Alfonso and Modern Humanities Research Association. 2015. Alfonso X, the Learned: Cantigas de Santa Maria : An Anthology. Vol. MHRA critical texts. edited by S. Parkinson. Cambridge: Modern Humanities Research Association.
Anglès, Higini. 1954. ‘Mozarabic Chant’. Pp. 81–91 in Early medieval music up to 1300. Vol. New Oxford history of music. London: Oxford University Press.
Anglés, Higinio, Alfonso, and Biblioteca Central de Barcelona. 1943. La Música de Las Cantigas de Santa María. Vol. Biblioteca Central: Publicaciones de la Sección de Música. Barcelona: Diputación Provincial de Barcelona: Biblioteca Central.
Bollo-Panadero, María Dolores. 2008. ‘Heretics and Infidels: The as Ideological Instrument of Cultural Codification’. Romance Quarterly 55(3):163–74. doi:10.3200/RQTR.55.3.163-174.
Burns, Robert I. 1990. Emperor of Culture: Alfonso X the Learned of Castile and His Thirteenth-Century Renaissance. Vol. Middle Ages series. Philadelphia: University of Pennsylvania Press.
Cantigas de Santa Maria for Singers. n.d. http://www.cantigasdesantamaria.com/.
CATALUNYA, DAVID, and CARMEN JULIA GUTIÉRREZ. 2013. ‘Mozarabic Preces in Ars Nova Notation: A New Fourteenth-Century Fragment Discovered in Spain’. Plainsong and Medieval Music 22(02):153–67. doi:10.1017/S096113711300003X.
Cohen, J. 2002. ‘Women and Music in Medieval Spain’s Three Cultures’. Pp. 66–80 in Medieval woman’s song: cross-cultural approaches. Vol. The Middle Ages series. Philadelphia, Penn: University of Pennsylvania Press.
Collins, Roger. 2002. ‘‘Continuity and Loss in Medieval Spanish Culture: The Evidence of MS Silos Archivo Monástico 4’’. in Medieval Spain: culture, conflict, and coexistence : studies in honour of Angus MacKay. Basingstoke: Palgrave Macmillan.
Colloquium on The Codex Calixtinus and the Shrine of St. James. 1992. The Codex Calixtinus and the Shrine of St. James. Vol. Jakobus-Studien. edited by J. Williams and A. Stones. Tübingen: Gunter Narr Verlag.
Corrigan, Vincent. 2000. ‘Music and the Pilgrimage’’. Pp. 43–68 in The pilgrimage to Compostela in the Middle Ages. New York: Routledge.
Crocker, Richard L., and David Hiley. 1990a. The Early Middle Ages to 1300. Vol. New Oxford history of music. Rev ed. Oxford: Oxford University Press.
Crocker, Richard L., and David Hiley. 1990b. The Early Middle Ages to 1300. Vol. New Oxford history of music. Rev ed. Oxford: Oxford University Press.
Crocker, Richard L., and David Hiley. 1990c. The Early Middle Ages to 1300. Vol. New Oxford history of music. Rev ed. Oxford: Oxford University Press.
Díaz y Díaz, Manuel C. 1980. ‘Literary Aspects of the Visigothic Liturgy’’. Pp. 61–76 in Visigothic Spain: new approaches. Oxford: Clarendon Press.
Emma HornbyRebecca Maloy. n.d. Music and Meaning in Old Hispanic Lenten Chants.
Flory, David A. 2000. Marian Representations in the Miracle Tales of Thirteenth-Century Spain and France. Washington, D.C.: Catholic University of America Press.
Gonzálvez Ruiz, Ramón. 1985. ‘The Persistence of the Mozarabic Liturgy in Toledo after A.D. 1080’. Pp. 157–85 in Santiago, Saint-Denis, and Saint Peter: the reception of the Roman liturgy in León-Castile in 1080. New York: Fordham University Press.
Higini Anglès. 1940a. ‘Hispanic Musical Culture from the 6th to the 14th Century’. The Musical Quarterly 26(4):494–528. http://www.jstor.org/stable/738919?Search=yes&resultItemClick=true&searchText=%27Hispanic%20Musical%20Culture%20from%20the%206th%20to%20the%2014th%20Century%27&searchText=,&searchText=Musical&searchText=Quarterly&searchText=26&searchUri=%2Faction%2FdoBasicSearch%3Fwc%3Don%26amp%3BQuery%3D%2B%25E2%2580%2598Hispanic%2BMusical%2BCulture%2Bfrom%2Bthe%2B6th%2Bto%2Bthe%2B14th%2BCentury%25E2%2580%2599%252C%2BMusical%2BQuarterly%2B26%26amp%3Bfc%3Doff%26amp%3Bacc%3Don%26amp%3Bgroup%3Dnone&refreqid=search%3A61f0882fe29554d6c32472489533258a&seq=1#page_scan_tab_contents.
Higini Anglès. 1940b. ‘Hispanic Musical Culture from the 6th to the 14th Century’. The Musical Quarterly 26(4):494–528. http://www.jstor.org/stable/738919?seq=1#page_scan_tab_contents.
