@inbook{Alcouffe_1984, address={Milan}, title={Islamic Hardstone Carving}, url={https://www.metmuseum.org/art/metpublications/The_Treasury_of_San_Marco_Venice}, booktitle={The Treasury of San Marco, Venice}, publisher={Olivetti}, author={Alcouffe, Daniel}, editor={Buckton, David}, year={1984}, pages={202–227} }
@article{Alicia Walker_2008, title={Meaningful Mingling: Classicizing Imagery and Islamicizing Script in a Byzantine Bowl}, volume={90}, url={http://www.jstor.org.bris.idm.oclc.org/stable/20619587}, number={1}, journal={The Art Bulletin}, publisher={College Art Association}, author={Alicia Walker}, year={2008}, pages={32–53} }
@article{Alicia Walker_2010, title={Patterns of Flight: Middle Byzantine Adoptions of the Chinese Feng Huang Bird}, volume={38}, url={http://www.jstor.org.bris.idm.oclc.org/stable/29550024}, journal={Ars Orientalis}, publisher={The Smithsonian Institution}, author={Alicia Walker}, year={2010}, pages={188–216} }
@inbook{Allan_1994, address={Reading}, title={The influence of the metalwork of the Arab Mediterranean on that of medieval Europe}, volume={Middle East cultures series}, booktitle={The Arab influence in Medieval Europe}, publisher={Ithaca Press}, author={Allan, J. W.}, year={1994}, pages={44–62} }
@article{Anderson_2014, title={Sign of the Cross: contexts for the Ivory Cross of San Millán de la Cogolla}, volume={6}, DOI={10.1080/17546559.2014.889321}, number={1}, journal={Journal of Medieval Iberian Studies}, author={Anderson, Glaire}, year={2014}, month={Jan}, pages={15–41} }
@inbook{Anderson_2013, address={Farnham}, title={Architecture and Ornament}, booktitle={The Islamic villa in early medieval Iberia: architecture and court culture in Umayyad Cordoba}, publisher={Ashgate}, author={Anderson, Glaire D.}, year={2013}, pages={47–104} }
@article{Armando_2015, title={Fatimid Ivories in Ifrīqiya: the Madrid and Mantua caskets between construction and decoration}, volume={2.2}, journal={Journal of Islamic Archaeology}, author={Armando, Silvia}, year={2015}, pages={195–228} }
@article{Avinoam Shalem_2011, title={Histories of Belonging and George Kubler’s Prime Object}, url={http://www.jstor.org.bris.idm.oclc.org/stable/23005384}, number={3}, journal={Getty Research Journal}, publisher={The University of Chicago Press}, author={Avinoam Shalem}, year={2011}, pages={1–14} }
@inbook{Bacci_2008, address={London}, title={Chapter 7 Byzantium and the West}, booktitle={Byzantium, 330-1453}, publisher={Royal Academy of Arts}, author={Bacci, Michele}, year={2008}, pages={275–305} }
@inbook{Baer_2014, address={Leiden}, title={Chapter 4 Ayyubid Metalwork with Christian Images}, volume={Studies in Islamic art and architecture}, booktitle={Ayyubid metalwork with Christian images}, publisher={Brill}, author={Baer, Eva}, year={2014}, pages={41–49} }
@article{Ballian_2010, title={Three Islamic inlaid brasses and the Mosul tradition of inlaid metalwork}, journal={Mouseio Benakē}, author={Ballian, Anna}, year={2010}, pages={113–140} }
@article{Beech_1993, title={The Eleanor of Aquitaine Vase, William IX of Aquitaine, and Muslim Spain}, volume={32}, DOI={10.2307/767013}, number={1}, journal={Gesta}, author={Beech, George T.}, year={1993}, month={Jan}, pages={3–10} }
@article{Behrens-Abouseif_2004, title={European Arts and Crafts at the Mamluk Court}, volume={21}, url={https://www-jstor-org.bris.idm.oclc.org/stable/1523343}, DOI={10.1163/22118993-90000053}, number={1}, journal={Muqarnas Online}, author={Behrens-Abouseif, Doris}, year={2004}, month={Jan}, pages={45–54} }
@inbook{Belting_1994a, address={Chicago}, title={Chapter 16 'In the Greek Manner’: Imported Icons in the West}, booktitle={Likeness and presence: a history of the image before the era of art}, publisher={University of Chicago Press}, author={Belting, Hans}, year={1994}, pages={330–348} }
@inbook{Belting_1994b, address={Chicago}, title={Chapter 17 Icons in the Age of the Tuscan Cities}, booktitle={Likeness and presence: a history of the image before the era of art}, publisher={University of Chicago Press}, author={Belting, Hans}, year={1994} }
@inbook{Bettini_1984, address={Milan}, title={Venice, the Pala d’Oro and Constantinople}, booktitle={The Treasury of San Marco, Venice}, publisher={Olivetti}, author={Bettini, Sergio}, editor={Buckton, David}, year={1984}, pages={35–64} }
@book{Booms_Higgs_2016, address={London}, title={Sicily: culture and conquest}, publisher={The British Museum Press}, author={Booms, Dirk and Higgs, Peter}, year={2016} }
@inbook{Borsook_1990, address={Oxford}, title={The Cappella Palatina at Palermo: A coronation commemorated}, booktitle={Messages in mosaic: the royal programmes of Norman Sicily (1130-1187)}, publisher={Clarendon}, author={Borsook, Eve}, year={1990}, pages={17–41} }
@book{Brown_1996, address={New Haven}, title={Venice & antiquity: the Venetian sense of the past}, publisher={Yale University Press}, author={Brown, Patricia Fortini}, year={1996} }
@article{Brubaker_2004, title={The Elephant and the Ark: Cultural and Material Interchange across the Mediterranean in the Eighth and Ninth Centuries}, volume={58}, DOI={10.2307/3591385}, journal={Dumbarton Oaks Papers}, author={Brubaker, Leslie}, year={2004} }
@book{Buchtal_1957, title={Miniature Painting in the Latin Kingdom}, author={Buchtal, Hugo}, year={1957} }
@article{Buckton_Osborne_2000, title={The Enamel of Doge Ordelaffo Falier on the Pala d’Oro in Venice}, volume={39}, DOI={10.2307/767152}, number={1}, journal={Gesta}, author={Buckton, David and Osborne, John}, year={2000}, month={Jan}, pages={43–49} }
@book{Bush_2018, address={Edinburgh}, title={Reframing the Alhambra: Architecture, poetry, textiles and court ceremonial}, DOI={10.3366/edinburgh/9781474416504.001.0001}, publisher={Edinburgh University Press}, author={Bush, Olga}, year={2018} }
@book{Campbell_Chong_2005, address={London}, title={Bellini and the East}, publisher={National Gallery Company}, author={Campbell, Caroline and Chong, Alan}, year={2005} }
@article{Carr_1995, title={Byzantines and Italians on Cyprus: Images from Art}, volume={49}, DOI={10.2307/1291718}, journal={Dumbarton Oaks Papers}, author={Carr, Annemarie Weyl}, year={1995} }
@article{CECILY J. HILSDALE_2010, title={The Imperial Image at the End of Exile: The Byzantine Embroidered Silk in Genoa and the Treaty of Nymphaion (1261)}, volume={64}, url={http://www.jstor.org.bris.idm.oclc.org/stable/41480885}, journal={Dumbarton Oaks Papers}, publisher={Dumbarton Oaks, Trustees for Harvard University}, author={CECILY J. HILSDALE}, year={2010}, pages={151–199} }
@inbook{Contadini_1999, address={Paris}, title={The cutting edge: problems of history, identification and technique of Fatimid rock crystals}, url={http://eprints.soas.ac.uk/4508/1/Contadini_1999_CuttingEdge.pdf}, booktitle={L’Egypte fatimide. Son art et son histoire}, publisher={Presses Universitaires de Paris-Sorbonne}, author={Contadini, Anna}, editor={Barrucand, M}, year={1999}, pages={319–329} }
@inbook{Contadini_2002, address={London}, title={Beasts that roared: the Pisa Griffin and the New York Lion}, url={https://eprints.soas.ac.uk/4219/}, booktitle={Cairo to Kabul: Afghan and Islamic Studies Presented to Ralph Pinder-Wilson}, publisher={Melisende}, author={Contadini, Anna}, editor={Ball, Warwick and Harrow, Leonard}, year={2002}, pages={65–83} }
@inbook{Contadini_2010, address={Berlin}, title={Translocation and transformation: some Middle Eastern objects in Europe}, booktitle={The power of things and the flow of cultural transformations: art and culture between Europe and Asia}, publisher={Deutscher Kunstverlag}, author={Contadini, Anna}, editor={Saurma-Jeltsch, Lieselotte E. and Eisenbeiss, Anja}, year={2010}, pages={42–64} }
@article{Cormack_Mihalarias_1984, title={A Crusader painting of St George: ‘maniera greca’ or ‘lingua franca’}, volume={126}, url={https://www-jstor-org.bris.idm.oclc.org/stable/881572?seq=1#metadata_info_tab_contents}, number={972}, journal={The Burlington magazine}, publisher={London Burlington Magazine}, author={Cormack, Robin and Mihalarias, Stavros}, year={1984}, pages={132–141} }
