Bibliography for MUSI20066 & MUSI30105: African American Music in the 20th Century BETA

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Amiri Baraka (LeRoi Jones). 1963. Blues People: Negro Music in White America. New York: W. Morrow.

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Anon. n.d.-b. ‘Moving Beyond Pain — Bell Hooks Institute’. Retrieved (http://www.bellhooksinstitute.com/blog/2016/5/9/moving-beyond-pain).

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Brackett, David. 2005a. ‘Chapter 19: The Growing Threat of Rhythm and Blues’. Pp. 76–80 in The pop, rock, and soul reader: histories and debates. Oxford: Oxford University Press.

Brackett, David. 2005b. ‘Chapter 24: Rock and Roll Meets the Popular Press’. in The pop, rock, and soul reader: histories and debates. Oxford: Oxford University Press.

Brackett, David. 2005c. ‘Chapter 25: The Chicago Defender Defends Rock and Roll’. in The pop, rock, and soul reader: histories and debates. Oxford: Oxford University Press.

Brackett, David. 2005d. ‘Chapter 26: The Music Industry Fight against Rock “n” Roll’. Pp. 100–109 in The pop, rock, and soul reader: histories and debates. Oxford: Oxford University Press.

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Burnim, Mellonee V., and Portia K. Maultsby, eds. 2015b. ‘Chapter 1: The Translated African Cultural and Musical Past’. Pp. 3–22 in African American music: an introduction. New York: Routledge.

Burnim, Mellonee V., and Portia K. Maultsby, eds. 2015c. ‘Chapter 3: Secular Folk Music’. Pp. 34–49 in African American music: an introduction. New York: Routledge.

Burnim, Mellonee V., and Portia K. Maultsby, eds. 2015d. ‘Chapter 4: Spirituals’. Pp. 50–71 in African American music: an introduction. New York: Routledge.

Burnim, Mellonee V., and Portia K. Maultsby, eds. 2015e. ‘Chapter 6: Ragtime’. Pp. 97–118 in African American music: an introduction. New York: Routledge.

Burnim, Mellonee V., and Portia K. Maultsby, eds. 2015f. ‘Chapter 7: Blues’. Pp. 119–37 in African American music: an introduction. New York: Routledge.

Burnim, Mellonee V., and Portia K. Maultsby, eds. 2015g. ‘Chapter 7: Rhythm and Blues/R&B’. Pp. 239–76 in African American music: an introduction. New York: Routledge.

Burnim, Mellonee V., and Portia K. Maultsby, eds. 2015h. ‘Chapter 8: Art/Classical Music’. Pp. 138–59 in African American music: an introduction. New York: Routledge.

Burnim, Mellonee V., and Portia K. Maultsby, eds. 2015i. ‘Chapter 9: Jazz’. Pp. 163–88 in African American music: an introduction. New York: Routledge.

Burnim, Mellonee V., and Portia K. Maultsby, eds. 2015j. ‘Chapter 11: Music Theater’. Pp. 213–38 in African American music: an introduction. New York: Routledge.

Burnim, Mellonee V., and Portia K. Maultsby, eds. 2015k. ‘Chapter 14: Funk’. Pp. 301–19 in African American music: an introduction. New York: Routledge.

Burnim, Mellonee V., and Portia K. Maultsby, eds. 2015l. ‘Chapter 15: Disco and House’. Pp. 320–34 in African American music: an introduction. New York: Routledge.

Burnim, Mellonee V., and Portia K. Maultsby, eds. 2015m. ‘Chapter 17: Hip-Hop and Rap’. Pp. 354–90 in African American music: an introduction. New York: Routledge.

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Cockrell, Dale. 1997b. Demons of Disorder: Early Blackface Minstrels and Their World. Vol. 8. Cambridge: Cambridge University Press.

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David Brackett. 1992. ‘James Brown’s “Superbad” and the Double-Voiced Utterance’. Popular Music 11(3):309–24.

Dery, Mark, ed. 1994. ‘Black to the Future’. Pp. 179–222 in Flame wars: the discourse of cyberculture. Durham: Duke University Press.

Edgar, Amanda Nell. 2019. ‘“She Invited Other People to That Space”: Audience Habitus, Place, and Social Justice in Beyoncé’s Lemonade’. Feminist Media Studies 19(1).

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Eshun, Kodwo. 2003. ‘Further Considerations of Afrofuturism’. CR: The New Centennial Review 3(2):287–302. doi: 10.1353/ncr.2003.0021.

Floyd, Samuel A. 1995a. ‘Chapter 3: Syncretization and Synthesis: Folk and Written Traditions’. in The Power of Black Music. New York, Oxford: Oxford University Press.

Floyd, Samuel A. 1995b. ‘Chapter 4: African-American Modernism, Signifyin(g) and Black Music’. in The power of black music: interpreting its history from Africa to the United States. New York: Oxford University Press.

Floyd, Samuel A. 1995c. ‘Chapter 5: The Negro Renaissance: Harlem and Chicago Flowerings’. in The Power of Black Music. New York, Oxford: Oxford University Press.

Floyd, Samuel A. 1995d. ‘Chapter 9: Troping the Blues: From Spirituals to the Concert Hall’. in The Power of Black Music. New York, Oxford: Oxford University Press.

Floyd, Samuel A. 1995e. ‘Chapter 10: The Object of Call-Response: The Signifyin(g) Symbol’. in The Power of Black Music. New York, Oxford: Oxford University Press.

Floyd, Samuel A. 1995f. ‘Introduction’. in The Power of Black Music. New York, Oxford: Oxford University Press.

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Howland, John. 2009. ‘Chapter 3: The Blues Get Glorified: Harlem Entertainment, Negro Nuances, and Black Symphonic Jazz’. in ‘Ellington uptown’: Duke Ellington, James P. Johnson, & the birth of concert jazz. Ann Arbor: University of Michigan Press.

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Maultsby, Portia K. 1983. ‘Soul Music: Its Sociological and Political Significance in American Popular Culture’. The Journal of Popular Culture 17(2):51–60. doi: 10.1111/j.0022-3840.1983.1702_51.x.

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Maultsby, Portia K. 2015. ‘Chapter 13: Soul’. in African American music: an introduction, edited by M. V. Burnim and P. K. Maultsby. New York, NY: Routledge, Taylor & Francis Group.

McClary, Susan. 2003. ‘Bessie Smith: Thinking Blues’. Pp. 427–34 in The auditory culture reader. Oxford: Berg.

Murchinson, Gayle, and Catherine Parsons Smith. n.d. ‘Still, William Grant’.

Murray Forman. 2000. ‘“Represent”: Race, Space and Place in Rap Music’. Popular Music 19(1):65–90.

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Price, Emmett George, Tammy L. Kernodle, and Horace Joseph Maxile. 2011. Encyclopedia of African American Music: Volume 1: A-G. Santa Barbara, Calif: ABC-CLIO.

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Rose, Tricia. 1994. Black Noise: Rap Music and Black Culture in Contemporary America. Middletown, Connecticut: Wesleyan University Press.

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Small, Christopher. 1998. Music of the Common Tongue: Survival and Celebration in African American Music. Hanover, N.H.: Wesleyan University Press.

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