Anderson, Misty G., Female Playwrights and Eighteenth-Century Comedy: Negotiating Marriage on the London Stage (New York: Palgrave, 2002)
Beadle, Richard, Alan J. Fletcher, and Cambridge Collections Online (Online service), The Cambridge Companion to Medieval English Theatre, 2nd ed (Cambridge: Cambridge University Press, 2008), Cambridge companions to literature and classics <http://dx.doi.org/10.1017/CCOL9780521864008>
Behn, Aphra, and Jane Spencer, The Rover: The Feigned Courtesans ; The Lucky Chance ; The Emperor of the Moon (Oxford: Oxford University Press, 1998), Oxford world’s classics
Betteridge, Thomas, Greg Walker, and Oxford Handbooks Online (Online service), The Oxford Handbook of Tudor Drama (Oxford: Oxford University Press, 2012), Oxford handbooks of literature <http://dx.doi.org/10.1093/oxfordhb/9780199566471.001.0001>
Bevis, Richard W. and dawsonera, English Drama: Restoration and Eighteenth Century, 1660-1789 (London, 2013), Longman literature in English series <https://www.taylorfrancis.com/books/9781315836454>
Blackwood, John (editor), ‘The Diary of Samuel Pepys / Edited with an Introduction by John Warrington.’, Blackwood’s Edinburgh Magazine, 66.408, 501–18 <https://search.proquest.com/docview/8229815/2A7EB65209044A9PQ/14?accountid=9730>
Bloomsbury (Firm), Mankind, ed. by G. A. Lester ([London]: Bloomsbury, 2013) <http://dx.doi.org/10.5040/9781408169223.00000021>
Booth, Michael R., English Melodrama (London: H. Jenkins, 1965)
Bradbrook, M. C., Themes and Conventions of Elizabethan Tragedy, 2nd ed (Cambridge: Cambridge University Press, 1980) <http://dx.doi.org/10.1017/CBO9780511620362>
Bratton, J. S., New Readings in Theatre History (Cambridge: Cambridge University Press, 2003), Theatre and performance theory
Bratton, J. S., Jim Cook, and Christine Gledhill, Melodrama: Stage, Picture, Screen (London: British Film Institute, 1994)
Braunmuller, A. R., and Michael Hattaway, The Cambridge Companion to English Renaissance Drama (Cambridge: Cambridge University Press, 1990)
Callaghan, Dympna, Woman and Gender in Renaissance Tragedy: A Study of King Lear, Othello, The Duchess of Malfi, and The White Devil (Atlantic Highlands, N.J.: Humanities Press International, 1989)
Carlson, Marvin A., Theories of the Theatre: A Historical and Critical Survey from the Greeks to the Present, Expanded ed (Ithaca: Cornell University Press, 1993)
Carpenter, Sarah, ‘The Sixteenth Century Court Audience: Performers and Spectators’ <http://www.sitm.info/history/1998-2001/SITM_files/papers/Sarah_Carpenter.html>
Chambers, E. K., The Elizabethan Stage (Oxford: Oxford University Press, 1923)
Counsell, Colin, Signs of Performance: An Introduction to Twentieth-Century Theatre (London: Routledge, 1996)
Cowley, Hannah, 1743-1809, The Belle’s Stratagem <http://www.gutenberg.org/ebooks/47604>
Craik, T. W., The Tudor Interlude: Stage, Costume and Acting (Leicester: Leicester University Press, 1958)
———, The Tudor Interlude: Stage, Costume and Acting (Leicester: Leicester University Press, 1958)
Davis, Tracy C., ‘The Context Problem’, Theatre Survey, 45.02 (2004), 203–9 <https://doi.org/10.1017/S0040557404000158>
Davis, Tracy C., and Peter Holland, The Performing Century: Nineteenth-Century Theatre’s History (Basingstoke: Palgrave Macmillan, 2007), Redefining British theatre history
De Grazia, Margreta, Stanley W. Wells, and Cambridge Collections Online (Online service), The New Cambridge Companion to Shakespeare, 2nd ed (Cambridge: Cambridge University Press, 2010), The Cambridge companions to literature and classics <http://dx.doi.org/10.1017/CCOL9780521886321>