@book{Cormack_Vasilakē_Royal Academy of Arts_2008, address={London}, title={Byzantium, 330-1453}, publisher={Royal Academy of Arts}, author={Cormack, Robin and Vasilakē, Maria and Royal Academy of Arts}, year={2008} }
@inbook{Cruikshank Dodd_2011, address={München}, title={Siculo-Arabic ivories: Christian motifs in Islamic painting}, volume={Band 36}, booktitle={Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007}, publisher={Hirmer Verlag GmbH}, author={Cruikshank Dodd, Erica}, editor={Knipp, David}, year={2011}, pages={151–167} }
@article{Curcic_1987, title={Some Palatine Aspects of the Cappella Palatina in Palermo}, volume={41}, DOI={10.2307/1291551}, journal={Dumbarton Oaks Papers}, author={Curcic, Slobodan}, year={1987} }
@article{Cutler_1995, title={From Loot to Scholarship: Changing Modes in the Italian Response to Byzantine Artifacts, ca. 1200-1750}, volume={49}, DOI={10.2307/1291714}, journal={Dumbarton Oaks Papers}, author={Cutler, Anthony}, year={1995} }
@article{Cutler_2001, title={Gifts and Gift Exchange as Aspects of the Byzantine, Arab, and Related Economies}, volume={55}, DOI={10.2307/1291821}, journal={Dumbarton Oaks Papers}, author={Cutler, Anthony}, year={2001} }
@article{Cynthia Robinson_2003, title={Mudéjar Revisited: A Prologoména to the Reconstruction of Perception, Devotion, and Experience at the Mudéjar Convent of Clarisas, Tordesillas, Spain (Fourteenth Century A.D.)}, url={http://www.jstor.org.bris.idm.oclc.org/stable/20167590}, number={43}, journal={RES: Anthropology and Aesthetics}, publisher={The University of Chicago Press}, author={Cynthia Robinson}, year={2003}, pages={51–77} }
@inbook{Dale_2010, address={Washington, D.C.}, title={Reinventing the East at San Marco after the Fourth Crusade}, booktitle={San Marco, Byzantium, and the myths of Venice}, publisher={Dumbarton Oaks Research Library and Collection}, author={Dale, Thomas}, year={2010}, pages={151–191} }
@article{Dale_1994, title={Inventing a Sacred Past: Pictorial Narratives of St. Mark the Evangelist in Aquileia and Venice, ca. 1000-1300}, volume={48}, DOI={10.2307/1291722}, journal={Dumbarton Oaks Papers}, author={Dale, Thomas E. A.}, year={1994} }
@article{Derbes_1989, title={Siena and the Levant in the Later Dugento}, volume={28}, DOI={10.2307/767068}, number={2}, journal={Gesta}, author={Derbes, Anne}, year={1989}, month={Jan}, pages={190–204} }
@book{Derbes_1996, address={Cambridge}, title={Picturing the Passion in late medieval Italy: narrative painting, Franciscan ideologies, and the Levant}, publisher={Cambridge University Press}, author={Derbes, Anne}, year={1996} }
@inbook{Derbes_Neff_2004, address={New York}, title={Italy, the Mendicant Orders, and the Byzantine Sphere}, booktitle={Byzantium: faith and power (1261-1557)}, publisher={Metropolitan Museum of Art in conjunction with Yale University Press}, author={Derbes, Anne and Neff, Amy}, year={2004}, pages={449–461} }
@inbook{Dittelbach_2005, address={München}, title={The image of the private and public king in Norman Sicily}, booktitle={Römisches Jahrbuch der Bibliotheca Hertziana: Band 35: 2003/4}, publisher={Hirmer Verlag}, author={Dittelbach, Thomas}, year={2005} }
@book{Dodd_2011, address={München}, title={Siculo-Arabic ivories: Christian motifs in Islamic painting’}, volume={Band 36}, journal={Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007}, publisher={Hirmer Verlag GmbH}, author={Dodd, Erica Cruikshank}, editor={Knipp, David}, year={2011}, pages={151–167} }
@inbook{Dodds_1993, address={New York}, title={Islam, Christianity and the problem of religious art}, booktitle={The art of medieval Spain, A.D. 500-1200}, publisher={The Metropolitan Museum of Art}, author={Dodds, Jerrilynn}, year={1993}, pages={27–37} }
@inbook{Dodds_2008, address={New Haven}, title={Union}, booktitle={The arts of intimacy: Christians, Jews, and Muslims in the making of Castilian culture}, publisher={Yale University Press}, author={Dodds, Jerrilynn D.}, year={2008}, pages={113–161} }
@book{Dodds_Menocal_Balbale_2008, address={New Haven}, title={The arts of intimacy: Christians, Jews, and Muslims in the making of Castilian culture}, publisher={Yale University Press}, author={Dodds, Jerrilynn Denise and Menocal, María Rosa and Balbale, Abigail Krasner}, year={2008} }
@article{Dolezalek_2012, title={Fashionable Form and Tailor-made Message: Transcultural Approaches to Arabic Script on the Royal Norman Mantle and Alb}, volume={15}, DOI={10.1177/097194581201500202}, number={2}, journal={The Medieval History Journal}, author={Dolezalek, Isabelle}, year={2012}, month={Oct}, pages={243–268} }
@article{Dolezalek_2013, title={Textile Connections? Two Ifrīqiyan Church Treasuries in Norman Sicily and the Problem of Continuity across Political Change}, volume={25}, DOI={10.1080/09503110.2013.767009}, number={1}, journal={Al-Masāq}, author={Dolezalek, Isabelle}, year={2013}, month={Apr}, pages={92–112} }
@book{Dolezalek_2017, address={Berlin}, title={Arabic Script on Christian Kings: Textile Inscriptions on Royal Garments from Norman Sicily}, volume={5}, publisher={De Gruyter}, author={Dolezalek, Isabelle}, year={2017} }
@article{Dorothy G. Shepherd_1978, title={A Treasure from a Thirteenth-Century Spanish Tomb}, volume={65}, url={http://www.jstor.org.bris.idm.oclc.org/stable/25159577}, number={4}, journal={The Bulletin of the Cleveland Museum of Art}, publisher={Cleveland Museum of Art}, author={Dorothy G. Shepherd}, year={1978}, pages={111–134} }
@article{Duggan_2009, title={Diplomatic Shock and Awe: Moving, Sometimes Speaking, Islamic Sculptures}, volume={21}, DOI={10.1080/09503110903343267}, number={3}, journal={Al-Masaq}, author={Duggan, T.M.P.}, year={2009}, month={Dec}, pages={229–267} }
@article{E. Jane Burns_2006, title={Saracen Silk and the Virgin’s ‘Chemise’: Cultural Crossing in Cloth}, volume={81}, url={http://www.jstor.org.bris.idm.oclc.org/stable/20463715}, number={2}, journal={Speculum}, publisher={The University of Chicago Press}, author={E. Jane Burns}, year={2006}, pages={365–397} }
@inbook{Eastmond_2011, address={München}, title={The St Petroc casket, a certain mutilated man, and the trade in ivories}, volume={Band 36}, booktitle={Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007}, publisher={Hirmer Verlag GmbH}, author={Eastmond, Antony}, editor={Knipp, David}, year={2011}, pages={82–97} }
@inbook{Ebitz_1986a, address={Kalamazoo, Mich}, title={Fatimid Style and Byzantine Model in a Venetian Ivory Carving Workshop}, volume={Studies in medieval culture}, booktitle={The Meeting of two worlds: cultural exchange between East and West during the period of the Crusades}, publisher={Medieval Institute Publications}, author={Ebitz, David}, year={1986}, pages={309–329} }
@article{Ebitz_1986b, title={Secular to Sacred: The Transformation of an Oliphant in the Musée de Cluny}, volume={25}, DOI={10.2307/766895}, number={1}, journal={Gesta}, author={Ebitz, David}, year={1986}, month={Jan}, pages={31–38} }
@article{Ecker_1997, title={The Conversion of Mosques to Synagogues in Seville: The Case of the Mezquita de la Judería}, volume={36}, DOI={10.2307/767238}, number={2}, journal={Gesta}, author={Ecker, Heather L.}, year={1997}, month={Jan}, pages={190–207} }
@book{Evans_Wixom_Metropolitan Museum of Art (New York)_1997, address={New York}, title={The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843-1261}, author={Evans, Helen C. and Wixom, William D. and Metropolitan Museum of Art (New York)}, year={1997} }
@article{Flood_2001, title={The medieval trophy as an art historical trope: Coptic and Byzantine ‘Altars’ in Islamic Contexts}, volume={18}, url={https://www-jstor-org.bris.idm.oclc.org/stable/1523301}, DOI={10.1163/22118993-90000016}, number={1}, journal={Muqarnas Online}, author={Flood, Finbarr B.}, year={2001}, month={Jan}, pages={41–72} }
