Adams, Kyle, ‘Aspects of the Music/Text Relationship in Rap’ 14 Music Theory Online <http://www.mtosmt.org/issues/mto.08.14.2/mto.08.14.2.adams.html>
Amiri Baraka (LeRoi Jones), Blues People: Negro Music in White America (W Morrow 1963)
Arzumanova I, ‘The Culture Industry and Beyoncé’s Proprietary Blackness’ (20160702) 7 Celebrity Studies <https://bris.on.worldcat.org/search?databaseList=638&queryString=inna arzumanova the culture industry &clusterResults=true#/oclc/6460435072>
Bertrand MT, Race, Rock, and Elvis (University of Illinois Press 2005)
‘Beyoncé in “Formation”: Entertainer, Activist, Both? - The New York Times’ <https://www.nytimes.com/2016/02/07/arts/music/beyonce-formation-super-bowl-video.html>
Brackett D, ‘Chapter 19: The Growing Threat of Rhythm and Blues’, The pop, rock, and soul reader: histories and debates (Oxford University Press 2005)
——, ‘Chapter 24: Rock and Roll Meets the Popular Press’, The pop, rock, and soul reader: histories and debates (Oxford University Press 2005)
——, ‘Chapter 25: The Chicago Defender Defends Rock and Roll’, The pop, rock, and soul reader: histories and debates (Oxford University Press 2005)
——, ‘Chapter 26: The Music Industry Fight against Rock “n” Roll’, The pop, rock, and soul reader: histories and debates (Oxford University Press 2005)
Brooks KD and Martin KL, The Lemonade Reader: Beyoncé, Black Feminism and Spirituality (Routledge 2019)
Burnim MV and Maultsby PK (eds), ‘African American Music: An Introduction’ (Second edition, Routledge, Taylor & Francis Group 2015)
—— (eds), ‘Chapter 1: The Translated African Cultural and Musical Past’, African American music: an introduction (Second edition, Routledge 2015) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1843415&ppg=20>
—— (eds), ‘Chapter 3: Secular Folk Music’, African American music: an introduction (Second edition, Routledge 2015) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1843415&ppg=51>
—— (eds), ‘Chapter 4: Spirituals’, African American music: an introduction (Second edition, Routledge 2015)
—— (eds), ‘Chapter 6: Ragtime’, African American music: an introduction (Second edition, Routledge 2015)
—— (eds), ‘Chapter 7: Blues’, African American music: an introduction (Second edition, Routledge 2015)
—— (eds), ‘Chapter 7: Rhythm and Blues/R&B’, African American music: an introduction (Second edition, Routledge 2015) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1843415&ppg=136>
—— (eds), ‘Chapter 8: Art/Classical Music’, African American music: an introduction (Second edition, Routledge 2015) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1843415&ppg=155>
—— (eds), ‘Chapter 9: Jazz’, African American music: an introduction (Second edition, Routledge 2015)
—— (eds), ‘Chapter 11: Music Theater’, African American music: an introduction (Second edition, Routledge 2015)
—— (eds), ‘Chapter 14: Funk’, African American music: an introduction (Second edition, Routledge 2015) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1843415&ppg=317>
—— (eds), ‘Chapter 15: Disco and House’, African American music: an introduction (Second edition, Routledge 2015) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1843415&ppg=337>
—— (eds), ‘Chapter 17: Hip-Hop and Rap’, African American music: an introduction (Second edition, Routledge 2015) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1843415&ppg=371>
Chang J, Can’t Stop Won’t Stop: A History of the Hip-Hop Generation (Ebury 2007)
Cockrell D, Demons of Disorder: Early Blackface Minstrels and Their World, vol 8 (Cambridge University Press 1997)
——, Demons of Disorder: Early Blackface Minstrels and Their World, vol 8 (Cambridge University Press 1997)
Cooke M and Horn D (eds), The Cambridge Companion to Jazz (Cambridge University Press 2003) <http://universitypublishingonline.org/ref/id/companions/CBO9781139002233>
Danielsen A, ‘Chapter 5: The Downbeat in Anticipation’, Presence and pleasure: the funk grooves of James Brown and Parliament (Wesleyan University Press 2006)
David Brackett, ‘James Brown’s “Superbad” and the Double-Voiced Utterance’ (1992) 11 Popular Music 309 <http://www.jstor.org/stable/931312>
Dery M (ed), ‘Black to the Future’, Flame wars: the discourse of cyberculture (Duke University Press 1994)
Edgar AN, ‘“She Invited Other People to That Space”: Audience Habitus, Place, and Social Justice in Beyoncé’s Lemonade’ (2019) 19 Feminist media studies <https://bris.on.worldcat.org/search?databaseList=638&queryString=amanda nell edgar and ashton toone she invited other people&clusterResults=true#/oclc/7994441038>
