Anderson, Misty G. 2002. Female Playwrights and Eighteenth-Century Comedy: Negotiating Marriage on the London Stage. New York: Palgrave.
Anon. n.d.-a. ‘Staging the Henrician Court’. Retrieved (http://stagingthehenriciancourt.brookes.ac.uk/performance/index.html).
Anon. n.d.-b. ‘The York Play of the Crucifixion’. Retrieved (http://www.wwnorton.com/college/english/nael/noa/pdf/YORKPLAY.pdf).
Beadle, Richard, Alan J. Fletcher, and Cambridge Collections Online (Online service). 2008. The Cambridge Companion to Medieval English Theatre. Vol. Cambridge companions to literature and classics. 2nd ed. Cambridge: Cambridge University Press.
Behn, Aphra, and Jane Spencer. 1998. The Rover: The Feigned Courtesans ; The Lucky Chance ; The Emperor of the Moon. Vol. Oxford world’s classics. Oxford: Oxford University Press.
Betteridge, Thomas, Greg Walker, and Oxford Handbooks Online (Online service). 2012. The Oxford Handbook of Tudor Drama. Vol. Oxford handbooks of literature. Oxford: Oxford University Press.
Bevis, Richard W. and dawsonera. 2013. English Drama: Restoration and Eighteenth Century, 1660-1789. Vol. Longman literature in English series. London.
Blackwood, John (editor). n.d. ‘The Diary of Samuel Pepys / Edited with an Introduction by John Warrington.’ Blackwood’s Edinburgh Magazine 66(408):501–18.
Bloomsbury (Firm). 2013. Mankind. edited by G. A. Lester. [London]: Bloomsbury.
Booth, Michael R. 1965. English Melodrama. London: H. Jenkins.
Bradbrook, M. C. 1980. Themes and Conventions of Elizabethan Tragedy. 2nd ed. Cambridge: Cambridge University Press.
Bratton, J. S. 2003. New Readings in Theatre History. Vol. Theatre and performance theory. Cambridge: Cambridge University Press.
Bratton, J. S., Jim Cook, and Christine Gledhill. 1994. Melodrama: Stage, Picture, Screen. London: British Film Institute.
Braunmuller, A. R., and Michael Hattaway. 1990. The Cambridge Companion to English Renaissance Drama. Cambridge: Cambridge University Press.
Callaghan, Dympna. 1989. Woman and Gender in Renaissance Tragedy: A Study of King Lear, Othello, The Duchess of Malfi, and The White Devil. Atlantic Highlands, N.J.: Humanities Press International.
Carlson, Marvin A. 1993. Theories of the Theatre: A Historical and Critical Survey from the Greeks to the Present. Expanded ed. Ithaca: Cornell University Press.
Carpenter, Sarah. n.d. ‘The Sixteenth Century Court Audience: Performers and Spectators’. Retrieved (http://www.sitm.info/history/1998-2001/SITM_files/papers/Sarah_Carpenter.html).
Chambers, E. K. 1923. The Elizabethan Stage. Oxford: Oxford University Press.
Counsell, Colin. 1996. Signs of Performance: An Introduction to Twentieth-Century Theatre. London: Routledge.
Cowley, Hannah, 1743-1809. n.d. The Belle’s Stratagem.
Craik, T. W. 1958a. The Tudor Interlude: Stage, Costume and Acting. Leicester: Leicester University Press.
Craik, T. W. 1958b. The Tudor Interlude: Stage, Costume and Acting. Leicester: Leicester University Press.
Davis, Tracy C. 2004. ‘The Context Problem’. Theatre Survey 45(02):203–9. doi: 10.1017/S0040557404000158.
Davis, Tracy C., and Peter Holland. 2007. The Performing Century: Nineteenth-Century Theatre’s History. Vol. Redefining British theatre history. Basingstoke: Palgrave Macmillan.
De Grazia, Margreta, Stanley W. Wells, and Cambridge Collections Online (Online service). 2010. The New Cambridge Companion to Shakespeare. Vol. The Cambridge companions to literature and classics. 2nd ed. Cambridge: Cambridge University Press.
Dessen, Alan C. and Cambridge Books Online (Online service). 1984. Elizabethan Stage Conventions and Modern Interpreters. Cambridge: Cambridge University Press.
Dessen, Alan C. and Cambridge Books Online (Online service). 1995. Recovering Shakespeare’s Theatrical Vocabulary. Cambridge: Cambridge University Press.
Dillon, Janette. 2006a. ‘Instruction and Spectacle’. Pp. 171–212 in The Cambridge introduction to early English theatre. Vol. Cambridge introductions to literature. Cambridge: Cambridge University Press.
Dillon, Janette. 2006b. The Cambridge Introduction to Early English Theatre. Vol. Cambridge introductions to literature. Cambridge: Cambridge University Press.
Dillon, Janette. 2006c. The Cambridge Introduction to Early English Theatre. Vol. Cambridge introductions to literature. Cambridge: Cambridge University Press.
Dillon, Janette. 2006d. The Cambridge Introduction to Early English Theatre. Vol. Cambridge introductions to literature. Cambridge: Cambridge University Press.