@article{Flood_2006, title={Image against Nature}, volume={9}, DOI={10.1177/097194580500900108}, number={1}, journal={The Medieval History Journal}, author={Flood, Finbarr Barry}, year={2006}, month={Apr}, pages={143–166} }
@inbook{Folda_1992, address={New York}, title={Reflections on art in Crusader Jerusalem about the time of the Second Crusade: c. 1140 – c.1150}, booktitle={The Second Crusade and the Cistercians}, publisher={St. Martin’s Press}, author={Folda, Jaroslav}, year={1992}, pages={171–182} }
@inbook{Folda_1995, address={Cambridge}, title={Chapter 6 Crusader Art in the Reign of King Fulk and Queen Melisende 1131-1143}, booktitle={The art of the crusaders in the Holy Land, 1098-1187}, publisher={Cambridge University Press}, author={Folda, Jaroslav}, year={1995}, pages={119–174} }
@inbook{Folda_1997, address={New York}, title={Crusader Art}, booktitle={The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843-1261}, author={Folda, Jaroslav}, year={1997}, pages={389–401} }
@article{Folda_2004, title={The Figural Arts in Crusader Syria and Palestine, 1187-1291: Some New Realities}, volume={58}, DOI={10.2307/3591390}, journal={Dumbarton Oaks Papers}, author={Folda, Jaroslav}, year={2004} }
@inbook{Folda_2005a, address={Cambridge}, title={Chapter 6 Turmoil in the Holy Land: 1244-1268}, booktitle={Crusader art in the Holy Land: from the Third Crusade to the fall of Acre, 1187-1291}, publisher={Cambridge University Press}, author={Folda, Jaroslav}, year={2005}, pages={230–368} }
@book{Folda_2005b, address={Cambridge}, title={Crusader art in the Holy Land: from the Third Crusade to the fall of Acre, 1187-1291}, publisher={Cambridge University Press}, author={Folda, Jaroslav}, year={2005} }
@inbook{Folda_2005c, address={Cambridge}, title={ch 7 Acre and the art of the Crusaders: the final years, 1268-89}, booktitle={Crusader art in the Holy Land: from the Third Crusade to the fall of Acre, 1187-1291}, publisher={Cambridge University Press}, author={Folda, Jaroslav}, year={2005} }
@inbook{Folda_2006, address={Malden, Mass}, title={East meets West: the art and architecture of the Crusader States}, volume={2}, url={https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=243612&ppg=512}, booktitle={A companion to Medieval art: Romanesque and Gothic in Northern Europe}, publisher={Blackwell}, author={Folda, Jaroslav}, year={2006}, pages={488–509} }
@inbook{Folda_2007, address={Aldershot}, title={Mounted Warrior Saints in Crusader Icons: Images of the Knighthoods of Christ}, booktitle={Knighthoods of Christ: essays on the history of the Crusades and the Knights Templar, presented to Malcolm Barber}, publisher={Ashgate}, author={Folda, Jaroslav}, editor={Housley, Norman}, year={2007}, pages={87–107} }
@book{Folda_2008a, address={Aldershot}, title={Crusader art: the art of the Crusaders in the Holy Land, 1099-1291}, publisher={Lund Humphries}, author={Folda, Jaroslav}, year={2008} }
@book{Folda_2008b, address={Aldershot}, title={Crusader art: the art of the Crusaders in the Holy Land, 1099-1291}, publisher={Lund Humphries}, author={Folda, Jaroslav}, year={2008} }
@inbook{Folda_2012, address={Leiden}, title={Melisende of Jerusalem: queen and patron of art and architecture in the Crusader kingdom}, url={https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=934338&ppg=471}, booktitle={Reassessing the Roles of Women as ‘Makers’ of Medieval Art and Architecture (2 vol. set)}, publisher={Brill}, author={Folda, Jaroslav}, editor={Martin, Therese}, year={2012}, pages={429–477} }
@inbook{Folda_2015, address={Leeds}, title={Twelfth-century crusader art in Bethlehem and Jerusalem: points of contact between Europe and the Crusader Kingdom}, booktitle={Romanesque and the Mediterranean: patterns of exchange across the Latin, Greek and Islamic Worlds c.1000-c.1250}, publisher={Maney}, author={Folda, Jaroslav}, year={2015}, pages={1–14} }
@inbook{von Folsach_2013, address={New Haven}, title={A set of silk panels from the Mongol period}, booktitle={God is beautiful and loves beauty: the object in Islamic art and culture}, publisher={Yale University Press in association with The Qatar Foundation, Virginia Commonwealth University, and Virginia Commonwealth University School of the Arts in Qater}, author={von Folsach, Kjeld}, editor={Blair, Sheila S. and Bloom, Jonathan M.}, year={2013}, pages={218–241} }
@article{G. Fehérvári_1977, title={Working in Metal: Mutual Influences between the Islamic World and the Medieval West}, url={http://www.jstor.org.bris.idm.oclc.org/stable/25210849}, number={1}, journal={The Journal of the Royal Asiatic Society of Great Britain and Ireland}, publisher={Cambridge University Press}, author={G. Fehérvári}, year={1977}, pages={3–16} }
@inbook{Gaudette_2010, address={New York}, title={The spending power of a Crusader queen: Melisende of Jerusalem}, url={https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=623799&ppg=145}, booktitle={Women and wealth in late medieval Europe}, publisher={Palgrave Macmillan}, author={Gaudette, Helen A.}, editor={Earenfight, Theresa}, year={2010}, pages={135–148} }
@article{George T. Beech_1992, title={The Eleanor of Aquitaine Vase: Its Origins and History to the Early Twelfth Century}, volume={22}, url={http://www.jstor.org.bris.idm.oclc.org/stable/4629425}, journal={Ars Orientalis}, publisher={The Smithsonian Institution}, author={George T. Beech}, year={1992}, pages={69–79} }
@article{Georgopoulou_1999, title={Orientalism and Crusader Art: Constructing a New Canon}, volume={5}, DOI={10.1163/157006799X00097}, number={3}, journal={Medieval Encounters}, author={Georgopoulou, Maria}, year={1999}, month={Jan}, pages={289–321} }
@book{Georgopoulou_2001, address={Cambridge}, title={Venice’s Mediterranean colonies: architecture and urbanism}, publisher={Cambridge University Press}, author={Georgopoulou, Maria}, year={2001} }
@article{Georgopoulou_2004, title={The Artistic World of the Crusaders and Oriental Christians in the Twelfth and Thirteenth Centuries}, volume={43}, DOI={10.2307/25067099}, number={2}, journal={Gesta}, author={Georgopoulou, Maria}, year={2004}, month={Jan}, pages={115–128} }
@article{Gerevini, title={The Grotto of the Virgin in San Marco: artistic reuse and cultural identity in medieval Venice}, url={http://www.journals.uchicago.edu.bris.idm.oclc.org/doi/full/10.1086/677346}, journal={Gesta}, author={Gerevini, Stefania}, pages={197–220} }
@inbook{Golombek_2007, address={Malden, Mass}, title={The draped universe of Islam}, volume={5}, booktitle={Late antique and medieval art of the Mediterranean world}, publisher={Blackwell}, author={Golombek, Lisa}, year={2007}, pages={97–114} }
@article{Gonnella_2011, title={Columns and Hieroglyphs: Magic Spolia in Medieval Islamic Architecture of Northern Syria}, volume={27}, url={https://www-jstor-org.bris.idm.oclc.org/stable/25769694}, DOI={10.1163/22118993-90000161}, number={1}, journal={Muqarnas Online}, author={Gonnella, Julia}, year={2011}, month={Jan}, pages={103–120} }
@book{Goss_Bornstein_1986, address={Kalamazoo, Mich}, title={The Meeting of two worlds: cultural exchange between East and West during the period of the Crusades}, volume={21}, publisher={Medieval Institute Publications}, author={Goss, Vladimir P. and Bornstein, Christine Verzár}, year={1986} }
@inbook{Grabar_2002, address={Ann Arbor, MI}, title={About a Bronze Bird}, booktitle={Reading medieval images: the art historian and the object}, publisher={University of Michigan Press}, author={Grabar, Oleg}, year={2002}, pages={117–126} }
@inbook{Grabar_2005a, address={Reading}, title={The Ceiling of the Cappella Palatina}, volume={v. 15}, booktitle={The experience of Islamic art on the margins of Islam}, publisher={Ithaca Press in association with the Gustav E. von Grunebaum Center for Near Eastern Studies}, author={Grabar, Oleg}, editor={Bierman, Irene A.}, year={2005}, pages={48–55} }
