Bibliography for HART30029 Artistic Exchange in the Mediterranean BETA

Alcouffe, D. (1984) ‘Islamic Hardstone Carving’, in D. Buckton (ed.) The Treasury of San Marco, Venice. Milan: Olivetti, pp. 202–227. Available at: https://www.metmuseum.org/art/metpublications/The_Treasury_of_San_Marco_Venice.

Alicia Walker (2008) ‘Meaningful Mingling: Classicizing Imagery and Islamicizing Script in a Byzantine Bowl’, The Art Bulletin, 90(1), pp. 32–53. Available at: http://www.jstor.org.bris.idm.oclc.org/stable/20619587.

Alicia Walker (2010) ‘Patterns of Flight: Middle Byzantine Adoptions of the Chinese Feng Huang Bird’, Ars Orientalis, 38, pp. 188–216. Available at: http://www.jstor.org.bris.idm.oclc.org/stable/29550024.

Allan, J.W. (1994) ‘The influence of the metalwork of the Arab Mediterranean on that of medieval Europe’, in The Arab influence in Medieval Europe. Reading: Ithaca Press, pp. 44–62.

Anderson, G. (2014) ‘Sign of the Cross: contexts for the Ivory Cross of San Millán de la Cogolla’, Journal of Medieval Iberian Studies, 6(1), pp. 15–41. Available at: https://doi.org/10.1080/17546559.2014.889321.

Anderson, G.D. (2013) ‘Architecture and Ornament’, in The Islamic villa in early medieval Iberia: architecture and court culture in Umayyad Cordoba. Farnham: Ashgate, pp. 47–104.

Armando, S. (2015) ‘Fatimid Ivories in Ifrīqiya: the Madrid and Mantua caskets between construction and decoration’, Journal of Islamic Archaeology, 2.2, pp. 195–228.

Avinoam Shalem (2011) ‘Histories of Belonging and George Kubler’s Prime Object’, Getty Research Journal, (3), pp. 1–14. Available at: http://www.jstor.org.bris.idm.oclc.org/stable/23005384.

Bacci, M. (2008) ‘Chapter 7 Byzantium and the West’, in Byzantium, 330-1453. London: Royal Academy of Arts, pp. 275–305.

Baer, E. (2014) ‘Chapter 4 Ayyubid Metalwork with Christian Images’, in Ayyubid metalwork with Christian images. Leiden: Brill, pp. 41–49.

Ballian, A. (2010) ‘Three Islamic inlaid brasses and the Mosul tradition of inlaid metalwork’, Mouseio Benakē, pp. 113–140.

Beech, G.T. (1993) ‘The Eleanor of Aquitaine Vase, William IX of Aquitaine, and Muslim Spain’, Gesta, 32(1), pp. 3–10. Available at: https://doi.org/10.2307/767013.

Behrens-Abouseif, D. (2004) ‘European Arts and Crafts at the Mamluk Court’, Muqarnas Online, 21(1), pp. 45–54. Available at: https://doi.org/10.1163/22118993-90000053.

Belting, H. (1994a) ‘Chapter 16 'In the Greek Manner’: Imported Icons in the West’, in Likeness and presence: a history of the image before the era of art. Chicago: University of Chicago Press, pp. 330–348.

Belting, H. (1994b) ‘Chapter 17 Icons in the Age of the Tuscan Cities’, in Likeness and presence: a history of the image before the era of art. Chicago: University of Chicago Press.

Bettini, S. (1984) ‘Venice, the Pala d’Oro and Constantinople’, in D. Buckton (ed.) The Treasury of San Marco, Venice. Milan: Olivetti, pp. 35–64.

Boehm, B.D. and Holcomb, M. (eds) (2016a) Jerusalem, 1000-1400: every people under heaven. New York: The Metropolitan Museum of Art.

Boehm, B.D. and Holcomb, M. (eds) (2016b) Jerusalem, 1000-1400: every people under heaven. New York: The Metropolitan Museum of Art.

Boehm, B.D. and Holcomb, M. (eds) (2016c) Jerusalem, 1000-1400: every people under heaven. New York: The Metropolitan Museum of Art.

Booms, D. and Higgs, P. (2016) Sicily: culture and conquest. London: The British Museum Press.

Borsook, E. (1990) ‘The Cappella Palatina at Palermo: A coronation commemorated’, in Messages in mosaic: the royal programmes of Norman Sicily (1130-1187). Oxford: Clarendon, pp. 17–41.

Brown, P.F. (1996) Venice & antiquity: the Venetian sense of the past. New Haven: Yale University Press.

Brubaker, L. (2004) ‘The Elephant and the Ark: Cultural and Material Interchange across the Mediterranean in the Eighth and Ninth Centuries’, Dumbarton Oaks Papers, 58. Available at: https://doi.org/10.2307/3591385.

Buchtal, H. (1957) Miniature Painting in the Latin Kingdom.

Buckton, D. and Osborne, J. (2000) ‘The Enamel of Doge Ordelaffo Falier on the Pala d’Oro in Venice’, Gesta, 39(1), pp. 43–49. Available at: https://doi.org/10.2307/767152.

Bush, O. (2018) Reframing the Alhambra: Architecture, poetry, textiles and court ceremonial. Edinburgh: Edinburgh University Press. Available at: https://doi.org/10.3366/edinburgh/9781474416504.001.0001.

Campbell, C. and Chong, A. (2005) Bellini and the East. London: National Gallery Company.

Carboni, S. (ed.) (2007a) Venice and the Islamic world, 828-1797. New Haven: Yale University Press.

Carboni, S. (ed.) (2007b) Venice and the Islamic world, 828-1797. New Haven: Yale University Press.

Carr, A.W. (1995) ‘Byzantines and Italians on Cyprus: Images from Art’, Dumbarton Oaks Papers, 49. Available at: https://doi.org/10.2307/1291718.

CECILY J. HILSDALE (2010) ‘The Imperial Image at the End of Exile: The Byzantine Embroidered Silk in Genoa and the Treaty of Nymphaion (1261)’, Dumbarton Oaks Papers, 64, pp. 151–199. Available at: http://www.jstor.org.bris.idm.oclc.org/stable/41480885.

Contadini, A. (1999) ‘The cutting edge: problems of history, identification and technique of Fatimid rock crystals’, in M. Barrucand (ed.) L’Egypte fatimide. Son art et son histoire. Paris: Presses Universitaires de Paris-Sorbonne, pp. 319–329. Available at: http://eprints.soas.ac.uk/4508/1/Contadini_1999_CuttingEdge.pdf.

