[1]
Andrew Fenton 2008. The Forest and the Trees: Pattern and Meaning in Horace, ‘Odes’ 1. The American Journal of Philology. 129, 4 (2008), 559–580.
[2]
Armstrong, R. 2008. Classical Translations of the Classics: The Dynamics of Literary Tradition in Retranslating Epic Poetry. Translation and the classic: identity as change in the history of culture. Oxford University Press. 162–202.
[3]
Armstrong, R. 2008. Classical Translations of the Classics: The Dynamics of Literary Tradition in Retranslating Epic Poetry. Translation and the classic: identity as change in the history of culture. Oxford University Press. 162–202.
[4]
Bennett, A. et al. 2016. Character. An introduction to literature, criticism and theory. Routledge.
[5]
Bennett, A. et al. 2016. Creative Writing. An introduction to literature, criticism and theory. Routledge.
[6]
Bennett, A. et al. 2016. Eco. An introduction to literature, criticism and theory. Routledge.
[7]
Bennett, A. et al. 2016. History. An introduction to literature, criticism and theory. Routledge.
[8]
Bennett, A. et al. 2016. Ideology. An introduction to literature, criticism and theory. Routledge.
[9]
Bennett, A. et al. 2016. Readers and Reading. An introduction to literature, criticism and theory. Routledge.
[10]
Bennett, A. et al. 2016. The Author. An introduction to literature, criticism and theory. Routledge.
[11]
Bennett, A. et al. 2016. The End. An introduction to literature, criticism and theory. Routledge.
[12]
Bennett, A. et al. 2016. The Text and the World. An introduction to literature, criticism and theory. Routledge.
[13]
Bennett, A. et al. 2016. Voice. An introduction to literature, criticism and theory. Routledge.
[14]
Bennett, A. and Royle, N. 2016. An introduction to literature, criticism and theory. Routledge.
[15]
Bennett, A. and Royle, N. 2009. Narrative. An introduction to literature, criticism and theory. Longman.
[16]
Bierl, A. and Lardinois, A.P.M.H. eds. 2016. The newest Sappho (P. Sapph. Obbink and P. GC inv. 105, frs. 1-4): studies in archaic and classical Greek song, vol. 2. Brill.
[17]
Breed, B.W. 2012. Pastoral inscriptions: reading and writing Virgil’s Eclogues. Bloomsbury Academic.
[18]
Brian W. Breed 2004. Tua, Caesar, Aetas: Horace Ode 4.15 and the Augustan Age. The American Journal of Philology. 125, 2 (2004), 245–253.
[19]
Brian W. Breed 2004. Tua, Caesar, Aetas: Horace Ode 4.15 and the Augustan Age. The American Journal of Philology. 125, 2 (2004), 245–253.
[20]
Burnett, A.P. 2008. Praising a Victorious Athlete. Pindar. Bristol Classical Press. 16–33.
[21]
Burnett, A.P. 2008. Praising a Victorious Athlete. Pindar. Bristol Classical Press. 16–33.
[22]
Burton, J.B. 1995. Theocritus’s urban mimes: mobility, gender, and patronage. University of California Press.
[23]
Carson, A. and Sappho 2002. If not, winter: fragments of Sappho. Virago.
[24]
Christine G. Perkell 1996. The ‘Dying Gallus’ and the Design of Eclogue 10. Classical Philology. 91, 2 (1996), 128–140.
[25]
Cohan, S. and Shires, L.M. 1988. Telling stories: a theoretical analysis of narrative fiction. Routledge.
[26]
Cohan, S. and Shires, L.M. 1988. Telling stories: a theoretical analysis of narrative fiction. Routledge.
[27]
Currie, B. 2005. Pindar and the cult of heroes. Oxford University Press.
[28]
Davis, G. 1991. Polyhymnia: the rhetoric of Horatian lyric discourse. University of California Press.
[29]
dawsonera 2013. Brill’s companion to Horace. Brill.
[30]
Deborah Steiner 2007. Feathers Flying: Avian Poetics in Hesiod, Pindar, and Callimachus. The American Journal of Philology. 128, 2 (2007), 177–208.
[31]
Ebbeler, Jennifer 2010. Linus as a Figure for Pastoral Poetics in Vergil’s Eclogues. Helios. 37, 2 (2010), 187–205. DOI:https://doi.org/10.1353/hel.2010.0016.