@inbook{Grabar_2005b, address={Reading}, title={Chapter 1 The Experience of Islamic Art on the Margins of Islam}, volume={Giorgio Levi Della Vida Conference Papers}, booktitle={The experience of Islamic art on the margins of Islam}, publisher={Ithaca Press in association with the Gustav E. von Grunebaum Center for Near Eastern Studies}, author={Grabar, Oleg}, editor={Bierman, Irene A.}, year={2005}, pages={11–59} }
@inbook{Grabar_2006a, address={Aldershot}, title={The Shared Culture of Objects}, volume={2}, booktitle={Islamic visual culture, 1100-1800}, publisher={Ashgate Variorum}, author={Grabar, Oleg}, year={2006}, pages={51–67} }
@inbook{Grabar_2006b, address={Aldershot}, title={The Shared Culture of Objects}, volume={Constructing the study of Islamic art}, booktitle={Islamic visual culture, 1100-1800}, publisher={Ashgate Variorum}, author={Grabar, Oleg}, year={2006}, pages={51–67} }
@article{Guérin_2013, title={Forgotten Routes? Italy, Ifrīqiya and the Trans-Saharan Ivory Trade}, volume={25}, DOI={10.1080/09503110.2013.767012}, number={1}, journal={Al-Masaq}, author={Guérin, Sarah M.}, year={2013}, month={Apr}, pages={70–91} }
@article{Guy le Strange_1897, title={A Greek Embassy to Baghdād in 917 A.D.}, url={http://www.jstor.org.bris.idm.oclc.org/stable/25207823}, journal={The Journal of the Royal Asiatic Society of Great Britain and Ireland}, publisher={Cambridge University Press}, author={Guy le Strange}, year={1897}, pages={35–45} }
@inbook{Hamilton_2000, address={Woodbridge}, title={Our Lady of Saidnaya: An Orthodox Shrine Revered By Muslims and Knights Templars at the Time of the Crusades}, volume={Studies in church history}, booktitle={The Holy Land, holy lands, and Christian history: papers read at the 1998 Summer meeting and the 1999 Winter meeting of the Ecclesiastical History Society}, publisher={Published for the Ecclesiastical History Society by the Boydell Press}, author={Hamilton, Bernard}, year={2000}, pages={207–215} }
@article{Hannah Baader and Gerhard Wolf_2014, title={A Sea-to-Shore Perspective: Littoral and Liminal Spaces of the Medieval and Early Modern Mediterranean}, url={http://www.jstor.org.bris.idm.oclc.org/stable/23890551}, journal={Mitteilungen des Kunsthistorischen Institutes in Florenz}, publisher={Kunsthistorisches Institut in Florenz, Max-Planck-Institut}, author={Hannah Baader and Gerhard Wolf}, year={2014}, pages={2–15} }
@article{Harris_1995, address={Henley-on-Thames}, title={Muslim ivories in Christian hands: the Leire Casket in context}, volume={18}, number={2}, journal={Art history}, publisher={Routledge & Kegan Paul}, author={Harris, Julie}, year={1995}, pages={213–221} }
@article{Harris_1997, title={Mosque To Church Conversions in the Spanish Reconquest}, volume={3}, DOI={10.1163/157006797X00116}, number={2}, journal={Medieval Encounters}, author={Harris, Julie A.}, year={1997}, month={Jan}, pages={158–172} }
@inbook{Hoffman_2011, address={München}, title={Translation in ivory: interactions across cultures and media in the Mediterranean during the twelfth and thirteenth centuries}, volume={Band 36}, booktitle={Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007}, publisher={Hirmer Verlag GmbH}, author={Hoffman, Eva}, editor={Knipp, David}, year={2011}, pages={99–119} }
@article{Hoffman_2001, title={Pathways of Portability: Islamic and Christian Interchange from the Tenth to the Twelfth Century}, volume={24}, DOI={10.1111/1467-8365.00248}, number={1}, journal={Art History}, author={Hoffman, Eva R.}, year={2001}, month={Mar}, pages={17–50} }
@article{Hoffman_2004, title={Christian-Islamic Encounters on Thirteenth-Century Ayyubid Metalwork: Local Culture, Authenticity, and Memory}, volume={43}, DOI={10.2307/25067100}, number={2}, journal={Gesta}, author={Hoffman, Eva R.}, year={2004}, month={Jan}, pages={129–142} }
@article{Hoffman_2012, title={Translating Image and Text in the Medieval Mediterranean World between the Tenth and Thirteenth Centuries}, volume={18}, DOI={10.1163/15700674-12342120}, number={4–5}, journal={Medieval Encounters}, author={Hoffman, Eva R.}, year={2012}, month={Jan}, pages={584–623} }
@article{Howard_1991, title={Venice and Islam in the Middle Ages: Some Observations on the Question of Architectural Influence}, volume={34}, DOI={10.2307/1568594}, journal={Architectural History}, author={Howard, Deborah}, year={1991} }
@book{Howard_2000, address={New Haven}, title={Venice & the East: the impact of the Islamic world on Venetian architecture 1100-1500}, publisher={Yale University Press}, author={Howard, Deborah}, year={2000} }
@inbook{Howard_2007, address={New Haven}, title={Venice as an Eastern city}, booktitle={Venice and the Islamic world, 828-1797}, publisher={Yale University Press}, author={Howard, Deborah}, editor={Carboni, Stefano}, year={2007}, pages={58–71} }
@article{Hunt_1991, title={Art and Colonialism: The Mosaics of the Church of the Nativity in Bethlehem (1169) and the Problem of ‘Crusader’ Art}, volume={45}, DOI={10.2307/1291693}, journal={Dumbarton Oaks Papers}, author={Hunt, Lucy-Anne}, year={1991} }
@inbook{Hunt_2007, address={Princeton, N.J.}, title={Artistic interchange in old Cairo in the thirteenth to early fourteenth century: the role of painted and carved icons}, volume={9}, booktitle={Interactions: artistic interchange between the Eastern and Western worlds in the Medieval period}, publisher={Index of Christian Art, Dept. of Art and Archaeology}, author={Hunt, Lucy-Anne}, year={2007}, pages={48–66} }
@inbook{Hunt_2011, address={München}, title={Ceiling and casket at the Cappella Palatina and Christian Arab art between Sicily and Egypt in the twelfth and thirteenth centuries’}, volume={Band 36}, booktitle={Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007}, publisher={Hirmer Verlag GmbH}, author={Hunt, Lucy-Anne}, editor={Knipp, David}, year={2011}, pages={170–197} }
@article{Hutcheson_2014, title={Contesting the Mezquita del Cristo de la Luz}, volume={43}, DOI={10.1353/cor.2014.0030}, number={1}, journal={La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures}, author={Hutcheson, Gregory S.}, year={2014}, pages={201–229} }
@article{Ila Nicole Sheren_2011, title={Transcultured Architecture: Mudéjar’s Epic Journey Reinterpreted}, volume={1}, url={https://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/5}, DOI={https://doi.org/10.5195/contemp.2011.5}, journal={Contemporaneity: Historical Presence in Visual Culture}, author={Ila Nicole Sheren}, year={2011}, pages={137–151} }
@article{Immerzeel_2004, title={Holy horsemen and Crusader banners. Equestrian Saints in wall paintings in Lebanon and Syria}, volume={1}, journal={Eastern Christian Art}, author={Immerzeel, Mat}, year={2004}, pages={29–60} }
@inbook{Immerzeel_2007, address={Princeton, N.J.}, title={Icon Painting in the County of Tripoli in the thirteenth century}, volume={9}, booktitle={Interactions: artistic interchange between the Eastern and Western worlds in the Medieval period}, publisher={Index of Christian Art, Dept. of Art and Archaeology}, author={Immerzeel, Mat}, year={2007}, pages={67–83} }
@article{IMMERZEEL_2007, title={The Monastery of Our Lady of Saydnaya and Its Icon}, volume={4}, url={https://search-ebscohost-com.bris.idm.oclc.org/login.aspx?direct=true&db=rfh&AN=ATLAiGFE180328001674&site=ehost-live}, DOI={10.2143/ECA.4.0.2024664}, journal={Eastern Christian Art}, author={IMMERZEEL, Mat}, year={2007}, month={Dec}, pages={13–26} }
@article{Jacoby_2004, title={Silk Economics and Cross-Cultural Artistic Interaction: Byzantium, the Muslim World, and the Christian West}, volume={58}, DOI={10.2307/3591386}, journal={Dumbarton Oaks Papers}, author={Jacoby, David}, year={2004} }
@inbook{Jacoby_1986, address={Kalamazoo, Mich}, title={The Composition of the Nazareth Workshop and the Recruitment of Sculptors for the Holy Land in the Twelfth Century}, volume={21}, booktitle={The Meeting of two worlds: cultural exchange between East and West during the period of the Crusades}, publisher={Medieval Institute Publications}, author={Jacoby, Z}, year={1986}, pages={145–159} }
