[1]
Allan, S. 1997. ‘... auf einen Lasterhaften war ich gefasst, aber auf keinen - Teufel’: Heinrich von Kleist’s Die Marquise von O ... German Life and Letters. 50, 3 (Jul. 1997), 307–322. DOI:https://doi.org/10.1111/1468-0483.00058.
[2]
Baerlocher, R.J. 2004. ‘Das Kind in meinem Leib’: Sittlichkeitsdelikte und Kindsmord in Sachsen-Weimar-Eisenach unter Carl August : eine Quellenedition, 1777-1786. Böhlaus Nachfolger.
[3]
Bentzel, C.C. 1991. Knowledge in Narrative: The Significance of the Swan in Kleist’s ‘Die Marquise von O...’ The German Quarterly. 64, 3 (Summer 1991). DOI:https://doi.org/10.2307/406392.
[4]
Birkhold, M.H. 2012. The Trial of the Marquise of O …: A Case for Enlightened Jurisprudence? The Germanic Review: Literature, Culture, Theory. 87, 1 (Jan. 2012), 1–18. DOI:https://doi.org/10.1080/00168890.2012.654434.
[5]
Boa, E. 2017. LOSING THE PLOT? KLEIST, KAFKA, AND DISAPPEARING GRAND NARRATIVES. German Life and Letters. 70, 2 (Apr. 2017), 137–154. DOI:https://doi.org/10.1111/glal.12143.
[6]
Boyle, N. 1987. Goethe: Faust, part one. Cambridge University Press.
[7]
Brentano, C. et al. 1975. Sämtliche Werke und Briefe. Kohlhammer.
[8]
Brown, J.K. 2006. Faust. The Cambridge companion to Goethe. Cambridge University Press. 84–100.
[9]
Brown, J.K. 1985. Goethe’s Faust: the German tragedy. Cornell University Press.
[10]
Brown, J.K. et al. 1994. Interpreting Goethe’s ‘Faust’ today. Camden House.
[11]
Chaouli, M. 2004. Irresistible Rape: The Lure of Closure in "The Marquise of O. . . . ". The Yale Journal of Criticism. 17, 1 (2004), 51–81. DOI:https://doi.org/10.1353/yale.2004.0002.
[12]
Cyrus Hamlin 2002. Faust in Performance: Peter Stein’s Production of Goethe’s Faust, Parts 1 and 2. Theater. 32, 1 (2002), 116–136.
[13]
Fronius, H. 2007. ‘"Weiber = Apologeten” and "Mode-Misogyne”:1 Ideologies of Gender. Women and literature in the Goethe era (1770-1820): determined dilettantes. Oxford University Press. 10–52.
[14]
Geschichte vom braven Kasperl und dem schönen Annerl: http://www.gutenberg.org/ebooks/4503#download.
[15]
Gray, M.W. 2000. Productive men, reproductive women: the agrarian household and the emergence of separate spheres during the German Enlightenment. Berghahn.
[16]
Häntzschel, G. 1988. Gottfried August Bürger. Beck.
[17]
Heidelberger Kolloquium der Internationalen Arnim-Gesellschaft and dawsonera 2005. Das ‘Wunderhorn’ und die Heidelberger Romantik: Mundlichkeit, Schriftlichkeit, Performanz : Heidelberger Kolloquium der Internationalen Arnim-Gesellschaft. M. Niemeyer.
[18]
Helen Fronius Women and Death: Representations of Female Victims and Perpetrators in German Culture 1500-2000.
[19]
Hilliard, K. and University of London. Institute of Germanic & Romance Studies 2011. Freethinkers, libertines and Schwärmer heterodoxy in German literature, 1750-1800. Institute of Germanic and Romance Studies.
[20]
Hirschenauer, R. and Weber, A. eds. 1968. Wege zum Gedicht. Schnell und Steiner.
[21]
Jones, V. 1990. Women in the eighteenth century: constructions of femininity. Routledge.
[22]
Kord, S. 2009. Chapter 5. Shame: child-killers. Murderesses in German writing, 1720-1860: heroines of horror. Cambridge University Press. 121–153.
[23]
Luserke, M. and Dommes, G. 2005. Schiller-Handbuch: Leben - Werk - Wirkung. Metzler.
[24]
Madland, H.S. 1989. Infanticide as Fiction: Goethe’s Urfaust and Schiller’s ‘Kindsmorderin’ as Models. The German Quarterly. 62, 1 (Winter 1989). DOI:https://doi.org/10.2307/407033.
[25]
Marburger Märchentagung 1986. Das Selbstverständliche Wunder: Beiträge germanistischer Märchenforschung. Hitzeroth.
[26]
Möhrmann, R. and Mrytz, B. 1996. Verklärt, verkitscht, vergessen: die Mutter als ästhetische Figur. J.B. Metzler.
[27]
Murphy, H. 1995. Theatres of Emptiness: The case of Kleist’s                              …. Oxford German Studies. 24, 1 (Jan. 1995), 80–111. DOI:https://doi.org/10.1179/ogs.1995.24.1.80.
[28]
Oergel, M. 2011. The Faustian ‘Gretchen’: Overlooked Aspects of a Famous Male Fantasy. German Life and Letters. 64, 1 (Jan. 2011), 43–55. DOI:https://doi.org/10.1111/j.1468-0483.2010.01518.x.
[29]
Peters, K. 2001. Der Kindsmord als schöne Kunst betrachtet: eine motivgeschichtliche Untersuchung der Literatur des 18. Jahrhunderts. Königshausen and Neumann.
[30]
Pilsworth, E. 2016. Infanticide in Des Knaben Wunderhorn and Faust I: Romantic Variations on a Sturm und Drang Theme. Oxford German Studies. 45, 4 (Oct. 2016), 405–420. DOI:https://doi.org/10.1080/00787191.2016.1243326.
[31]
Saul, N. 2009. Love, death and Liebestod in German Romanticism. The Cambridge companion to German Romanticism. Cambridge University Press. 163–174.
[32]
Scholz, R. 2005. Das kurze Leben der Johanna Catharina Höhn: Kindesmorde und Kindesmörderinnen im Weimar Carl Augusts und Goethes : die Akten zu den Fällen Johanna Catharina Höhn, Maria Sophia Rost und Margarethe Dorothea Altwein. Königshausen & Neumann.
[33]
Schulte, H. et al. 2011. Goethe’s Faust: theatre of modernity. Cambridge University Press.
[34]
Williams, J.R. 2006. Goethe the poet. The Cambridge companion to Goethe. Cambridge University Press. 42–65.
[35]
Wilson, W.D. 1999. Das Goethe-Tabu: Protest und Menschenrechte im klassischen Weimar. Deutscher Taschenbuch Verlag.
[36]
Wilson, W.D. 2007. Goethe, His Duke and Infanticide: New Documents and Reflections on a Controversial Execution. German Life and Letters. 61, 1 (Dec. 2007), 7–32. DOI:https://doi.org/10.1111/j.1468-0483.2007.00408.x.
[37]
Wilson, W.D. 2007. The ‘Halsgericht’ for the Execution of Johanna Höhn in Weimar, 28 November 1783. German Life and Letters. 61, 1 (Dec. 2007), 33–45. DOI:https://doi.org/10.1111/j.1468-0483.2007.00409.x.
[38]
Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte.
[39]
Enlightenment and the Transnational Literary Text: Reflections on Goethe’s Faust. A Tribute to T. J. Reed.
[40]
1994. Witch and Infanticide: Imaging the Female in Faust I. Goethe Yearbook. 7, 1 (1994), 1–22. DOI:https://doi.org/10.1353/gyr.2011.0352.