Contadini, A. (2002) ‘Beasts that roared: the Pisa Griffin and the New York Lion’, in W. Ball and L. Harrow (eds) Cairo to Kabul: Afghan and Islamic Studies Presented to Ralph Pinder-Wilson. London: Melisende, pp. 65–83. Available at: https://eprints.soas.ac.uk/4219/.

Contadini, A. (2010) ‘Translocation and transformation: some Middle Eastern objects in Europe’, in L.E. Saurma-Jeltsch and A. Eisenbeiss (eds) The power of things and the flow of cultural transformations: art and culture between Europe and Asia. Berlin: Deutscher Kunstverlag, pp. 42–64.

Cormack, R. and Mihalarias, S. (1984) ‘A Crusader painting of St George: “maniera greca” or “lingua franca”’, The Burlington magazine, 126(972), pp. 132–141. Available at: https://www-jstor-org.bris.idm.oclc.org/stable/881572?seq=1#metadata_info_tab_contents.

Cormack, R., Vasilakē, M., and Royal Academy of Arts (2008) Byzantium, 330-1453. London: Royal Academy of Arts.

Cruikshank Dodd, E. (2011) ‘Siculo-Arabic ivories: Christian motifs in Islamic painting’, in D. Knipp (ed.) Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007. München: Hirmer Verlag GmbH, pp. 151–167.

Curcic, S. (1987) ‘Some Palatine Aspects of the Cappella Palatina in Palermo’, Dumbarton Oaks Papers, 41. Available at: https://doi.org/10.2307/1291551.

Cutler, A. (1995) ‘From Loot to Scholarship: Changing Modes in the Italian Response to Byzantine Artifacts, ca. 1200-1750’, Dumbarton Oaks Papers, 49. Available at: https://doi.org/10.2307/1291714.

Cutler, A. (2001) ‘Gifts and Gift Exchange as Aspects of the Byzantine, Arab, and Related Economies’, Dumbarton Oaks Papers, 55. Available at: https://doi.org/10.2307/1291821.

Cynthia Robinson (2003) ‘Mudéjar Revisited: A Prologoména to the Reconstruction of Perception, Devotion, and Experience at the Mudéjar Convent of Clarisas, Tordesillas, Spain (Fourteenth Century A.D.)’, RES: Anthropology and Aesthetics, (43), pp. 51–77. Available at: http://www.jstor.org.bris.idm.oclc.org/stable/20167590.

Dale, T. (2010) ‘Reinventing the East at San Marco after the Fourth Crusade’, in San Marco, Byzantium, and the myths of Venice. Washington, D.C.: Dumbarton Oaks Research Library and Collection, pp. 151–191.

Dale, T.E.A. (1994) ‘Inventing a Sacred Past: Pictorial Narratives of St. Mark the Evangelist in Aquileia and Venice, ca. 1000-1300’, Dumbarton Oaks Papers, 48. Available at: https://doi.org/10.2307/1291722.

Dell’Acqua, F. (ed.) (2016) The Salerno ivories: objects, histories, contexts. Berlin: Gebr. Mann.

Derbes, A. (1989) ‘Siena and the Levant in the Later Dugento’, Gesta, 28(2), pp. 190–204. Available at: https://doi.org/10.2307/767068.

Derbes, A. (1996) Picturing the Passion in late medieval Italy: narrative painting, Franciscan ideologies, and the Levant. Cambridge: Cambridge University Press.

Derbes, A. and Neff, A. (2004) ‘Italy, the Mendicant Orders, and the Byzantine Sphere’, in Byzantium: faith and power (1261-1557). New York: Metropolitan Museum of Art in conjunction with Yale University Press, pp. 449–461.

Detailed record for Egerton 1139 (no date). Available at: http://www.bl.uk/catalogues/illuminatedmanuscripts/record.asp?MSID=8095.

Dittelbach, T. (2005) ‘The image of the private and public king in Norman Sicily’, in Römisches Jahrbuch der Bibliotheca Hertziana: Band 35: 2003/4. München: Hirmer Verlag.

Dodd, E.C. (2011) Siculo-Arabic ivories: Christian motifs in Islamic painting’, Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007. Edited by D. Knipp. München: Hirmer Verlag GmbH, pp. 151–167.

Dodds, J. (ed.) (1992) Al-Andalus: the Art of Islamic Spain. New York: Metropolitan Museum of Art. Available at: https://www.metmuseum.org/art/metpublications/Al_Andalus_The_Art_of_Islamic_Spain.

Dodds, J. (1993) ‘Islam, Christianity and the problem of religious art’, in The art of medieval Spain, A.D. 500-1200. New York: The Metropolitan Museum of Art, pp. 27–37.

Dodds, J.D. (2008) ‘Union’, in The arts of intimacy: Christians, Jews, and Muslims in the making of Castilian culture. New Haven: Yale University Press, pp. 113–161.

Dodds, J.D., Menocal, M.R. and Balbale, A.K. (2008) The arts of intimacy: Christians, Jews, and Muslims in the making of Castilian culture. New Haven: Yale University Press.

Dolezalek, I. (2012) ‘Fashionable Form and Tailor-made Message: Transcultural Approaches to Arabic Script on the Royal Norman Mantle and Alb’, The Medieval History Journal, 15(2), pp. 243–268. Available at: https://doi.org/10.1177/097194581201500202.

Dolezalek, I. (2013) ‘Textile Connections? Two Ifrīqiyan Church Treasuries in Norman Sicily and the Problem of Continuity across Political Change’, Al-Masāq, 25(1), pp. 92–112. Available at: https://doi.org/10.1080/09503110.2013.767009.

Dolezalek, I. (2017) Arabic Script on Christian Kings: Textile Inscriptions on Royal Garments from Norman Sicily. Berlin: De Gruyter.

Dorothy G. Shepherd (1978) ‘A Treasure from a Thirteenth-Century Spanish Tomb’, The Bulletin of the Cleveland Museum of Art, 65(4), pp. 111–134. Available at: http://www.jstor.org.bris.idm.oclc.org/stable/25159577.

Duggan, T.M.P. (2009) ‘Diplomatic Shock and Awe: Moving, Sometimes Speaking, Islamic Sculptures’, Al-Masaq, 21(3), pp. 229–267. Available at: https://doi.org/10.1080/09503110903343267.

E. Jane Burns (2006) ‘Saracen Silk and the Virgin’s “Chemise”: Cultural Crossing in Cloth’, Speculum, 81(2), pp. 365–397. Available at: http://www.jstor.org.bris.idm.oclc.org/stable/20463715.

