Andrew Fenton, ‘The Forest and the Trees: Pattern and Meaning in Horace, “Odes” 1’, The American Journal of Philology, 129.4 (2008), pp. 559–80 <https://www.jstor.org/stable/27566730?seq=1#page_scan_tab_contents>
Armstrong, Richard, ‘Classical Translations of the Classics: The Dynamics of Literary Tradition in Retranslating Epic Poetry’, in Translation and the Classic: Identity as Change in the History of Culture (Oxford University Press, 2008), Classical presences, pp. 162–202
——, ‘Classical Translations of the Classics: The Dynamics of Literary Tradition in Retranslating Epic Poetry’, in Translation and the Classic: Identity as Change in the History of Culture (Oxford University Press, 2008), Classical presences, pp. 162–202
Bennett, Andrew, and Nicholas Royle, An Introduction to Literature, Criticism and Theory, Fifth edition (Routledge, 2016)
——, and Nicholas Royle, ‘Narrative’, in An Introduction to Literature, Criticism and Theory, 4th ed (Longman, 2009)
——, Nicholas Royle, and dawsonera, ‘Character’, in An Introduction to Literature, Criticism and Theory, Fifth edition (Routledge, 2016) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315652450>
——, Nicholas Royle, and dawsonera, ‘Creative Writing’, in An Introduction to Literature, Criticism and Theory, Fifth edition (Routledge, 2016) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315652450>
——, Nicholas Royle, and dawsonera, ‘Eco’, in An Introduction to Literature, Criticism and Theory, Fifth edition (Routledge, 2016) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315652450>
——, Nicholas Royle, and dawsonera, ‘History’, in An Introduction to Literature, Criticism and Theory, Fifth edition (Routledge, 2016) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315652450>
——, Nicholas Royle, and dawsonera, ‘Ideology’, in An Introduction to Literature, Criticism and Theory, Fifth edition (Routledge, 2016) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315652450>
——, Nicholas Royle, and dawsonera, ‘Readers and Reading’, in An Introduction to Literature, Criticism and Theory, Fifth edition (Routledge, 2016) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315652450>
——, Nicholas Royle, and dawsonera, ‘The Author’, in An Introduction to Literature, Criticism and Theory, Fifth edition (Routledge, 2016) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315652450>
——, Nicholas Royle, and dawsonera, ‘The End’, in An Introduction to Literature, Criticism and Theory, Fifth edition (Routledge, 2016) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315652450>
——, Nicholas Royle, and dawsonera, ‘The Text and the World’, in An Introduction to Literature, Criticism and Theory, Fifth edition (Routledge, 2016) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315652450>
——, Nicholas Royle, and dawsonera, ‘Voice’, in An Introduction to Literature, Criticism and Theory, Fifth edition (Routledge, 2016) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315652450>
Bierl, Anton, and A. P. M. H. Lardinois (eds), The Newest Sappho (P. Sapph. Obbink and P. GC Inv. 105, Frs. 1-4): Studies in Archaic and Classical Greek Song, Vol. 2 (Brill, 2016), volume 392 <http://dx.doi.org/10.1163/9789004314832>
Breed, Brian W., Pastoral Inscriptions: Reading and Writing Virgil’s Eclogues (Bloomsbury Academic, 2012), Classical literature and society
Brian W. Breed, ‘Tua, Caesar, Aetas: Horace Ode 4.15 and the Augustan Age’, The American Journal of Philology, 125.2 (2004), pp. 245–53 <https://www.jstor.org/stable/1562198?seq=1#page_scan_tab_contents>
