Bibliography for HART30029 Artistic Exchange in the Mediterranean BETA

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Rosser-Owen M. Mediterraneanism: how to incorporate Islamic art into an emerging field. Journal of Art Historiography [Internet]. 2012;6:1–33. Available from: https://doaj.org/article/46924fe63a504d25a2ecefada851e713

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Brubaker L. The Elephant and the Ark: Cultural and Material Interchange across the Mediterranean in the Eighth and Ninth Centuries. Dumbarton Oaks Papers. 2004;58.

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Contadini A. Translocation and transformation: some Middle Eastern objects in Europe. In: Saurma-Jeltsch LE, Eisenbeiss A, editors. The power of things and the flow of cultural transformations: art and culture between Europe and Asia. Berlin: Deutscher Kunstverlag; 2010. p. 42–64.

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Shalem A. From Royal Caskets to Relic Containers: Two Ivory Caskets from Burgos and Madrid. Muqarnas. 1995;12.

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Silva Santa-Cruz N. Ivory gifts for women in caliphal Córdoba: marriage, maternity and sensuality. Journal of Medieval Iberian Studies. 2014 Jan 2;6(1):103–25.

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Jennifer Kingsley. Reconsidering the medieval oliphant: the ivory horn in the Walters Art Museum. The Journal of the Walters Art Museum [Internet]. 2011;68:9–20. Available from: http://www.jstor.org.bris.idm.oclc.org/stable/24412670

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Rosser-Owen M. The Oliphant: A Call for a Shift of Persepctive. In: Romanesque and the Mediterranean: patterns of exchange across the Latin, Greek and Islamic Worlds c1000-c1250. Leeds: Maney; 2015. p. 15–58.

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Shalem A. The oliphant: Islamic objects in historical context [Internet]. Vol. volume 54. Leiden: Brill; 2004. Available from: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3003961

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Eastmond A. The St Petroc casket, a certain mutilated man, and the trade in ivories. In: Knipp D, editor. Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007. München: Hirmer Verlag GmbH; 2011. p. 82–97.

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Ebitz D. Fatimid Style and Byzantine Model in a Venetian Ivory Carving Workshop. In: The Meeting of two worlds: cultural exchange between East and West during the period of the Crusades. Kalamazoo, Mich: Medieval Institute Publications; 1986. p. 309–29.

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Hoffman E. Translation in ivory: interactions across cultures and media in the Mediterranean during the twelfth and thirteenth centuries. In: Knipp D, editor. Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007. München: Hirmer Verlag GmbH; 2011. p. 99–119.

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Knipp D. Form and ornament in Siculo-Arabic ivory painting: the track leads to Norman principality of Antioch. In: Knipp D, editor. Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007. München: Hirmer Verlag GmbH; 2011. p. 200–22.

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O’Neill JP, Metropolitan Museum of Art (New York). The art of medieval Spain, A.D. 500-1200. New York: The Metropolitan Museum of Art; 1993.

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Prado-Vilar F. Circular Visions of Fertility and Punishment: Caliphal Ivory Caskets from al-Andalus. Muqarnas. 1997;14.

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Rosser-Owen M. Incrusted with ivory: observations on a casket in the Victoria and Albert Museum. In: Knipp D, editor. Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007. München: Hirmer Verlag GmbH; 2011. p. 53–79.

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Rosser-Owen M. Islamic Objects in Christian Contexts: Relic Translation and Modes of Transfer in Medieval Iberia. Art in Translation. 2015 Mar;7(1):39–63.

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Walker R, Batten J. Art in Spain and Portugal from the Romans to the Early Middle Ages: routes and myths. Amsterdam: Amsterdam University Press; 2016.

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Harris JA. Mosque To Church Conversions in the Spanish Reconquest. Medieval Encounters. 1997 Jan 1;3(2):158–72.

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Hutcheson GS. Contesting the Mezquita del Cristo de la Luz. La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures. 2014;43(1):201–29.

43.

Raizman D. The Church of Santa Cruz and the Beginnings of Mudejar Architecture in Toledo. Gesta. 1999 Jan;38(2):128–41.

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Mathews KR. Plunder of war or objects of trade? The reuse and reception of Andalusi objects in medieval Pisa. Journal of Medieval Iberian Studies. 2012 Sep;4(2):233–58.

45.

Behrens-Abouseif D. European Arts and Crafts at the Mamluk Court. Muqarnas Online [Internet]. 2004 Jan 1;21(1):45–54. Available from: https://www-jstor-org.bris.idm.oclc.org/stable/1523343

46.

Flood FB. Image against Nature. The Medieval History Journal. 2006 Apr;9(1):143–66.

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Flood FB. The medieval trophy as an art historical trope: Coptic and Byzantine ‘Altars’ in Islamic Contexts. Muqarnas Online [Internet]. 2001 Jan 1;18(1):41–72. Available from: https://www-jstor-org.bris.idm.oclc.org/stable/1523301

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Gonnella J. Columns and Hieroglyphs: Magic Spolia in Medieval Islamic Architecture of Northern Syria. Muqarnas Online [Internet]. 2011 Jan 1;27(1):103–20. Available from: https://www-jstor-org.bris.idm.oclc.org/stable/25769694

49.

