‘#3 Digital Theatre with Alex Chisholm and Dermot Daly, Interviewed by Joanna Jowett by Freedom Studios Podcast’ <https://soundcloud.com/freedom-studios-796772385/3-digital-theatre-with-alex-chisholm-and-dermot-daly-interviewed-by-joanna-jowett?fbclid=IwAR0jTGZKqolUsN_JPvygDZ6pYBLXQu7qSJYHtldyBXr8PnsRv1ZcOSZ0t4o>
Adler S, Stella Adler on Ibsen Strindberg and Chekhov (Random House 1999)
——, Stella Adler on Ibsen Strindberg and Chekhov (Random House 1999)
Auslander P, ‘Live and Technologically Mediated Performance’ in Tracy C Davis (ed), The Cambridge Companion to Performance Studies (Cambridge University Press 2008) <https://www.cambridge.org/core/product/identifier/CBO9781139002004A013/type/book_part>
‘Being Cast’ <https://www.royalholloway.ac.uk/media/15719/platform_vol%2014_labour_36-51_smith.pdf.pdf>
Black Watch • 1 / 14, ‘Black Watch - YouTube’ <https://www.youtube.com/playlist?list=PL636F09218ECE4E8C>
Bly M, ‘Pressing an Ear Against a Hive or New Play Explorations in the Twenty-First Century’ (2003) 13 Theatre Topics 19
Bogart A and Landau T, ‘Chapter 13: Composition towards Rehearsing a Play’, The viewpoints book: a practical guide to viewpoints and composition (Nick Hern Books 2014)
——, The Viewpoints Book: A Practical Guide to Viewpoints and Composition (Nick Hern Books 2014)
Bradwell M, Inventing the Truth: Devising and Directing for the Theatre (Nick Hern Books 2012)
Britton J, Encountering Ensemble (Bloomsbury 2013)
Brown I, ‘Processes and Interactive Events: Theatre and Scottish Devolution’, Theatre and performance in small nations (Intellect 2013) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1113132&ppg=42>
Burke G, Black Watch <https://www-dramaonlinelibrary-com.bris.idm.oclc.org/playtext-overview?docid=do-9780571286560&tocid=do-9780571286560-div-00000025>
——, Black Watch <https://www-dramaonlinelibrary-com.bris.idm.oclc.org/playtext-overview?docid=do-9780571286560&tocid=do-9780571286560-div-00000025>
Caldarone M and Lloyd-Williams M, Actions: The Actors’ Thesaurus (Nick Hern Books 2004)
Callery D, Through the Body: A Practical Guide to Physical Theatre (Routledge 2001)
Chamberlain F, Michael Chekhov (Routledge 2004)
Chekhov M, To the Actor ([Rev ed], Routledge 2002)
Davis S, ‘Liveness, Mediation and Immediacy – Innovative Technology Use in Process and Performance’ (2012) 17 Research in Drama Education: The Journal of Applied Theatre and Performance 501
Delgado MM and Heritage P, In Contact with the Gods?: Directors Talk Theatre (Manchester University Press 1996)
‘Digital Theatre Transformation’ <https://www.creationtheatre.co.uk/wp/wp-content/uploads/2020/10/Final-full-report-for-web-reduced-compressed.pdf>
‘Digital Theatre Transformation: A Case Study & Digital Toolkit | Creation Theatre Company’ <https://www.creationtheatre.co.uk/about/digital-theatre-transformation/>
‘Digital Toolkit’ <https://www.creationtheatre.co.uk/wp/wp-content/uploads/2020/10/Digital-Toolkit-for-web-compressed.pdf>
Ditor R, ‘Questioning the Text’ (2003) 13 Theatre Topics 35
Donnellan D, The Actor and the Target ([Rev ed], Nick Hern Books 2005)
‘Dramaturgs + Playwrights - Lauren and Martine Green-Rogers Talk’ <https://www.martinekeigreenrogers.com/new-patients-2>
Edgar D, ‘Chapter 5: Structure’, How plays work (Nick Hern Books 2009)
——, How Plays Work (Nick Hern Books 2009)
Elinor Fuchs, ‘EF’s Visit to a Small Planet: Some Questions to Ask a Play’ (2004) 34 Theater 4 <https://muse.jhu.edu/article/169652>