Dessen, Alan C. and Cambridge Books Online (Online service), Elizabethan Stage Conventions and Modern Interpreters (Cambridge: Cambridge University Press, 1984) <http://dx.doi.org/10.1017/CBO9780511554179>
———, Recovering Shakespeare’s Theatrical Vocabulary (Cambridge: Cambridge University Press, 1995) <http://dx.doi.org/10.1017/CBO9780511627460>
Dillon, Janette, ‘Instruction and Spectacle’, in The Cambridge Introduction to Early English Theatre (Cambridge: Cambridge University Press, 2006), Cambridge introductions to literature, 171–212
———, The Cambridge Introduction to Early English Theatre (Cambridge: Cambridge University Press, 2006), Cambridge introductions to literature
———, The Cambridge Introduction to Early English Theatre (Cambridge: Cambridge University Press, 2006), Cambridge introductions to literature
———, The Cambridge Introduction to Early English Theatre (Cambridge: Cambridge University Press, 2006), Cambridge introductions to literature
Dollimore, Jonathan, Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries, Reissued 3rd ed (Basingstoke: Palgrave Macmillan, 2010)
Dutton, Richard and Oxford Handbooks Online (Online service), The Oxford Handbook of Early Modern Theatre (Oxford: Oxford University Press, 2011) <http://dx.doi.org/10.1093/oxfordhb/9780199697861.001.0001>
Ennis, Daniel James, and Judith Bailey Slagle, Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage (Newark, [Del.]: University of Delaware Press, 2007)
Escolme, Bridget, Talking to the Audience: Shakespeare, Performance, Self (Abingdon: Routledge, 2005)
Greenblatt, Stephen, Renaissance Self-Fashioning: From More to Shakespeare (Chicago: University of Chicago Press, 1980)
Grundy, Isobel, and Susan Wiseman, Women, Writing, History, 1640-1740 (London: Batsford, 1992)
Gurr, Andrew, Playgoing in Shakespeare’s London (Cambridge: Cambridge University Press, 1987)
———, The Shakespearean Stage 1574–1642, 4th ed (Cambridge: Cambridge University Press, 2008) <http://dx.doi.org/10.1017/CBO9780511819520>
Hadley, Elaine, Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800-1855 (Stanford, Calif: Stanford University Press, 1995)
Halliwell, Stephen, Aristotle’s Poetics (London: Duckworth, 1986)
Hanawalt, Barbara, and Michal Kobialka, eds., Medieval Practices of Space (Minneapolis: University of Minnesota Press, 2000), Medieval cultures <http://www.jstor.org/stable/10.5749/j.cttts5rv>
Happé, P., ‘The Vice and the Folk-Drama’, Folklore, 75.3 (1964), 161–93 <https://doi.org/10.1080/0015587X.1964.9716964>
Hays, Michael, and Anastasia Nikolopoulou, Melodrama: The Cultural Emergence of a Genre (Basingstoke: Macmillan, 1996)
Holdsworth, R. V., Webster, ‘The White Devil’ and ‘The Duchess of Malfi’: A Casebook (London: Macmillan, 1975), Casebook series
Howe, Elizabeth, The First English Actresses: Women and Drama, 1660-1700 (Cambridge: Cambridge University Press, 1992)
Hoxby, Blair, ‘An Early Modern Poetics of Tragedy’, in What Was Tragedy? (Oxford University Press, 2015), pp. 57–108 <https://doi.org/10.1093/acprof:oso/9780198749165.003.0002>
Innes, C. D., A Sourcebook on Naturalist Theatre (London: Routledge, 2000)
———, A Sourcebook on Naturalist Theatre (London: Routledge, 2000)
———, ‘Contemporary Theories of Naturalism’, in A Sourcebook on Naturalist Theatre (London: Routledge, 2000), pp. 43–64
Jardine, Lisa, ‘Boy Actors, Female Roles and Elizabethan Eroticism’, in Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama (New York: Routledge, 1991), pp. 57–67
Kastan, David Scott, and Peter Stallybrass, Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama (New York: Routledge, 1991)
