Alfonso and Modern Humanities Research Association, Alfonso X, the Learned: Cantigas de Santa Maria : An Anthology, ed. by Stephen Parkinson (Cambridge: Modern Humanities Research Association, 2015), MHRA critical texts
Anglès, Higini, ‘Mozarabic Chant’, in Early Medieval Music up to 1300 (London: Oxford University Press, 1954), New Oxford history of music, 81–91
Anglés, Higinio, Alfonso, and Biblioteca Central de Barcelona, La Música de Las Cantigas de Santa María (Barcelona: Diputación Provincial de Barcelona: Biblioteca Central, 1943), Biblioteca Central: Publicaciones de la Sección de Música
Bollo-Panadero, María Dolores, ‘Heretics and Infidels: The as Ideological Instrument of Cultural Codification’, Romance Quarterly, 55.3 (2008), 163–74 <https://doi.org/10.3200/RQTR.55.3.163-174>
Burns, Robert I., Emperor of Culture: Alfonso X the Learned of Castile and His Thirteenth-Century Renaissance (Philadelphia: University of Pennsylvania Press, 1990), Middle Ages series
‘Cantigas de Santa Maria for Singers’ <http://www.cantigasdesantamaria.com/>
CATALUNYA, DAVID, and CARMEN JULIA GUTIÉRREZ, ‘Mozarabic Preces in Ars Nova Notation: A New Fourteenth-Century Fragment Discovered in Spain’, Plainsong and Medieval Music, 22.02 (2013), 153–67 <https://doi.org/10.1017/S096113711300003X>
Cohen, J., ‘Women and Music in Medieval Spain’s Three Cultures’, in Medieval Woman’s Song: Cross-Cultural Approaches (Philadelphia, Penn: University of Pennsylvania Press, 2002), The Middle Ages series, 66–80
Collins, Roger, ‘‘Continuity and Loss in Medieval Spanish Culture: The Evidence of MS Silos Archivo Monástico 4’’, in Medieval Spain: Culture, Conflict, and Coexistence : Studies in Honour of Angus MacKay (Basingstoke: Palgrave Macmillan, 2002)
Colloquium on The Codex Calixtinus and the Shrine of St. James, The Codex Calixtinus and the Shrine of St. James, ed. by John Williams and Alison Stones (Tübingen: Gunter Narr Verlag, 1992), Jakobus-Studien
Corrigan, Vincent, ‘Music and the Pilgrimage’’, in The Pilgrimage to Compostela in the Middle Ages (New York: Routledge, 2000), pp. 43–68
Crocker, Richard L., and David Hiley, The Early Middle Ages to 1300, Rev ed (Oxford: Oxford University Press, 1990), New Oxford history of music
———, The Early Middle Ages to 1300, Rev ed (Oxford: Oxford University Press, 1990), New Oxford history of music
———, The Early Middle Ages to 1300, Rev ed (Oxford: Oxford University Press, 1990), New Oxford history of music
Díaz y Díaz, Manuel C, ‘Literary Aspects of the Visigothic Liturgy’’, in Visigothic Spain: New Approaches (Oxford: Clarendon Press, 1980), pp. 61–76
Emma HornbyRebecca Maloy, Music and Meaning in Old Hispanic Lenten Chants <https://www.cambridge.org/core/books/music-and-meaning-in-old-hispanic-lenten-chants/F7F1818A193331360214CFD37C026763>
Flory, David A., Marian Representations in the Miracle Tales of Thirteenth-Century Spain and France (Washington, D.C.: Catholic University of America Press, 2000)
Gonzálvez Ruiz, Ramón, ‘The Persistence of the Mozarabic Liturgy in Toledo after A.D. 1080’, in Santiago, Saint-Denis, and Saint Peter: The Reception of the Roman Liturgy in León-Castile in 1080 (New York: Fordham University Press, 1985), pp. 157–85
Higini Anglès, ‘Hispanic Musical Culture from the 6th to the 14th Century’, The Musical Quarterly, 26.4 (1940), 494–528 <http://www.jstor.org/stable/738919?Search=yes&resultItemClick=true&searchText=%27Hispanic%20Musical%20Culture%20from%20the%206th%20to%20the%2014th%20Century%27&searchText=,&searchText=Musical&searchText=Quarterly&searchText=26&searchUri=%2Faction%2FdoBasicSearch%3Fwc%3Don%26amp%3BQuery%3D%2B%25E2%2580%2598Hispanic%2BMusical%2BCulture%2Bfrom%2Bthe%2B6th%2Bto%2Bthe%2B14th%2BCentury%25E2%2580%2599%252C%2BMusical%2BQuarterly%2B26%26amp%3Bfc%3Doff%26amp%3Bacc%3Don%26amp%3Bgroup%3Dnone&refreqid=search%3A61f0882fe29554d6c32472489533258a&seq=1#page_scan_tab_contents>