Dollimore, Jonathan. 2010. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries. Reissued 3rd ed. Basingstoke: Palgrave Macmillan.
Dutton, Richard and Oxford Handbooks Online (Online service). 2011. The Oxford Handbook of Early Modern Theatre. Oxford: Oxford University Press.
Ennis, Daniel James, and Judith Bailey Slagle. 2007. Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage. Newark, [Del.]: University of Delaware Press.
Escolme, Bridget. 2005. Talking to the Audience: Shakespeare, Performance, Self. Abingdon: Routledge.
Greenblatt, Stephen. 1980. Renaissance Self-Fashioning: From More to Shakespeare. Chicago: University of Chicago Press.
Grundy, Isobel, and Susan Wiseman. 1992. Women, Writing, History, 1640-1740. London: Batsford.
Gurr, Andrew. 1987. Playgoing in Shakespeare’s London. Cambridge: Cambridge University Press.
Gurr, Andrew. 2008. The Shakespearean Stage 1574–1642. 4th ed. Cambridge: Cambridge University Press.
Hadley, Elaine. 1995. Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800-1855. Stanford, Calif: Stanford University Press.
Halliwell, Stephen. 1986. Aristotle’s Poetics. London: Duckworth.
Hanawalt, Barbara, and Michal Kobialka, eds. 2000. Medieval Practices of Space. Vol. Medieval cultures. Minneapolis: University of Minnesota Press.
Happé, P. 1964. ‘The Vice and the Folk-Drama’. Folklore 75(3):161–93. doi: 10.1080/0015587X.1964.9716964.
Hays, Michael, and Anastasia Nikolopoulou. 1996. Melodrama: The Cultural Emergence of a Genre. Basingstoke: Macmillan.
Holdsworth, R. V. 1975. Webster, ‘The White Devil’ and ‘The Duchess of Malfi’: A Casebook. Vol. Casebook series. London: Macmillan.
Howe, Elizabeth. 1992. The First English Actresses: Women and Drama, 1660-1700. Cambridge: Cambridge University Press.
Hoxby, Blair. 2015. ‘An Early Modern Poetics of Tragedy’. Pp. 57–108 in What Was Tragedy? Oxford University Press.
Innes, C. D. 2000a. A Sourcebook on Naturalist Theatre. London: Routledge.
Innes, C. D. 2000b. A Sourcebook on Naturalist Theatre. London: Routledge.
Innes, C. D. 2000c. ‘Contemporary Theories of Naturalism’. Pp. 43–64 in A sourcebook on naturalist theatre. London: Routledge.
Jardine, Lisa. 1991. ‘Boy Actors, Female Roles and Elizabethan Eroticism’. Pp. 57–67 in Staging the renaissance: reinterpretations of Elizabethan and Jacobean drama. New York: Routledge.
Kastan, David Scott, and Peter Stallybrass. 1991. Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. New York: Routledge.
Keenan, Siobhan and Bloomsbury (Firm). 2014. Acting Companies and Their Plays in Shakespeare’s London. Vol. The Arden Shakespeare. London: Bloomsbury.
King, Pamela M. 2006. The York Mystery Cycle and the Worship of the City. Vol. Westfield medieval studies. Woodbridge: Boydell & Brewer.
King, Pamela M. and dawsonera. 2011. Medieval Literature 1300-1500. Vol. Edinburgh critical guides to literature. Edinburgh: Edinburgh University Press.
Mayer, David. 2006. ‘Encountering Melodrama’. Pp. 145–63 in The Cambridge companion to Victorian and Edwardian theatre. Vol. The Cambridge companions to literature and classics. Cambridge: Cambridge University Press.
Orgel, Stephen. 1996. Impersonations: The Performance of Gender in Shakespeare’s England. Cambridge: Cambridge University Press.
Owen, Susan J. 2002. Perspectives on Restoration Drama. Manchester: Manchester University Press.
Oxford Handbooks Online (Online service). 2014. The Oxford Handbook of the Georgian Theatre, 1737-1832. edited by J. Swindells and D. F. Taylor. Oxford: Oxford University Press.
Payne Fisk, Deborah and Cambridge Collections Online (Online service). 2006. The Cambridge Companion to English Restoration Theatre. Vol. The Cambridge companions to literature and classics. Cambridge: Cambridge University Press.
Postlewait, Thomas. 2009. ‘Introduction: On Some Preliminary Matters’. Pp. 1–24 in The Cambridge introduction to theatre historiography. Vol. Cambridge introductions to literature. Cambridge: Cambridge University Press.
Postlewait, Thomas, and Bruce A. McConachie. 1989. Interpreting the Theatrical Past: Essays in the Historiography of Performance. Iowa City: University of Iowa Press.
Purcell, Stephen. 2012. John Webster: The White Devil. Vol. The Shakespeare handbooks: Shakespeare’s contemporaries. Basingstoke: Palgrave Macmillan.
Rosenthal, L.J. n.d. ‘“All Injury’s Forgot”: Restoration Sex Comedy and National Amnesia’. Comparative Drama 42(1):7–28. doi: 10.1353/cdr.2008.0016.