Hiley, David. 1992. ‘Two Unnoticed Pieces of Medieval Polyphony’. Plainsong and Medieval Music 1(02). doi:10.1017/S0961137100001753.
Hiley, David. 1993. ‘Notation’. Pp. 340–401 in Western plainchant: a handbook. Oxford: Clarendon Press.
Hohler, Christopher. 1972. ‘A Note on Jacobus’. Journal of the Warburg and Courtauld Institutes 35. doi:10.2307/750921.
Hornby, Emma, and Rebecca Maloy. 2013. Music and Meaning in Old Hispanic Lenten Chants: Psalmi, Threni and the Easter Vigil Canticles. Vol. v. 13. Woodbridge: Boydell & Brewer.
Hornby, Emma, and Rebecca Maloy. 2016. ‘Biblical Commentary in the Old Hispanic Liturgy: A Passiontide Case Study’. Early Music 44(3):383–94. doi:10.1093/em/caw075.
HORNBY, EMMA, and REBECCA MALOY. 2016. ‘Melodic Dialects in Old Hispanic Chant’. Plainsong and Medieval Music 25(01):37–72. doi:10.1017/S0961137115000200.
Huglo, Michael. 2011. ‘Toward a Scientific Palaeography of Music’. Pp. 13–19 in The calligraphy of medieval music. Vol. Musicalia Medii Aevi, edited by J. D. Haines. Turnhout: Brepols.
Joseph T., Snow. 2013. ‘"Music and Musical Performance in the Texts of the Cantigas de Santa Marias”’. in Analizar, interpretar, hacer música: de las Cantigas de Santa María a la organología : escritos in memoriam Gerardo V. Huseby, edited by M. Plesch. Buenos Aires, Argentina: Gourmet Musical Editions.
Klinck, Anne L., and Ann Marie Rasmussen. 2002. Medieval Woman’s Song: Cross-Cultural Approaches. Vol. The Middle Ages series. Philadelphia, Penn: University of Pennsylvania Press.
Kulp-Hill, Kathleen, Connie L. Scarborough, and Alfonso. 2000. Songs of Holy Mary of Alfonso X, the Wise: A Translation of the Cantigas de Santa María. Vol. Medieval and Renaissance Texts and Studies. Tempe, Arizona: Arizona Center for Medieval and Renaissance Studies.
Levy, Kenneth. 1987. ‘Old-Hispanic Chant in Its European Context’. Pp. 3–14 in España en la música de Occidente: actas del Congreso Internacional celebrado en Salamanca, 29 de octubre - 5 de noviembre de 1985, ‘Año Europeo de la Música’. Madrid: Instituto Nacional de los Artes Escénicas y de la Música.
López-Calo, José, Carlos Villanueva, and Fundación Pedro Barrié de la Maza. 2001. El Códice Calixtino y La Música de Su Tiempo: Actas Del Simposio Organizado Por La Fundación Pedro Barrié de La Maza En A Coruña y Santiago de Compostela, 20-23 de Septiembre de 1999. A Coruña: Fundación Pedro Barrié de la Maza.
Maloy, Rebecca. 2014. ‘Old Hispanic Chant and the Early History of Plainsong’. Journal of the American Musicological Society 67(1):1–76. doi:10.1525/jams.2014.67.1.1.
Manuel Pedro Ferreira. n.d. ‘UNDERSTANDING THE CANTIGAS: PRELIMINARY STEPS’. https://www.academia.edu/6569541/UNDERSTANDING_THE_CANTIGAS_PRELIMINARY_STEPS.
Mozarabic Melodics. 1928. Speculum 3(2):218–38. doi:10.2307/2848057.
Nadeau, Nils Andre. n.d. ‘“Pro Sonorum Diversitate Vel Novitate”: The Singing of Scripture in the Hispano-Visigothic Votive Masses’. https://search.proquest.com/docview/304438248/.
O’Callaghan, Joseph F. 1993. The Learned King: The Reign of Alfonso X of Castile. Vol. Middle Ages series. Philadelphia: University of Pennsylvania Press.
Page, Christopher. 2010a. ‘Singers in the Making of Europe’. Pp. 493–522 in The Christian West and its singers: the first thousand years. New Haven, Conn: Yale University Press.
Page, Christopher. 2010b. The Christian West and Its Singers: The First Thousand Years. New Haven, Conn: Yale University Press.
Parkinson, Stephen. 2000. Cobras e Son: Papers on the Text, Music, and Manuscripts of the ‘Cantigas de Santa Maria’. Vol. Legenda. Oxford: Legenda.
Parkinson, Stephen. 2013. ‘How to Eat a Spider. Alfonso X: Cantiga de Santa Maria 225’. Pp. 5–14 in Reading literature in Portuguese: commentaries in honour of Tom Earle, edited by C. P. Alonso and S. Parkinson. London: Legenda.
