) 51 Art Journal

Deshmukh M, ‘The Cultural Politics of Max Lieberman’, Imagining modern German culture, 1889-1910 (National Gallery of Art 1996)

Diane Radycki, ‘“Pictures of Flesh”: Modersohn-Becker and the Nude’ (2009) 30 Woman’s Art Journal <https://www.jstor.org/stable/40605293?seq=1#metadata_info_tab_contents>

Duncan C, ‘Virility and Domination in Early Twentieth Century Vanguard Painting’ in Norma Broude and Mary D Garrard (eds), Feminism and art history: questioning the litany (Westview Press 1982) <https://www-taylorfrancis-com.bris.idm.oclc.org/books/e/9780429500534/chapters/10.4324/9780429500534-16>

Eberle M, ‘George Grosz: The Irate Dandy: Art as a Weapon in the Class Struggle’, World War I and the Weimar artists: Dix, Grosz, Beckmann, Schlemmer (Yale University Press 1985)

——, ‘Otto Dix: Fighting for a Lost Cause’, World War I and the Weimar artists: Dix, Grosz, Beckmann, Schlemmer (Yale University Press 1985)

——, ‘Criticism, Conflict and Controversy’ in Marion F Deshmukh, Françoise Forster-Hahn and Barbara Gaehtgens (eds), Max Liebermann and international modernism: an artist’s career from empire to Third Reich, vol v. 14 (First edition, Berghahn Books 2011)

Florman L, ‘Gustav Klimt and the Precedent of Ancient Greece’ (1990) 72 The Art Bulletin

Forster-Hahn F, ‘How Modern Is Modern? Max Liebermann and the Discourses of Modernism’ in Marion F Deshmukh, Françoise Forster-Hahn and Barbara Gaehtgens (eds), Max Liebermann and international modernism: an artist’s career from empire to Third Reich, vol v. 14 (First edition, Berghahn Books 2011)

Franciscono M, ‘The Imagery of Max Beckmann’s The Night’ (1973) 33 Art Journal

Gaiger J, ‘Der Blaue Reiter’ in Steve Edwards and Paul Wood (eds), Art of the avant-gardes, vol bk. 2 (Yale University Press in association with the Open University 2004)

——, ‘The Brücke’ in Steve Edwards and Paul Wood (eds), Art of the avant-gardes, vol bk. 2 (Yale University Press in association with the Open University 2004)

Gemma Blackshaw, ‘The Pathological Body: Modernist Strategising in Egon Schiele’s Self-Portraiture’ (2007) 30 Oxford Art Journal <https://www.jstor.org/stable/4500071?seq=1#metadata_info_tab_contents>

Goggin M-M, ‘“Decent” vs. “Degenerate” Art: The National Socialist Case’ (1991) 50 Art Journal

Gordon DE, Expressionism: Art and Idea (Yale University Press)

Guenther PW, Los Angeles County Museum of Art, and Art Institute of Chicago, ‘1937: Modern Art and Politics in Prewar Germany’ in Stephanie Barron (ed), ‘Degenerate art’: the fate of the avant-garde in Nazi Germany (Los Angeles County Museum of Art) <https://archive.org/stream/degenerateartfa00barr/degenerateartfa00barr#page/8/mode/2up>

Haxthausen CW, ‘"A New Beauty”: Ernst Ludwig Kirchner’s Images of Berlin’, Berlin: culture and metropolis (University of Minnesota Press 1990) <https://www.jstor.org/stable/10.5749/j.ctttv05x.8?refreqid=excelsior%3Ad1695b2380890b308da62920e3e3c3bf>

Heller R, ‘Recent Scholarship on Vienna’s “Golden Age,” Gustav Klimt, and Egon Schiele’ (1977) 59 The Art Bulletin

——, ‘Observations, in the Form of a Survey, on the History of Print Cycles in German Art from the Fifteenth to the Nineteenth Century’ in Richard A Born and Stephanie D’Alessandro (eds), The German print portfolio, 1890-1930: serials for a private sphere (Philip Wilson Publishers, in association with the David and Alfred Smart Museum of Art, the University of Chicago 1992)

Heller R, Münter G, and Milwaukee Art Museum, Gabriele Münter: The Years of Expressionism, 1903-1920 (Prestel)

Herbert B, ‘Der Blaue Reiter’, German expressionism: Die Brücke and Der Blaue Reiter (Hippocrene Books 1983)

Jenkins J, ‘Heimat Art, Modernism, Modernity’, Localism, landscape, and the ambiguities of place: German-speaking central Europe, 1860-1930 (University of Toronto Press 2007) <https://www.jstor.org/stable/10.3138/9781442684522.6?seq=1#metadata_info_tab_contents>

Jill Lloyd, ‘Emil Nolde’s Still Lifes, 1911-1912: Modernism, Myth, and Gesture’ [1985] RES: Anthropology and Aesthetics <https://www.jstor.org/stable/20166722?seq=1#metadata_info_tab_contents>