Keenan, Siobhan and Bloomsbury (Firm), Acting Companies and Their Plays in Shakespeare’s London (London: Bloomsbury, 2014), The Arden Shakespeare <http://dx.doi.org/10.5040/9781472575692>
King, Pamela M., The York Mystery Cycle and the Worship of the City (Woodbridge: Boydell & Brewer, 2006), Westfield medieval studies
King, Pamela M. and dawsonera, Medieval Literature 1300-1500 (Edinburgh: Edinburgh University Press, 2011), Edinburgh critical guides to literature <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=714138>
Mayer, David, ‘Encountering Melodrama’, in The Cambridge Companion to Victorian and Edwardian Theatre (Cambridge: Cambridge University Press, 2006), The Cambridge companions to literature and classics, 145–63 <https://doi.org/10.1017/CCOL052179157X.009>
Orgel, Stephen, Impersonations: The Performance of Gender in Shakespeare’s England (Cambridge: Cambridge University Press, 1996)
Owen, Susan J., Perspectives on Restoration Drama (Manchester: Manchester University Press, 2002)
Oxford Handbooks Online (Online service), The Oxford Handbook of the Georgian Theatre, 1737-1832, ed. by Julia Swindells and David Francis Taylor (Oxford: Oxford University Press, 2014) <http://dx.doi.org/10.1093/oxfordhb/9780199600304.001.0001>
Payne Fisk, Deborah and Cambridge Collections Online (Online service), The Cambridge Companion to English Restoration Theatre (Cambridge: Cambridge University Press, 2006), The Cambridge companions to literature and classics <http://dx.doi.org/10.1017/CCOL0521582156>
Postlewait, Thomas, ‘Introduction: On Some Preliminary Matters’, in The Cambridge Introduction to Theatre Historiography (Cambridge: Cambridge University Press, 2009), Cambridge introductions to literature, 1–24
Postlewait, Thomas, and Bruce A. McConachie, Interpreting the Theatrical Past: Essays in the Historiography of Performance (Iowa City: University of Iowa Press, 1989)
Purcell, Stephen, John Webster: The White Devil (Basingstoke: Palgrave Macmillan, 2012), The Shakespeare handbooks: Shakespeare’s contemporaries
Rosenthal, L.J., ‘“All Injury’s Forgot”: Restoration Sex Comedy and National Amnesia’, Comparative Drama, 42.1, 7–28 <https://doi.org/10.1353/cdr.2008.0016>
Rowe, Nicholas, ‘The Fair Penitent: A Tragedy’ <http://find.galegroup.com/ecco/infomark.do?&source=gale&prodId=ECCO&userGroupName=univbri&tabID=T001&docId=CB3331339322&type=multipage&contentSet=ECCOArticles&version=1.0&docLevel=FASCIMILE>
Schumacher, Claude, Naturalism and Symbolism in European Theatre, 1850-1918 (Cambridge: Cambridge University Press, 1996), Theatre in Europe : a documentary history
Sinfield, Alan, and Jonathan Dollimore, Political Shakespeare: Essays in Cultural Materialism, 2nd ed., with add. chapters (Manchester: Manchester University Press, 1994)
Slater, Montagu, ‘Maria Marten’, in Barnstormer Plays (London: The Bodley Head, 1943), pp. 1–80
Smith, James L., Victorian Melodramas: Seven English, French and American Melodramas (London: Dent, 1976)
Solomon, Diana, ‘Tragic Play, Bawdy Epilogue’, in Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage (Newark, [Del.]: University of Delaware Press, 2007), pp. 155–78
‘Staging the Henrician Court’ <http://stagingthehenriciancourt.brookes.ac.uk/performance/index.html>
Stern, Tiffany and Cambridge Books Online (Online service), Documents of Performance in Early Modern England (Cambridge: Cambridge University Press, 2009) <http://dx.doi.org/10.1017/CBO9780511635625>
Straub, Kristina, Sexual Suspects: Eighteenth-Century Players and Sexual Ideology (Princeton, N.J.: Princeton University Press, 1992)
