Bibliography for THTR20011: Interpreting Plays BETA

#3 Digital Theatre with Alex Chisholm and Dermot Daly, interviewed by Joanna Jowett by Freedom Studios Podcast (no date). Available at: https://soundcloud.com/freedom-studios-796772385/3-digital-theatre-with-alex-chisholm-and-dermot-daly-interviewed-by-joanna-jowett?fbclid=IwAR0jTGZKqolUsN_JPvygDZ6pYBLXQu7qSJYHtldyBXr8PnsRv1ZcOSZ0t4o.

Adler, S. (1999a) Stella Adler on Ibsen Strindberg and Chekhov. New York: Random House.

Adler, S. (1999b) Stella Adler on Ibsen Strindberg and Chekhov. New York: Random House.

Auslander, P. (2008) ‘Live and technologically mediated performance’, in T.C. Davis (ed.) The Cambridge Companion to Performance Studies. Cambridge University Press, pp. 107–119. Available at: https://doi.org/10.1017/CCOL9780521874014.008.

‘Being Cast’ (no date). Available at: https://www.royalholloway.ac.uk/media/15719/platform_vol%2014_labour_36-51_smith.pdf.pdf.

Black Watch • 1 / 14 (no date) ‘Black Watch - YouTube’. Available at: https://www.youtube.com/playlist?list=PL636F09218ECE4E8C.

Bly, M. (2003) ‘Pressing an Ear Against a Hive or New Play Explorations in the Twenty-First Century’, Theatre Topics, 13(1), pp. 19–23. Available at: https://doi.org/10.1353/tt.2003.0002.

Bogart, A. and Landau, T. (2014a) ‘Chapter 13: Composition towards rehearsing a Play’, in The viewpoints book: a practical guide to viewpoints and composition. London: Nick Hern Books, pp. 163–173.

Bogart, A. and Landau, T. (2014b) The viewpoints book: a practical guide to viewpoints and composition. London: Nick Hern Books.

Bradwell, M. (2012) Inventing the truth: devising and directing for the theatre. London: Nick Hern Books.

Britton, J. (2013) Encountering ensemble. London: Bloomsbury.

Brown, I. (2013) ‘Processes and Interactive Events: Theatre and Scottish Devolution’, in Theatre and performance in small nations. Bristol, UK: Intellect, pp. 33–50. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1113132&ppg=42.

Burke, G. (no date a) Black Watch. Available at: https://doi.org/Black Watch.

Burke, G. (no date b) Black Watch. Available at: https://doi.org/Black Watch.

Caldarone, M. and Lloyd-Williams, M. (2004) Actions: the actors’ thesaurus. London: Nick Hern Books.

Callery, D. (2001) Through the body: a practical guide to physical theatre. New York: Routledge.

Chamberlain, F. (2004) Michael Chekhov. London: Routledge.

Chekhov, M. (2002) To the actor. [Rev. ed.]. London: Routledge.

Davis, S. (2012) ‘Liveness, mediation and immediacy – innovative technology use in process and performance’, Research in Drama Education: The Journal of Applied Theatre and Performance, 17(4), pp. 501–516. Available at: https://doi.org/10.1080/13569783.2012.727623.

Delgado, M.M. and Heritage, P. (1996) In contact with the Gods?: directors talk theatre. Manchester: Manchester University Press.

‘Digital Theatre Transformation’ (no date). Available at: https://www.creationtheatre.co.uk/wp/wp-content/uploads/2020/10/Final-full-report-for-web-reduced-compressed.pdf.

Digital Theatre Transformation: A Case Study & Digital Toolkit | Creation Theatre Company (no date). Available at: https://www.creationtheatre.co.uk/about/digital-theatre-transformation/.

‘Digital Toolkit’ (no date). Available at: https://www.creationtheatre.co.uk/wp/wp-content/uploads/2020/10/Digital-Toolkit-for-web-compressed.pdf.

Ditor, R. (2003) ‘Questioning the Text’, Theatre Topics, 13(1), pp. 35–43. Available at: https://doi.org/10.1353/tt.2003.0005.

Donnellan, D. (2005) The actor and the target. [Rev. ed.]. London: Nick Hern Books.

‘Dramaturgs + Playwrights - Lauren and Martine Green-Rogers talk’ (no date) Martine in the Media — Martine Kei Green-Rogers, Dramaturg. Available at: https://www.martinekeigreenrogers.com/new-patients-2.

Edgar, D. (2009a) ‘Chapter 5: Structure’, in How plays work. London: Nick Hern Books, pp. 97–116.

Edgar, D. (2009b) How plays work. London: Nick Hern Books.

Elinor Fuchs (2004) ‘EF’s Visit to a Small Planet: Some Questions to Ask a Play’, Theater, 34(2), pp. 4–9. Available at: https://muse.jhu.edu/article/169652.

Ghost Light  | National Theatre of Scotland (no date). Available at: https://www.nationaltheatrescotland.com/events/ghost-light.

