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Jackie Kay TG. Red Dust Road. Oberon Books https://search-ebscohost-com.bris.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=2317245&site=ehost-live
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Munro R. James I: The Key Will Keep ... doi:The James Plays
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Munro R. James I: The Key Will Keep ... doi:The James Plays
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Ghost Light | National Theatre of Scotland. https://www.nationaltheatrescotland.com/events/ghost-light
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Brown I. Processes and Interactive Events: Theatre and Scottish Devolution. In: Theatre and performance in small nations. Bristol, UK: : Intellect 2013. 33–50.https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1113132&ppg=42
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Thomasson S. THE JAMES PLAYS. https://www-proquest-com.bris.idm.oclc.org/docview/1687319155/fulltextPDF/905E6E94393F4743PQ/1?accountid=9730
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The James Plays • 1 / 13. The James Plays - YouTube. https://www.youtube.com/playlist?list=PLIg3WlkOAmVsub5qVK_GOeQzeMKhC237V
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Scenes for Survival | National Theatre of Scotland. https://www.nationaltheatrescotland.com/events/scenes-for-survival
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Jackie Kay TG. Red Dust Road. Oberon Books https://search-ebscohost-com.bris.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=2317245&site=ehost-live
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Ditor R. Questioning the Text. Theatre Topics 2003;13:35–43. doi:10.1353/tt.2003.0005
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Haring-Smith T. Dramaturging Non-Realism: Creating a New Vocabulary. Theatre Topics 2003;13:45–54. doi:10.1353/tt.2003.0009
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Elinor Fuchs. EF’s Visit to a Small Planet: Some Questions to Ask a Play. Theater 2004;34:4–9.https://muse.jhu.edu/article/169652
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Dramaturgs + Playwrights - Lauren and Martine Green-Rogers talk. Martine in the Media — Martine Kei Green-Rogers, Dramaturg. https://www.martinekeigreenrogers.com/new-patients-2
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National Theatre of Scotland - Red Dust Road. https://www.youtube.com/c/NTSonline/search?query=red%20dust%20road
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MEYRICK J. Cut and Paste: The Nature of Dramaturgical Development in the Theatre. Theatre Research International 2006;31:270–82. doi:10.1017/S0307883306002239
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Lib Taylor. The experience of immediacy: Emotion and enlistment in fact-based theatre. Studies in Theatre and Performance;:223–37.https://www-tandfonline-com.bris.idm.oclc.org/doi/abs/10.1386/stap.31.2.223_1
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Black Watch • 1 / 14. Black Watch - YouTube. https://www.youtube.com/playlist?list=PL636F09218ECE4E8C
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Edgar D. Chapter 5: Structure. In: How plays work. London: : Nick Hern Books 2009. 97–116.
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Bly M. Pressing an Ear Against a Hive or New Play Explorations in the Twenty-First Century. Theatre Topics 2003;13:19–23. doi:10.1353/tt.2003.0002
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Lane D. A Dramaturg’s perspective: Looking to the future of script development. Studies in Theatre and Performance 2010;30:127–42. doi:10.1386/stap.30.1.127/1
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Pattie D. Dissolving into Scotland: National Identity in and. Contemporary Theatre Review 2016;26:19–30. doi:10.1080/10486801.2015.1123700
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Rebellato D. Local Hero: The Places of David Greig. Contemporary Theatre Review 2016;26:9–18. doi:10.1080/10486801.2015.1123702
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The Strange Undoing of Prudencia Hart • 2 / 4. The Strange Undoing of Prudencia Hart - YouTube. https://www.youtube.com/playlist?list=PL43FCD0C0E42355A4
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#3 Digital Theatre with Alex Chisholm and Dermot Daly, interviewed by Joanna Jowett by Freedom Studios Podcast. https://soundcloud.com/freedom-studios-796772385/3-digital-theatre-with-alex-chisholm-and-dermot-daly-interviewed-by-joanna-jowett?fbclid=IwAR0jTGZKqolUsN_JPvygDZ6pYBLXQu7qSJYHtldyBXr8PnsRv1ZcOSZ0t4o
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Digital Toolkit. https://www.creationtheatre.co.uk/wp/wp-content/uploads/2020/10/Digital-Toolkit-for-web-compressed.pdf
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