Eshun K, More Brilliant than the Sun: Adventures in Sonic Fiction (Quartet Books 1998) <https://monoskop.org/images/b/b2/Eshun_Kodwo_More_Brilliant_Than_the_Sun_Adventures_in_Sonic_Fiction.pdf>
——, ‘Further Considerations of Afrofuturism’ (2003) 3 CR: The New Centennial Review 287
Floyd SA, ‘Chapter 3: Syncretization and Synthesis: Folk and Written Traditions’, The Power of Black Music (Oxford University Press 1995) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=273151>
——, ‘Chapter 4: African-American Modernism, Signifyin(g) and Black Music’, The power of black music: interpreting its history from Africa to the United States (Oxford University Press 1995) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=273151>
——, ‘Chapter 5: The Negro Renaissance: Harlem and Chicago Flowerings’, The Power of Black Music (Oxford University Press 1995) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=273151>
——, ‘Chapter 9: Troping the Blues: From Spirituals to the Concert Hall’, The Power of Black Music (Oxford University Press 1995) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=273151>
——, ‘Chapter 10: The Object of Call-Response: The Signifyin(g) Symbol’, The Power of Black Music (Oxford University Press 1995) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=273151>
——, ‘Introduction’, The Power of Black Music (Oxford University Press 1995) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=273151>
Forman M and Neal MA, That’s the Joint!: The Hip-Hop Studies Reader (2nd ed, Routledge 2012)
Frith S, Straw W and Street J (eds), The Cambridge Companion to Pop and Rock (Cambridge University Press 2001) <http://universitypublishingonline.org/ref/id/companions/CBO9781139002240>
Gates HL, The Signifying Monkey: A Theory of African-American Literary Criticism (Oxford University Press 1988) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=679616>
Hansen KA, ‘Empowered or Objectified? Personal Narrative and Audiovisual Aesthetics in Beyoncé’s Partition’ (20170315) 40 Popular Music and Society <https://bris.on.worldcat.org/search?databaseList=638&queryString=kai arne hansen empowered or objectified#/oclc/7065469272>
Harper P, ‘BEYONCÉ: Viral Techniques and the Visual Album’ (20190101) 42 Popular Music and Society <https://bris.on.worldcat.org/search?databaseList=638&queryString=paula harper beyonce viral techniques#/oclc/7989430864>
Hess M, ‘Hip-Hop Realness and the White Performer’ (2005) 22 Critical Studies in Media Communication 372
Hodeir A and Schuller G, ‘Ellington, Duke’ <http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000008731?rskey=NN2YZA&result=3>
‘How #BlackLivesMatter Started a Musical Revolution’ [2016] Guardian <https://www.theguardian.com/us-news/2016/mar/13/black-lives-matter-beyonce-kendrick-lamar-protest>
Howland J, ‘Chapter 3: The Blues Get Glorified: Harlem Entertainment, Negro Nuances, and Black Symphonic Jazz’, ‘Ellington uptown’: Duke Ellington, James P. Johnson, & the birth of concert jazz (University of Michigan Press 2009)
Ibrahim A, ‘Radical Re-Envisionings : Ancient Egypt, Afrofuturism, and FKA Twigs’ (2015) <https://repositories.lib.utexas.edu/handle/2152/32447>
Jones L, ‘Blues People’, The pop, rock, and soul reader: histories and debates (Oxford University Press 2005)
Kajikawa L, Sounding Race in Rap Songs (First edition, University of California Press 2015)
Kooijman J, ‘Fierce, Fabulous, and In/Famous: Beyoncé as Black Diva’ (20190101) 42 Popular Music and Society <https://bris.on.worldcat.org/search?databaseList=638&queryString=jaap kooijman fierce&clusterResults=true#/oclc/7989433113>
Krims A, Rap Music and the Poetics of Identity (Cambridge University Press 2000)
Lordi EJ, The Meaning of Soul: Black Music and Resilience since the 1960s (Duke University Press 2020)
Lott E, Love and Theft: Blackface Minstrelsy and the American Working Class (20th-anniversary edition edn, Oxford University Press 2013)
Maultsby PK, ‘Soul Music: Its Sociological and Political Significance in American Popular Culture’ (1983) 17 The Journal of Popular Culture 51
——, ‘Africanisms in African-American Music’, Africanisms in American culture (Indiana University Press 1990)
——, ‘Chapter 13: Soul’ in Mellonee V Burnim and Portia K Maultsby (eds), African American music: an introduction (Second edition, Routledge, Taylor & Francis Group 2015) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1843415&ppg=294>
McClary S, ‘Bessie Smith: Thinking Blues’, The auditory culture reader (Berg 2003)