Kandinsky W and others, The Blaue Reiter Almanac (New documentary ed, Thames and Hudson 1974)

Kandinsky W and Sadleir M, Concerning the Spiritual in Art ([New ed ], Tate 2006)

Kets de Vries H, ‘Mother’s Arms: Käthe Kollwitz’s Women and War’ in Claire C Whitner (ed), Käthe Kollwitz and the women of war: femininity, identity, and art in Germany during World Wars I and II (Davis Museum at Wellesley College 2016)

Kirchner EL and others, Ernst Ludwig Kirchner: The Dresden and Berlin Years (Royal Academy of Arts)

Kort P and Neue Galerie New York, Ernst Ludwig Kirchner: Berlin Street Scene (Neue Galerie New York 2008)

L. D. Ettlinger, ‘German Expressionism and Primitive Art’ (1968) 110 The Burlington Magazine <https://www.jstor.org/stable/875584?seq=1#metadata_info_tab_contents>

Lasko P, ‘The Blaue Reiter’, The expressionist roots of modernism (Manchester University Press 2003)

Lenman R, ‘Introduction: Painting and Society in Germany 1850-1914’, Artists and society in Germany, 1850-1914 (Manchester University Press 1997)

Levi N, ‘“Judge for Yourselves!”-The “Degenerate Art” Exhibition as Political Spectacle’ (1998) 85 October

Levine FS, ‘The Iconography of Franz Marc’s Fate of the Animals’ (1976) 58 The Art Bulletin

——, The Apocalyptic Vision: The Art of Franz Marc as German Expressionism (First edition, Harper & Row 1979)

Lewis BI, ‘Modern Art for an Elite Public’, Art for all?: the collision of modern art and the public in late-nineteenth-century Germany (Princeton University Press)

Lloyd J, German Expressionism: Primitivism and Modernity (Yale University Press 1991)

——, ‘Brücke: National Identity and International Style’ in Reinhold Heller (ed), Brücke: the birth of Expressionism in Dresden and Berlin, 1905-1913 (Hatje Cantz 2009)

Long R-CW and others, German Expressionism: Documents from the End of the Wilhelmine Empire to the Rise of National Socialism (University of California Press 1995)

Lübbren N, ‘Painting Place Myths’, Rural artists’ colonies in Europe, 1870-1910 (Rutgers University Press 2001)

Malycheva T and Wünsche I (eds), Marianne Werefkin and the Women Artists in Her Circle, vol volume 33 (Brill 2016) <https://www.jstor.org/stable/10.1163/j.ctt1w8h0q1>

Marlowe-Storkovich T, ‘“Medicine” by Gustav Klimt’ (2003) 24 Artibus et Historiae

Mesch C, ‘The National Socialist “Degenerate Art” Exhibition (1937) and the Subject of Hygienic Vision’ [1992] Chicago art journal 3

Mittig H-E, ‘Art and Oppression in Fascist Germany’, The Divided heritage: themes and problems in German modernism (Cambridge University Press 1991)

Modersohn-Becker P and others, Paula Modersohn-Becker (Michael Juul Holm, Tine Colstrup and Lærke Rydal Jørgensen eds, Louisiana Museum of Modern Art 2014)

Moffitt JF, ‘“Fighting Forms: The Fate of the Animals.” The Occultist Origins of Franz Marc’s “Farbentheorie”’ (1985) 6 Artibus et Historiae

Moorjani A, ‘Kathe Kollwitz on Sacrifice, Mourning, and Reparation: An Essay in Psychoaesthetics’ (1986) 101 MLN

Neue Galerie New York, ‘Brücke in Dresden and Berlin, 1905-1913’ in Reinhold Heller (ed), Brücke: the birth of Expressionism in Dresden and Berlin, 1905-1913 (Hatje Cantz 2009)

Obler BK, ‘The Matter of Geist’, Intimate collaborations: Kandinsky & Münter, Arp & Taeuber (Yale University Press 2014)

Paret P, ‘Modernism and the Alien Element in German Art’, German encounters with Modernism: 1840-1945 (Cambridge University Press 2001)

——, ‘Expressionism in Imperial Germany’, German Expressionism: art and society (1st ed, Thames and Hudson)

——, ‘The Berlin Secession’, Berlin metropolis: Jews and the new culture, 1890-1918 (University of California Press)

Paul Fox, ‘Confronting Postwar Shame in Weimar Germany: Trauma, Heroism and the War Art of Otto Dix’ (2006) 29 Oxford Art Journal <https://www.jstor.org/stable/3841015?seq=1#metadata_info_tab_contents>

Perry G, ‘The Expressive and the Expressionist’, Primitivism, cubism, abstraction: the early twentieth century (Yale University Press, in association with the Open University 1993)

