@book{Alfonso_Modern Humanities Research Association_2015, address={Cambridge}, title={Alfonso X, the learned: Cantigas de Santa Maria : an anthology}, volume={MHRA critical texts}, publisher={Modern Humanities Research Association}, author={Alfonso and Modern Humanities Research Association}, editor={Parkinson, Stephen}, year={2015} }
@inbook{Anglès_1954, address={London}, title={Mozarabic chant}, volume={New Oxford history of music}, booktitle={Early medieval music up to 1300}, publisher={Oxford University Press}, author={Anglès, Higini}, year={1954}, pages={81–91} }
@book{Anglés_Alfonso_Biblioteca Central de Barcelona_1943, address={Barcelona}, title={La música de las Cantigas de Santa María}, volume={Biblioteca Central: Publicaciones de la Sección de Música}, publisher={Diputación Provincial de Barcelona: Biblioteca Central}, author={Anglés, Higinio and Alfonso and Biblioteca Central de Barcelona}, year={1943} }
@article{Bollo-Panadero_2008, title={Heretics and Infidels: The as Ideological Instrument of Cultural Codification}, volume={55}, DOI={10.3200/RQTR.55.3.163-174}, number={3}, journal={Romance Quarterly}, author={Bollo-Panadero, María Dolores}, year={2008}, month={Jul}, pages={163–174} }
@book{Burns_1990, address={Philadelphia}, title={Emperor of culture: Alfonso X the Learned of Castile and his thirteenth-century Renaissance}, volume={Middle Ages series}, publisher={University of Pennsylvania Press}, author={Burns, Robert I.}, year={1990} }
@article{CATALUNYA_GUTIÉRREZ_2013, title={Mozarabic preces in Ars Nova notation: a new fourteenth-century fragment discovered in Spain}, volume={22}, DOI={10.1017/S096113711300003X}, number={02}, journal={Plainsong and Medieval Music}, author={CATALUNYA, DAVID and GUTIÉRREZ, CARMEN JULIA}, year={2013}, month={Oct}, pages={153–167} }
@inbook{Cohen_2002, address={Philadelphia, Penn}, title={Women and Music in Medieval Spain’s Three Cultures}, volume={The Middle Ages series}, booktitle={Medieval woman’s song: cross-cultural approaches}, publisher={University of Pennsylvania Press}, author={Cohen, J.}, year={2002}, pages={66–80} }
@inbook{Collins_2002, address={Basingstoke}, title={‘Continuity and loss in Medieval Spanish Culture: the evidence of MS Silos Archivo Monástico 4’}, booktitle={Medieval Spain: culture, conflict, and coexistence : studies in honour of Angus MacKay}, publisher={Palgrave Macmillan}, author={Collins, Roger}, year={2002} }
@book{Colloquium on The Codex Calixtinus and the Shrine of St. James_1992, address={Tübingen}, title={The Codex Calixtinus and the Shrine of St. James}, volume={Jakobus-Studien}, publisher={Gunter Narr Verlag}, author={Colloquium on The Codex Calixtinus and the Shrine of St. James}, editor={Williams, John and Stones, Alison}, year={1992} }
@inbook{Corrigan_2000, address={New York}, title={Music and the pilgrimage’}, booktitle={The pilgrimage to Compostela in the Middle Ages}, publisher={Routledge}, author={Corrigan, Vincent}, year={2000}, pages={43–68} }
@book{Crocker_Hiley_1990a, address={Oxford}, edition={Rev ed}, title={The Early Middle Ages to 1300}, volume={New Oxford history of music}, publisher={Oxford University Press}, author={Crocker, Richard L. and Hiley, David}, year={1990} }
@book{Crocker_Hiley_1990b, address={Oxford}, edition={Rev ed}, title={The Early Middle Ages to 1300}, volume={New Oxford history of music}, publisher={Oxford University Press}, author={Crocker, Richard L. and Hiley, David}, year={1990} }