———, ‘Hispanic Musical Culture from the 6th to the 14th Century’, The Musical Quarterly, 26.4 (1940), 494–528 <http://www.jstor.org/stable/738919?seq=1#page_scan_tab_contents>
Hiley, David, ‘Notation’, in Western Plainchant: A Handbook (Oxford: Clarendon Press, 1993), pp. 340–401
———, ‘Two Unnoticed Pieces of Medieval Polyphony’, Plainsong and Medieval Music, 1.02 (1992) <https://doi.org/10.1017/S0961137100001753>
Hohler, Christopher, ‘A Note on Jacobus’, Journal of the Warburg and Courtauld Institutes, 35 (1972) <https://doi.org/10.2307/750921>
Hornby, Emma, and Rebecca Maloy, ‘Biblical Commentary in the Old Hispanic Liturgy: A Passiontide Case Study’, Early Music, 44.3 (2016), 383–94 <https://doi.org/10.1093/em/caw075>
HORNBY, EMMA, and REBECCA MALOY, ‘Melodic Dialects in Old Hispanic Chant’, Plainsong and Medieval Music, 25.01 (2016), 37–72 <https://doi.org/10.1017/S0961137115000200>
Hornby, Emma, and Rebecca Maloy, Music and Meaning in Old Hispanic Lenten Chants: Psalmi, Threni and the Easter Vigil Canticles (Woodbridge: Boydell & Brewer, 2013), v. 13
Huglo, Michael, ‘Toward a Scientific Palaeography of Music’, in The Calligraphy of Medieval Music, ed. by John Dickinson Haines (Turnhout: Brepols, 2011), Musicalia Medii Aevi, 13–19
Joseph T., Snow, ‘"Music and Musical Performance in the Texts of the Cantigas de Santa Marias”’, in Analizar, Interpretar, Hacer Música: De Las Cantigas de Santa María a La Organología : Escritos in Memoriam Gerardo V. Huseby, ed. by Melanie Plesch (Buenos Aires, Argentina: Gourmet Musical Editions, 2013)
Klinck, Anne L., and Ann Marie Rasmussen, Medieval Woman’s Song: Cross-Cultural Approaches (Philadelphia, Penn: University of Pennsylvania Press, 2002), The Middle Ages series
Kulp-Hill, Kathleen, Connie L. Scarborough, and Alfonso, Songs of Holy Mary of Alfonso X, the Wise: A Translation of the Cantigas de Santa María (Tempe, Arizona: Arizona Center for Medieval and Renaissance Studies, 2000), Medieval and Renaissance Texts and Studies
Levy, Kenneth, ‘Old-Hispanic Chant in Its European Context’, in España En La Música de Occidente: Actas Del Congreso Internacional Celebrado En Salamanca, 29 de Octubre - 5 de Noviembre de 1985, ‘Año Europeo de La Música’ (Madrid: Instituto Nacional de los Artes Escénicas y de la Música, 1987), pp. 3–14
López-Calo, José, Carlos Villanueva, and Fundación Pedro Barrié de la Maza, El Códice Calixtino y La Música de Su Tiempo: Actas Del Simposio Organizado Por La Fundación Pedro Barrié de La Maza En A Coruña y Santiago de Compostela, 20-23 de Septiembre de 1999 (A Coruña: Fundación Pedro Barrié de la Maza, 2001)
Maloy, Rebecca, ‘Old Hispanic Chant and the Early History of Plainsong’, Journal of the American Musicological Society, 67.1 (2014), 1–76 <https://doi.org/10.1525/jams.2014.67.1.1>
Manuel Pedro Ferreira, ‘UNDERSTANDING THE CANTIGAS: PRELIMINARY STEPS’ <https://www.academia.edu/6569541/UNDERSTANDING_THE_CANTIGAS_PRELIMINARY_STEPS>
‘Mozarabic Melodics’, Speculum, 3.2 (1928), 218–38 <https://doi.org/10.2307/2848057>
Nadeau, Nils Andre, ‘“Pro Sonorum Diversitate Vel Novitate”: The Singing of Scripture in the Hispano-Visigothic Votive Masses’ <https://search.proquest.com/docview/304438248/>
O’Callaghan, Joseph F., The Learned King: The Reign of Alfonso X of Castile (Philadelphia: University of Pennsylvania Press, 1993), Middle Ages series
Page, Christopher, ‘Singers in the Making of Europe’, in The Christian West and Its Singers: The First Thousand Years (New Haven, Conn: Yale University Press, 2010), pp. 493–522
———, The Christian West and Its Singers: The First Thousand Years (New Haven, Conn: Yale University Press, 2010)
Parkinson, Stephen, Cobras e Son: Papers on the Text, Music, and Manuscripts of the ‘Cantigas de Santa Maria’ (Oxford: Legenda, 2000), Legenda
———, ‘How to Eat a Spider. Alfonso X: Cantiga de Santa Maria 225’, in Reading Literature in Portuguese: Commentaries in Honour of Tom Earle, ed. by Cláudia Pazos Alonso and Stephen Parkinson (London: Legenda, 2013), pp. 5–14