Eastmond, A. (2011) ‘The St Petroc casket, a certain mutilated man, and the trade in ivories’, in D. Knipp (ed.) Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007. München: Hirmer Verlag GmbH, pp. 82–97.

Ebitz, D. (1986a) ‘Fatimid Style and Byzantine Model in a Venetian Ivory Carving Workshop’, in The Meeting of two worlds: cultural exchange between East and West during the period of the Crusades. Kalamazoo, Mich: Medieval Institute Publications, pp. 309–329.

Ebitz, D. (1986b) ‘Secular to Sacred: The Transformation of an Oliphant in the Musée de Cluny’, Gesta, 25(1), pp. 31–38. Available at: https://doi.org/10.2307/766895.

Ecker, H.L. (1997) ‘The Conversion of Mosques to Synagogues in Seville: The Case of the Mezquita de la Judería’, Gesta, 36(2), pp. 190–207. Available at: https://doi.org/10.2307/767238.

Evans, H.C., Wixom, W.D., and Metropolitan Museum of Art (New York) (1997) The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843-1261. New York.

Flood, F.B. (2001) ‘The medieval trophy as an art historical trope: Coptic and Byzantine “Altars” in Islamic Contexts’, Muqarnas Online, 18(1), pp. 41–72. Available at: https://doi.org/10.1163/22118993-90000016.

Flood, F.B. (2006) ‘Image against Nature’, The Medieval History Journal, 9(1), pp. 143–166. Available at: https://doi.org/10.1177/097194580500900108.

Folda, J. (1992) ‘Reflections on art in Crusader Jerusalem about the time of the Second Crusade: c. 1140 – c.1150’, in The Second Crusade and the Cistercians. New York: St. Martin’s Press, pp. 171–182.

Folda, J. (1995) ‘Chapter 6 Crusader Art in the Reign of King Fulk and Queen Melisende 1131-1143’, in The art of the crusaders in the Holy Land, 1098-1187. Cambridge: Cambridge University Press, pp. 119–174.

Folda, J. (1997) ‘Crusader Art’, in The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843-1261. New York, pp. 389–401.

Folda, J. (2004) ‘The Figural Arts in Crusader Syria and Palestine, 1187-1291: Some New Realities’, Dumbarton Oaks Papers, 58. Available at: https://doi.org/10.2307/3591390.

Folda, J. (2005a) ‘ch 7 Acre and the art of the Crusaders: the final years, 1268-89’, in Crusader art in the Holy Land: from the Third Crusade to the fall of Acre, 1187-1291. Cambridge: Cambridge University Press.

Folda, J. (2005b) ‘Chapter 6 Turmoil in the Holy Land: 1244-1268’, in Crusader art in the Holy Land: from the Third Crusade to the fall of Acre, 1187-1291. Cambridge: Cambridge University Press, pp. 230–368.

Folda, J. (2005c) Crusader art in the Holy Land: from the Third Crusade to the fall of Acre, 1187-1291. Cambridge: Cambridge University Press.

Folda, J. (2006) ‘East meets West: the art and architecture of the Crusader States’, in A companion to Medieval art: Romanesque and Gothic in Northern Europe. Malden, Mass: Blackwell, pp. 488–509. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=243612&ppg=512.

Folda, J. (2007) ‘Mounted Warrior Saints in Crusader Icons: Images of the Knighthoods of Christ’, in N. Housley (ed.) Knighthoods of Christ: essays on the history of the Crusades and the Knights Templar, presented to Malcolm Barber. Aldershot: Ashgate, pp. 87–107.

Folda, J. (2008a) Crusader art: the art of the Crusaders in the Holy Land, 1099-1291. Aldershot: Lund Humphries.

Folda, J. (2008b) Crusader art: the art of the Crusaders in the Holy Land, 1099-1291. Aldershot: Lund Humphries.

Folda, J. (2012) ‘Melisende of Jerusalem: queen and patron of art and architecture in the Crusader kingdom’, in T. Martin (ed.) Reassessing the Roles of Women as ‘Makers’ of Medieval Art and Architecture (2 vol. set). Leiden: Brill, pp. 429–477. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=934338&ppg=471.

Folda, J. (2015) ‘Twelfth-century crusader art in Bethlehem and Jerusalem: points of contact between Europe and the Crusader Kingdom’, in Romanesque and the Mediterranean: patterns of exchange across the Latin, Greek and Islamic Worlds c.1000-c.1250. Leeds: Maney, pp. 1–14.

von Folsach, K. (2013) ‘A set of silk panels from the Mongol period’, in S.S. Blair and J.M. Bloom (eds) God is beautiful and loves beauty: the object in Islamic art and culture. New Haven: Yale University Press in association with The Qatar Foundation, Virginia Commonwealth University, and Virginia Commonwealth University School of the Arts in Qater, pp. 218–241.

G. Fehérvári (1977) ‘Working in Metal: Mutual Influences between the Islamic World and the Medieval West’, The Journal of the Royal Asiatic Society of Great Britain and Ireland, (1), pp. 3–16. Available at: http://www.jstor.org.bris.idm.oclc.org/stable/25210849.

Gaudette, H.A. (2010) ‘The spending power of a Crusader queen: Melisende of Jerusalem’, in T. Earenfight (ed.) Women and wealth in late medieval Europe. New York: Palgrave Macmillan, pp. 135–148. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=623799&ppg=145.

George T. Beech (1992) ‘The Eleanor of Aquitaine Vase: Its Origins and History to the Early Twelfth Century’, Ars Orientalis, 22, pp. 69–79. Available at: http://www.jstor.org.bris.idm.oclc.org/stable/4629425.

Georgopoulou, M. (1999) ‘Orientalism and Crusader Art: Constructing a New Canon’, Medieval Encounters, 5(3), pp. 289–321. Available at: https://doi.org/10.1163/157006799X00097.

Georgopoulou, M. (2001) Venice’s Mediterranean colonies: architecture and urbanism. Cambridge: Cambridge University Press.

Georgopoulou, M. (2004) ‘The Artistic World of the Crusaders and Oriental Christians in the Twelfth and Thirteenth Centuries’, Gesta, 43(2), pp. 115–128. Available at: https://doi.org/10.2307/25067099.

Gerevini, S. (no date) ‘The Grotto of the Virgin in San Marco: artistic reuse and cultural identity in medieval Venice’, Gesta, pp. 197–220. Available at: http://www.journals.uchicago.edu.bris.idm.oclc.org/doi/full/10.1086/677346.

Golombek, L. (2007) ‘The draped universe of Islam’, in Late antique and medieval art of the Mediterranean world. Malden, Mass: Blackwell, pp. 97–114.

