Apollonio, Umbro, Futurist Manifestos (London: Thames & Hudson, 1973), The world of art library. Modern movements
Bachert, Hildegard, ‘Collecting the Art of Käthe Kollwitz’, in Kathe Kollwitz (New Haven: Yale University Press, 1992), pp. 117–36
Bann, Stephen, The Tradition of Constructivism (London: Thames and Hudson, 1974), The documents of 20th century art
Barron, Stephanie, Maurice Tuchman, and Los Angeles County Museum of Art, The Avant-Garde in Russia, 1910-1930: New Perspectives (Los Angeles: Los Angeles County Museum of Art, 1980)
Baudelaire, Charles, ‘The Painter of Modern Life’, in Modern Art and Modernism: A Critical Anthology (London: Harper & Row, 1863), pp. 23–27
Bergdoll, Barry, Leah Dickerman, and David Frankel, Bauhaus 1919-1933: Workshops for Modernity (New York: Museum of Modern Art, 2009)
Bergeret-Gourbin, Anne-Marie, Charles Penwarden, and Musée Marmottan, Monet’s Impression Sunrise: The Biography of a Painting, ed. by Marianne Mathieu and Dominique Lobstein (Paris: Hazan, 2014)
Berman, Marshall, All That Is Solid Melts into Air: The Experience of Modernity, [New ed.] (London: Verso, 2010)
Clark, T.J., ‘Olympia’s Choice’, in The Painting of Modern Life: Paris in the Art of Manet and His Followers (London: Thames and Hudson, 1984), pp. 79–146
Dickerman, Leah, Brigid Doherty, Centre Georges Pompidou, National Gallery of Art (U.S.), and Museum of Modern Art (New York), Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris (Washington, DC: National Gallery of Art in association with D.A.P./ Distributed Art Publishers, 2005)
Doherty, Brigid, ‘Berlin Dada’, in Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris (Washington, DC: National Gallery of Art in association with D.A.P./ Distributed Art Publishers, 2005), pp. 87–112
Druick, Douglas W., Peter Kort Zegers, Britt Salvesen, Kristin Hoermann Lister, Mary C. Weaver, Art Institute of Chicago, and others, Van Gogh and Gauguin: The Studio of the South (Chicago: Thames & Hudson, 2001)
F.T., Marinetti, ‘The Founding and Manifesto of Futurism’, in Futurist Manifestos (London: Thames & Hudson, 1909), The world of art library. Modern movements, 19–131
Gaughan, Martin, ‘Narrating the Dada Game Plan’, in Art of the Avant-Gardes (London: Yale University Press in association with the Open University, 2004), Art of the twentieth century, 339–58
Gemma, Blackshaw, ‘On Stage: The New Viennese’, in Facing the Modern: The Portrait in Vienna 1900 (London: National Gallery Company, 2013), pp. 14–33
Golding, John, ‘Cubism’, in Concepts of Modern Art: From Fauvism to Postmodernism, 3rd ed., expanded and updated (London: Thames and Hudson, 1994), World of art, 50–78
Gray, Camilla, The Russian Experiment in Art, 1863-1922 (London: Thames & Hudson, 1971)
Heller, Reinhold, ‘Observations, in the Form of a Survey, on the History of Print Cycles in German Art from the Fifteenth to the Nineteenth Century’, in The German Print Portfolio, 1890-1930: Serials for a Private Sphere (London: Philip Wilson in assocation with the David and Alfred Smart Museum of Art, University of Chicago, 1992), pp. 9–31
Herbert, Robert L., Impressionism: Art, Leisure, and Parisian Society (New Haven: Yale University Press, 1988)
House, John, ‘The Legacy of Impressionism in France’, in Post-Impressionism: Cross-Currents in European Painting (London: Royal Academy of Arts in association with Weidenfeld and Nicolson, 1979), pp. 13–25
Jason, Gaiger, ‘Approaches to Cubism’, in Art of the Avant-Gardes (London: Yale University Press in association with the Open University, 2004), Art of the twentieth century, 135–55
J.M., Nash, ‘The Nature of Cubism: A Study in Conflicting Explanations’, Art History, 5.4 (1980)
Jones, Amelia, Irrational Modernism: A Neurasthenic History of New York Dada (Cambridge, Mass: MIT Press, 2004)
Kets de Vries, Henriette, ‘Mother’s Arms: Käthe Kollwitz’s Women and War’, in Käthe Kollwitz and the Women of War: Femininity, Identity, and Art in Germany during World Wars I and II, ed. by Claire C. Whitner (Wellesley, Massachusetts: The Davis Museum at Wellesley College, 2016), pp. 11–19
Krell, Alan, Manet and the Painters of Contemporary Life (London: Thames and Hudson, 1996), World of art
Kuenzli, Rudolf E., Dada and Surrealist Film (New York: Willis Locker & Owens, 1987)
Kunstmuseum Stuttgart and Staatliche Akademie der Bildenden Künste Stuttgart, Otto Dix and the New Objectivity (Ostfildern: Hatje Cantz, 2012)
———, Otto Dix and the New Objectivity (Ostfildern: Hatje Cantz, 2012)
