Alfonso & Modern Humanities Research Association. (2015). Alfonso X, the learned: Cantigas de Santa Maria : an anthology: Vol. MHRA critical texts (S. Parkinson, Ed.). Modern Humanities Research Association.
Anglès, H. (1954). Mozarabic chant. In Early medieval music up to 1300: Vol. New Oxford history of music (pp. 81–91). Oxford University Press.
Anglés, H., Alfonso, & Biblioteca Central de Barcelona. (1943). La música de las Cantigas de Santa María: Vol. Biblioteca Central: Publicaciones de la Sección de Música. Diputación Provincial de Barcelona: Biblioteca Central.
Bollo-Panadero, M. D. (2008). Heretics and Infidels: The                              as Ideological Instrument of Cultural Codification. Romance Quarterly, 55(3), 163–174. https://doi.org/10.3200/RQTR.55.3.163-174
Burns, R. I. (1990). Emperor of culture: Alfonso X the Learned of Castile and his thirteenth-century Renaissance: Vol. Middle Ages series. University of Pennsylvania Press.
Cantigas de Santa Maria for Singers. (n.d.). http://www.cantigasdesantamaria.com/
CATALUNYA, D., & GUTIÉRREZ, C. J. (2013). Mozarabic preces in Ars Nova notation: a new fourteenth-century fragment discovered in Spain. Plainsong and Medieval Music, 22(02), 153–167. https://doi.org/10.1017/S096113711300003X
Cohen, J. (2002). Women and Music in Medieval Spain’s Three Cultures. In Medieval woman’s song: cross-cultural approaches: Vol. The Middle Ages series (pp. 66–80). University of Pennsylvania Press.
Collins, R. (2002). ‘Continuity and loss in Medieval Spanish Culture: the evidence of MS Silos Archivo Monástico 4’. In Medieval Spain: culture, conflict, and coexistence : studies in honour of Angus MacKay. Palgrave Macmillan.
Colloquium on The Codex Calixtinus and the Shrine of St. James. (1992). The Codex Calixtinus and the Shrine of St. James: Vol. Jakobus-Studien (J. Williams & A. Stones, Eds.). Gunter Narr Verlag.
Corrigan, V. (2000). Music and the pilgrimage’. In The pilgrimage to Compostela in the Middle Ages (pp. 43–68). Routledge.
Crocker, R. L., & Hiley, D. (1990a). The Early Middle Ages to 1300: Vol. New Oxford history of music (Rev ed). Oxford University Press.
Crocker, R. L., & Hiley, D. (1990b). The Early Middle Ages to 1300: Vol. New Oxford history of music (Rev ed). Oxford University Press.
Crocker, R. L., & Hiley, D. (1990c). The Early Middle Ages to 1300: Vol. New Oxford history of music (Rev ed). Oxford University Press.
Díaz y Díaz, M. C. (1980). Literary Aspects of the Visigothic Liturgy’. In Visigothic Spain: new approaches (pp. 61–76). Clarendon Press.
Emma HornbyRebecca Maloy. (n.d.). Music and Meaning in Old Hispanic Lenten Chants. https://www.cambridge.org/core/books/music-and-meaning-in-old-hispanic-lenten-chants/F7F1818A193331360214CFD37C026763
Flory, D. A. (2000). Marian representations in the miracle tales of thirteenth-century Spain and France. Catholic University of America Press.
Gonzálvez Ruiz, R. (1985). The Persistence of the Mozarabic Liturgy in Toledo after A.D. 1080. In Santiago, Saint-Denis, and Saint Peter: the reception of the Roman liturgy in León-Castile in 1080 (pp. 157–185). Fordham University Press.
Higini Anglès. (1940a). Hispanic Musical Culture from the 6th to the 14th Century. The Musical Quarterly, 26(4), 494–528. http://www.jstor.org/stable/738919?Search=yes&resultItemClick=true&searchText=%27Hispanic%20Musical%20Culture%20from%20the%206th%20to%20the%2014th%20Century%27&searchText=,&searchText=Musical&searchText=Quarterly&searchText=26&searchUri=%2Faction%2FdoBasicSearch%3Fwc%3Don%26amp%3BQuery%3D%2B%25E2%2580%2598Hispanic%2BMusical%2BCulture%2Bfrom%2Bthe%2B6th%2Bto%2Bthe%2B14th%2BCentury%25E2%2580%2599%252C%2BMusical%2BQuarterly%2B26%26amp%3Bfc%3Doff%26amp%3Bacc%3Don%26amp%3Bgroup%3Dnone&refreqid=search%3A61f0882fe29554d6c32472489533258a&seq=1#page_scan_tab_contents
Higini Anglès. (1940b). Hispanic Musical Culture from the 6th to the 14th Century. The Musical Quarterly, 26(4), 494–528. http://www.jstor.org/stable/738919?seq=1#page_scan_tab_contents
Hiley, D. (1992). Two unnoticed pieces of medieval polyphony. Plainsong and Medieval Music, 1(02). https://doi.org/10.1017/S0961137100001753
Hiley, D. (1993). Notation. In Western plainchant: a handbook (pp. 340–401). Clarendon Press.