——, ‘Tua, Caesar, Aetas: Horace Ode 4.15 and the Augustan Age’, The American Journal of Philology, 125.2 (2004), pp. 245–53 <https://www.jstor.org/stable/1562198?seq=1#page_scan_tab_contents>
Burnett, Anne Pippin, ‘Praising a Victorious Athlete’, in Pindar (Bristol Classical Press, 2008), Ancients in action, pp. 16–33
——, ‘Praising a Victorious Athlete’, in Pindar (Bristol Classical Press, 2008), Ancients in action, pp. 16–33
Burton, Joan B., Theocritus’s Urban Mimes: Mobility, Gender, and Patronage (University of California Press, 1995), Hellenistic culture and society
Carson, Anne and Sappho, If Not, Winter: Fragments of Sappho (Virago, 2002)
Christine G. Perkell, ‘The “Dying Gallus” and the Design of Eclogue 10’, Classical Philology, 91.2 (1996), pp. 128–40 <https://www.jstor.org/stable/270501?seq=1#page_scan_tab_contents>
Cohan, Steven, and Linda M. Shires, Telling Stories: A Theoretical Analysis of Narrative Fiction (Routledge, 1988), New accents
——, and Linda M. Shires, Telling Stories: A Theoretical Analysis of Narrative Fiction (Routledge, 1988), New accents
Currie, Bruno, Pindar and the Cult of Heroes (Oxford University Press, 2005), Oxford classical monographs
Davis, Gregson, Polyhymnia: The Rhetoric of Horatian Lyric Discourse (University of California Press, 1991)
dawsonera, Brill’s Companion to Horace, ed. by Hans-Christian Günther (Brill, 2013) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9789004241961>
Deborah Steiner, ‘Feathers Flying: Avian Poetics in Hesiod, Pindar, and Callimachus’, The American Journal of Philology, 128.2 (2007), pp. 177–208 <https://www.jstor.org/stable/4496958?seq=1#page_scan_tab_contents>
Ebbeler, Jennifer, ‘Linus as a Figure for Pastoral Poetics in Vergil’s Eclogues’, Helios, 37.2 (2010), pp. 187–205, doi:10.1353/hel.2010.0016
Eva Anagnostou-Laoutides and David Konstan, ‘Daphnis and Aphrodite: A Love Affair in Theocritus “Idyll” 1’, The American Journal of Philology, 129.4 (2008), pp. 497–527 <https://www.jstor.org/stable/27566728>
Fletcher, Richard, and Johanna Hanink, Creative Lives in Classical Antiquity: Poets, Artists and Biography (Cambridge University Press, 2016) <https://www.cambridge.org/core/books/creative-lives-in-classical-antiquity/F8A5D97977F51C91573FA06F4609C780>
Fowler, Don, ‘Second Thoughts on Closure’, in Classical Closure: Reading the End in Greek and Latin Literature (Princeton University Press, 1997), pp. 3–22
——, ‘Second Thoughts on Closure’, in Classical Closure: Reading the End in Greek and Latin Literature (Princeton University Press, 1997), pp. 3–22
Fowler, R. L. and Cambridge Collections Online (Online service), The Cambridge Companion to Homer (Cambridge University Press, 2006), The Cambridge companions to literature and classics <http://dx.doi.org/10.1017/CCOL0521813026>
Fredericksen, Erik, ‘Finding Another Alexis: Pastoral Tradition and the Reception of Vergil’s Second Eclogue’, Classical Receptions Journal, 7.3 (2015), pp. 422–41, doi:10.1093/crj/clu024
Gainsford, Peter, Early Greek Hexameter Poetry (Published for the Classical Association, Cambridge University Press, 2015), Greece&Rome: New surveys in the classics
Greene, Ellen (ed.), Reading Sappho (University of California Press, 1996) <http://publishing.cdlib.org/ucpressebooks/view?docId=ft3199n81q&brand=ucpress>
Griffith, R. Drew, ‘Alph, the Sacred River, Ran: Geographical Subterfuge in Pindar Olympian 1.20’, Mouseion: Journal of the Classical Association of Canada, 8.1 (2008), pp. 1–8, doi:10.1353/mou.0.0046
Gutzwiller, Kathryn, ‘Pastoral as Genre’, in Theocritus’ Pastoral Analogies: The Formation of a Genre (1991), pp. 3–22