@book{Crocker_Hiley_1990c, address={Oxford}, edition={Rev ed}, title={The Early Middle Ages to 1300}, volume={New Oxford history of music}, publisher={Oxford University Press}, author={Crocker, Richard L. and Hiley, David}, year={1990} }
@inbook{Díaz y Díaz_1980, address={Oxford}, title={Literary Aspects of the Visigothic Liturgy’}, booktitle={Visigothic Spain: new approaches}, publisher={Clarendon Press}, author={Díaz y Díaz, Manuel C}, year={1980}, pages={61–76} }
@book{Emma HornbyRebecca Maloy, title={Music and Meaning in Old Hispanic Lenten Chants}, url={https://www.cambridge.org/core/books/music-and-meaning-in-old-hispanic-lenten-chants/F7F1818A193331360214CFD37C026763}, author={Emma HornbyRebecca Maloy} }
@book{Flory_2000, address={Washington, D.C.}, title={Marian representations in the miracle tales of thirteenth-century Spain and France}, publisher={Catholic University of America Press}, author={Flory, David A.}, year={2000} }
@inbook{Gonzálvez Ruiz_1985, address={New York}, title={The Persistence of the Mozarabic Liturgy in Toledo after A.D. 1080}, booktitle={Santiago, Saint-Denis, and Saint Peter: the reception of the Roman liturgy in León-Castile in 1080}, publisher={Fordham University Press}, author={Gonzálvez Ruiz, Ramón}, year={1985}, pages={157–185} }
@article{Higini Anglès_1940a, title={Hispanic Musical Culture from the 6th to the 14th Century}, volume={26}, url={http://www.jstor.org/stable/738919?Search=yes&resultItemClick=true&searchText=%27Hispanic%20Musical%20Culture%20from%20the%206th%20to%20the%2014th%20Century%27&searchText=,&searchText=Musical&searchText=Quarterly&searchText=26&searchUri=%2Faction%2FdoBasicSearch%3Fwc%3Don%26amp%3BQuery%3D%2B%25E2%2580%2598Hispanic%2BMusical%2BCulture%2Bfrom%2Bthe%2B6th%2Bto%2Bthe%2B14th%2BCentury%25E2%2580%2599%252C%2BMusical%2BQuarterly%2B26%26amp%3Bfc%3Doff%26amp%3Bacc%3Don%26amp%3Bgroup%3Dnone&refreqid=search%3A61f0882fe29554d6c32472489533258a&seq=1#page_scan_tab_contents}, number={4}, journal={The Musical Quarterly}, publisher={Oxford University PressOxford University Press}, author={Higini Anglès}, year={1940}, pages={494–528} }
@article{Higini Anglès_1940b, title={Hispanic Musical Culture from the 6th to the 14th Century}, volume={26}, url={http://www.jstor.org/stable/738919?seq=1#page_scan_tab_contents}, number={4}, journal={The Musical Quarterly}, publisher={Oxford University PressOxford University Press}, author={Higini Anglès}, year={1940}, pages={494–528} }
@article{Hiley_1992, title={Two unnoticed pieces of medieval polyphony}, volume={1}, DOI={10.1017/S0961137100001753}, number={02}, journal={Plainsong and Medieval Music}, author={Hiley, David}, year={1992}, month={Oct} }
@inbook{Hiley_1993, address={Oxford}, title={Notation}, booktitle={Western plainchant: a handbook}, publisher={Clarendon Press}, author={Hiley, David}, year={1993}, pages={340–401} }
@article{Hohler_1972, title={A Note on Jacobus}, volume={35}, DOI={10.2307/750921}, journal={Journal of the Warburg and Courtauld Institutes}, author={Hohler, Christopher}, year={1972} }
@book{Hornby_Maloy_2013, address={Woodbridge}, title={Music and Meaning in Old Hispanic Lenten Chants: Psalmi, threni and the Easter Vigil Canticles}, volume={v. 13}, publisher={Boydell & Brewer}, author={Hornby, Emma and Maloy, Rebecca}, year={2013} }