Hohler, C. (1972). A Note on Jacobus. Journal of the Warburg and Courtauld Institutes, 35. https://doi.org/10.2307/750921
Hornby, E., & Maloy, R. (2013). Music and Meaning in Old Hispanic Lenten Chants: Psalmi, threni and the Easter Vigil Canticles: Vol. v. 13. Boydell & Brewer.
HORNBY, E., & MALOY, R. (2016). Melodic dialects in Old Hispanic chant. Plainsong and Medieval Music, 25(01), 37–72. https://doi.org/10.1017/S0961137115000200
Hornby, E., & Maloy, R. (2016). Biblical commentary in the Old Hispanic liturgy: a Passiontide case study. Early Music, 44(3), 383–394. https://doi.org/10.1093/em/caw075
Huglo, M. (2011). Toward a scientific palaeography of music. In J. D. Haines (Ed.), The calligraphy of medieval music: Vol. Musicalia Medii Aevi (pp. 13–19). Brepols.
Joseph T., S. (2013). "Music and musical performance in the texts of the Cantigas de Santa Marias”. In M. Plesch (Ed.), Analizar, interpretar, hacer música: de las Cantigas de Santa María a la organología : escritos in memoriam Gerardo V. Huseby. Gourmet Musical Editions.
Klinck, A. L., & Rasmussen, A. M. (2002). Medieval woman’s song: cross-cultural approaches: Vol. The Middle Ages series. University of Pennsylvania Press.
Kulp-Hill, K., Scarborough, C. L., & Alfonso. (2000). Songs of Holy Mary of Alfonso X, the Wise: a translation of the Cantigas de Santa María: Vol. Medieval and Renaissance Texts and Studies. Arizona Center for Medieval and Renaissance Studies.
Levy, K. (1987). Old-Hispanic chant in its European context. In España en la música de Occidente: actas del Congreso Internacional celebrado en Salamanca, 29 de octubre - 5 de noviembre de 1985, ‘Año Europeo de la Música’ (pp. 3–14). Instituto Nacional de los Artes Escénicas y de la Música.
López-Calo, J., Villanueva, C., & Fundación Pedro Barrié de la Maza. (2001). El Códice Calixtino y la música de su tiempo: actas del simposio organizado por la Fundación Pedro Barrié de la Maza en A Coruña y Santiago de Compostela, 20-23 de septiembre de 1999. Fundación Pedro Barrié de la Maza.
Maloy, R. (2014). Old Hispanic Chant and the Early History of Plainsong. Journal of the American Musicological Society, 67(1), 1–76. https://doi.org/10.1525/jams.2014.67.1.1
Manuel Pedro Ferreira. (n.d.). UNDERSTANDING THE CANTIGAS: PRELIMINARY STEPS. https://www.academia.edu/6569541/UNDERSTANDING_THE_CANTIGAS_PRELIMINARY_STEPS
Mozarabic Melodics. (1928). Speculum, 3(2), 218–238. https://doi.org/10.2307/2848057
Nadeau, Nils Andre. (n.d.). ‘Pro sonorum diversitate vel novitate’: The singing of scripture in the Hispano-Visigothic votive masses. https://search.proquest.com/docview/304438248/
O’Callaghan, J. F. (1993). The learned king: the reign of Alfonso X of Castile: Vol. Middle Ages series. University of Pennsylvania Press.
Page, C. (2010a). Singers in the Making of Europe. In The Christian West and its singers: the first thousand years (pp. 493–522). Yale University Press.
Page, C. (2010b). The Christian West and its singers: the first thousand years. Yale University Press.
Parkinson, S. (2000). Cobras e son: papers on the text, music, and manuscripts of the ‘Cantigas de Santa Maria’: Vol. Legenda. Legenda.
Parkinson, S. (2013). How to Eat a Spider. Alfonso X: Cantiga de Santa Maria 225. In C. P. Alonso & S. Parkinson (Eds.), Reading literature in Portuguese: commentaries in honour of Tom Earle (pp. 5–14). Legenda.