@book{Jacoff_1993, address={Princeton, N.J.}, title={The horses of San Marco & the quadriga of the lord}, publisher={Princeton University Press}, author={Jacoff, Michael}, year={1993} }
@article{Jan de Hond and Luitgard Mols_2011, title={A Mamluk Basin for a Sicilian Queen}, volume={59}, url={http://www.jstor.org.bris.idm.oclc.org/stable/23074620}, number={1}, journal={The Rijksmuseum Bulletin}, publisher={Rijksmuseum Amsterdam}, author={Jan de Hond and Luitgard Mols}, year={2011}, pages={6–33} }
@inbook{Jansen_Drell_Andrews_2009, address={Philadelphia}, title={Ibn Jubayr’s account of Messina and Palermo (1184-85)}, url={https://www-jstor-org.bris.idm.oclc.org/stable/j.ctt3fhhzb.66}, booktitle={Medieval Italy: texts in translation}, publisher={University of Pennsylvania Press}, author={Jansen, Katherine Ludwig and Drell, Joanna H. and Andrews, Frances}, year={2009}, pages={234–240} }
@article{Jennifer Kingsley_2011, title={Reconsidering the medieval oliphant: the ivory horn in the Walters Art Museum}, volume={68}, url={http://www.jstor.org.bris.idm.oclc.org/stable/24412670}, journal={The Journal of the Walters Art Museum}, publisher={The Walters Art Museum}, author={Jennifer Kingsley}, year={2011}, pages={9–20} }
@book{Jewish Museum_1992, address={New York}, title={Convivencia: Jews, Muslims, and Christians in medieval Spain}, publisher={George Braziller in association with the Jewish Museum}, author={Jewish Museum}, editor={Mann, Vivian B. and Glick, Thomas F. and Dodds, Jerrilynn Denise}, year={1992} }
@inbook{Johns_2015a, address={Cambridge}, title={Arabic Inscriptions in the Cappella Palatina: Performativity, Audience, Legibility and Illegibility}, url={https://www-cambridge-org.bris.idm.oclc.org/core/books/viewing-inscriptions-in-the-late-antique-and-medieval-world/arabic-inscriptions-in-the-cappella-palatina-performativity-audience-legibility-and-illegibility/C113561C55CDE401F110F6542698C722/core-reader}, booktitle={Viewing Inscriptions in the Late Antique and Medieval World}, publisher={Cambridge University Press}, author={Johns, Jeremy}, editor={Eastmond, Antony}, year={2015}, pages={124–147} }
@inbook{Johns_2015b, address={Leeds}, title={Muslim artists and Christian models in the painted ceilings of the Cappella Palatina}, volume={The British Archaeological Association conference transactions}, booktitle={Romanesque and the Mediterranean: patterns of exchange across the Latin, Greek and Islamic Worlds c.1000-c.1250}, publisher={Maney}, author={Johns, Jeremy}, year={2015}, pages={59–89} }
@article{Johnson_1994, title={The Episcopal and Royal Views at Cefalù}, volume={33}, DOI={10.2307/767163}, number={2}, journal={Gesta}, author={Johnson, Mark J.}, year={1994}, month={Jan}, pages={118–131} }
@article{Johnson_1999, title={The Lost Royal Portraits of Gerace and Cefalu Cathedrals}, volume={53}, DOI={10.2307/1291803}, journal={Dumbarton Oaks Papers}, author={Johnson, Mark J.}, year={1999} }
@article{Jonathan M. Bloom_1987, title={The Introduction of the Muqarnas into Egypt}, volume={5}, url={http://booksandjournals.brillonline.com.bris.idm.oclc.org/content/journals/10.1163/22118993-90000219}, DOI={10.1163/22118993-90000219}, number={1}, journal={Muqarnas Online}, publisher={Brill}, author={Jonathan M. Bloom}, year={1987}, pages={21–28} }
@article{Jotischky_1994, title={Manuel Comnenus and the Reunion of the Churches: the Evidence of the Conciliar Mosiacs in the Church of the Nativity in Bethlehem}, volume={26}, DOI={10.1179/lev.1994.26.1.207}, number={1}, journal={Levant}, author={Jotischky, Andrew}, year={1994}, month={Jan}, pages={207–223} }
@inbook{Kalavrezou_2007, address={Malden, Mass}, title={The Cup of San Marco and the ‘Classical’ in Byzantium}, volume={5}, booktitle={Late antique and medieval art of the Mediterranean world}, publisher={Blackwell}, author={Kalavrezou, Ioli}, year={2007}, pages={273–284} }
@inbook{Kalavrezou_2014, address={Leiden}, title={The Byzantine Peplos in Genoa: "the object as event”}, volume={volume 1}, url={https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1632919&ppg=235}, booktitle={Dalmatia and the Mediterranean: portable archaeology and the poetics of influence}, publisher={Brill}, author={Kalavrezou, Ioli}, editor={Payne, Alina Alexandra}, year={2014}, pages={213–245} }
@inbook{Kana’an_2013, address={New Haven}, title={The biography of a thirteenth-century brass ewer from Mosul}, booktitle={God is beautiful and loves beauty: the object in Islamic art and culture}, publisher={Yale University Press in association with The Qatar Foundation, Virginia Commonwealth University, and Virginia Commonwealth University School of the Arts in Qater}, author={Kana’an, Ruba}, editor={Blair, Sheila S. and Bloom, Jonathan M.}, year={2013} }
@inbook{Kapitaikin_2005, address={München}, title={The paintings of the aisle-ceilings of the Cappella Palatina, Palermo}, booktitle={Römisches Jahrbuch der Bibliotheca Hertziana: Band 35: 2003/4}, publisher={Hirmer Verlag}, author={Kapitaikin, Lev}, year={2005} }
@article{Katzenstein_Lowry_1983, title={Christian Themes in Thirteenth-Century Islamic Metalwork}, volume={1}, DOI={10.2307/1523071}, journal={Muqarnas}, author={Katzenstein, Ranee A. and Lowry, Glenn D.}, year={1983} }
@article{Kitzinger_1949, title={The Mosaics of the Cappella Palatina in Palermo: An Essay on the Choice and Arrangement of Subjects}, volume={31}, DOI={10.2307/3047256}, number={4}, journal={The Art Bulletin}, author={Kitzinger, Ernst}, year={1949}, month={Dec} }
@inbook{Kitzinger_1989, address={Bologna}, title={Mosaic Decoration in Sicily under Roger II and the Classical Byzantine System of Church Decoration}, volume={Villa Spelman colloquia}, booktitle={Italian church decoration of the Middle Ages and early Renaissance: functions, forms and regional traditions : ten contributions to a colloquium held at the Villa Spelman, Florence}, publisher={Nuova Alfa}, author={Kitzinger, Ernst}, year={1989}, pages={147–165} }
@article{Klein_2004, title={Eastern Objects and Western Desires: Relics and Reliquaries between Byzantium and the West}, volume={58}, DOI={10.2307/3591389}, journal={Dumbarton Oaks Papers}, author={Klein, Holger A.}, year={2004} }
@inbook{Klein_2010, address={Washington, D.C.}, title={Refashioning Byzantium in Venice, ca. 1200-1400}, url={https://arthistory.columbia.edu/sites/default/files/content/faculty/pdfs/klein/SanMarco-offprint.pdf}, booktitle={San Marco, Byzantium, and the myths of Venice}, publisher={Dumbarton Oaks Research Library and Collection}, author={Klein, Holger A.}, year={2010}, pages={193–225} }
@inbook{Knipp_2005, address={München}, title={Some aspects of style and heritage in the Norman stanza}, booktitle={Römisches Jahrbuch der Bibliotheca Hertziana: Band 35: 2003/4}, publisher={Hirmer Verlag}, author={Knipp, David}, year={2005}, pages={175–207} }
@inbook{Knipp_2006, address={Istanbul}, title={Image, presence and ambivalence: the Byzantine tradition of the painted ceiling in the Cappella Palatina, Palermo}, volume={5}, booktitle={Visualisierungen von Herrschaft: frühmittelalterliche Residenzen : Gestalt und Zeremoniell : internationales Kolloquium 3./4. Juni 2004 in Istanbul}, publisher={Ege Yayınları}, author={Knipp, David}, editor={Bauer, Franz Alto}, year={2006}, pages={283–328} }
@inbook{Knipp_2011, address={München}, title={Form and ornament in Siculo-Arabic ivory painting: the track leads to Norman principality of Antioch}, volume={Band 36}, booktitle={Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007}, publisher={Hirmer Verlag GmbH}, author={Knipp, David}, editor={Knipp, David}, year={2011}, pages={200–222} }
@book{Komaroff_Blair_Los Angeles County Museum of Art_Museum of Fine Arts, Houston_2011, address={[Los Angeles]}, edition={1st ed}, title={Gifts of the Sultan: the arts of giving at the Islamic courts}, publisher={Los Angeles County Museum of Art}, author={Komaroff, Linda and Blair, Sheila and Los Angeles County Museum of Art and Museum of Fine Arts, Houston}, year={2011} }