Gutzwiller, Kathryn J., ‘Pastoral as Genre’, in Theocritus’ Pastoral Analogies: The Formation of a Genre (University of Wisconsin Press, 1991), Wisconsin studies in classics, pp. 3–22
Hall, Edith, ‘Navigating the Realms of Gold: Translation As Access Route to the Classics’, in Translation and the Classic: Identity as Change in the History of Culture, ed. by Alexandra Lianeri and Vanda Zajko (Oxford University Press, 2008), Classical presences, pp. 315–40 <http://dx.doi.org/10.1093/acprof:oso/9780199288076.001.0001>
——, ‘Navigating the Realms of Gold: Translation As Access Route to the Classics’, in Translation and the Classic: Identity as Change in the History of Culture, ed. by Alexandra Lianeri and Vanda Zajko (Oxford University Press, 2008), Classical presences, pp. 315–40 <http://dx.doi.org/10.1093/acprof:oso/9780199288076.001.0001>
Halperin, David M., Before Pastoral: Theocritus and the Ancient Tradition of Bucolic Poetry (Yale University Press, 1983)
Hamilton, John T., Soliciting Darkness: Pindar, Obscurity, and the Classical Tradition (Harvard University Press, 2003), Harvard studies in comparative literature
Harrison, Stephen John, Generic Enrichment in Vergil and Horace (Oxford University Press, 2007)
Hunt, Jeffrey M., ‘The Politics of Death in Theocritus’ First Idyll’, American Journal of Philology, 132.3 (2011), pp. 379–96, doi:10.1353/ajp.2011.0026
Hunter, R. L., Theocritus and the Archaeology of Greek Poetry (Cambridge University Press, 1996)
J. Andrew Foster, ‘Arsinoe II as Epic Queen: Encomiastic Allusion in Theocritus, Idyll 15’, Transactions of the American Philological Association (1974-), 136.1 (2006), pp. 133–48 <https://www.jstor.org/stable/4543286>
Jong, Irene J. F. de, Space in Ancient Greek Literature: Studies in Ancient Greek Narrative (Brill, 2012), Mnemosyne supplements
Joseph D. Reed, ‘Arsinoe’s Adonis and the Poetics of Ptolemaic Imperialism’, Transactions of the American Philological Association (1974-), 130 (2000), pp. 319–51 <https://www.jstor.org/stable/284314?seq=1#page_scan_tab_contents>
——, ‘Arsinoe’s Adonis and the Poetics of Ptolemaic Imperialism’, Transactions of the American Philological Association (1974-), 130 (2000), pp. 319–51 <https://www.jstor.org/stable/284314?seq=1#page_scan_tab_contents>
Joseph Farrell, ‘Classical Genre in Theory and Practice’, New Literary History, 34.3 (2003), pp. 383–408 <https://www.jstor.org/stable/20057790>
Kania, Raymond, Virgil’s Eclogues and the Art of Fiction: A Study of the Poetic Imagination (Cambridge University Press, 2016) <http://dx.doi.org/10.1017/CBO9781139946612>
Klooster, J.J.H., ‘Theocritus’, in Space in Ancient Greek Literature: Studies in Ancient Greek Narrative (Brill, 2012), Mnemosyne supplements, pp. 99–117
Kozak, Lynn, ‘Enter Hektor’, in Experiencing Hektor: Character in the Iliad (Bloomsbury Academic, 2016), pp. 23–68 <http://www.oapen.org/search?identifier=625763>
——, ‘Enter Hektor’, in Experiencing Hektor: Character in the Iliad (Bloomsbury Academic, 2016), pp. 23–68 <http://www.oapen.org/search?identifier=625763>
Kurke, Leslie, The Traffic in Praise: Pindar and the Poetics of Social Economy (Cornell University Press, 1991), Myth and poetics
Leach, Eleanor Winsor, ‘Personal and Communal Memory in the Reading of Horace’s Odes, Books 1-3’, Arethusa, 31.1 (1998), pp. 43–74, doi:10.1353/are.1998.0002
Lefkowitz, Mary R., First-Person Fictions: Pindar’s Poetic ‘I’ (Clarendon Press, 1991)
Logue, Christopher and Homer, War Music: An Account of Books 1-4 and 16-19 of Homer’s Iliad (Faber, 2001)
Lowrie, Michèle, Horace’s Narrative Odes (Clarendon Press, 1997)
Mackie, Hilary Susan, Graceful Errors: Pindar and the Performance of Praise (University of Michigan Press, 2003)