PORTER, A. W. S., ‘STUDIES IN THE MOZARABIC OFFICE’, The Journal of Theological Studies, os-XXXV.139 (1934), 266–86 <https://doi.org/10.1093/jts/os-XXXV.139.266>
Randel, Don M., and Nils Nadeau, ‘Mozarabic Chant’, Grove Music Online <http://www.oxfordmusiconline.com/subscriber/article/grove/music/19269>
Randel, Don Michael, The Responsorial Psalm Tones for the Mozarabic Office (Princeton, N.J.: Princeton University Press, 1969), Princeton studies in music
Rankin, Susan, ‘ON THE TREATMENT OF PITCH IN EARLY MUSIC WRITING’, Early Music History, 30 (2011), 105–75 <https://doi.org/10.1017/S0261127911000039>
Richard, Crocker, ‘“Rhythm in Early Polyphony”’, in Current Musicology (New York: Music Department, Columbia University)
Sara Lipton, ‘Where Are the Gothic Jewish Women? On the Non-Iconography of the Jewess in the Cantigas de Santa Maria’, Jewish History, 22.1 (2008), 139–77 <http://www.jstor.org/stable/40345545?refreqid=search%3A12ff6e269fea789fa230bdd8f81874c0&seq=1#page_scan_tab_contents>
Sarah Fuller, ‘An Anonymous Treatise “Dictus de Sancto Martiale”: A New Source for Cistercian Music Theory’, Musica Disciplina, 31 (1977), 5–30 <http://www.jstor.org/stable/20532193?seq=1#page_scan_tab_contents>
Sarah, Fuller, ‘"Early Polyphony”’, in The Early Middle Ages to 1300, Rev ed (Oxford: Oxford University Press, 1990), New Oxford history of music
SUSAN BOYNTON, ‘A LOST MOZARABIC LITURGICAL MANUSCRIPT REDISCOVERED: NEW YORK, HISPANIC SOCIETY OF AMERICA, B2916, OLIM TOLEDO, BIBLIOTECA CAPITULAR, 33.2’, Traditio, 57 (2002), 189–215 <http://www.jstor.org/stable/27832013?Search=yes&resultItemClick=true&searchText=A&searchText=Lost&searchText=Mozarabic&searchText=liturgical&searchText=manuscript&searchText=rediscovered:&searchText=New&searchText=York,&searchText=Hispanic&searchText=Society&searchText=of&searchText=America,&searchText=B2916,&searchText=olim&searchText=Toledo,&searchText=Biblioteca&searchText=capitular,&searchText=33.&searchUri=%2Faction%2FdoBasicSearch%3Ffc%3Doff%26amp%3Bwc%3Don%26amp%3BQuery%3DA%2BLost%2BMozarabic%2Bliturgical%2Bmanuscript%2Brediscovered%253A%2BNew%2BYork%252C%2BHispanic%2BSociety%2Bof%2BAmerica%252C%2BB2916%252C%2Bolim%2BToledo%252C%2BBiblioteca%2Bcapitular%252C%2B33.%26amp%3Bgroup%3Dnone%26amp%3Bacc%3Don&refreqid=search%3A8603f0b7d0f902ebd2cc4b26d54565aa&seq=1#page_scan_tab_contents>
Susana, Zapke, ‘“Dating Neumes According to Their Morphology The Corpus of Toledo”’, in The Calligraphy of Medieval Music, ed. by John Dickinson Haines (Turnhout: Brepols, 2011), Musicalia Medii Aevi
‘The Gregorian Antiphonary of Silos and the Spanish Melody of the Lamentations’, Speculum, 5.3 (1930), 306–24 <https://doi.org/10.2307/2848747>
‘THE IBERIAN PENINSULA AND THE FORMATION OF EARLY WESTERN CHANT’, Revista de Musicología, 16.1 (1993) <https://doi.org/10.2307/20795901>
‘THE OLD HISPANIC RITE AS EVIDENCE FOR THE EARLIEST FORMS OF THE WESTERN CHRISTIAN LITURGIES’, Revista de Musicología, 16.1 (1993) <https://doi.org/10.2307/20795905>
Treitler, Leo, ‘What Kind of Thing Is Musical Notation?’, in Reflections on Musical Meaning and Its Representations (Bloomington: Indiana University Press, 2011), Musical meaning and interpretation, 107–60
Werf, Hendrik van der, The Oldest Extant Part Music and the Origin of Western Polyphony (Rochester, N.Y.: The author, 1993)
Wulstan, David, ‘A Pretty Paella: The Alfonsine and Their Connexions with Other Repertories’, Al-Masaq, 21.2 (2009), 191–227 <https://doi.org/10.1080/09503110902875491>
———, ‘The Muwaššaḥ and Zaǧal Revisited’, Journal of the American Oriental Society, 102.2 (1982) <https://doi.org/10.2307/602526>
Zapke, Susana, Maria José Azevedo Santos, and BBVA (Firm). Fundación, Hispania Vetus: Musical-Liturgical Manuscripts from Visigothic Origins to the Franco-Roman Transition (9th-12th Centuries) (Bilbao: Fundación BBVA, 2007)