Giannachi, G. and Luckhurst, M. (1999) On directing: interviews with directors. London: Faber.

Graham, S. and Hoggett, S. (2009) The Frantic Assembly book of devising theatre. London: Routledge.

Greig, D. (2011a) The strange undoing of Prudencia Hart. London: Faber and Faber.

Greig, D. (2011b) The strange undoing of Prudencia Hart. London: Faber and Faber.

Hagen, U. and Frankel, H. (1973) Respect for acting. New York: Macmillan.

Haring-Smith, T. (2003) ‘Dramaturging Non-Realism: Creating a New Vocabulary’, Theatre Topics, 13(1), pp. 45–54. Available at: https://doi.org/10.1353/tt.2003.0009.

Herrington, J. (2000) ‘Directing with the Viewpoints’, Theatre Topics, 10(2), pp. 155–168. Available at: https://doi.org/10.1353/tt.2000.0014.

Hodge, A. (ed.) (2010) Actor training. Second edition. London: Routledge.

Hope, R. and Cooke, D. (2013) Getting Directions: a Fly-on-the-Wall Guide for Emerging Theatre Directors. New York: Nick Hern Books.

Howard, P. (ed.) (2016) Theatre in Scotland: a field of dreams. London: Nick Hern Books.

Innes, C. and Shevtsova, M. (2015) The Cambridge introduction to theatre directing. Cambridge: Cambridge University Press.

Invisible Diaries - Lockdown dramaturgies (no date). Available at: https://www.dramaturgy.co.uk/single-post/2020/06/29/invisible-diaries-table-of-contents.

Jackie Kay, T.G. (no date a) Red Dust Road. Oberon Books. Available at: https://search-ebscohost-com.bris.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=2317245&site=ehost-live.

Jackie Kay, T.G. (no date b) Red Dust Road. Oberon Books. Available at: https://search-ebscohost-com.bris.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=2317245&site=ehost-live.

Kelly, P. and Ramanan, A. (eds) (2020) Diversity, Inclusion, and Representation in Contemporary Dramaturgy. Routledge. Available at: https://doi-org.bris.idm.oclc.org/10.4324/9780429445316.

Krasner, David (2010) ‘Strasberg, Adler and Meisner’, in Actor Training. Taylor & Francis Group. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=481096&ppg=171.

Lane, D. (2010) ‘A Dramaturg’s perspective: Looking to the future of script development’, Studies in Theatre and Performance, 30(1), pp. 127–142. Available at: https://doi.org/10.1386/stap.30.1.127/1.

Lane, D. (no date) Contemporary British drama. Edinburgh: Edinburgh University Press.

Lazlo, P. and Deirdre, M. (no date) ‘If you want to kiss her, kiss her! Gender and Queer Time in modern Meisner training’. Available at: https://www.tandfonline.com/doi/pdf/10.1080/19443927.2020.1789723.

Lecoq, J. et al. (2002) The moving body: teaching creative theatre. [Rev. ed.]. London: Methuen.

Ledger, A.J. (2019) The director and directing: craft, process and aesthetic in contemporary theatre. London, United Kingdom: Palgrave Macmillan.

Lib  Taylor (no date) ‘The experience of immediacy: Emotion and enlistment in fact-based theatre’, Studies in Theatre and Performance, (2), pp. 223–237. Available at: https://www-tandfonline-com.bris.idm.oclc.org/doi/abs/10.1386/stap.31.2.223_1.

Luckhurst, M. (2006) ‘Dramaturgy and literary management in England today’, in Dramaturgy: a revolution in theatre. Cambridge: Cambridge University Press, pp. 200–262. Available at: https://doi.org/10.1017/CBO9780511486050.007.

Luckhurst, M. (no date) Dramaturgy: a revolution in theatre. Cambridge: Cambridge University Press.

Manifesto For Live Digital Art | Freedom Studios (no date). Available at: https://www.freedomstudios.co.uk/manifesto-for-live-digital-art/.

Meisner, S. and Longwell, D. (1987a) Sanford Meisner on acting. 1st ed. New York: Vintage Books.

Meisner, S. and Longwell, D. (1987b) Sanford Meisner on acting. 1st ed. New York: Vintage Books.

Merlin, B. (2014) The complete Stanislavsky toolkit. Revised edition. London: Nick Hern Books.

MEYRICK, J. (2006) ‘Cut and Paste: The Nature of Dramaturgical Development in the Theatre’, Theatre Research International, 31(03), pp. 270–282. Available at: https://doi.org/10.1017/S0307883306002239.

Mitchell, K. (2009a) ‘Chapter 1: Organising your Early Responses to the Text’, in The director’s craft: a handbook for the theatre. London: Routledge, pp. 11–30.

Mitchell, K. (2009b) The director’s craft: a handbook for the theatre. London: Routledge.

Mitter, S. (1992) Systems of rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge.