[32]
Eva Anagnostou-Laoutides and David Konstan 2008. Daphnis and Aphrodite: A Love Affair in Theocritus ‘Idyll’ 1. The American Journal of Philology. 129, 4 (2008), 497–527.
[33]
Fletcher, R. and Hanink, J. 2016. Creative Lives in Classical Antiquity: Poets, Artists and Biography. Cambridge University Press.
[34]
Fowler, D. 1997. Second Thoughts on Closure. Classical closure: reading the end in Greek and Latin literature. Princeton University Press. 3–22.
[35]
Fowler, D. 1997. Second Thoughts on Closure. Classical closure: reading the end in Greek and Latin literature. Princeton University Press. 3–22.
[36]
Fowler, R.L. and Cambridge Collections Online (Online service) 2006. The Cambridge companion to Homer. Cambridge University Press.
[37]
Fredericksen, E. 2015. Finding another Alexis: pastoral tradition and the reception of Vergil’s second eclogue. Classical Receptions Journal. 7, 3 (Dec. 2015), 422–441. DOI:https://doi.org/10.1093/crj/clu024.
[38]
Gainsford, P. 2015. Early Greek hexameter poetry. Published for the Classical Association, Cambridge University Press.
[39]
Greene, E. ed. 1996. Reading Sappho. University of California Press.
[40]
Griffith, R.D. 2008. Alph, the Sacred River, Ran: Geographical Subterfuge in Pindar Olympian 1.20. Mouseion: Journal of the Classical Association of Canada. 8, 1 (2008), 1–8. DOI:https://doi.org/10.1353/mou.0.0046.
[41]
Gutzwiller, K. 1991. Pastoral as Genre. Theocritus’ Pastoral Analogies: The Formation of a Genre. 3–22.
[42]
Gutzwiller, K.J. 1991. Pastoral as Genre. Theocritus’ pastoral analogies: the formation of a genre. University of Wisconsin Press. 3–22.
[43]
Hall, E. 2008. Navigating the Realms of Gold: Translation As Access Route to the Classics. Translation and the classic: identity as change in the history of culture. A. Lianeri and V. Zajko, eds. Oxford University Press. 315–340.
[44]
Hall, E. 2008. Navigating the Realms of Gold: Translation As Access Route to the Classics. Translation and the classic: identity as change in the history of culture. A. Lianeri and V. Zajko, eds. Oxford University Press. 315–340.
[45]
Halperin, D.M. 1983. Before pastoral: Theocritus and the ancient tradition of bucolic poetry. Yale University Press.
[46]
Hamilton, J.T. 2003. Soliciting darkness: Pindar, obscurity, and the classical tradition. Harvard University Press.
[47]
Harrison, S.J. 2007. Generic enrichment in Vergil and Horace. Oxford University Press.
[48]
Hunt, J.M. 2011. The Politics of Death in Theocritus’ First Idyll. American Journal of Philology. 132, 3 (2011), 379–396. DOI:https://doi.org/10.1353/ajp.2011.0026.
[49]
Hunter, R.L. 1996. Theocritus and the archaeology of Greek poetry. Cambridge University Press.
[50]
J. Andrew Foster 2006. Arsinoe II as Epic Queen: Encomiastic Allusion in Theocritus, Idyll 15. Transactions of the American Philological Association (1974-). 136, 1 (2006), 133–148.
[51]
Jong, I.J.F. de 2012. Space in ancient Greek literature: studies in ancient Greek narrative. Brill.
[52]
Joseph D. Reed 2000. Arsinoe’s Adonis and the Poetics of Ptolemaic Imperialism. Transactions of the American Philological Association (1974-). 130, (2000), 319–351.
[53]
Joseph D. Reed 2000. Arsinoe’s Adonis and the Poetics of Ptolemaic Imperialism. Transactions of the American Philological Association (1974-). 130, (2000), 319–351.
[54]
Joseph Farrell 2003. Classical Genre in Theory and Practice. New Literary History. 34, 3 (2003), 383–408.
[55]
Kania, R. 2016. Virgil’s Eclogues and the Art of Fiction: A Study of the Poetic Imagination. Cambridge University Press.
[56]
Klooster, J.J.H. 2012. Theocritus. Space in ancient Greek literature: studies in ancient Greek narrative. Brill. 99–117.