@article{HORNBY_MALOY_2016, title={Melodic dialects in Old Hispanic chant}, volume={25}, DOI={10.1017/S0961137115000200}, number={01}, journal={Plainsong and Medieval Music}, author={HORNBY, EMMA and MALOY, REBECCA}, year={2016}, month={Apr}, pages={37–72} }
@article{Hornby_Maloy_2016, title={Biblical commentary in the Old Hispanic liturgy: a Passiontide case study}, volume={44}, DOI={10.1093/em/caw075}, number={3}, journal={Early Music}, author={Hornby, Emma and Maloy, Rebecca}, year={2016}, month={Aug}, pages={383–394} }
@inbook{Huglo_2011, address={Turnhout}, title={Toward a scientific palaeography of music}, volume={Musicalia Medii Aevi}, booktitle={The calligraphy of medieval music}, publisher={Brepols}, author={Huglo, Michael}, editor={Haines, John Dickinson}, year={2011}, pages={13–19} }
@inbook{Joseph T._2013, address={Buenos Aires, Argentina}, title={"Music and musical performance in the texts of the Cantigas de Santa Marias”}, booktitle={Analizar, interpretar, hacer música: de las Cantigas de Santa María a la organología : escritos in memoriam Gerardo V. Huseby}, publisher={Gourmet Musical Editions}, author={Joseph T., Snow}, editor={Plesch, Melanie}, year={2013} }
@book{Klinck_Rasmussen_2002, address={Philadelphia, Penn}, title={Medieval woman’s song: cross-cultural approaches}, volume={The Middle Ages series}, publisher={University of Pennsylvania Press}, author={Klinck, Anne L. and Rasmussen, Ann Marie}, year={2002} }
@book{Kulp-Hill_Scarborough_Alfonso_2000, address={Tempe, Arizona}, title={Songs of Holy Mary of Alfonso X, the Wise: a translation of the Cantigas de Santa María}, volume={Medieval and Renaissance Texts and Studies}, publisher={Arizona Center for Medieval and Renaissance Studies}, author={Kulp-Hill, Kathleen and Scarborough, Connie L. and Alfonso}, year={2000} }
@inbook{Levy_1987, address={Madrid}, title={Old-Hispanic chant in its European context}, booktitle={España en la música de Occidente: actas del Congreso Internacional celebrado en Salamanca, 29 de octubre - 5 de noviembre de 1985, ‘Año Europeo de la Música’}, publisher={Instituto Nacional de los Artes Escénicas y de la Música}, author={Levy, Kenneth}, year={1987}, pages={3–14} }
@book{López-Calo_Villanueva_Fundación Pedro Barrié de la Maza_2001, address={A Coruña}, title={El Códice Calixtino y la música de su tiempo: actas del simposio organizado por la Fundación Pedro Barrié de la Maza en A Coruña y Santiago de Compostela, 20-23 de septiembre de 1999}, publisher={Fundación Pedro Barrié de la Maza}, author={López-Calo, José and Villanueva, Carlos and Fundación Pedro Barrié de la Maza}, year={2001} }
@article{Maloy_2014, title={Old Hispanic Chant and the Early History of Plainsong}, volume={67}, DOI={10.1525/jams.2014.67.1.1}, number={1}, journal={Journal of the American Musicological Society}, author={Maloy, Rebecca}, year={2014}, month={Apr}, pages={1–76} }
@article{Manuel Pedro Ferreira, title={UNDERSTANDING THE CANTIGAS: PRELIMINARY STEPS}, url={https://www.academia.edu/6569541/UNDERSTANDING_THE_CANTIGAS_PRELIMINARY_STEPS}, author={Manuel Pedro Ferreira} }
@article{Nadeau, Nils Andre, title={‘Pro sonorum diversitate vel novitate’: The singing of scripture in the Hispano-Visigothic votive masses}, url={https://search.proquest.com/docview/304438248/}, author={Nadeau, Nils Andre} }