@article{Kominko, Maja_2010, title={Byzantine, Syriac, Armenian and Latin: a note on artistic interaction in eastern Mediterranean manuscripts}, url={https://search-ebscohost-com.bris.idm.oclc.org/login.aspx?direct=true&db=rfh&AN=ATLAn3862700&site=ehost-live}, DOI={10.2143/ECA.7.0.2136905}, journal={Eastern Christian Art}, author={Kominko, Maja}, year={2010}, pages={59–70} }
@inbook{Kopytoff_1986, address={Cambridge}, title={Chapter 2 The Cultural Biography of Things: Commoditization as Process}, url={https://doi.org/10.1017/CBO9780511819582.004}, booktitle={The Social life of things: commodities in cultural perspective}, publisher={Cambridge University Press}, author={Kopytoff, Igor}, year={1986}, pages={64–91} }
@book{Kühnel_1994, address={Berlin}, title={Crusader art of the twelfth century: a geographical, an historical, or an art historical notion?}, publisher={Mann}, author={Kühnel, Bianca}, year={1994} }
@article{Laura T. Schneider_1973, title={The Freer Canteen}, volume={9}, url={http://www.jstor.org.bris.idm.oclc.org/stable/4629276}, journal={Ars Orientalis}, publisher={The Smithsonian Institution}, author={Laura T. Schneider}, year={1973}, pages={137–156} }
@article{Lenia Kouneni_2008, title={The Kykkotissa Virgin and Its Italian Appropriation}, volume={29}, url={http://www.jstor.org.bris.idm.oclc.org/stable/20067183}, number={57}, journal={Artibus et Historiae}, publisher={IRSA s.c.}, author={Lenia Kouneni}, year={2008}, pages={95–107} }
@article{Lucy-Anne Hunt, title={A woman’s prayer to St Sergios in Latin Syria: interpreting a thirteenth-century icon at Mount Sinai}, url={http://www-tandfonline-com.bris.idm.oclc.org/doi/abs/10.1179/byz.1991.15.1.96}, journal={Byzantine and Modern Greek Studies}, publisher={Routledge}, author={Lucy-Anne Hunt} }
@book{Mack_2002a, address={Berkeley}, title={Bazaar to piazza: Islamic trade and Italian art, 1300-1600}, publisher={University of California Press}, author={Mack, Rosamond E.}, year={2002} }
@inbook{Mack_2002b, address={Berkeley}, title={Chapter 9: Inlaid brass}, booktitle={Bazaar to piazza: Islamic trade and Italian art, 1300-1600}, publisher={University of California Press}, author={Mack, Rosamund}, year={2002} }
@inbook{Mack_2002c, address={Berkeley}, title={Patterned silks}, booktitle={Bazaar to piazza: Islamic trade and Italian art, 1300-1600}, publisher={University of California Press}, author={Mack, Rosamund E.}, year={2002} }
@inbook{Maguire_2010, address={Washington, D.C.}, title={The Aniketos icon and the display of relics in the decoration of San Marco’}, booktitle={San Marco, Byzantium, and the myths of Venice}, publisher={Dumbarton Oaks Research Library and Collection}, author={Maguire, Henry}, year={2010}, pages={91–111} }
@book{Maguire_Nelson_Dumbarton Oaks Research Library and Collection_2010, address={Washington, D.C.}, title={San Marco, Byzantium, and the myths of Venice}, publisher={Dumbarton Oaks Research Library and Collection}, author={Maguire, Henry and Nelson, Robert S. and Dumbarton Oaks Research Library and Collection}, year={2010} }
@inbook{Mahoney_2015, address={Farnham}, title={The Frankish Icon: Art and Devotion in the Latin Kingdom of Jerusalem}, booktitle={The Crusades and visual culture}, publisher={Ashgate}, author={Mahoney, Lisa}, editor={Lapina, Elizabeth and Morris, April Jehan and Throop, Susanna A. and Whatley, Laura J.}, year={2015}, pages={15–34} }
@inbook{Maria Judith_2005, address={Leiden}, title={Muslim Shrouds for Christian Kings? a Reassessment of Andalusi Textiles in Thirteenth-Century Castilian Life and Ritual}, volume={volume 22}, url={https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=280856&ppg=151}, booktitle={Under the influence: questioning the comparative in medieval Castile}, publisher={Brill}, author={Maria Judith, Feliciano}, editor={Robinson, Cynthia and Rouhi, Leyla}, year={2005}, pages={101–131} }
@article{Mathews_2012, title={Plunder of war or objects of trade? The reuse and reception of Andalusi objects in medieval Pisa}, volume={4}, DOI={10.1080/17546559.2012.727242}, number={2}, journal={Journal of Medieval Iberian Studies}, author={Mathews, Karen R.}, year={2012}, month={Sep}, pages={233–258} }
@article{Mathews_2014, title={Other peoples’ dishes: Islamic bacini on eleventh-century churches in Pisa}, volume={53/1}, url={http://www.journals.uchicago.edu.bris.idm.oclc.org/doi/abs/10.1086/675415}, journal={Gesta}, author={Mathews, Karen Rose}, year={2014}, pages={5–23} }
@inbook{Menocal_2008, address={Newark, DE}, title={Just what is Mudéjar really}, url={http://mariarosamenocal.com/uploads/3/0/8/9/3089194/2008_article_just_what_is_mudejar_really.pdf}, booktitle={Spain’s Multicultural Legacies. Studies in Honor of Samuel G. Armistead}, publisher={Juan de la Cuesta}, author={Menocal, Maria Rosa}, editor={Martin, Adrienne L. and Martinez-Carazo, Cristina}, year={2008}, pages={144–157} }
@article{Mogollón Cano-Cortés_2006, title={Manifestations of Power and Visual Culture: Some Examples in Extremaduran Mudejar Architecture}, volume={12}, DOI={10.1163/157006706779166039}, number={3}, journal={Medieval Encounters}, author={Mogollón Cano-Cortés, M. Pilar}, year={2006}, month={Nov}, pages={341–359} }
@book{Muthesius_2008, address={London}, title={Studies in Byzantine, Islamic and Near Eastern silk weaving}, publisher={Pindar}, author={Muthesius, Anna}, year={2008} }
@article{Neff_1999, title={Byzantium Westernized, Byzantium Marginalized: Two Icons in the Supplicationes variae}, volume={38}, DOI={10.2307/767113}, number={1}, journal={Gesta}, author={Neff, Amy}, year={1999}, month={Jan}, pages={81–102} }
@inbook{Nelson_2005, address={Reading}, title={Letters and language: ornament and identity in Byzantium and Islam}, volume={v. 15}, booktitle={The experience of Islamic art on the margins of Islam}, publisher={Ithaca Press in association with the Gustav E. von Grunebaum Center for Near Eastern Studies}, author={Nelson, Robert}, editor={Bierman, Irene A.}, year={2005}, pages={61–88} }
@inbook{Nelson_2010, address={Washington, D.C.}, title={The history of legends and the legends of history: the Pilastri Acritani in Venice}, booktitle={San Marco, Byzantium, and the myths of Venice}, publisher={Dumbarton Oaks Research Library and Collection}, author={Nelson, Robert}, year={2010}, pages={63–90} }
@article{Nelson_1983, title={An Icon at Mt. Sinai and Christian Painting in Muslim Egypt during the Thirteenth and Fourteenth Centuries}, volume={65}, DOI={10.2307/3050318}, number={2}, journal={The Art Bulletin}, author={Nelson, Robert S.}, year={1983}, month={Jun} }
@book{Nelson_Collins_J. Paul Getty Museum_2006, address={Los Angeles}, title={Holy image, hallowed ground: icons from Sinai}, publisher={J. Paul Getty Museum}, author={Nelson, Robert S. and Collins, Kristen M. and J. Paul Getty Museum}, year={2006} }
@book{O’Neill_Metropolitan Museum of Art (New York)_1993a, address={New York}, title={The art of medieval Spain, A.D. 500-1200}, publisher={The Metropolitan Museum of Art}, author={O’Neill, John P. and Metropolitan Museum of Art (New York)}, year={1993} }
@book{O’Neill_Metropolitan Museum of Art (New York)_1993b, address={New York}, title={The art of medieval Spain, A.D. 500-1200}, publisher={The Metropolitan Museum of Art}, author={O’Neill, John P. and Metropolitan Museum of Art (New York)}, year={1993} }
@article{Ousterhout_Ruggles_2004, title={Encounters with Islam: The Medieval Mediterranean Experience Art, Material Culture, and Cultural Interchange}, volume={43}, DOI={10.2307/25067096}, number={2}, journal={Gesta}, author={Ousterhout, Robert and Ruggles, D. Fairchild}, year={2004}, month={Jan}, pages={83–85} }
@inbook{Pace_1986, address={Kalamazoo, Mich}, title={Italy and the Holy Land: Import-Export. 1 The Case of Venice}, volume={21}, booktitle={The Meeting of two worlds: cultural exchange between East and West during the period of the Crusades}, publisher={Medieval Institute Publications}, author={Pace, Valentino}, year={1986}, pages={331–345} }