‘Ghost Light | National Theatre of Scotland’ <https://www.nationaltheatrescotland.com/events/ghost-light>
Giannachi G and Luckhurst M, On Directing: Interviews with Directors (Faber 1999)
Graham S and Hoggett S, The Frantic Assembly Book of Devising Theatre (Routledge 2009)
Greig D, The Strange Undoing of Prudencia Hart (Faber and Faber 2011)
——, The Strange Undoing of Prudencia Hart (Faber and Faber 2011)
Hagen U and Frankel H, Respect for Acting (Macmillan 1973)
Haring-Smith T, ‘Dramaturging Non-Realism: Creating a New Vocabulary’ (2003) 13 Theatre Topics 45
Herrington J, ‘Directing with the Viewpoints’ (2000) 10 Theatre Topics 155
Hodge A (ed), Actor Training (Second edition, Routledge 2010)
Hope R and Cooke D, Getting Directions: A Fly-on-the-Wall Guide for Emerging Theatre Directors (Nick Hern Books 2013)
Howard P (ed), Theatre in Scotland: A Field of Dreams (Nick Hern Books 2016)
Innes C and Shevtsova M, The Cambridge Introduction to Theatre Directing, vol Cambridge introductions to literature (Cambridge University Press 2015)
‘Invisible Diaries - Lockdown Dramaturgies’ <https://www.dramaturgy.co.uk/single-post/2020/06/29/invisible-diaries-table-of-contents>
Jackie Kay TG, Red Dust Road (Oberon Books) <https://search-ebscohost-com.bris.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=2317245&site=ehost-live>
——, Red Dust Road (Oberon Books) <https://search-ebscohost-com.bris.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=2317245&site=ehost-live>
Kelly P and Ramanan A (eds), Diversity, Inclusion, and Representation in Contemporary Dramaturgy (Routledge 2020) <https://doi-org.bris.idm.oclc.org/10.4324/9780429445316>
Krasner, David, ‘Strasberg, Adler and Meisner’, Actor Training (Taylor & Francis Group 2010) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=481096&ppg=171>
Lane D, ‘A Dramaturg’s Perspective: Looking to the Future of Script Development’ (2010) 30 Studies in Theatre and Performance 127
——, Contemporary British Drama (Edinburgh University Press)
Lazlo P and Deirdre M, ‘If You Want to Kiss Her, Kiss Her! Gender and Queer Time in Modern Meisner Training’ <https://www.tandfonline.com/doi/pdf/10.1080/19443927.2020.1789723>
Lecoq J and others, The Moving Body: Teaching Creative Theatre ([Rev ed], Methuen 2002)
Ledger AJ, The Director and Directing: Craft, Process and Aesthetic in Contemporary Theatre (Palgrave Macmillan 2019)
Lib Taylor, ‘The Experience of Immediacy: Emotion and Enlistment in Fact-Based Theatre’ Studies in Theatre and Performance 223 <https://www-tandfonline-com.bris.idm.oclc.org/doi/abs/10.1386/stap.31.2.223_1>
Luckhurst M, ‘Dramaturgy and Literary Management in England Today’, Dramaturgy: a revolution in theatre (Cambridge University Press 2006) <https://www.cambridge.org/core/product/identifier/CBO9780511486050A014/type/book_part>
——, Dramaturgy: A Revolution in Theatre (Cambridge University Press)
‘Manifesto For Live Digital Art | Freedom Studios’ <https://www.freedomstudios.co.uk/manifesto-for-live-digital-art/>
Meisner S and Longwell D, Sanford Meisner on Acting (1st ed, Vintage Books 1987)
——, Sanford Meisner on Acting (1st ed, Vintage Books 1987)
Merlin B, The Complete Stanislavsky Toolkit (Revised edition, Nick Hern Books 2014)
MEYRICK J, ‘Cut and Paste: The Nature of Dramaturgical Development in the Theatre’ (2006) 31 Theatre Research International 270
Mitchell K, ‘Chapter 1: Organising Your Early Responses to the Text’, The director’s craft: a handbook for the theatre (Routledge 2009)
——, The Director’s Craft: A Handbook for the Theatre (Routledge 2009)