PORTER, A. W. S. (1934). STUDIES IN THE MOZARABIC OFFICE. The Journal of Theological Studies, os-XXXV(139), 266–286. https://doi.org/10.1093/jts/os-XXXV.139.266
Randel, D. M. (1969). The responsorial psalm tones for the mozarabic office: Vol. Princeton studies in music. Princeton University Press.
Randel, D. M., & Nadeau, N. (n.d.). Mozarabic chant. Grove Music Online. http://www.oxfordmusiconline.com/subscriber/article/grove/music/19269
Rankin, S. (2011). ON THE TREATMENT OF PITCH IN EARLY MUSIC WRITING. Early Music History, 30, 105–175. https://doi.org/10.1017/S0261127911000039
Richard, C. (n.d.). ‘Rhythm in Early Polyphony’. In Current musicology. Music Department, Columbia University.
Sara Lipton. (2008). Where Are the Gothic Jewish Women? On the Non-Iconography of the Jewess in the Cantigas de Santa Maria. Jewish History, 22(1), 139–177. http://www.jstor.org/stable/40345545?refreqid=search%3A12ff6e269fea789fa230bdd8f81874c0&seq=1#page_scan_tab_contents
Sarah, F. (1990). "Early Polyphony”. In The Early Middle Ages to 1300: Vol. New Oxford history of music (Rev ed). Oxford University Press.
Sarah Fuller. (1977). An Anonymous Treatise ‘Dictus de Sancto Martiale’: A New Source for Cistercian Music Theory. Musica Disciplina, 31, 5–30. http://www.jstor.org/stable/20532193?seq=1#page_scan_tab_contents
SUSAN BOYNTON. (2002). A LOST MOZARABIC LITURGICAL MANUSCRIPT REDISCOVERED: NEW YORK, HISPANIC SOCIETY OF AMERICA, B2916, OLIM TOLEDO, BIBLIOTECA CAPITULAR, 33.2. Traditio, 57, 189–215. http://www.jstor.org/stable/27832013?Search=yes&resultItemClick=true&searchText=A&searchText=Lost&searchText=Mozarabic&searchText=liturgical&searchText=manuscript&searchText=rediscovered:&searchText=New&searchText=York,&searchText=Hispanic&searchText=Society&searchText=of&searchText=America,&searchText=B2916,&searchText=olim&searchText=Toledo,&searchText=Biblioteca&searchText=capitular,&searchText=33.&searchUri=%2Faction%2FdoBasicSearch%3Ffc%3Doff%26amp%3Bwc%3Don%26amp%3BQuery%3DA%2BLost%2BMozarabic%2Bliturgical%2Bmanuscript%2Brediscovered%253A%2BNew%2BYork%252C%2BHispanic%2BSociety%2Bof%2BAmerica%252C%2BB2916%252C%2Bolim%2BToledo%252C%2BBiblioteca%2Bcapitular%252C%2B33.%26amp%3Bgroup%3Dnone%26amp%3Bacc%3Don&refreqid=search%3A8603f0b7d0f902ebd2cc4b26d54565aa&seq=1#page_scan_tab_contents
Susana, Z. (2011). ‘Dating Neumes According to Their Morphology The Corpus of Toledo’. In J. D. Haines (Ed.), The calligraphy of medieval music: Vol. Musicalia Medii Aevi. Brepols.
The Gregorian Antiphonary of Silos and the Spanish Melody of the Lamentations. (1930). Speculum, 5(3), 306–324. https://doi.org/10.2307/2848747
THE IBERIAN PENINSULA AND THE FORMATION OF EARLY WESTERN CHANT. (1993). Revista de Musicología, 16(1). https://doi.org/10.2307/20795901
THE OLD HISPANIC RITE AS EVIDENCE FOR THE EARLIEST FORMS OF THE WESTERN CHRISTIAN LITURGIES. (1993). Revista de Musicología, 16(1). https://doi.org/10.2307/20795905
Treitler, L. (2011). What kind of thing is musical notation? In Reflections on musical meaning and its representations: Vol. Musical meaning and interpretation (pp. 107–160). Indiana University Press.
Werf, H. van der. (1993). The oldest extant part music and the origin of western polyphony. The author.
Wulstan, D. (1982). The Muwaššaḥ and Zaǧal Revisited. Journal of the American Oriental Society, 102(2). https://doi.org/10.2307/602526
Wulstan, D. (2009). A Pretty Paella: The Alfonsine                              and their Connexions with Other Repertories. Al-Masaq, 21(2), 191–227. https://doi.org/10.1080/09503110902875491
Zapke, S., Santos, M. J. A., & BBVA (Firm). Fundación. (2007). Hispania vetus: musical-liturgical manuscripts from Visigothic origins to the Franco-Roman transition (9th-12th centuries). Fundación BBVA.