Munro, R. (no date a) James I: The Key Will Keep ... Available at: https://doi.org/The James Plays.

Munro, R. (no date b) James I: The Key Will Keep ... Available at: https://doi.org/The James Plays.

‘National Theatre of Scotland - Interference’ (no date). Available at: https://www.youtube.com/c/NTSonline/search?query=interference.

‘National Theatre of Scotland - Red Dust Road’ (no date). Available at: https://www.youtube.com/c/NTSonline/search?query=red%20dust%20road.

‘On Directing: a Conversation with Katie Mitchell - ProQuest’ (no date). Available at: https://www-proquest-com.bris.idm.oclc.org/docview/194919859?accountid=9730.

Pattie, D. (2016) ‘Dissolving into Scotland: National Identity in                              and’, Contemporary Theatre Review, 26(1), pp. 19–30. Available at: https://doi.org/10.1080/10486801.2015.1123700.

Pearce, W.D. et al. (no date) ‘Visual Dramaturgy: Problem Solver or Problem Maker in Contemporary Performance Creation’. Available at: http://theatrepractice.us/pdfs/Pearce%20et%20al_Visual%20Dramaturgy.pdf.

Pearson, M., Khalil, H. and Butucea, V. (2019a) Interference. London: Methuen Drama, Bloomsbury Publishing Plc.

Pearson, M., Khalil, H. and Butucea, V. (2019b) Interference. London: Methuen Drama, Bloomsbury Publishing Plc.

‘Playwrights in Lockdown: David Greig - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=_1Xu5wmTvDg&feature=youtu.be.

Radosavljević, D. (2013) Theatre-making: interplay between text and performance in the 21st century. Basingstoke: Palgrave Macmillan.

Rebellato, D. (2016) ‘Local Hero: The Places of David Greig’, Contemporary Theatre Review, 26(1), pp. 9–18. Available at: https://doi.org/10.1080/10486801.2015.1123702.

Robinson, R. (2012) ‘The National Theatre of Scotland’s’, Contemporary Theatre Review, 22(3), pp. 392–399. Available at: https://doi.org/10.1080/10486801.2012.690738.

Robinson, R.C. (2012) ‘Funding the “nation” in the national theatre of Scotland’, International Journal of Cultural Policy, 18(1), pp. 46–58. Available at: https://doi.org/10.1080/10286632.2011.567333.

Rodriguez, V. (2019) David Greig’s holed theatre: globalization, ethics and the spectator. Basingstoke, Hampshire: Palgrave Macmillan.

Scenes for Survival | National Theatre of Scotland (no date). Available at: https://www.nationaltheatrescotland.com/events/scenes-for-survival.

Scullion, A. (no date) ‘Theatre in Scotland in the 1990s and beyond’, in The Cambridge history of British theatre: Vol. 3: Since 1895. Cambridge: Cambridge University Press, pp. 470–484. Available at: https://doi-org.bris.idm.oclc.org/10.1017/CHOL9780521651325.022.

Shepherd, S. (2012) Direction. New York: Palgrave Macmillan.

Smith, A.D. (2006) Letters to a young artist. New York: Anchor Books.

Stanislavski, K. (2016) An actor’s work. Edited by J. Benedetti. London: Taylor and Francis. Available at: https://www.taylorfrancis.com/books/9781315474250.

Strasberg, L. and Cohen, L. (2010) The Lee Strasberg notes. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=481031.

The James Plays • 1 / 13 (no date) ‘The James Plays - YouTube’. Available at: https://www.youtube.com/playlist?list=PLIg3WlkOAmVsub5qVK_GOeQzeMKhC237V.

The Strange Undoing of Prudencia Hart • 2 / 4 (no date) ‘The Strange Undoing of Prudencia Hart - YouTube’. Available at: https://www.youtube.com/playlist?list=PL43FCD0C0E42355A4.

Thomasson, S. (no date) ‘THE JAMES PLAYS’. Available at: https://www-proquest-com.bris.idm.oclc.org/docview/1687319155/fulltextPDF/905E6E94393F4743PQ/1?accountid=9730.

Trencsényi, K. and Cochrane, B. (eds) (2014) New dramaturgy: international perspectives on theory and practice. London: Bloomsbury.

Turner, C. and Behrndt, S.K. (2008) Dramaturgy and performance. Basingstoke: Palgrave Macmillan.

Van Kerkhoven, M. (2009) ‘European Dramaturgy in the 21                              Century’, Performance Research, 14(3), pp. 7–11. Available at: https://doi.org/10.1080/13528160903519476.

Wallis, M. and Shepherd, S. (1998) Studying plays. London: Arnold.

Waters, S. (2010) The secret life of plays. London: Nick Hern.

Waters, S. (2011) ‘Political Playwriting: The Art of Thinking in Public’, Topoi, 30(2), pp. 137–144. Available at: https://doi.org/10.1007/s11245-011-9100-0.