Lajer-Burcharth, Ewa, ‘Modernity and the Condition of Disguise: Manet’s "Absinthe Drinker”’, Art Journal, 45.1 (1985), 18–26 <https://doi.org/10.1080/00043249.1985.10792272>
Leavens, Ileana B., From ‘291’ to Zurich: The Birth of Dada (Ann Arbor: UMI Research, 1983), Studies in the fine arts
Lodder, Christina, Russian Constructivism (New Haven: Yale University Press, 1983)
———, ‘Soviet Constructivism’, in Art of the Avant-Gardes (London: Yale University Press in association with the Open University, 2004), Art of the twentieth century, 359–93
Meecham, Pam, and Julie Sheldon, ‘What, When and Where Was Modernism?’, in Modern Art: A Critical Introduction, 2nd ed (London: Routledge, 2005), pp. 13–48
Michalski, Sergiusz, New Objectivity: Painting, Graphic Art and Photography in Weimar Germany 1919-1933 (Köln: Taschen, 2003)
Milner, John, Kazimir Malevich and the Art of Geometry (New Haven: Yale University Press, 1996)
———, Vladimir Tatlin and the Russian Avant-Garde (London: Yale University Press, 1983)
Moorjani, Angela, ‘Käthe Kollwitz on Sacrifice, Mourning, and Reparation: An Essay in Psychoaesthetics’, MLN, Vol. 101.5 (1986), 1110–34 <https://pmt-eu.hosted.exlibrisgroup.com/primo-explore/fulldisplay?docid=44BU_SFX_DS954925425196&amp;context=L&amp;vid=44BU_VU1〈=en_US&amp;search_scope=default_scope&amp;adaptor=Local%20Search%20Engine&amp;tab=default_tab&amp;query=any,contains,MLN&amp;sortby=rank>
Mundy, Jennifer, Tate Modern (Gallery), and Museu Nacional d’Art de Catalunya, Duchamp, Man Ray, Picabia (London: Tate Publishing, 2008)
Norbert, Lynton, ‘Futurism’, in Concepts of Modern Art (Harmondsworth: Penguin, 1981), Pelican books
Nord, Philip, ‘Manet and Radical Politics’, Journal of Interdisciplinary History, 19.3 (1989) <https://doi.org/10.2307/204364>
P., Tucker, ‘The First Impressionist Exhibition in Context’, in The New Painting: Impressionism 1874-1886 (Oxford: Phaidon, 1986), pp. 93–117
Paul, Tucker, ‘Making Sense of Edouard Manet’s “Le Déjeuner Sur l’herbe”’, in Manet’s Le Déjeuner Sur l’herbe (Cambridge: Cambridge University Press, 1998), Masterpieces of Western painting, 1–37
Peters, Olaf, ed., Berlin Metropolis, 1918-1933 (Munich: Prestel, 2015)
Prelinger, Elizabeth, ‘Kollwitz Reconsidered’, in Kathe Kollwitz (New Haven: Yale University Press, 1992), pp. 13–88
Reff, Theodore, Manet, ‘Olympia’ (London: Allen Lane, 1976), Art in context
Rewald, Sabine, Ian Buruma, Matthias Eberle, and Metropolitan Museum of Art (New York), Glitter and Doom: German Portraits from the 1920s (New York: Metropolitan Museum of Art, 2006)
Richter, Hans, Dada: Art and Anti-Art (London: Thames and Hudson, 1965), The world of art library
Rowe, Dorothy C., After Dada: Marta Hegemann and the Cologne Avant-Garde (Manchester: Manchester University Press, 2013)
Schmied, Wieland, Hayward Gallery, and Arts Council of Great Britain, Neue Sachlichkeit and German Realism of the Twenties: [Exhibition] Hayward Gallery, London, 11 November 1978-14 January 1979 ([London]: Arts Council of Great Britain, 1978)
Schulte, Regina, and Pamela Selwyn, ‘Käthe Kollwitz’s Sacrifice’, History Workshop Journal, 41 (1996), 193–221 <http://www.jstor.org/stable/4289436>
Sharp, Ingrid, ‘Käthe Kollwitz’s Witness to War: Gender, Authority and Reception’, Women in German Yearbook: Feminist Studies in German Literature & Culture, 27 (2011), 87–107
Smith, Paul G., Impressionism: Beneath the Surface (London: Weidenfeld & Nicholson, 1995), Everyman art library
Solomon R. Guggenheim Museum (New York), The Great Utopia: The Russian and Soviet Avant-Garde, 1915-1932 (New York: Solomon R. Guggenheim Museum, 1992)
Stephanie, Barron, ‘New Objectivity: German Expressionism after Realism’, in New Objectivity: Modern German Art in the Weimar Republic, 1919-1933, ed. by Stephanie Barron and Sabine Eckmann (Munich: DelMonico, 2015), pp. 15–25
Taylor, B., ‘Revolution and Civil War’, in Art and Literature under the Bolsheviks: Vol.1: The Crisis of Renewal, 1917-1924 (London: Pluto Press, 1991), pp. 27–108
Taylor, Brandon, Art and Literature under the Bolsheviks: Vol.1: The Crisis of Renewal, 1917-1924 (London: Pluto Press, 1991)
———, Art and Literature under the Bolsheviks: Vol.2: Authority and Revolution, 1924-1932 (London: Pluto Press, 1992)
Thomson, Belinda, The Post-Impressionists (Secaucus, New Jersey: Chartwell, 1983)
Thomson, Richard, ‘Chapter 6’, in Seurat (Oxford: Phaidon, 1985), pp. 97–126
Tzara, Tristan, Seven Dada Manifestos and Lampisteries (London: Calder, 1977)
Werkner, Patrick, ‘Art in Vienna Around 1900’, in Klimt, Schiele, Moser, Kokoschka: Vienna 1900 (Aldershot: Lund Humphries, 2005), pp. 35–43