Gonnella, J. (2011) ‘Columns and Hieroglyphs: Magic Spolia in Medieval Islamic Architecture of Northern Syria’, Muqarnas Online, 27(1), pp. 103–120. Available at: https://doi.org/10.1163/22118993-90000161.

Goss, V.P. and Bornstein, C.V. (1986) The Meeting of two worlds: cultural exchange between East and West during the period of the Crusades. Kalamazoo, Mich: Medieval Institute Publications.

Grabar, O. (2002) ‘About a Bronze Bird’, in Reading medieval images: the art historian and the object. Ann Arbor, MI: University of Michigan Press, pp. 117–126.

Grabar, O. (2005a) ‘Chapter 1 The Experience of Islamic Art on the Margins of Islam’, in I.A. Bierman (ed.) The experience of Islamic art on the margins of Islam. Reading: Ithaca Press in association with the Gustav E. von Grunebaum Center for Near Eastern Studies, pp. 11–59.

Grabar, O. (2005b) ‘The Ceiling of the Cappella Palatina’, in I.A. Bierman (ed.) The experience of Islamic art on the margins of Islam. Reading: Ithaca Press in association with the Gustav E. von Grunebaum Center for Near Eastern Studies, pp. 48–55.

Grabar, O. (2006a) ‘The Shared Culture of Objects’, in Islamic visual culture, 1100-1800. Aldershot: Ashgate Variorum, pp. 51–67.

Grabar, O. (2006b) ‘The Shared Culture of Objects’, in Islamic visual culture, 1100-1800. Aldershot: Ashgate Variorum, pp. 51–67.

Grossman, H.E. and Walker, A. (eds) (2012) ‘Medieval Encounters - special issue on Mechanisms of Exchange: Transmission in Medieval Art and Architecture of the Mediterranean, ca. 1000-1500’, 18(4–5). Available at: http://booksandjournals.brillonline.com.bris.idm.oclc.org/content/journals/15700674/18/4-5.

Guérin, S.M. (2013) ‘Forgotten Routes? Italy, Ifrīqiya and the Trans-Saharan Ivory Trade’, Al-Masaq, 25(1), pp. 70–91. Available at: https://doi.org/10.1080/09503110.2013.767012.

Guy le Strange (1897) ‘A Greek Embassy to Baghdād in 917 A.D.’, The Journal of the Royal Asiatic Society of Great Britain and Ireland, pp. 35–45. Available at: http://www.jstor.org.bris.idm.oclc.org/stable/25207823.

Hamilton, B. (2000) ‘Our Lady of Saidnaya: An Orthodox Shrine Revered By Muslims and Knights Templars at the Time of the Crusades’, in The Holy Land, holy lands, and Christian history: papers read at the 1998 Summer meeting and the 1999 Winter meeting of the Ecclesiastical History Society. Woodbridge: Published for the Ecclesiastical History Society by the Boydell Press, pp. 207–215.

Hannah Baader and Gerhard Wolf (2014) ‘A Sea-to-Shore Perspective: Littoral and Liminal Spaces of the Medieval and Early Modern Mediterranean’, Mitteilungen des Kunsthistorischen Institutes in Florenz, pp. 2–15. Available at: http://www.jstor.org.bris.idm.oclc.org/stable/23890551.

Harris, J. (1995) ‘Muslim ivories in Christian hands: the Leire Casket in context’, Art history, 18(2), pp. 213–221.

Harris, J.A. (1997) ‘Mosque To Church Conversions in the Spanish Reconquest’, Medieval Encounters, 3(2), pp. 158–172. Available at: https://doi.org/10.1163/157006797X00116.

Hoffman, E. (2011) ‘Translation in ivory: interactions across cultures and media in the Mediterranean during the twelfth and thirteenth centuries’, in D. Knipp (ed.) Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007. München: Hirmer Verlag GmbH, pp. 99–119.

Hoffman, E.R. (2001) ‘Pathways of Portability: Islamic and Christian Interchange from the Tenth to the Twelfth Century’, Art History, 24(1), pp. 17–50. Available at: https://doi.org/10.1111/1467-8365.00248.

Hoffman, E.R. (2004) ‘Christian-Islamic Encounters on Thirteenth-Century Ayyubid Metalwork: Local Culture, Authenticity, and Memory’, Gesta, 43(2), pp. 129–142. Available at: https://doi.org/10.2307/25067100.

Hoffman, E.R. (2012) ‘Translating Image and Text in the Medieval Mediterranean World between the Tenth and Thirteenth Centuries’, Medieval Encounters, 18(4–5), pp. 584–623. Available at: https://doi.org/10.1163/15700674-12342120.

Howard, D. (1991) ‘Venice and Islam in the Middle Ages: Some Observations on the Question of Architectural Influence’, Architectural History, 34. Available at: https://doi.org/10.2307/1568594.

Howard, D. (2000) Venice & the East: the impact of the Islamic world on Venetian architecture 1100-1500. New Haven: Yale University Press.

Howard, D. (2007) ‘Venice as an Eastern city’, in S. Carboni (ed.) Venice and the Islamic world, 828-1797. New Haven: Yale University Press, pp. 58–71.

Hunt, L.-A. (1991) ‘Art and Colonialism: The Mosaics of the Church of the Nativity in Bethlehem (1169) and the Problem of “Crusader” Art’, Dumbarton Oaks Papers, 45. Available at: https://doi.org/10.2307/1291693.

Hunt, L.-A. (2007) ‘Artistic interchange in old Cairo in the thirteenth to early fourteenth century: the role of painted and carved icons’, in Interactions: artistic interchange between the Eastern and Western worlds in the Medieval period. Princeton, N.J.: Index of Christian Art, Dept. of Art and Archaeology, pp. 48–66.

Hunt, L.-A. (2011) ‘Ceiling and casket at the Cappella Palatina and Christian Arab art between Sicily and Egypt in the twelfth and thirteenth centuries’’, in D. Knipp (ed.) Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007. München: Hirmer Verlag GmbH, pp. 170–197.

Hutcheson, G.S. (2014) ‘Contesting the Mezquita del Cristo de la Luz’, La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures, 43(1), pp. 201–229. Available at: https://doi.org/10.1353/cor.2014.0030.

Ila Nicole Sheren (2011) ‘Transcultured Architecture: Mudéjar’s Epic Journey Reinterpreted’, Contemporaneity: Historical Presence in Visual Culture, 1, pp. 137–151. Available at: https://doi.org/https://doi.org/10.5195/contemp.2011.5.

Immerzeel, M. (2004) ‘Holy horsemen and Crusader banners. Equestrian Saints in wall paintings in Lebanon and Syria’, Eastern Christian Art, 1, pp. 29–60.