[57]
Kozak, L. 2016. Enter Hektor. Experiencing Hektor: character in the Iliad. Bloomsbury Academic. 23–68.
[58]
Kozak, L. 2016. Enter Hektor. Experiencing Hektor: character in the Iliad. Bloomsbury Academic. 23–68.
[59]
Kurke, L. 1991. The traffic in praise: Pindar and the poetics of social economy. Cornell University Press.
[60]
Leach, E.W. 1998. Personal and Communal Memory in the Reading of Horace’s Odes, Books 1-3. Arethusa. 31, 1 (1998), 43–74. DOI:https://doi.org/10.1353/are.1998.0002.
[61]
Lefkowitz, M.R. 1991. First-person fictions: Pindar’s poetic ‘I’. Clarendon Press.
[62]
Logue, C. and Homer 2001. War music: an account of Books 1-4 and 16-19 of Homer’s Iliad. Faber.
[63]
Lowrie, M. 1997. Horace’s narrative odes. Clarendon Press.
[64]
Mackie, H.S. 2003. Graceful errors: Pindar and the performance of praise. University of Michigan Press.
[65]
Maria Pavlou 2008. Metapoetics, Poetic Tradition, and Praise in Pindar ‘Olympian’ 9. Mnemosyne. 61, (2008), 533–567.
[66]
Mark Payne 2006. On Being Vatic: Pindar, Pragmatism, and Historicism. The American Journal of Philology. 127, 2 (2006), 159–184.
[67]
Maslov, B. 2015. Pindar and the Emergence of Literature. Cambridge University Press.
[68]
McConnell, J. ‘"We are still mythical”: Kate Tempest’s Brand New Ancients’. 195–206.
[69]
McConnell, J. ‘"We are still mythical”: Kate Tempest’s Brand New Ancients’. 195–206.
[70]
Meban, D. 2009. Virgil’s Eclogues and Social Memory. American Journal of Philology. 130, 1 (2009), 99–130.
[71]
Michael Paschalis 2001. Semina Ignis: The Interplay of Science and Myth in the Song of Silenus. The American Journal of Philology. 122, 2 (2001), 201–222.
[72]
Oswald, A. and Homer 2011. Memorial: an excavation of the Iliad. Faber and Faber.
[73]
Oxford Scholarship Online (Online service) 2015. Augustan poetry and the irrational. Oxford University Press.
[74]
Oxford Scholarship Online (Online service) 2013. Augustan poetry and the Roman Republic. Oxford University Press.
[75]
Payne, M. 2007. Theocritus and the invention of fiction. Cambridge University Press.
[76]
Pelling, C. 1990. Characterization and individuality in Greek literature. Clarendon Press.
[77]
Pelling, C. 1990. Conclusion. Characterization and individuality in Greek literature. Clarendon Press. 245–262.
[78]
Phillips, T. and Oxford Scholarship Online (Online service) 2015. Pindar’s library: performance poetry and material texts. Oxford University Press.
[79]
Rose, M. 1993. Authors and owners: the invention of copyright. Harvard University Press.
[80]
Rutherford, R. 2007. Poetics and literary criticism. The Cambridge companion to Horace. Cambridge University Press. 248–261.
[81]
Rutherford, R. 2007. Poetics and literary criticism. The Cambridge companion to Horace. Cambridge University Press. 248–261.
[82]
Steiner, D. 2002. Indecorous Dining, Indecorous Speech: Pindar’s First Olympian and the Poetics of Consumption. Arethusa. 35, 2 (2002), 297–314. DOI:https://doi.org/10.1353/are.2002.0020.
[83]
Steiner, D. 2013. The Gorgons? Lament: Auletics, Poetics, and Chorality in Pindar?s Pythian 12. American Journal of Philology. 134, 2 (2013), 173–208. DOI:https://doi.org/10.1353/ajp.2013.0015.
[84]
Trends in Classics (Conference) and Aristoteleio Panepistēmio Thessalonikēs. Tomeas Klassikōn Spoudōn 2014. Hellenistic studies at a crossroads: exploring texts, contexts and metatexts. De Gruyter.
[85]
Volk, K. 2008. Vergil’s Eclogues. Oxford University Press.
[86]
Worman, N. 2015. Landscape and the Spaces of Metaphor in Ancient Literary Theory and Criticism. Cambridge University Press.