@book{O’Callaghan_1993, address={Philadelphia}, title={The learned king: the reign of Alfonso X of Castile}, volume={Middle Ages series}, publisher={University of Pennsylvania Press}, author={O’Callaghan, Joseph F.}, year={1993} }
@inbook{Page_2010a, address={New Haven, Conn}, title={Singers in the Making of Europe}, booktitle={The Christian West and its singers: the first thousand years}, publisher={Yale University Press}, author={Page, Christopher}, year={2010}, pages={493–522} }
@book{Page_2010b, address={New Haven, Conn}, title={The Christian West and its singers: the first thousand years}, publisher={Yale University Press}, author={Page, Christopher}, year={2010} }
@book{Parkinson_2000, address={Oxford}, title={Cobras e son: papers on the text, music, and manuscripts of the ‘Cantigas de Santa Maria’}, volume={Legenda}, publisher={Legenda}, author={Parkinson, Stephen}, year={2000} }
@inbook{Parkinson_2013, address={London}, title={How to Eat a Spider. Alfonso X: Cantiga de Santa Maria 225}, booktitle={Reading literature in Portuguese: commentaries in honour of Tom Earle}, publisher={Legenda}, author={Parkinson, Stephen}, editor={Alonso, Cláudia Pazos and Parkinson, Stephen}, year={2013}, pages={5–14} }
@article{PORTER_1934, title={STUDIES IN THE MOZARABIC OFFICE}, volume={os-XXXV}, DOI={10.1093/jts/os-XXXV.139.266}, number={139}, journal={The Journal of Theological Studies}, author={PORTER, A. W. S.}, year={1934}, pages={266–286} }
@article{Randel_Nadeau, title={Mozarabic chant}, url={http://www.oxfordmusiconline.com/subscriber/article/grove/music/19269}, journal={Grove Music Online}, author={Randel, Don M. and Nadeau, Nils} }
@book{Randel_1969, address={Princeton, N.J.}, title={The responsorial psalm tones for the mozarabic office}, volume={Princeton studies in music}, publisher={Princeton University Press}, author={Randel, Don Michael}, year={1969} }
@article{Rankin_2011, title={ON THE TREATMENT OF PITCH IN EARLY MUSIC WRITING}, volume={30}, DOI={10.1017/S0261127911000039}, journal={Early Music History}, author={Rankin, Susan}, year={2011}, month={Oct}, pages={105–175} }
@inbook{Richard, address={New York}, title={‘Rhythm in Early Polyphony’}, booktitle={Current musicology}, publisher={Music Department, Columbia University}, author={Richard, Crocker} }
@article{Sara Lipton_2008, title={Where Are the Gothic Jewish Women? On the Non-Iconography of the Jewess in the Cantigas de Santa Maria}, volume={22}, url={http://www.jstor.org/stable/40345545?refreqid=search%3A12ff6e269fea789fa230bdd8f81874c0&seq=1#page_scan_tab_contents}, number={1}, journal={Jewish History}, publisher={SpringerSpringer}, author={Sara Lipton}, year={2008}, pages={139–177} }
@article{Sarah Fuller_1977, title={An Anonymous Treatise ‘Dictus de Sancto Martiale’: A New Source for Cistercian Music Theory}, volume={31}, url={http://www.jstor.org/stable/20532193?seq=1#page_scan_tab_contents}, journal={Musica Disciplina}, publisher={American Institute of Musicology Verlag Corpusmusicae, GmbHAmerican Institute of Musicology Verlag Corpusmusicae, GmbH}, author={Sarah Fuller}, year={1977}, pages={5–30} }
@inbook{Sarah_1990, address={Oxford}, edition={Rev ed}, title={"Early Polyphony”}, volume={New Oxford history of music}, booktitle={The Early Middle Ages to 1300}, publisher={Oxford University Press}, author={Sarah, Fuller}, year={1990} }