@inbook{Pace_2000, address={Milano}, title={East and West}, booktitle={Mother of God: representations of the Virgin in Byzantine art}, publisher={Skira}, author={Pace, Valentino}, year={2000}, pages={425–449} }
@article{Pinder-Wilson_1954, title={Some Rock Crystals of the Islamic Period}, volume={19}, DOI={10.2307/4422495}, number={4}, journal={The British Museum Quarterly}, author={Pinder-Wilson, R. H.}, year={1954} }
@article{Prado-Vilar_1997, title={Circular Visions of Fertility and Punishment: Caliphal Ivory Caskets from al-Andalus}, volume={14}, DOI={10.2307/1523234}, journal={Muqarnas}, author={Prado-Vilar, Francisco}, year={1997} }
@article{Raizman_1999, title={The Church of Santa Cruz and the Beginnings of Mudejar Architecture in Toledo}, volume={38}, DOI={10.2307/767185}, number={2}, journal={Gesta}, author={Raizman, David}, year={1999}, month={Jan}, pages={128–141} }
@article{Redford_1990, title={How Islamic Is It? The Innsbruck Plate and Its Setting}, volume={7}, DOI={10.2307/1523125}, journal={Muqarnas}, author={Redford, Scott}, year={1990} }
@inbook{Retford_2004, address={New York}, title={Byzantium and the Islamic world}, booktitle={Byzantium: faith and power (1261-1557)}, publisher={Metropolitan Museum of Art in conjunction with Yale University Press}, author={Retford, Scott}, year={2004}, pages={389–396} }
@inbook{Rosser-Owen_2010, address={London}, title={Ages of Empire (756-1238)}, booktitle={Islamic arts from Spain}, publisher={V&A Publishing}, author={Rosser-Owen, Mariam}, year={2010}, pages={18–47} }
@inbook{Rosser-Owen_2011, address={München}, title={Incrusted with ivory: observations on a casket in the Victoria and Albert Museum}, volume={Band 36}, booktitle={Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007}, publisher={Hirmer Verlag GmbH}, author={Rosser-Owen, Mariam}, editor={Knipp, David}, year={2011}, pages={53–79} }
@article{Rosser-Owen_2012, title={Mediterraneanism: how to incorporate Islamic art into an emerging field}, volume={6}, url={https://doaj.org/article/46924fe63a504d25a2ecefada851e713}, journal={Journal of Art Historiography}, author={Rosser-Owen, Mariam}, year={2012}, pages={1–33} }
@inbook{Rosser-Owen_2015a, address={Leeds}, title={The Oliphant: A Call for a Shift of Persepctive}, volume={The British Archaeological Association conference transactions}, booktitle={Romanesque and the Mediterranean: patterns of exchange across the Latin, Greek and Islamic Worlds c.1000-c.1250}, publisher={Maney}, author={Rosser-Owen, Mariam}, year={2015}, pages={15–58} }
@article{Rosser-Owen_2015b, title={Islamic Objects in Christian Contexts: Relic Translation and Modes of Transfer in Medieval Iberia}, volume={7}, DOI={10.2752/175613115X14235644692275}, number={1}, journal={Art in Translation}, author={Rosser-Owen, Mariam}, year={2015}, month={Mar}, pages={39–63} }
@book{Rosser-Owen_Victoria and Albert Museum_2010, address={London}, title={Islamic arts from Spain}, publisher={V&A Publishing}, author={Rosser-Owen, Mariam and Victoria and Albert Museum}, year={2010} }
@article{Ruggles_2004, title={The Alcazar of Seville and Mudejar Architecture}, volume={43}, DOI={10.2307/25067097}, number={2}, journal={Gesta}, author={Ruggles, D. Fairchild}, year={2004}, month={Jan}, pages={87–98} }
@article{Shalem_1994, title={Fountains of Light: The Meaning of Medieval Islamic Rock Crystal Lamps}, volume={11}, DOI={10.2307/1523205}, journal={Muqarnas}, author={Shalem, Avinoam}, year={1994} }
@article{Shalem_1995, title={From Royal Caskets to Relic Containers: Two Ivory Caskets from Burgos and Madrid}, volume={12}, DOI={10.2307/1523221}, journal={Muqarnas}, author={Shalem, Avinoam}, year={1995} }
@book{Shalem_2004, address={Leiden}, title={The oliphant: Islamic objects in historical context}, volume={volume 54}, url={https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3003961}, publisher={Brill}, author={Shalem, Avinoam}, year={2004} }
@article{Shalem_2005, title={Objects as carriers of real or contrived memories in a cross-cultural context}, volume={4}, journal={Austausch diplomatischer Geschenke in Spätantike und Byzanz, Mitteilungen zur Spätantiken Archäologie und Byzantinischen Kunstgeschichte}, author={Shalem, Avinoam}, year={2005}, pages={101–109} }
@inbook{Shalem_2014, address={Leiden}, title={The architecture for the body: some reflections on the mobility of textiles and the fate of the so-called Chasuble of Saint Thomas Becket in the cathedral of Fermo in Italy}, volume={volume 1}, url={https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1632919&ppg=268}, booktitle={Dalmatia and the Mediterranean: portable archaeology and the poetics of influence}, publisher={Brill}, author={Shalem, Avinoam}, editor={Payne, Alina Alexandra}, year={2014}, pages={246–267} }
@article{Silva Santa-Cruz_2014, title={Ivory gifts for women in caliphal Córdoba: marriage, maternity and sensuality}, volume={6}, DOI={10.1080/17546559.2014.888091}, number={1}, journal={Journal of Medieval Iberian Studies}, author={Silva Santa-Cruz, Noelia}, year={2014}, month={Jan}, pages={103–125} }
@article{Simon-Cahn_1993, title={The Fermo Chasuble of St. Thomas Becket and Hispano-Mauresque Cosmological Silks: Some Speculations on the Adaptive Reuse of Textiles}, volume={10}, DOI={10.2307/1523166}, journal={Muqarnas}, author={Simon-Cahn, Annabelle}, year={1993} }
@article{Snelders, Bas; Immerzeel, Mat_2004, title={The Thirteenth-Century Flabellum from Deir al-Surian in the Musée Royal de Mariemont (Morlanwelz, Belgium)}, url={http://search.ebscohost.com.bris.idm.oclc.org/login.aspx?direct=true&db=rfh&AN=ATLAiGFE180328001656&site=ehost-live}, journal={Eastern Christian Art}, author={Snelders, Bas; Immerzeel, Mat}, year={2004}, pages={113–139} }
@inbook{Soucek_1997, address={New York}, title={Byzantium and the Islamic East}, booktitle={The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843-1261}, author={Soucek, Pricilla}, year={1997} }
@inbook{Stanley_2012, address={London}, title={A Mamluk tray and its journey to the V&A}, url={https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1208973&ppg=201}, booktitle={Metalwork and material culture in the Islamic world: art, craft and text : essays presented to James W. Allan}, publisher={I.B Tauris}, author={Stanley, Tim}, editor={Porter, Venetia and Rosser-Owen, Mariam}, year={2012}, pages={187–200} }
@inbook{Steppan_2000, address={New York}, title={The Artukid Bowl: courtly art in the Middle Byzantine Period and its relation to the Islamic East}, url={https://www.metmuseum.org/art/metpublications/Perceptions_of_Byzantium_and_Its_Neighbors_843_1261}, booktitle={Perceptions of Byzantium and its Neighbors}, publisher={Metropolitan Museum of Art}, author={Steppan, Thomas}, editor={Pevny, Olenka Z.}, year={2000}, pages={84–101} }
@inbook{Thomas_1997, address={New York}, title={Christians in the Islamic East}, booktitle={The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843-1261}, author={Thomas, Thelma K}, year={1997}, pages={365–387} }
@inbook{Trilling_1997, address={Washington, D.C.}, title={Daedalus and the nightingale: art and technology in the myth of the Byzantine court}, booktitle={Byzantine court culture from 829 to 1204}, publisher={Dumbarton Oaks Research Library and Collection}, author={Trilling, James}, year={1997}, pages={217–230} }
@article{Tronzo_1993, address={London}, title={The Medieval Object-Enigma, and the Problem of the Cappella Palatina in Palermo}, url={http://linkserver.bristol.ac.uk:9003/prod?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2017-02-21T11:10:39IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Journal-44BU_SFX_DS&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=journal&rft.atitle=&rft.jtitle=Word%20&%20image&rft.btitle=&rft.aulast=&rft.auinit=&rft.auinit1=&rft.auinitm=&rft.ausuffix=&rft.au=&rft.aucorp=&rft.volume=&rft.issue=&rft.part=&rft.quarter=&rft.ssn=&rft.spage=&rft.epage=&rft.pages=&rft.artnum=&rft.issn=0266-6286&rft.eissn=1943-2178&rft.isbn=&rft.sici=&rft.coden=&rft_id=info:doi/&rft.object_id=954925500123&svc_val_fmt=info:ofi/fmt:kev:mtx:sch_svc&svc.fulltext=yes&rft_dat=%3C44BU_SFX_DS%3E954925500123%3C/44BU_SFX_DS%3E%3Cgrp_id%3E119948189%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft.eisbn=&rft_id=info:oai/&req.language=eng}, journal={Word & image}, publisher={Taylor & Francis}, author={Tronzo, William}, year={1993}, pages={197–228} }