Bush O. Reframing the Alhambra: Architecture, poetry, textiles and court ceremonial. Edinburgh: Edinburgh University Press; 2018.

50.

Contadini A. Beasts that roared: the Pisa Griffin and the New York Lion. In: Ball W, Harrow L, editors. Cairo to Kabul: Afghan and Islamic Studies Presented to Ralph Pinder-Wilson [Internet]. London: Melisende; 2002. p. 65–83. Available from: https://eprints.soas.ac.uk/4219/

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Dodds J, editor. Al-Andalus: the Art of Islamic Spain [Internet]. New York: Metropolitan Museum of Art; 1992. Available from: https://www.metmuseum.org/art/metpublications/Al_Andalus_The_Art_of_Islamic_Spain

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Dodds JD, Menocal MR, Balbale AK. The arts of intimacy: Christians, Jews, and Muslims in the making of Castilian culture. New Haven: Yale University Press; 2008.

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Dodds JD. Union. In: The arts of intimacy: Christians, Jews, and Muslims in the making of Castilian culture. New Haven: Yale University Press; 2008. p. 113–61.

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Ecker HL. The Conversion of Mosques to Synagogues in Seville: The Case of the Mezquita de la Judería. Gesta. 1997 Jan;36(2):190–207.

55.

Mathews KR. Other peoples’ dishes: Islamic bacini on eleventh-century churches in Pisa. Gesta [Internet]. 2014;53/1:5–23. Available from: http://www.journals.uchicago.edu.bris.idm.oclc.org/doi/abs/10.1086/675415

56.

Jewish Museum. Convivencia: Jews, Muslims, and Christians in medieval Spain. Mann VB, Glick TF, Dodds JD, editors. New York: George Braziller in association with the Jewish Museum; 1992.

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Menocal MR. Just what is Mudéjar really. In: Martin AL, Martinez-Carazo C, editors. Spain’s Multicultural Legacies Studies in Honor of Samuel G Armistead [Internet]. Newark, DE: Juan de la Cuesta; 2008. p. 144–57. Available from: http://mariarosamenocal.com/uploads/3/0/8/9/3089194/2008_article_just_what_is_mudejar_really.pdf

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Mogollón Cano-Cortés MP. Manifestations of Power and Visual Culture: Some Examples in Extremaduran Mudejar Architecture. Medieval Encounters. 2006 Nov 1;12(3):341–59.

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Ruggles DF. The Alcazar of Seville and Mudejar Architecture. Gesta. 2004 Jan;43(2):87–98.

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Cynthia Robinson. Mudéjar Revisited: A Prologoména to the Reconstruction of Perception, Devotion, and Experience at the Mudéjar Convent of Clarisas, Tordesillas, Spain (Fourteenth Century A.D.). RES: Anthropology and Aesthetics [Internet]. 2003;(43):51–77. Available from: http://www.jstor.org.bris.idm.oclc.org/stable/20167590

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Ila Nicole Sheren. Transcultured Architecture: Mudéjar’s Epic Journey Reinterpreted. Contemporaneity: Historical Presence in Visual Culture [Internet]. 2011;1:137–51. Available from: https://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/5

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Hunt LA. Ceiling and casket at the Cappella Palatina and Christian Arab art between Sicily and Egypt in the twelfth and thirteenth centuries’. In: Knipp D, editor. Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007. München: Hirmer Verlag GmbH; 2011. p. 170–97.

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Knipp D. Image, presence and ambivalence: the Byzantine tradition of the painted ceiling in the Cappella Palatina, Palermo. In: Bauer FA, editor. Visualisierungen von Herrschaft: frühmittelalterliche Residenzen : Gestalt und Zeremoniell : internationales Kolloquium 3/4 Juni 2004 in Istanbul. Istanbul: Ege Yayınları; 2006. p. 283–328.

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Johns J. Arabic Inscriptions in the Cappella Palatina: Performativity, Audience, Legibility and Illegibility. In: Eastmond A, editor. Viewing Inscriptions in the Late Antique and Medieval World [Internet]. Cambridge: Cambridge University Press; 2015. p. 124–47. Available from: https://www-cambridge-org.bris.idm.oclc.org/core/books/viewing-inscriptions-in-the-late-antique-and-medieval-world/arabic-inscriptions-in-the-cappella-palatina-performativity-audience-legibility-and-illegibility/C113561C55CDE401F110F6542698C722/core-reader

66.

Johns J. Muslim artists and Christian models in the painted ceilings of the Cappella Palatina. In: Romanesque and the Mediterranean: patterns of exchange across the Latin, Greek and Islamic Worlds c1000-c1250. Leeds: Maney; 2015. p. 59–89.