Strindberg, August, ‘Preface to “Miss Julie”’ <http://www.dramaonlinelibrary.com/books/miss-julie-iid-12074/do-9781408168189-div-00000016>
Strindberg, August, Michael Leverson Meyer, David Thomas, Jo Taylor, and Bloomsbury (Firm), ‘Miss Julie’, Methuen student editions (2006) <http://dx.doi.org/10.5040/9781408168189.00000018>
Tasker, Elizabeth, ‘Low Brows and High Profiles: Rhetoric and Gender in the Restoration and Early Eighteenth Century Theater’ <https://pdfs.semanticscholar.org/4173/fcc7f740b35a61030b8bb0fbce57ac76cf59.pdf?_ga=2.9312370.635656816.1521118137-25998301.1521118137>
‘The York Play of the Crucifixion’ <http://www.wwnorton.com/college/english/nael/noa/pdf/YORKPLAY.pdf>
Treharne, Elaine M., Greg Walker, and Oxford Handbooks Online (Online service), The Oxford Handbook of Medieval Literature in English (Oxford: Oxford University Press, 2010) <http://dx.doi.org/10.1093/oxfordhb/9780199229123.001.0001>
Tribble, Evelyn B., Cognition in the Globe: Attention and Memory in Shakespeare’s Theatre (New York: Palgrave Macmillan, 2011), Cognitive studies in literature and performance
Twycross, Meg, and Sarah Carpenter, Masks and Masking in Medieval and Early Tudor England (Aldershot: Ashgate, 2002), Studies in performance and early modern drama
Walker, Greg, Medieval Drama: An Anthology (Oxford: Blackwell, 2000)
———, Plays of Persuasion: Drama and Politics at the Court of Henry VIII (Cambridge: Cambridge University Press, 1991)
———, The Politics of Performance in Early Renaissance Drama (Cambridge: Cambridge University Press, 1998)
Walker, Greg and Cambridge Books Online (Online service), ‘Household Drama and the Art of Good Counsel’, in The Politics of Performance in Early Renaissance Drama (Cambridge: Cambridge University Press, 1998), pp. 51–75 <http://dx.doi.org/10.1017/CBO9780511583155>
———, The Politics of Performance in Early Renaissance Drama (Cambridge: Cambridge University Press, 1998) <http://dx.doi.org/10.1017/CBO9780511583155>
Walker, Greg and Oxford Scholarship Online (Online service), Writing under Tyranny: English Literature and the Henrician Reformation (Oxford: Oxford University Press, 2005) <http://dx.doi.org/10.1093/acprof:oso/9780199283330.001.0001>
Webster, John, and John Russell Brown, The White Devil (Manchester: Manchester University Press, 1996), Revels student editions
White, Martin, Renaissance Drama in Action: An Introduction to Aspects of Theatre Practice and Performance (London: Routledge, 1998)
White, R. S., Twelfth Night (Basingstoke: Macmillan, 1996), New casebooks
Wickham, Glynne, Early English Stages, 1300 to 1660: Vol.1: 1300 to 1576, 2nd ed (London: Routledge and K. Paul, 1980)
———, The Medieval Theatre, 3rd ed (Cambridge: Cambridge University Press, 1987)
Williams, Raymond, and Raymond Williams, Drama from Ibsen to Brecht, Rev. ed (London: Hogarth, 1987)
Wilson, F. P., The English Drama, 1485-1585 (Oxford: Clarendon Press, 1969), Oxford history of English literature
Woods, Leigh, Garrick Claims the Stage: Acting as Social Emblem in Eighteenth-Century England (Westport, Connecticut: Greenwood Press, 1984), Contributions in drama and theatre studies
Worthen, William B., and Peter Holland, Theorizing Practice: Redefining Theatre History (Basingstoke: Palgrave Macmillan, 2003), Redefining British theatre history
Wycherley, William, James Ogden, and Bloomsbury (Firm), ‘The Country Wife’, New mermaids (2007) <http://dx.doi.org/10.5040/9781408169124.00000012>
Zarilli, Phillip B., ‘Preface: Interpreting Performances and Cultures’, in Theatre Histories: An Introduction (New York: Routledge, 2006), pp. xvii–xxxi
———, Theatre Histories: An Introduction (New York: Routledge, 2006)