@article{SUSAN BOYNTON_2002, title={A LOST MOZARABIC LITURGICAL MANUSCRIPT REDISCOVERED: NEW YORK, HISPANIC SOCIETY OF AMERICA, B2916, OLIM TOLEDO, BIBLIOTECA CAPITULAR, 33.2}, volume={57}, url={http://www.jstor.org/stable/27832013?Search=yes&resultItemClick=true&searchText=A&searchText=Lost&searchText=Mozarabic&searchText=liturgical&searchText=manuscript&searchText=rediscovered:&searchText=New&searchText=York,&searchText=Hispanic&searchText=Society&searchText=of&searchText=America,&searchText=B2916,&searchText=olim&searchText=Toledo,&searchText=Biblioteca&searchText=capitular,&searchText=33.&searchUri=%2Faction%2FdoBasicSearch%3Ffc%3Doff%26amp%3Bwc%3Don%26amp%3BQuery%3DA%2BLost%2BMozarabic%2Bliturgical%2Bmanuscript%2Brediscovered%253A%2BNew%2BYork%252C%2BHispanic%2BSociety%2Bof%2BAmerica%252C%2BB2916%252C%2Bolim%2BToledo%252C%2BBiblioteca%2Bcapitular%252C%2B33.%26amp%3Bgroup%3Dnone%26amp%3Bacc%3Don&refreqid=search%3A8603f0b7d0f902ebd2cc4b26d54565aa&seq=1#page_scan_tab_contents}, journal={Traditio}, publisher={Cambridge University Press}, author={SUSAN BOYNTON}, year={2002}, pages={189–215} }
@inbook{Susana_2011, address={Turnhout}, title={‘Dating Neumes According to Their Morphology The Corpus of Toledo’}, volume={Musicalia Medii Aevi}, booktitle={The calligraphy of medieval music}, publisher={Brepols}, author={Susana, Zapke}, editor={Haines, John Dickinson}, year={2011} }
@inbook{Treitler_2011, address={Bloomington}, title={What kind of thing is musical notation?}, volume={Musical meaning and interpretation}, booktitle={Reflections on musical meaning and its representations}, publisher={Indiana University Press}, author={Treitler, Leo}, year={2011}, pages={107–160} }
@book{Werf_1993, address={Rochester, N.Y.}, title={The oldest extant part music and the origin of western polyphony}, publisher={The author}, author={Werf, Hendrik van der}, year={1993} }
@article{Wulstan_1982, title={The Muwaššaḥ and Zaǧal Revisited}, volume={102}, DOI={10.2307/602526}, number={2}, journal={Journal of the American Oriental Society}, author={Wulstan, David}, year={1982}, month={Apr} }
@article{Wulstan_2009, title={A Pretty Paella: The Alfonsine and their Connexions with Other Repertories}, volume={21}, DOI={10.1080/09503110902875491}, number={2}, journal={Al-Masaq}, author={Wulstan, David}, year={2009}, month={Aug}, pages={191–227} }
@book{Zapke_Santos_BBVA (Firm). Fundación_2007, address={Bilbao}, title={Hispania vetus: musical-liturgical manuscripts from Visigothic origins to the Franco-Roman transition (9th-12th centuries)}, publisher={Fundación BBVA}, author={Zapke, Susana and Santos, Maria José Azevedo and BBVA (Firm). Fundación}, year={2007} }
@article{Mozarabic Melodics_1928, volume={3}, DOI={10.2307/2848057}, number={2}, journal={Speculum}, year={1928}, month={Apr}, pages={218–238} }
@article{The Gregorian Antiphonary of Silos and the Spanish Melody of the Lamentations_1930, volume={5}, DOI={10.2307/2848747}, number={3}, journal={Speculum}, year={1930}, month={Jul}, pages={306–324} }
@article{THE IBERIAN PENINSULA AND THE FORMATION OF EARLY WESTERN CHANT_1993, volume={16}, DOI={10.2307/20795901}, number={1}, journal={Revista de Musicología}, year={1993} }
@article{THE OLD HISPANIC RITE AS EVIDENCE FOR THE EARLIEST FORMS OF THE WESTERN CHRISTIAN LITURGIES_1993, volume={16}, DOI={10.2307/20795905}, number={1}, journal={Revista de Musicología}, year={1993} }
@misc{Cantigas de Santa Maria for Singers, url={http://www.cantigasdesantamaria.com/} }