@book{Tronzo_1997, address={Princeton, N.J.}, title={The cultures of his kingdom: Roger II and the Cappella Palatina in Palermo}, publisher={Princeton University Press}, author={Tronzo, William}, year={1997} }
@inbook{Tronzo_2001, address={New York}, title={Chapter 10 The Mantle of Roger II of Sicily}, volume={The new Middle Ages}, booktitle={Robes and honor: the medieval world of investiture}, publisher={Palgrave}, author={Tronzo, William}, editor={Gordon, Stewart}, year={2001}, pages={241–254} }
@inbook{Tronzo_2005, address={München}, title={Regarding Norman Sicily: art, identity and court culture in the later Middle Ages}, booktitle={Römisches Jahrbuch der Bibliotheca Hertziana: Band 35: 2003/4}, publisher={Hirmer Verlag}, author={Tronzo, William}, year={2005} }
@inbook{Tronzo_2015, address={Basingstoke}, title={The artistic culture of twelfth-century Sicily, with a focus on Palermo}, url={https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=4001404&ppg=69}, booktitle={Sicily and the Mediterranean: migration, exchange, reinvention}, publisher={Palgrave Macmillan}, author={Tronzo, William}, editor={Karagoz, Claudia and Summerfield, Giovanna}, year={2015}, pages={61–76} }
@book{Truitt_Project Muse_2015, address={Philadelphia}, title={Medieval robots: mechanism, magic, nature, and art}, url={https://bris.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt14jxw3m}, publisher={University of Pennsylvania Press}, author={Truitt, Elly Rachel and Project Muse}, year={2015} }
@article{Vernon_2019, title={Dressing for Succession in Norman Italy: The Mantle of King Roger II}, volume={31}, DOI={10.1080/09503110.2018.1551699}, number={1}, journal={Al-Masāq}, author={Vernon, Clare}, year={2019}, month={Jan}, pages={95–110} }
@article{VINCENZA GAROFALO_2010, title={A Methodology for Studying Muqarnas: The Extant Examples in Palermo}, volume={27}, url={https://www.jstor.org/stable/25769702}, journal={Muqarnas}, publisher={Brill}, author={VINCENZA GAROFALO}, year={2010}, pages={357–406} }
@inbook{Walker_2015, address={Cambridge}, title={Pseudo-Arabic ‘inscriptions’ and the pilgrims path at Hosios Loukas}, url={https://doi-org.bris.idm.oclc.org/10.1017/CBO9781316136034.006}, booktitle={Viewing Inscriptions in the Late Antique and Medieval World}, publisher={Cambridge University Press}, author={Walker, Alicia}, editor={Eastmond, Antony}, year={2015}, pages={99–123} }
@article{Walker, title={Cross-cultural reception in the absence of texts: the Islamic appropriation of a Middle Byzantine rosette casket}, url={http://www.journals.uchicago.edu.bris.idm.oclc.org/doi/abs/10.2307/20648966}, journal={Gesta}, author={Walker, Alicia}, pages={99–122} }
@book{Walker_Cambridge Books Online (Online service)_2012, address={Cambridge}, title={The Emperor and the World: Exotic Elements and the Imaging of Middle Byzantine Imperial Power, Ninth to Thirteenth Centuries C.E.}, url={https://bris.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511791895}, publisher={Cambridge University Press}, author={Walker, Alicia and Cambridge Books Online (Online service)}, year={2012} }
@book{Walker_Batten_2016, address={Amsterdam}, title={Art in Spain and Portugal from the Romans to the Early Middle Ages: routes and myths}, publisher={Amsterdam University Press}, author={Walker, Rose and Batten, John}, year={2016} }
@article{Weitzmann_1963, title={Thirteenth Century Crusader Icons on Mount Sinai}, volume={45}, DOI={10.2307/3048094}, number={3}, journal={The Art Bulletin}, author={Weitzmann, Kurt}, year={1963}, month={Sep} }
@article{Weitzmann_1966, title={Icon Painting in the Crusader Kingdom}, volume={20}, DOI={10.2307/1291242}, journal={Dumbarton Oaks Papers}, author={Weitzmann, Kurt}, year={1966} }
@inbook{Weyl Carr_1986, address={Kalamazoo, Mich}, title={East, West and icons in twelfth-century Outremer}, volume={21}, booktitle={The Meeting of two worlds: cultural exchange between East and West during the period of the Crusades}, publisher={Medieval Institute Publications}, author={Weyl Carr, Annemarie}, year={1986}, pages={347–359} }
@inbook{Wixom_1997, address={New York}, title={Byzantine Art and the Latin West}, booktitle={The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843-1261}, author={Wixom, William}, year={1997}, pages={435–507} }
@article{Woodfin, title={Presents given and presence subverted: the Cunegunda Chormantel in Bamberg and the ideology of Byzantine textiles}, url={http://www.journals.uchicago.edu.bris.idm.oclc.org/doi/abs/10.2307/20648959}, journal={Gesta}, author={Woodfin, Warren U.}, pages={33–50} }
@article{Zeitler_1994, title={Cross-Cultural Interpretations of Imagery in the Middle Ages}, volume={76}, DOI={10.2307/3046063}, number={4}, journal={The Art Bulletin}, author={Zeitler, Barbara}, year={1994}, month={Dec} }
@inbook{Zeitler_2012, address={Aldershot}, title={The Distorting Mirror: Reflections on the Queen Melisende Psalter}, volume={Society for the Promotion of Byzantine Studies publication}, booktitle={Through the looking glass: Byzantium through British eyes : papers from the Twenty-ninth Spring Symposium of Byzantine Studies, London, March 1995}, publisher={Ashgate}, author={Zeitler, Barbara}, editor={Cormack, Robin and Jeffreys, Elizabeth}, year={2012}, pages={69–83} }
@book{Dodds_1992, address={New York}, title={Al-Andalus: the Art of Islamic Spain}, url={https://www.metmuseum.org/art/metpublications/Al_Andalus_The_Art_of_Islamic_Spain}, publisher={Metropolitan Museum of Art}, year={1992} }
@book{Carboni_2007a, address={New Haven}, title={Venice and the Islamic world, 828-1797}, publisher={Yale University Press}, year={2007} }
@book{Carboni_2007b, address={New Haven}, title={Venice and the Islamic world, 828-1797}, publisher={Yale University Press}, year={2007} }
@book{Saurma-Jeltsch_Eisenbeiss_2010, address={Berlin}, title={The power of things and the flow of cultural transformations: art and culture between Europe and Asia}, publisher={Deutscher Kunstverlag}, year={2010} }
@article{Grossman_Walker_2012, title={Medieval Encounters - special issue on Mechanisms of Exchange: Transmission in Medieval Art and Architecture of the Mediterranean, ca. 1000-1500}, volume={18}, url={http://booksandjournals.brillonline.com.bris.idm.oclc.org/content/journals/15700674/18/4-5}, number={4–5}, year={2012} }
@book{Porter_Rosser-Owen_2012, address={London}, title={Metalwork and material culture in the Islamic world: art, craft and text : essays presented to James W. Allan}, url={https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1208973}, publisher={I.B Tauris}, year={2012} }
@book{Nef_2013, address={Leiden}, title={A companion to medieval Palermo: the history of a Mediterranean city from 600 to 1500}, volume={5}, publisher={Brill}, year={2013} }
@book{Lapina_Morris_Throop_Whatley_2015, address={Farnham}, title={The Crusades and visual culture}, publisher={Ashgate}, year={2015} }
@book{Dell’Acqua_2016, address={Berlin}, title={The Salerno ivories: objects, histories, contexts}, publisher={Gebr. Mann}, year={2016} }
@book{Boehm_Holcomb_2016a, address={New York}, title={Jerusalem, 1000-1400: every people under heaven}, publisher={The Metropolitan Museum of Art}, year={2016} }
@book{Boehm_Holcomb_2016b, address={New York}, title={Jerusalem, 1000-1400: every people under heaven}, publisher={The Metropolitan Museum of Art}, year={2016} }
@book{Boehm_Holcomb_2016c, address={New York}, title={Jerusalem, 1000-1400: every people under heaven}, publisher={The Metropolitan Museum of Art}, year={2016} }
@misc{Detailed record for Egerton 1139, url={http://www.bl.uk/catalogues/illuminatedmanuscripts/record.asp?MSID=8095} }
