Apollonio, Umbro. Futurist Manifestos. The world of art library. Modern movements. London: Thames & Hudson, 1973. Print.
Bachert, Hildegard. ‘Collecting the Art of Käthe Kollwitz’. Kathe Kollwitz. New Haven: Yale University Press, 1992. 117–136. Print.
Bann, Stephen. The Tradition of Constructivism. The documents of 20th century art. London: Thames and Hudson, 1974. Print.
Barron, Stephanie, Maurice Tuchman, and Los Angeles County Museum of Art. The Avant-Garde in Russia, 1910-1930: New Perspectives. Los Angeles: Los Angeles County Museum of Art, 1980. Print.
Baudelaire, Charles. ‘The Painter of Modern Life’. Modern Art and Modernism: A Critical Anthology. London: Harper & Row, 1863. 23–27. Print.
Bergdoll, Barry, Leah Dickerman, and David Frankel. Bauhaus 1919-1933: Workshops for Modernity. New York: Museum of Modern Art, 2009. Print.
Bergeret-Gourbin, Anne-Marie, Charles Penwarden, and Musée Marmottan. Monet’s Impression Sunrise: The Biography of a Painting. Ed. Marianne Mathieu and Dominique Lobstein. Paris: Hazan, 2014. Print.
Berman, Marshall. All That Is Solid Melts into Air: The Experience of Modernity. [New ed.]. London: Verso, 2010. Print.
Clark, T.J. ‘Olympia’s Choice’. The Painting of Modern Life: Paris in the Art of Manet and His Followers. London: Thames and Hudson, 1984. 79–146. Print.
Dickerman, Leah et al. Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris. Washington, DC: National Gallery of Art in association with D.A.P./ Distributed Art Publishers, 2005. Print.
Doherty, Brigid. ‘Berlin Dada’. Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris. Washington, DC: National Gallery of Art in association with D.A.P./ Distributed Art Publishers, 2005. 87–112. Print.
Druick, Douglas W. et al. Van Gogh and Gauguin: The Studio of the South. Chicago: Thames & Hudson, 2001. Print.
F.T., Marinetti. ‘The Founding and Manifesto of Futurism’. Futurist Manifestos. The world of art library. Modern movements. London: Thames & Hudson, 1909. 19–131. Print.
Gaughan, Martin. ‘Narrating the Dada Game Plan’. Art of the Avant-Gardes. Art of the twentieth century. London: Yale University Press in association with the Open University, 2004. 339–358. Print.
Gemma, Blackshaw. ‘On Stage: The New Viennese’. Facing the Modern: The Portrait in Vienna 1900. London: National Gallery Company, 2013. 14–33. Print.
Golding, John. ‘Cubism’. Concepts of Modern Art: From Fauvism to Postmodernism. 3rd ed., expanded and updated. World of art. London: Thames and Hudson, 1994. 50–78. Print.
Gray, Camilla. The Russian Experiment in Art, 1863-1922. London: Thames & Hudson, 1971. Print.
Heller, Reinhold. ‘Observations, in the Form of a Survey, on the History of Print Cycles in German Art from the Fifteenth to the Nineteenth Century’. The German Print Portfolio, 1890-1930: Serials for a Private Sphere. London: Philip Wilson in assocation with the David and Alfred Smart Museum of Art, University of Chicago, 1992. 9–31. Print.
Herbert, Robert L. Impressionism: Art, Leisure, and Parisian Society. New Haven: Yale University Press, 1988. Print.
House, John. ‘The Legacy of Impressionism in France’. Post-Impressionism: Cross-Currents in European Painting. London: Royal Academy of Arts in association with Weidenfeld and Nicolson, 1979. 13–25. Print.
Jason, Gaiger. ‘Approaches to Cubism’. Art of the Avant-Gardes. Art of the twentieth century. London: Yale University Press in association with the Open University, 2004. 135–155. Print.
J.M., Nash. ‘The Nature of Cubism: A Study in Conflicting Explanations’. Art history 5.4 (1980): n. pag. Print.
Jones, Amelia. Irrational Modernism: A Neurasthenic History of New York Dada. Cambridge, Mass: MIT Press, 2004. Print.
Kets de Vries, Henriette. ‘Mother’s Arms: Käthe Kollwitz’s Women and War’. Käthe Kollwitz and the Women of War: Femininity, Identity, and Art in Germany during World Wars I and II. Ed. Claire C. Whitner. Wellesley, Massachusetts: The Davis Museum at Wellesley College, 2016. 11–19. Print.
Krell, Alan. Manet and the Painters of Contemporary Life. World of art. London: Thames and Hudson, 1996. Print.
Kuenzli, Rudolf E. Dada and Surrealist Film. New York: Willis Locker & Owens, 1987. Print.
Kunstmuseum Stuttgart and Staatliche Akademie der Bildenden Künste Stuttgart. Otto Dix and the New Objectivity. Ostfildern: Hatje Cantz, 2012. Print.
---. Otto Dix and the New Objectivity. Ostfildern: Hatje Cantz, 2012. Print.
Lajer-Burcharth, Ewa. ‘Modernity and the Condition of Disguise: Manet’s "Absinthe Drinker”’. Art Journal 45.1 (1985): 18–26. Web.
Leavens, Ileana B. From ‘291’ to Zurich: The Birth of Dada. Studies in the fine arts. Ann Arbor: UMI Research, 1983. Print.
Lodder, Christina. Russian Constructivism. New Haven: Yale University Press, 1983. Print.