Immerzeel, M. (2007) ‘Icon Painting in the County of Tripoli in the thirteenth century’, in Interactions: artistic interchange between the Eastern and Western worlds in the Medieval period. Princeton, N.J.: Index of Christian Art, Dept. of Art and Archaeology, pp. 67–83.

IMMERZEEL, M. (2007) ‘The Monastery of Our Lady of Saydnaya and Its Icon’, Eastern Christian Art, 4, pp. 13–26. Available at: https://doi.org/10.2143/ECA.4.0.2024664.

Jacoby, D. (2004) ‘Silk Economics and Cross-Cultural Artistic Interaction: Byzantium, the Muslim World, and the Christian West’, Dumbarton Oaks Papers, 58. Available at: https://doi.org/10.2307/3591386.

Jacoby, Z. (1986) ‘The Composition of the Nazareth Workshop and the Recruitment of Sculptors for the Holy Land in the Twelfth Century’, in The Meeting of two worlds: cultural exchange between East and West during the period of the Crusades. Kalamazoo, Mich: Medieval Institute Publications, pp. 145–159.

Jacoff, M. (1993) The horses of San Marco & the quadriga of the lord. Princeton, N.J.: Princeton University Press.

Jan de Hond and Luitgard Mols (2011) ‘A Mamluk Basin for a Sicilian Queen’, The Rijksmuseum Bulletin, 59(1), pp. 6–33. Available at: http://www.jstor.org.bris.idm.oclc.org/stable/23074620.

Jansen, K.L., Drell, J.H. and Andrews, F. (2009) ‘Ibn Jubayr’s account of Messina and Palermo (1184-85)’, in Medieval Italy: texts in translation. Philadelphia: University of Pennsylvania Press, pp. 234–240. Available at: https://www-jstor-org.bris.idm.oclc.org/stable/j.ctt3fhhzb.66.

Jennifer Kingsley (2011) ‘Reconsidering the medieval oliphant: the ivory horn in the Walters Art Museum’, The Journal of the Walters Art Museum, 68, pp. 9–20. Available at: http://www.jstor.org.bris.idm.oclc.org/stable/24412670.

Jewish Museum (1992) Convivencia: Jews, Muslims, and Christians in medieval Spain. Edited by V.B. Mann, T.F. Glick, and J.D. Dodds. New York: George Braziller in association with the Jewish Museum.

Johns, J. (2015a) ‘Arabic Inscriptions in the Cappella Palatina: Performativity, Audience, Legibility and Illegibility’, in A. Eastmond (ed.) Viewing Inscriptions in the Late Antique and Medieval World. Cambridge: Cambridge University Press, pp. 124–147. Available at: https://www-cambridge-org.bris.idm.oclc.org/core/books/viewing-inscriptions-in-the-late-antique-and-medieval-world/arabic-inscriptions-in-the-cappella-palatina-performativity-audience-legibility-and-illegibility/C113561C55CDE401F110F6542698C722/core-reader.

Johns, J. (2015b) ‘Muslim artists and Christian models in the painted ceilings of the Cappella Palatina’, in Romanesque and the Mediterranean: patterns of exchange across the Latin, Greek and Islamic Worlds c.1000-c.1250. Leeds: Maney, pp. 59–89.

Johnson, M.J. (1994) ‘The Episcopal and Royal Views at Cefalù’, Gesta, 33(2), pp. 118–131. Available at: https://doi.org/10.2307/767163.

Johnson, M.J. (1999) ‘The Lost Royal Portraits of Gerace and Cefalu Cathedrals’, Dumbarton Oaks Papers, 53. Available at: https://doi.org/10.2307/1291803.

Jonathan M. Bloom (1987) ‘The Introduction of the Muqarnas into Egypt’, Muqarnas Online, 5(1), pp. 21–28. Available at: https://doi.org/10.1163/22118993-90000219.

Jotischky, A. (1994) ‘Manuel Comnenus and the Reunion of the Churches: the Evidence of the Conciliar Mosiacs in the Church of the Nativity in Bethlehem’, Levant, 26(1), pp. 207–223. Available at: https://doi.org/10.1179/lev.1994.26.1.207.

Kalavrezou, I. (2007) ‘The Cup of San Marco and the “Classical” in Byzantium’, in Late antique and medieval art of the Mediterranean world. Malden, Mass: Blackwell, pp. 273–284.

Kalavrezou, I. (2014) ‘The Byzantine Peplos in Genoa: "the object as event”’, in A.A. Payne (ed.) Dalmatia and the Mediterranean: portable archaeology and the poetics of influence. Leiden: Brill, pp. 213–245. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1632919&ppg=235.

Kana’an, R. (2013) ‘The biography of a thirteenth-century brass ewer from Mosul’, in S.S. Blair and J.M. Bloom (eds) God is beautiful and loves beauty: the object in Islamic art and culture. New Haven: Yale University Press in association with The Qatar Foundation, Virginia Commonwealth University, and Virginia Commonwealth University School of the Arts in Qater.

Kapitaikin, L. (2005) ‘The paintings of the aisle-ceilings of the Cappella Palatina, Palermo’, in Römisches Jahrbuch der Bibliotheca Hertziana: Band 35: 2003/4. München: Hirmer Verlag.

Katzenstein, R.A. and Lowry, G.D. (1983) ‘Christian Themes in Thirteenth-Century Islamic Metalwork’, Muqarnas, 1. Available at: https://doi.org/10.2307/1523071.

Kitzinger, E. (1949) ‘The Mosaics of the Cappella Palatina in Palermo: An Essay on the Choice and Arrangement of Subjects’, The Art Bulletin, 31(4). Available at: https://doi.org/10.2307/3047256.

Kitzinger, E. (1989) ‘Mosaic Decoration in Sicily under Roger II and the Classical Byzantine System of Church Decoration’, in Italian church decoration of the Middle Ages and early Renaissance: functions, forms and regional traditions : ten contributions to a colloquium held at the Villa Spelman, Florence. Bologna: Nuova Alfa, pp. 147–165.

Klein, H.A. (2004) ‘Eastern Objects and Western Desires: Relics and Reliquaries between Byzantium and the West’, Dumbarton Oaks Papers, 58. Available at: https://doi.org/10.2307/3591389.

Klein, H.A. (2010) ‘Refashioning Byzantium in Venice, ca. 1200-1400’, in San Marco, Byzantium, and the myths of Venice. Washington, D.C.: Dumbarton Oaks Research Library and Collection, pp. 193–225. Available at: https://arthistory.columbia.edu/sites/default/files/content/faculty/pdfs/klein/SanMarco-offprint.pdf.