Mitter S, Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook (Routledge 1992)
Munro R, James I: The Key Will Keep ... <https://www-dramaonlinelibrary-com.bris.idm.oclc.org/playtext-overview?docid=do-9781784603229&tocid=do-9781784603229-div-00000004&st=james+plays>
——, James I: The Key Will Keep ... <https://www-dramaonlinelibrary-com.bris.idm.oclc.org/playtext-overview?docid=do-9781784603229&tocid=do-9781784603229-div-00000004&st=james+plays>
‘National Theatre of Scotland - Interference’ <https://www.youtube.com/c/NTSonline/search?query=interference>
‘National Theatre of Scotland - Red Dust Road’ <https://www.youtube.com/c/NTSonline/search?query=red%20dust%20road>
‘On Directing: A Conversation with Katie Mitchell - ProQuest’ <https://www-proquest-com.bris.idm.oclc.org/docview/194919859?accountid=9730>
Pattie D, ‘Dissolving into Scotland: National Identity in And’ (2016) 26 Contemporary Theatre Review 19
Pearce WD and others, ‘Visual Dramaturgy: Problem Solver or Problem Maker in Contemporary Performance Creation’ <http://theatrepractice.us/pdfs/Pearce%20et%20al_Visual%20Dramaturgy.pdf>
Pearson M, Khalil H and Butucea V, Interference (Methuen Drama, Bloomsbury Publishing Plc 2019)
——, Interference (Methuen Drama, Bloomsbury Publishing Plc 2019)
‘Playwrights in Lockdown: David Greig - YouTube’ <https://www.youtube.com/watch?v=_1Xu5wmTvDg&feature=youtu.be>
Radosavljević D, Theatre-Making: Interplay between Text and Performance in the 21st Century (Palgrave Macmillan 2013)
Rebellato D, ‘Local Hero: The Places of David Greig’ (2016) 26 Contemporary Theatre Review 9
Robinson R, ‘The National Theatre of Scotland’s’ (2012) 22 Contemporary Theatre Review 392
Robinson RC, ‘Funding the “Nation” in the National Theatre of Scotland’ (2012) 18 International Journal of Cultural Policy 46
Rodriguez V, David Greig’s Holed Theatre: Globalization, Ethics and the Spectator (Palgrave Macmillan 2019)
‘Scenes for Survival | National Theatre of Scotland’ <https://www.nationaltheatrescotland.com/events/scenes-for-survival>
Scullion A, ‘Theatre in Scotland in the 1990s and Beyond’, The Cambridge history of British theatre: Vol. 3: Since 1895 (Cambridge University Press) <https://doi-org.bris.idm.oclc.org/10.1017/CHOL9780521651325.022>
Shepherd S, Direction (Palgrave Macmillan 2012)
Smith AD, Letters to a Young Artist (Anchor Books 2006)
Stanislavski K, An Actor’s Work (Jean Benedetti ed, Taylor and Francis 2016) <https://www.taylorfrancis.com/books/9781315474250>
Strasberg L and Cohen L, The Lee Strasberg Notes (Routledge 2010) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=481031>
The James Plays • 1 / 13, ‘The James Plays - YouTube’ <https://www.youtube.com/playlist?list=PLIg3WlkOAmVsub5qVK_GOeQzeMKhC237V>
The Strange Undoing of Prudencia Hart • 2 / 4, ‘The Strange Undoing of Prudencia Hart - YouTube’ <https://www.youtube.com/playlist?list=PL43FCD0C0E42355A4>
Thomasson S, ‘THE JAMES PLAYS’ <https://www-proquest-com.bris.idm.oclc.org/docview/1687319155/fulltextPDF/905E6E94393F4743PQ/1?accountid=9730>
Trencsényi K and Cochrane B (eds), New Dramaturgy: International Perspectives on Theory and Practice (Bloomsbury 2014)
Turner C and Behrndt SK, Dramaturgy and Performance (Palgrave Macmillan 2008)
Van Kerkhoven M, ‘European Dramaturgy in the 21 Century’ (2009) 14 Performance Research 7
Wallis M and Shepherd S, Studying Plays (Arnold 1998)
Waters S, The Secret Life of Plays (Nick Hern 2010)
——, ‘Political Playwriting: The Art of Thinking in Public’ (2011) 30 Topoi 137