PORTER, A. W. S. 1934. ‘STUDIES IN THE MOZARABIC OFFICE’. The Journal of Theological Studies os-XXXV(139):266–86. doi:10.1093/jts/os-XXXV.139.266.
Randel, Don M., and Nils Nadeau. n.d. ‘Mozarabic Chant’. Grove Music Online. http://www.oxfordmusiconline.com/subscriber/article/grove/music/19269.
Randel, Don Michael. 1969. The Responsorial Psalm Tones for the Mozarabic Office. Vol. Princeton studies in music. Princeton, N.J.: Princeton University Press.
Rankin, Susan. 2011. ‘ON THE TREATMENT OF PITCH IN EARLY MUSIC WRITING’. Early Music History 30:105–75. doi:10.1017/S0261127911000039.
Richard, Crocker. n.d. ‘“Rhythm in Early Polyphony”’. in Current musicology. New York: Music Department, Columbia University.
Sara Lipton. 2008. ‘Where Are the Gothic Jewish Women? On the Non-Iconography of the Jewess in the Cantigas de Santa Maria’. Jewish History 22(1):139–77. http://www.jstor.org/stable/40345545?refreqid=search%3A12ff6e269fea789fa230bdd8f81874c0&seq=1#page_scan_tab_contents.
Sarah Fuller. 1977. ‘An Anonymous Treatise “Dictus de Sancto Martiale”: A New Source for Cistercian Music Theory’. Musica Disciplina 31:5–30. http://www.jstor.org/stable/20532193?seq=1#page_scan_tab_contents.
Sarah, Fuller. 1990. ‘"Early Polyphony”’. in The Early Middle Ages to 1300. Vol. New Oxford history of music. Oxford: Oxford University Press.
SUSAN BOYNTON. 2002. ‘A LOST MOZARABIC LITURGICAL MANUSCRIPT REDISCOVERED: NEW YORK, HISPANIC SOCIETY OF AMERICA, B2916, OLIM TOLEDO, BIBLIOTECA CAPITULAR, 33.2’. Traditio 57:189–215. http://www.jstor.org/stable/27832013?Search=yes&resultItemClick=true&searchText=A&searchText=Lost&searchText=Mozarabic&searchText=liturgical&searchText=manuscript&searchText=rediscovered:&searchText=New&searchText=York,&searchText=Hispanic&searchText=Society&searchText=of&searchText=America,&searchText=B2916,&searchText=olim&searchText=Toledo,&searchText=Biblioteca&searchText=capitular,&searchText=33.&searchUri=%2Faction%2FdoBasicSearch%3Ffc%3Doff%26amp%3Bwc%3Don%26amp%3BQuery%3DA%2BLost%2BMozarabic%2Bliturgical%2Bmanuscript%2Brediscovered%253A%2BNew%2BYork%252C%2BHispanic%2BSociety%2Bof%2BAmerica%252C%2BB2916%252C%2Bolim%2BToledo%252C%2BBiblioteca%2Bcapitular%252C%2B33.%26amp%3Bgroup%3Dnone%26amp%3Bacc%3Don&refreqid=search%3A8603f0b7d0f902ebd2cc4b26d54565aa&seq=1#page_scan_tab_contents.
Susana, Zapke. 2011. ‘“Dating Neumes According to Their Morphology The Corpus of Toledo”’. in The calligraphy of medieval music. Vol. Musicalia Medii Aevi, edited by J. D. Haines. Turnhout: Brepols.
The Gregorian Antiphonary of Silos and the Spanish Melody of the Lamentations. 1930. Speculum 5(3):306–24. doi:10.2307/2848747.
THE IBERIAN PENINSULA AND THE FORMATION OF EARLY WESTERN CHANT. 1993. Revista de Musicología 16(1). doi:10.2307/20795901.
THE OLD HISPANIC RITE AS EVIDENCE FOR THE EARLIEST FORMS OF THE WESTERN CHRISTIAN LITURGIES. 1993. Revista de Musicología 16(1). doi:10.2307/20795905.
Treitler, Leo. 2011. ‘What Kind of Thing Is Musical Notation?’ Pp. 107–60 in Reflections on musical meaning and its representations. Vol. Musical meaning and interpretation. Bloomington: Indiana University Press.
Werf, Hendrik van der. 1993. The Oldest Extant Part Music and the Origin of Western Polyphony. Rochester, N.Y.: The author.
Wulstan, David. 1982. ‘The Muwaššaḥ and Zaǧal Revisited’. Journal of the American Oriental Society 102(2). doi:10.2307/602526.
Wulstan, David. 2009. ‘A Pretty Paella: The Alfonsine and Their Connexions with Other Repertories’. Al-Masaq 21(2):191–227. doi:10.1080/09503110902875491.
Zapke, Susana, Maria José Azevedo Santos, and BBVA (Firm). Fundación. 2007. Hispania Vetus: Musical-Liturgical Manuscripts from Visigothic Origins to the Franco-Roman Transition (9th-12th Centuries). Bilbao: Fundación BBVA.