Knipp, D. (2005) ‘Some aspects of style and heritage in the Norman stanza’, in Römisches Jahrbuch der Bibliotheca Hertziana: Band 35: 2003/4. München: Hirmer Verlag, pp. 175–207.

Knipp, D. (2006) ‘Image, presence and ambivalence: the Byzantine tradition of the painted ceiling in the Cappella Palatina, Palermo’, in F.A. Bauer (ed.) Visualisierungen von Herrschaft: frühmittelalterliche Residenzen : Gestalt und Zeremoniell : internationales Kolloquium 3./4. Juni 2004 in Istanbul. Istanbul: Ege Yayınları, pp. 283–328.

Knipp, D. (2011) ‘Form and ornament in Siculo-Arabic ivory painting: the track leads to Norman principality of Antioch’, in D. Knipp (ed.) Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007. München: Hirmer Verlag GmbH, pp. 200–222.

Komaroff, L. et al. (2011) Gifts of the Sultan: the arts of giving at the Islamic courts. 1st ed. [Los Angeles]: Los Angeles County Museum of Art.

Kominko, Maja (2010) ‘Byzantine, Syriac, Armenian and Latin: a note on artistic interaction in eastern Mediterranean manuscripts’, Eastern Christian Art, pp. 59–70. Available at: https://doi.org/10.2143/ECA.7.0.2136905.

Kopytoff, I. (1986) ‘Chapter 2 The Cultural Biography of Things: Commoditization as Process’, in The Social life of things: commodities in cultural perspective. Cambridge: Cambridge University Press, pp. 64–91. Available at: https://doi.org/10.1017/CBO9780511819582.004.

Kühnel, B. (1994) Crusader art of the twelfth century: a geographical, an historical, or an art historical notion? Berlin: Mann.

Lapina, E. et al. (eds) (2015) The Crusades and visual culture. Farnham: Ashgate.

Laura T. Schneider (1973) ‘The Freer Canteen’, Ars Orientalis, 9, pp. 137–156. Available at: http://www.jstor.org.bris.idm.oclc.org/stable/4629276.

Lenia Kouneni (2008) ‘The Kykkotissa Virgin and Its Italian Appropriation’, Artibus et Historiae, 29(57), pp. 95–107. Available at: http://www.jstor.org.bris.idm.oclc.org/stable/20067183.

Lucy-Anne Hunt (no date) ‘A woman’s prayer to St Sergios in Latin Syria: interpreting a thirteenth-century icon at Mount Sinai’, Byzantine and Modern Greek Studies [Preprint]. Available at: http://www-tandfonline-com.bris.idm.oclc.org/doi/abs/10.1179/byz.1991.15.1.96.

Mack, R. (2002) ‘Chapter 9: Inlaid brass’, in Bazaar to piazza: Islamic trade and Italian art, 1300-1600. Berkeley: University of California Press.

Mack, Rosamond E. (2002) Bazaar to piazza: Islamic trade and Italian art, 1300-1600. Berkeley: University of California Press.

Mack, Rosamund E. (2002) ‘Patterned silks’, in Bazaar to piazza: Islamic trade and Italian art, 1300-1600. Berkeley: University of California Press.

Maguire, H. (2010) ‘The Aniketos icon and the display of relics in the decoration of San Marco’’, in San Marco, Byzantium, and the myths of Venice. Washington, D.C.: Dumbarton Oaks Research Library and Collection, pp. 91–111.

Maguire, H., Nelson, R.S., and Dumbarton Oaks Research Library and Collection (2010) San Marco, Byzantium, and the myths of Venice. Washington, D.C.: Dumbarton Oaks Research Library and Collection.

Mahoney, L. (2015) ‘The Frankish Icon: Art and Devotion in the Latin Kingdom of Jerusalem’, in E. Lapina et al. (eds) The Crusades and visual culture. Farnham: Ashgate, pp. 15–34.

Maria Judith, F. (2005) ‘Muslim Shrouds for Christian Kings? a Reassessment of Andalusi Textiles in Thirteenth-Century Castilian Life and Ritual’, in C. Robinson and L. Rouhi (eds) Under the influence: questioning the comparative in medieval Castile. Leiden: Brill, pp. 101–131. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=280856&ppg=151.

Mathews, K.R. (2012) ‘Plunder of war or objects of trade? The reuse and reception of Andalusi objects in medieval Pisa’, Journal of Medieval Iberian Studies, 4(2), pp. 233–258. Available at: https://doi.org/10.1080/17546559.2012.727242.

Mathews, K.R. (2014) ‘Other peoples’ dishes: Islamic bacini on eleventh-century churches in Pisa’, Gesta, 53/1, pp. 5–23. Available at: http://www.journals.uchicago.edu.bris.idm.oclc.org/doi/abs/10.1086/675415.

Menocal, M.R. (2008) ‘Just what is Mudéjar really’, in A.L. Martin and C. Martinez-Carazo (eds) Spain’s Multicultural Legacies. Studies in Honor of Samuel G. Armistead. Newark, DE: Juan de la Cuesta, pp. 144–157. Available at: http://mariarosamenocal.com/uploads/3/0/8/9/3089194/2008_article_just_what_is_mudejar_really.pdf.

Mogollón Cano-Cortés, M.P. (2006) ‘Manifestations of Power and Visual Culture: Some Examples in Extremaduran Mudejar Architecture’, Medieval Encounters, 12(3), pp. 341–359. Available at: https://doi.org/10.1163/157006706779166039.

Muthesius, A. (2008) Studies in Byzantine, Islamic and Near Eastern silk weaving. London: Pindar.

Nef, A. (ed.) (2013) A companion to medieval Palermo: the history of a Mediterranean city from 600 to 1500. Leiden: Brill.

Neff, A. (1999) ‘Byzantium Westernized, Byzantium Marginalized: Two Icons in the Supplicationes variae’, Gesta, 38(1), pp. 81–102. Available at: https://doi.org/10.2307/767113.

Nelson, R. (2005) ‘Letters and language: ornament and identity in Byzantium and Islam’, in I.A. Bierman (ed.) The experience of Islamic art on the margins of Islam. Reading: Ithaca Press in association with the Gustav E. von Grunebaum Center for Near Eastern Studies, pp. 61–88.

Nelson, R. (2010) ‘The history of legends and the legends of history: the Pilastri Acritani in Venice’, in San Marco, Byzantium, and the myths of Venice. Washington, D.C.: Dumbarton Oaks Research Library and Collection, pp. 63–90.