Maria Pavlou, ‘Metapoetics, Poetic Tradition, and Praise in Pindar “Olympian” 9’, Mnemosyne, 61 (2008), pp. 533–67 <https://www.jstor.org/stable/27736267?seq=1#page_scan_tab_contents>
Mark Payne, ‘On Being Vatic: Pindar, Pragmatism, and Historicism’, The American Journal of Philology, 127.2 (2006), pp. 159–84 <https://www.jstor.org/stable/3804909?seq=1#page_scan_tab_contents>
Maslov, Boris, Pindar and the Emergence of Literature (Cambridge University Press, 2015) <http://dx.doi.org/10.1017/CBO9781316337707>
McConnell, Justine, ‘"We Are Still Mythical”: Kate Tempest’s Brand New Ancients’, n.d., pp. 195–206 <http://www.bu.edu/arion/files/2014/07/McConnell.pdf>
——, ‘"We Are Still Mythical”: Kate Tempest’s Brand New Ancients’, n.d., pp. 195–206 <http://www.bu.edu/arion/files/2014/07/McConnell.pdf>
Meban, David, ‘Virgil’s Eclogues and Social Memory’, American Journal of Philology, 130.1 (2009), pp. 99–130 <http://www.jstor.org/stable/20616169>
Michael Paschalis, ‘Semina Ignis: The Interplay of Science and Myth in the Song of Silenus’, The American Journal of Philology, 122.2 (2001), pp. 201–22 <https://www.jstor.org/stable/1561759?seq=1#page_scan_tab_contents>
Oswald, Alice and Homer, Memorial: An Excavation of the Iliad (Faber and Faber, 2011)
Oxford Scholarship Online (Online service), Augustan Poetry and the Irrational, ed. by Philip R. Hardie (Oxford University Press, 2015) <http://dx.doi.org/10.1093/acprof:oso/9780198724728.001.0001>
——, Augustan Poetry and the Roman Republic, ed. by Joseph Farrell and Damien Nelis (Oxford University Press, 2013) <http://dx.doi.org/10.1093/acprof:oso/9780199587223.001.0001>
Payne, Mark, Theocritus and the Invention of Fiction (Cambridge University Press, 2007)
Pelling, Christopher, Characterization and Individuality in Greek Literature (Clarendon Press, 1990)
——, ‘Conclusion’, in Characterization and Individuality in Greek Literature (Clarendon Press, 1990), pp. 245–62
Phillips, Tom and Oxford Scholarship Online (Online service), Pindar’s Library: Performance Poetry and Material Texts (Oxford University Press, 2015), Oxford classical monographs <http://dx.doi.org/10.1093/acprof:oso/9780198745730.001.0001>
Rose, Mark, Authors and Owners: The Invention of Copyright (Harvard University Press, 1993)
Rutherford, Richard, ‘Poetics and Literary Criticism’, in The Cambridge Companion to Horace (Cambridge University Press, 2007), The Cambridge companions to literature and classics, pp. 248–61, doi:10.1017/CCOL0521830028.019
——, ‘Poetics and Literary Criticism’, in The Cambridge Companion to Horace (Cambridge University Press, 2007), The Cambridge companions to literature and classics, pp. 248–61, doi:10.1017/CCOL0521830028.019
Steiner, Deborah, ‘Indecorous Dining, Indecorous Speech: Pindar’s First Olympian and the Poetics of Consumption’, Arethusa, 35.2 (2002), pp. 297–314, doi:10.1353/are.2002.0020
——, ‘The Gorgons? Lament: Auletics, Poetics, and Chorality in Pindar?S Pythian 12’, American Journal of Philology, 134.2 (2013), pp. 173–208, doi:10.1353/ajp.2013.0015
Trends in Classics (Conference) and Aristoteleio Panepistēmio Thessalonikēs. Tomeas Klassikōn Spoudōn, Hellenistic Studies at a Crossroads: Exploring Texts, Contexts and Metatexts, ed. by R. L. Hunter, Antonios Rengakos, and Evina Sistakou (De Gruyter, 2014), Trends in classic-Supplementary volumes
Volk, Katharina, Vergil’s Eclogues (Oxford University Press, 2008), Oxford readings in classical studies
Worman, Nancy, Landscape and the Spaces of Metaphor in Ancient Literary Theory and Criticism (Cambridge University Press, 2015) <http://dx.doi.org/10.1017/CBO9781139032827>