---. ‘Soviet Constructivism’. Art of the Avant-Gardes. Art of the twentieth century. London: Yale University Press in association with the Open University, 2004. 359–393. Print.
Meecham, Pam, and Julie Sheldon. ‘What, When and Where Was Modernism?’ Modern Art: A Critical Introduction. 2nd ed. London: Routledge, 2005. 13–48. Print.
Michalski, Sergiusz. New Objectivity: Painting, Graphic Art and Photography in Weimar Germany 1919-1933. Köln: Taschen, 2003. Print.
Milner, John. Kazimir Malevich and the Art of Geometry. New Haven: Yale University Press, 1996. Print.
---. Vladimir Tatlin and the Russian Avant-Garde. London: Yale University Press, 1983. Print.
Moorjani, Angela. ‘Käthe Kollwitz on Sacrifice, Mourning, and Reparation: An Essay in Psychoaesthetics’. MLN Vol. 101.5 (1986): 1110–1134. Web. <https://pmt-eu.hosted.exlibrisgroup.com/primo-explore/fulldisplay?docid=44BU_SFX_DS954925425196&context=L&vid=44BU_VU1〈=en_US&search_scope=default_scope&adaptor=Local%20Search%20Engine&tab=default_tab&query=any,contains,MLN&sortby=rank>.
Mundy, Jennifer, Tate Modern (Gallery), and Museu Nacional d’Art de Catalunya. Duchamp, Man Ray, Picabia. London: Tate Publishing, 2008. Print.
Norbert, Lynton. ‘Futurism’. Concepts of Modern Art. Pelican books. Harmondsworth: Penguin, 1981. Print.
Nord, Philip. ‘Manet and Radical Politics’. Journal of Interdisciplinary History 19.3 (1989): n. pag. Web.
P., Tucker. ‘The First Impressionist Exhibition in Context’. The New Painting: Impressionism 1874-1886. Oxford: Phaidon, 1986. 93–117. Print.
Paul, Tucker. ‘Making Sense of Edouard Manet’s “Le Déjeuner Sur l’herbe”’. Manet’s Le Déjeuner Sur l’herbe. Masterpieces of Western painting. Cambridge: Cambridge University Press, 1998. 1–37. Print.
Peters, Olaf, ed. Berlin Metropolis, 1918-1933. Munich: Prestel, 2015. Print.
Prelinger, Elizabeth. ‘Kollwitz Reconsidered’. Kathe Kollwitz. New Haven: Yale University Press, 1992. 13–88. Print.
Reff, Theodore. Manet, ‘Olympia’. Art in context. London: Allen Lane, 1976. Print.
Rewald, Sabine et al. Glitter and Doom: German Portraits from the 1920s. New York: Metropolitan Museum of Art, 2006. Print.
Richter, Hans. Dada: Art and Anti-Art. The world of art library. London: Thames and Hudson, 1965. Print.
Rowe, Dorothy C. After Dada: Marta Hegemann and the Cologne Avant-Garde. Manchester: Manchester University Press, 2013. Print.
Schmied, Wieland, Hayward Gallery, and Arts Council of Great Britain. Neue Sachlichkeit and German Realism of the Twenties: [Exhibition] Hayward Gallery, London, 11 November 1978-14 January 1979. [London]: Arts Council of Great Britain, 1978. Print.
Schulte, Regina, and Pamela Selwyn. ‘Käthe Kollwitz’s Sacrifice’. History Workshop Journal 41 (1996): 193–221. Web. <http://www.jstor.org/stable/4289436>.
Sharp, Ingrid. ‘Käthe Kollwitz’s Witness to War: Gender, Authority and Reception’. Women in German yearbook: feminist studies in German literature & culture 27 (2011): 87–107. Print.
Smith, Paul G. Impressionism: Beneath the Surface. Everyman art library. London: Weidenfeld & Nicholson, 1995. Print.
Solomon R. Guggenheim Museum (New York). The Great Utopia: The Russian and Soviet Avant-Garde, 1915-1932. New York: Solomon R. Guggenheim Museum, 1992. Print.
Stephanie, Barron. ‘New Objectivity: German Expressionism after Realism’. New Objectivity: Modern German Art in the Weimar Republic, 1919-1933. Ed. Stephanie Barron and Sabine Eckmann. Munich: DelMonico, 2015. 15–25. Print.
Taylor, B. ‘Revolution and Civil War’. Art and Literature under the Bolsheviks: Vol.1: The Crisis of Renewal, 1917-1924. London: Pluto Press, 1991. 27–108. Print.
Taylor, Brandon. Art and Literature under the Bolsheviks: Vol.1: The Crisis of Renewal, 1917-1924. London: Pluto Press, 1991. Print.
---. Art and Literature under the Bolsheviks: Vol.2: Authority and Revolution, 1924-1932. London: Pluto Press, 1992. Print.
Thomson, Belinda. The Post-Impressionists. Secaucus, New Jersey: Chartwell, 1983. Print.
Thomson, Richard. ‘Chapter 6’. Seurat. Oxford: Phaidon, 1985. 97–126. Print.
Tzara, Tristan. Seven Dada Manifestos and Lampisteries. London: Calder, 1977. Print.
Werkner, Patrick. ‘Art in Vienna Around 1900’. Klimt, Schiele, Moser, Kokoschka: Vienna 1900. Aldershot: Lund Humphries, 2005. 35–43. Print.