Nelson, R.S. (1983) ‘An Icon at Mt. Sinai and Christian Painting in Muslim Egypt during the Thirteenth and Fourteenth Centuries’, The Art Bulletin, 65(2). Available at: https://doi.org/10.2307/3050318.

Nelson, R.S., Collins, K.M., and J. Paul Getty Museum (2006) Holy image, hallowed ground: icons from Sinai. Los Angeles: J. Paul Getty Museum.

O’Neill, J.P. and Metropolitan Museum of Art (New York) (1993a) The art of medieval Spain, A.D. 500-1200. New York: The Metropolitan Museum of Art.

O’Neill, J.P. and Metropolitan Museum of Art (New York) (1993b) The art of medieval Spain, A.D. 500-1200. New York: The Metropolitan Museum of Art.

Ousterhout, R. and Ruggles, D.F. (2004) ‘Encounters with Islam: The Medieval Mediterranean Experience Art, Material Culture, and Cultural Interchange’, Gesta, 43(2), pp. 83–85. Available at: https://doi.org/10.2307/25067096.

Pace, V. (1986) ‘Italy and the Holy Land: Import-Export. 1 The Case of Venice’, in The Meeting of two worlds: cultural exchange between East and West during the period of the Crusades. Kalamazoo, Mich: Medieval Institute Publications, pp. 331–345.

Pace, V. (2000) ‘East and West’, in Mother of God: representations of the Virgin in Byzantine art. Milano: Skira, pp. 425–449.

Pinder-Wilson, R.H. (1954) ‘Some Rock Crystals of the Islamic Period’, The British Museum Quarterly, 19(4). Available at: https://doi.org/10.2307/4422495.

Porter, V. and Rosser-Owen, M. (eds) (2012) Metalwork and material culture in the Islamic world: art, craft and text : essays presented to James W. Allan. London: I.B Tauris. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1208973.

Prado-Vilar, F. (1997) ‘Circular Visions of Fertility and Punishment: Caliphal Ivory Caskets from al-Andalus’, Muqarnas, 14. Available at: https://doi.org/10.2307/1523234.

Raizman, D. (1999) ‘The Church of Santa Cruz and the Beginnings of Mudejar Architecture in Toledo’, Gesta, 38(2), pp. 128–141. Available at: https://doi.org/10.2307/767185.

Redford, S. (1990) ‘How Islamic Is It? The Innsbruck Plate and Its Setting’, Muqarnas, 7. Available at: https://doi.org/10.2307/1523125.

Retford, S. (2004) ‘Byzantium and the Islamic world’, in Byzantium: faith and power (1261-1557). New York: Metropolitan Museum of Art in conjunction with Yale University Press, pp. 389–396.

Rosser-Owen, M. (2010) ‘Ages of Empire (756-1238)’, in Islamic arts from Spain. London: V&A Publishing, pp. 18–47.

Rosser-Owen, M. (2011) ‘Incrusted with ivory: observations on a casket in the Victoria and Albert Museum’, in D. Knipp (ed.) Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007. München: Hirmer Verlag GmbH, pp. 53–79.

Rosser-Owen, M. (2012) ‘Mediterraneanism: how to incorporate Islamic art into an emerging field’, Journal of Art Historiography, 6, pp. 1–33. Available at: https://doaj.org/article/46924fe63a504d25a2ecefada851e713.

Rosser-Owen, M. (2015a) ‘Islamic Objects in Christian Contexts: Relic Translation and Modes of Transfer in Medieval Iberia’, Art in Translation, 7(1), pp. 39–63. Available at: https://doi.org/10.2752/175613115X14235644692275.

Rosser-Owen, M. (2015b) ‘The Oliphant: A Call for a Shift of Persepctive’, in Romanesque and the Mediterranean: patterns of exchange across the Latin, Greek and Islamic Worlds c.1000-c.1250. Leeds: Maney, pp. 15–58.

Rosser-Owen, M. and Victoria and Albert Museum (2010) Islamic arts from Spain. London: V&A Publishing.

Ruggles, D.F. (2004) ‘The Alcazar of Seville and Mudejar Architecture’, Gesta, 43(2), pp. 87–98. Available at: https://doi.org/10.2307/25067097.

Saurma-Jeltsch, L.E. and Eisenbeiss, A. (eds) (2010) The power of things and the flow of cultural transformations: art and culture between Europe and Asia. Berlin: Deutscher Kunstverlag.

Shalem, A. (1994) ‘Fountains of Light: The Meaning of Medieval Islamic Rock Crystal Lamps’, Muqarnas, 11. Available at: https://doi.org/10.2307/1523205.

Shalem, A. (1995) ‘From Royal Caskets to Relic Containers: Two Ivory Caskets from Burgos and Madrid’, Muqarnas, 12. Available at: https://doi.org/10.2307/1523221.

Shalem, A. (2004) The oliphant: Islamic objects in historical context. Leiden: Brill. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3003961.

Shalem, A. (2005) ‘Objects as carriers of real or contrived memories in a cross-cultural context’, Austausch diplomatischer Geschenke in Spätantike und Byzanz, Mitteilungen zur Spätantiken Archäologie und Byzantinischen Kunstgeschichte, 4, pp. 101–109.

Shalem, A. (2014) ‘The architecture for the body: some reflections on the mobility of textiles and the fate of the so-called Chasuble of Saint Thomas Becket in the cathedral of Fermo in Italy’, in A.A. Payne (ed.) Dalmatia and the Mediterranean: portable archaeology and the poetics of influence. Leiden: Brill, pp. 246–267. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1632919&ppg=268.

Silva Santa-Cruz, N. (2014) ‘Ivory gifts for women in caliphal Córdoba: marriage, maternity and sensuality’, Journal of Medieval Iberian Studies, 6(1), pp. 103–125. Available at: https://doi.org/10.1080/17546559.2014.888091.

Simon-Cahn, A. (1993) ‘The Fermo Chasuble of St. Thomas Becket and Hispano-Mauresque Cosmological Silks: Some Speculations on the Adaptive Reuse of Textiles’, Muqarnas, 10. Available at: https://doi.org/10.2307/1523166.

Snelders, Bas; Immerzeel, Mat (2004) ‘The Thirteenth-Century Flabellum from Deir al-Surian in the Musée Royal de Mariemont (Morlanwelz, Belgium)’, Eastern Christian Art, pp. 113–139. Available at: http://search.ebscohost.com.bris.idm.oclc.org/login.aspx?direct=true&db=rfh&AN=ATLAiGFE180328001656&site=ehost-live.

Soucek, P. (1997) ‘Byzantium and the Islamic East’, in The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843-1261. New York.