‘Moving Beyond Pain — Bell Hooks Institute’ <http://www.bellhooksinstitute.com/blog/2016/5/9/moving-beyond-pain>
Murchinson G and Parsons Smith C, ‘Still, William Grant’ <http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000026776?rskey=csDbiQ&result=1>
Murray Forman, ‘“Represent”: Race, Space and Place in Rap Music’ (2000) 19 Popular Music 65 <http://www.jstor.org/stable/853712>
Naila Keleta-Mae, ‘A Beyoncé Feminist’ (2017) 38 Atlantis: Critical Studies in Gender, Culture & Social Justice 236 <https://journals.msvu.ca/index.php/atlantis/article/view/3407>
Nathalie Weidhase, ‘“Beyoncé Feminism” and the Contestation of the Black Feminist Body’ 6 Celebrity Studies <https://bris.on.worldcat.org/search?databaseList=638&queryString=nathalie weidhase beyonce feminism &clusterResults=true#/oclc/5734256448>
——, ‘“Beyoncé Feminism” and the Contestation of the Black Feminist Body’ 6 Celebrity Studies <https://bris.on.worldcat.org/search?databaseList=638&queryString=nathalie weidhase beyonce feminism &clusterResults=true#/oclc/5734256448>
Oakley G, ‘City Blues’, The devil’s music: a history of the blues (2nd ed, Da Capo Press 1997)
Patrick S, ‘Becky with the Twitter: Lemonade, Social Media, and Embodied Academic Fandom’ (20190403) 10 Celebrity Studies <https://bris.on.worldcat.org/search?databaseList=638&queryString=stephanie patrick becky with the twitter&clusterResults=true#/oclc/8102272270>
Peterson RA, ‘Why 1955? Explaining the Advent of Rock Music’ (1990) 9 Popular Music <http://www.jstor.org/stable/852886>
Price EG, Kernodle TL and Maxile HJ, Encyclopedia of African American Music: Volume 1: A-G (ABC-CLIO 2011) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=620092>
Ramsey GP and Columbia College (Chicago, Ill.). Center for Black Music Research, Race Music: Black Cultures from Behop to Hip-Hop, vol 7 (University of California Press 2003)
Rose T, Black Noise: Rap Music and Black Culture in Contemporary America (Wesleyan University Press 1994) <https://bris.on.worldcat.org/oclc/610269566>
Schloss JG, Making Beats: The Art of Sample-Based Hip-Hop (Wesleyan University Press 2004)
Schuller G, ‘Origins’, Early jazz: its roots and musical development, vol v.1 (Oxford University Press 1968)
Shank B, ‘From Rice to Ice: The Face of Race in Rock and Pop’, The Cambridge companion to pop and rock (Cambridge University Press 2001)
Small C, Music of the Common Tongue: Survival and Celebration in African American Music (Wesleyan University Press 1998)
Smith CP, William Grant Still: A Study in Contradictions, vol 2 (University of California Press 2000)
Southern E, The Music of Black Americans: A History (3rd ed, W W Norton 1997)
——, The Music of Black Americans: A History (3rd ed, W W Norton 1997)
Stan Hawkins, ‘Prince: Harmonic Analysis of “Anna Stesia”’ (1992) 11 Popular Music 325 <http://www.jstor.org/stable/931313>
Strauss N, ‘Sampling Is (A) Creative or (B) Theft?’, The pop, rock, and soul reader: histories and debates (Oxford University Press 2005)
Stuckey S, Slave Culture: Nationalist Theory and the Foundations of Black America (25th anniversary edition, Oxford University Press 2014) <https://bris.on.worldcat.org/oclc/870284452>
Szwed J, ‘Chapter 2 - Excerpts’, Space is the place: the lives and times of Sun Ra (Pantheon 1997)
Taylor TD, ‘His Name Was in Lights: Chuck Berry’s Johnny B. Goode’, Reading pop: approaches to textual analysis in popular music (Oxford University Press 2000)
Tim Hughes, ‘Groove and Flow: Six Analytical Essays on the Music of Stevie Wonder’ (2003) <https://www.academia.edu/217945/_Groove_and_Flow_Six_Analytical_Essays_on_the_Music_of_Stevie_Wonder_>
Trier-Bieniek AM (ed), The Beyoncé Effect: Essays on Sexuality, Race and Feminism (McFarland & Company, Inc, Publishers 2016)
Wald E, Escaping the Delta: Robert Johnson and the Invention of the Blues (HarperCollins 2005)
Walser R, ‘Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy’ (1995) 39 Ethnomusicology <http://www.jstor.org/stable/924425>
‘Week 6: Reading Week’
Williams JA, ‘The Construction of Jazz Rap as High Art in Hip-Hop Music’ (2010) 27 The Journal of Musicology 435 <http://www.jstor.org/stable/10.1525/jm.2010.27.4.435>
Williams JA (ed), The Cambridge Companion to Hip-Hop (Cambridge University Press 2015) <http://universitypublishingonline.org/ref/id/companions/CCO9781139775298>
Zak III AJ, ‘Bob Dylan and Jimi Hendrix: Juxtaposition and Transformation “All along the Watchtower”’ (2004) 57 Journal of the American Musicological Society 599 <http://www.jstor.org/stable/10.1525/jams.2004.57.3.599>