Rowe, Nicholas. n.d. ‘The Fair Penitent: A Tragedy’. Retrieved (http://find.galegroup.com/ecco/infomark.do?&source=gale&prodId=ECCO&userGroupName=univbri&tabID=T001&docId=CB3331339322&type=multipage&contentSet=ECCOArticles&version=1.0&docLevel=FASCIMILE).
Schumacher, Claude. 1996. Naturalism and Symbolism in European Theatre, 1850-1918. Vol. Theatre in Europe : a documentary history. Cambridge: Cambridge University Press.
Sinfield, Alan, and Jonathan Dollimore. 1994. Political Shakespeare: Essays in Cultural Materialism. 2nd ed., with add. chapters. Manchester: Manchester University Press.
Slater, Montagu. 1943. ‘Maria Marten’. Pp. 1–80 in Barnstormer plays. London: The Bodley Head.
Smith, James L. 1976. Victorian Melodramas: Seven English, French and American Melodramas. London: Dent.
Solomon, Diana. 2007. ‘Tragic Play, Bawdy Epilogue’. Pp. 155–78 in Prologues, epilogues, curtain-raisers, and afterpieces: the rest of the eighteenth-century London stage. Newark, [Del.]: University of Delaware Press.
Stern, Tiffany and Cambridge Books Online (Online service). 2009. Documents of Performance in Early Modern England. Cambridge: Cambridge University Press.
Straub, Kristina. 1992. Sexual Suspects: Eighteenth-Century Players and Sexual Ideology. Princeton, N.J.: Princeton University Press.
Strindberg, August. n.d. ‘Preface to “Miss Julie”’.
Strindberg, August, Michael Leverson Meyer, David Thomas, Jo Taylor, and Bloomsbury (Firm). 2006. ‘Miss Julie’. Methuen student editions.
Tasker, Elizabeth. n.d. ‘Low Brows and High Profiles: Rhetoric and Gender in the Restoration and Early Eighteenth Century Theater’.
Treharne, Elaine M., Greg Walker, and Oxford Handbooks Online (Online service). 2010. The Oxford Handbook of Medieval Literature in English. Oxford: Oxford University Press.
Tribble, Evelyn B. 2011. Cognition in the Globe: Attention and Memory in Shakespeare’s Theatre. Vol. Cognitive studies in literature and performance. New York: Palgrave Macmillan.
Twycross, Meg, and Sarah Carpenter. 2002. Masks and Masking in Medieval and Early Tudor England. Vol. Studies in performance and early modern drama. Aldershot: Ashgate.
Walker, Greg. 1991. Plays of Persuasion: Drama and Politics at the Court of Henry VIII. Cambridge: Cambridge University Press.
Walker, Greg. 1998. The Politics of Performance in Early Renaissance Drama. Cambridge: Cambridge University Press.
Walker, Greg. 2000. Medieval Drama: An Anthology. Oxford: Blackwell.
Walker, Greg and Cambridge Books Online (Online service). 1998a. ‘Household Drama and the Art of Good Counsel’. Pp. 51–75 in The Politics of Performance in Early Renaissance Drama. Cambridge: Cambridge University Press.
Walker, Greg and Cambridge Books Online (Online service). 1998b. The Politics of Performance in Early Renaissance Drama. Cambridge: Cambridge University Press.
Walker, Greg and Oxford Scholarship Online (Online service). 2005. Writing under Tyranny: English Literature and the Henrician Reformation. Oxford: Oxford University Press.
Webster, John, and John Russell Brown. 1996. The White Devil. Vol. Revels student editions. Manchester: Manchester University Press.
White, Martin. 1998. Renaissance Drama in Action: An Introduction to Aspects of Theatre Practice and Performance. London: Routledge.
White, R. S. 1996. Twelfth Night. Vol. New casebooks. Basingstoke: Macmillan.
Wickham, Glynne. 1980. Early English Stages, 1300 to 1660: Vol.1: 1300 to 1576. 2nd ed. London: Routledge and K. Paul.
Wickham, Glynne. 1987. The Medieval Theatre. 3rd ed. Cambridge: Cambridge University Press.
Williams, Raymond, and Raymond Williams. 1987. Drama from Ibsen to Brecht. Rev. ed. London: Hogarth.
Wilson, F. P. 1969. The English Drama, 1485-1585. Vol. Oxford history of English literature. Oxford: Clarendon Press.
Woods, Leigh. 1984. Garrick Claims the Stage: Acting as Social Emblem in Eighteenth-Century England. Vol. Contributions in drama and theatre studies. Westport, Connecticut: Greenwood Press.
Worthen, William B., and Peter Holland. 2003. Theorizing Practice: Redefining Theatre History. Vol. Redefining British theatre history. Basingstoke: Palgrave Macmillan.
Wycherley, William, James Ogden, and Bloomsbury (Firm). 2007. ‘The Country Wife’. New mermaids.
Zarilli, Phillip B. 2006a. ‘Preface: Interpreting Performances and Cultures’. Pp. xvii–xxxi in Theatre histories: an introduction. New York: Routledge.
Zarilli, Phillip B. 2006b. Theatre Histories: An Introduction. New York: Routledge.