Stanley, T. (2012) ‘A Mamluk tray and its journey to the V&A’, in V. Porter and M. Rosser-Owen (eds) Metalwork and material culture in the Islamic world: art, craft and text : essays presented to James W. Allan. London: I.B Tauris, pp. 187–200. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1208973&ppg=201.

Steppan, T. (2000) ‘The Artukid Bowl: courtly art in the Middle Byzantine Period and its relation to the Islamic East’, in O.Z. Pevny (ed.) Perceptions of Byzantium and its Neighbors. New York: Metropolitan Museum of Art, pp. 84–101. Available at: https://www.metmuseum.org/art/metpublications/Perceptions_of_Byzantium_and_Its_Neighbors_843_1261.

Thomas, T.K. (1997) ‘Christians in the Islamic East’, in The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843-1261. New York, pp. 365–387.

Trilling, J. (1997) ‘Daedalus and the nightingale: art and technology in the myth of the Byzantine court’, in Byzantine court culture from 829 to 1204. Washington, D.C.: Dumbarton Oaks Research Library and Collection, pp. 217–230.

Tronzo, W. (1993) ‘The Medieval Object-Enigma, and the Problem of the Cappella Palatina in Palermo’, Word & image, pp. 197–228. Available at: http://linkserver.bristol.ac.uk:9003/prod?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2017-02-21T11:10:39IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Journal-44BU_SFX_DS&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=journal&rft.atitle=&rft.jtitle=Word%20&%20image&rft.btitle=&rft.aulast=&rft.auinit=&rft.auinit1=&rft.auinitm=&rft.ausuffix=&rft.au=&rft.aucorp=&rft.volume=&rft.issue=&rft.part=&rft.quarter=&rft.ssn=&rft.spage=&rft.epage=&rft.pages=&rft.artnum=&rft.issn=0266-6286&rft.eissn=1943-2178&rft.isbn=&rft.sici=&rft.coden=&rft_id=info:doi/&rft.object_id=954925500123&svc_val_fmt=info:ofi/fmt:kev:mtx:sch_svc&svc.fulltext=yes&rft_dat=%3C44BU_SFX_DS%3E954925500123%3C/44BU_SFX_DS%3E%3Cgrp_id%3E119948189%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft.eisbn=&rft_id=info:oai/&req.language=eng.

Tronzo, W. (1997) The cultures of his kingdom: Roger II and the Cappella Palatina in Palermo. Princeton, N.J.: Princeton University Press.

Tronzo, W. (2001) ‘Chapter 10 The Mantle of Roger II of Sicily’, in S. Gordon (ed.) Robes and honor: the medieval world of investiture. New York: Palgrave, pp. 241–254.

Tronzo, W. (2005) ‘Regarding Norman Sicily: art, identity and court culture in the later Middle Ages’, in Römisches Jahrbuch der Bibliotheca Hertziana: Band 35: 2003/4. München: Hirmer Verlag.

Tronzo, W. (2015) ‘The artistic culture of twelfth-century Sicily, with a focus on Palermo’, in C. Karagoz and G. Summerfield (eds) Sicily and the Mediterranean: migration, exchange, reinvention. Basingstoke: Palgrave Macmillan, pp. 61–76. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=4001404&ppg=69.

Truitt, E.R. and Project Muse (2015) Medieval robots: mechanism, magic, nature, and art. Philadelphia: University of Pennsylvania Press. Available at: https://bris.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt14jxw3m.

Vernon, C. (2019) ‘Dressing for Succession in Norman Italy: The Mantle of King Roger II’, Al-Masāq, 31(1), pp. 95–110. Available at: https://doi.org/10.1080/09503110.2018.1551699.

VINCENZA GAROFALO (2010) ‘A Methodology for Studying Muqarnas: The Extant Examples in Palermo’, Muqarnas, 27, pp. 357–406. Available at: https://www.jstor.org/stable/25769702.

Walker, A. (2015) ‘Pseudo-Arabic “inscriptions” and the pilgrims path at Hosios Loukas’, in A. Eastmond (ed.) Viewing Inscriptions in the Late Antique and Medieval World. Cambridge: Cambridge University Press, pp. 99–123. Available at: https://doi-org.bris.idm.oclc.org/10.1017/CBO9781316136034.006.

Walker, A. (no date) ‘Cross-cultural reception in the absence of texts: the Islamic appropriation of a Middle Byzantine rosette casket’, Gesta, pp. 99–122. Available at: http://www.journals.uchicago.edu.bris.idm.oclc.org/doi/abs/10.2307/20648966.

Walker, A. and Cambridge Books Online (Online service) (2012) The Emperor and the World: Exotic Elements and the Imaging of Middle Byzantine Imperial Power, Ninth to Thirteenth Centuries C.E. [electronic resource]. Cambridge: Cambridge University Press. Available at: https://bris.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511791895.

Walker, R. and Batten, J. (2016) Art in Spain and Portugal from the Romans to the Early Middle Ages: routes and myths. Amsterdam: Amsterdam University Press.

Weitzmann, K. (1963) ‘Thirteenth Century Crusader Icons on Mount Sinai’, The Art Bulletin, 45(3). Available at: https://doi.org/10.2307/3048094.

Weitzmann, K. (1966) ‘Icon Painting in the Crusader Kingdom’, Dumbarton Oaks Papers, 20. Available at: https://doi.org/10.2307/1291242.

Weyl Carr, A. (1986) ‘East, West and icons in twelfth-century Outremer’, in The Meeting of two worlds: cultural exchange between East and West during the period of the Crusades. Kalamazoo, Mich: Medieval Institute Publications, pp. 347–359.

Wixom, W. (1997) ‘Byzantine Art and the Latin West’, in The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843-1261. New York, pp. 435–507.

Woodfin, W.U. (no date) ‘Presents given and presence subverted: the Cunegunda Chormantel in Bamberg and the ideology of Byzantine textiles’, Gesta, pp. 33–50. Available at: http://www.journals.uchicago.edu.bris.idm.oclc.org/doi/abs/10.2307/20648959.

Zeitler, B. (1994) ‘Cross-Cultural Interpretations of Imagery in the Middle Ages’, The Art Bulletin, 76(4). Available at: https://doi.org/10.2307/3046063.

Zeitler, B. (2012) ‘The Distorting Mirror: Reflections on the Queen Melisende Psalter’, in R. Cormack and E. Jeffreys (eds) Through the looking glass: Byzantium through British eyes : papers from the Twenty-ninth Spring Symposium of Byzantine Studies, London, March 1995. Aldershot: Ashgate, pp. 69–83.