Peter Vergo, ‘Gustav Klimt’s Beethoven Frieze’ (1973) 115 The Burlington Magazine <https://www.jstor.org/stable/877280?seq=1#metadata_info_tab_contents>

Pirsig-Marshall T, ‘Otto Mueller and the Brücke’, New perspectives on Brücke expressionism: bridging history (Ashgate)

Prelinger E, ‘Kollwitz Reconsidered’, Kathe Kollwitz (Yale University Press 1992)

Price DC, ‘The Rise of Berlin in Imperial Germany’, Representing Berlin: sexuality and the city in Imperial and Weimar Germany (Ashgate)

Regina Schulte and Pamela Selwyn, ‘Käthe Kollwitz’s Sacrifice’ [1996] History Workshop Journal <https://www.jstor.org/stable/4289436?seq=1#metadata_info_tab_contents>

Schubert D, ‘Death in the Trench: The Death of the Portrait: Otto Dix’s Wartime Self-Portraits 1915-1918’, Otto Dix (Prestel)

Schulz C, ‘Max Liebermann as a “Jewish” Painter’, Berlin metropolis: Jews and the new culture, 1890-1918 (University of California Press)

Selz P, ‘Max Beckmann: The Self Portraits’, Beyond the mainstream: essays on modern and contemporary art (Cambridge University Press 1997)

Sharp I, ‘Kääthe Kollwitz’s Witness to War: Gender, Authority, and Reception’ (2011) 27 Women in German Yearbook

Short C, The Art Theory of Wassily Kandinsky, 1909-1928: The Quest for Synthesis (Peter Lang)

Siebrecht C, The Aesthetics of Loss: German Women’s Art of the First World War (Oxford University Press 2014) <https://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199656684.001.0001/acprof-9780199656684>

Simmel G, ‘The Metropolis and Mental Life’, Art in theory 1900-1990: an anthology of changing ideas (Blackwell 1992)

Simmons S, ‘August Macke’s Shoppers: Commodity Aesthetics, Modernist Autonomy and the Inexhaustible Will of Kitsch’ (2000) 63 Zeitschrift für Kunstgeschichte

——, ‘Ernst Kirchner’s Streetwalkers: Art, Luxury, and Immorality in Berlin, 1913-16’ (2000) 82 The Art Bulletin

Soika A, ‘Max Pechstein: Outsider or Trailblazer?’, New perspectives on Brücke expressionism: bridging history (Ashgate)

Stamm R, ‘Paula Modersohn-Becker and the Body in Art’ (2009) 30 Woman’s Art Journal <https://www.jstor.org/stable/40605295?seq=1#metadata_info_tab_contents>

Strauss MJ, ‘Helen Serger’s Galerie La Boetie: Paula Modersohn Becker on Madison Avenue’ (2009) 30 Woman’s Art Journal <https://www.jstor.org/stable/40605297?seq=1#metadata_info_tab_contents>

van Dyke J, ‘Otto Dix’s Streetbattle and the Limits of Satire in Dusseldorf, 1928’ (2009) 32 Oxford Art Journal 37

Vangen M, ‘Left and Right: Politics and Images of Motherhood in Weimar Germany’ (2009) 30 Woman’s Art Journal <https://www.jstor.org/stable/40605296?seq=1#metadata_info_tab_contents>

Vergo P, ‘Secession’, Art in Vienna, 1898-1918: Klimt, Kokoschka, Schiele and their contemporaries (3rd ed, Phaidon 1993)

——, ‘Music, Kandinsky and the Idea of the Gesamtkunstwerk’, Vasily Kandinsky: from Blaue Reiter to the Bauhaus, 1910-1925 (Hatje Cantz 2013)

Washton Long R-C, ‘Die Brücke’, German expressionism: documents from the end of the Wilhelmine Empire to the rise of National Socialism (University of California Press 1995)

West S, ‘Chapter 2’, The visual arts in Germany, 1890-1937: utopia and despair (Rutgers University Press 2001)

——, ‘Community and Personality: Art on the Left’, The visual arts in Germany, 1890-1937: utopia and despair (Rutgers University Press 2001)

——, ‘Introduction’, The visual arts in Germany, 1890-1937: utopia and despair (Rutgers University Press 2001)

——, ‘Reaction: Degenerate Art’, The visual arts in Germany, 1890-1937: utopia and despair (Rutgers University Press 2001)

——, ‘The Spiritual in Art’, The visual arts in Germany, 1890-1937: utopia and despair (Rutgers University Press 2001)

Wood P, ‘The Spiritual in Art: Kandinsky’ in Steve Edwards and Paul Wood (eds), Art of the avant-gardes, vol bk. 2 (Yale University Press in association with the Open University 2004)

Wye D and Kirchner EL, Kirchner and the Berlin Street (Museum of Modern Art)

Bibliography for HART30035: German Expressionism BETA