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Hannah Baader and Gerhard Wolf. A Sea-to-Shore Perspective: Littoral and Liminal Spaces of the Medieval and Early Modern Mediterranean. Mitteilungen des Kunsthistorischen Institutes in Florenz [Internet]. 2014;2–15. Available from: http://www.jstor.org.bris.idm.oclc.org/stable/23890551

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Jansen KL, Drell JH, Andrews F. Ibn Jubayr’s account of Messina and Palermo (1184-85). In: Medieval Italy: texts in translation [Internet]. Philadelphia: University of Pennsylvania Press; 2009. p. 234–40. Available from: https://www-jstor-org.bris.idm.oclc.org/stable/j.ctt3fhhzb.66

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Borsook E. The Cappella Palatina at Palermo: A coronation commemorated. In: Messages in mosaic: the royal programmes of Norman Sicily (1130-1187). Oxford: Clarendon; 1990. p. 17–41.

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Kitzinger E. The Mosaics of the Cappella Palatina in Palermo: An Essay on the Choice and Arrangement of Subjects. The Art Bulletin. 1949 Dec;31(4).

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Kitzinger E. Mosaic Decoration in Sicily under Roger II and the Classical Byzantine System of Church Decoration. In: Italian church decoration of the Middle Ages and early Renaissance: functions, forms and regional traditions : ten contributions to a colloquium held at the Villa Spelman, Florence. Bologna: Nuova Alfa; 1989. p. 147–65.

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Tronzo W. The Medieval Object-Enigma, and the Problem of the Cappella Palatina in Palermo. Word & image [Internet]. 1993;197–228. Available from: http://linkserver.bristol.ac.uk:9003/prod?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2017-02-21T11:10:39IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Journal-44BU_SFX_DS&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=journal&rft.atitle=&rft.jtitle=Word%20&%20image&rft.btitle=&rft.aulast=&rft.auinit=&rft.auinit1=&rft.auinitm=&rft.ausuffix=&rft.au=&rft.aucorp=&rft.volume=&rft.issue=&rft.part=&rft.quarter=&rft.ssn=&rft.spage=&rft.epage=&rft.pages=&rft.artnum=&rft.issn=0266-6286&rft.eissn=1943-2178&rft.isbn=&rft.sici=&rft.coden=&rft_id=info:doi/&rft.object_id=954925500123&svc_val_fmt=info:ofi/fmt:kev:mtx:sch_svc&svc.fulltext=yes&rft_dat=%3C44BU_SFX_DS%3E954925500123%3C/44BU_SFX_DS%3E%3Cgrp_id%3E119948189%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft.eisbn=&rft_id=info:oai/&req.language=eng

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Jonathan M. Bloom. The Introduction of the Muqarnas into Egypt. Muqarnas Online [Internet]. 1987;5(1):21–8. Available from: http://booksandjournals.brillonline.com.bris.idm.oclc.org/content/journals/10.1163/22118993-90000219

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Booms D, Higgs P. Sicily: culture and conquest. London: The British Museum Press; 2016.

75.

Curcic S. Some Palatine Aspects of the Cappella Palatina in Palermo. Dumbarton Oaks Papers. 1987;41.

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VINCENZA GAROFALO. A Methodology for Studying Muqarnas: The Extant Examples in Palermo. Muqarnas [Internet]. 2010;27:357–406. Available from: https://www.jstor.org/stable/25769702

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Grabar O. The Ceiling of the Cappella Palatina. In: Bierman IA, editor. The experience of Islamic art on the margins of Islam. Reading: Ithaca Press in association with the Gustav E. von Grunebaum Center for Near Eastern Studies; 2005. p. 48–55.

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Nef A, editor. A companion to medieval Palermo: the history of a Mediterranean city from 600 to 1500. Vol. 5. Leiden: Brill; 2013.

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Tronzo W. The artistic culture of twelfth-century Sicily, with a focus on Palermo. In: Karagoz C, Summerfield G, editors. Sicily and the Mediterranean: migration, exchange, reinvention [Internet]. Basingstoke: Palgrave Macmillan; 2015. p. 61–76. Available from: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=4001404&ppg=69

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Dolezalek I. Fashionable Form and Tailor-made Message: Transcultural Approaches to Arabic Script on the Royal Norman Mantle and Alb. The Medieval History Journal. 2012 Oct;15(2):243–68.

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Tronzo W. Chapter 10 The Mantle of Roger II of Sicily. In: Gordon S, editor. Robes and honor: the medieval world of investiture. New York: Palgrave; 2001. p. 241–54.

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von Folsach K. A set of silk panels from the Mongol period. In: Blair SS, Bloom JM, editors. God is beautiful and loves beauty: the object in Islamic art and culture. New Haven: Yale University Press in association with The Qatar Foundation, Virginia Commonwealth University, and Virginia Commonwealth University School of the Arts in Qater; 2013. p. 218–41.

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George T. Beech. The Eleanor of Aquitaine Vase: Its Origins and History to the Early Twelfth Century. Ars Orientalis [Internet]. 1992;22:69–79. Available from: http://www.jstor.org.bris.idm.oclc.org/stable/4629425

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Beech GT. The Eleanor of Aquitaine Vase, William IX of Aquitaine, and Muslim Spain. Gesta. 1993 Jan;32(1):3–10.

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