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Mathews KR, ‘Other Peoples’ Dishes: Islamic Bacini on Eleventh-Century Churches in Pisa’ (2014) 53/1 Gesta 5 <http://www.journals.uchicago.edu.bris.idm.oclc.org/doi/abs/10.1086/675415>
Menocal MR, ‘Just What Is Mudéjar Really’ in Adrienne L Martin and Cristina Martinez-Carazo (eds), Spain’s Multicultural Legacies. Studies in Honor of Samuel G. Armistead (Juan de la Cuesta 2008) <http://mariarosamenocal.com/uploads/3/0/8/9/3089194/2008_article_just_what_is_mudejar_really.pdf>
Mogollón Cano-Cortés MP, ‘Manifestations of Power and Visual Culture: Some Examples in Extremaduran Mudejar Architecture’ (2006) 12 Medieval Encounters 341
Muthesius A, Studies in Byzantine, Islamic and Near Eastern Silk Weaving (Pindar 2008)
Nef A (ed), A Companion to Medieval Palermo: The History of a Mediterranean City from 600 to 1500, vol 5 (Brill 2013)
Neff A, ‘Byzantium Westernized, Byzantium Marginalized: Two Icons in the Supplicationes Variae’ (1999) 38 Gesta 81
Nelson R, ‘Letters and Language: Ornament and Identity in Byzantium and Islam’ in Irene A Bierman (ed), The experience of Islamic art on the margins of Islam, vol v. 15 (Ithaca Press in association with the Gustav E von Grunebaum Center for Near Eastern Studies 2005)
——, ‘The History of Legends and the Legends of History: The Pilastri Acritani in Venice’, San Marco, Byzantium, and the myths of Venice (Dumbarton Oaks Research Library and Collection 2010)
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Nelson RS, Collins KM, and J. Paul Getty Museum, Holy Image, Hallowed Ground: Icons from Sinai (J Paul Getty Museum 2006)
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——, The Art of Medieval Spain, A.D. 500-1200 (The Metropolitan Museum of Art 1993)
Ousterhout R and Ruggles DF, ‘Encounters with Islam: The Medieval Mediterranean Experience Art, Material Culture, and Cultural Interchange’ (2004) 43 Gesta 83
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——, ‘East and West’, Mother of God: representations of the Virgin in Byzantine art (Skira 2000)
Pinder-Wilson RH, ‘Some Rock Crystals of the Islamic Period’ (1954) 19 The British Museum Quarterly
Porter V and Rosser-Owen M (eds), Metalwork and Material Culture in the Islamic World: Art, Craft and Text : Essays Presented to James W. Allan (IB Tauris 2012) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1208973>
Prado-Vilar F, ‘Circular Visions of Fertility and Punishment: Caliphal Ivory Caskets from al-Andalus’ (1997) 14 Muqarnas
Raizman D, ‘The Church of Santa Cruz and the Beginnings of Mudejar Architecture in Toledo’ (1999) 38 Gesta 128
Redford S, ‘How Islamic Is It? The Innsbruck Plate and Its Setting’ (1990) 7 Muqarnas
Retford S, ‘Byzantium and the Islamic World’, Byzantium: faith and power (1261-1557) (Metropolitan Museum of Art in conjunction with Yale University Press 2004)
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——, ‘Incrusted with Ivory: Observations on a Casket in the Victoria and Albert Museum’ in David Knipp (ed), Siculo-Arabic ivories and Islamic painting, 1100-1300: proceedings of the international conference, Berlin, 6-8 July 2007, vol Band 36 (Hirmer Verlag GmbH 2011)
——, ‘Mediterraneanism: How to Incorporate Islamic Art into an Emerging Field’ (2012) 6 Journal of Art Historiography 1 <https://doaj.org/article/46924fe63a504d25a2ecefada851e713>
——, ‘The Oliphant: A Call for a Shift of Persepctive’, Romanesque and the Mediterranean: patterns of exchange across the Latin, Greek and Islamic Worlds c.1000-c.1250, vol The British Archaeological Association conference transactions (Maney 2015)
——, ‘Islamic Objects in Christian Contexts: Relic Translation and Modes of Transfer in Medieval Iberia’ (2015) 7 Art in Translation 39
Rosser-Owen M and Victoria and Albert Museum, Islamic Arts from Spain (V&A Publishing 2010)
Ruggles DF, ‘The Alcazar of Seville and Mudejar Architecture’ (2004) 43 Gesta 87
Saurma-Jeltsch LE and Eisenbeiss A (eds), The Power of Things and the Flow of Cultural Transformations: Art and Culture between Europe and Asia (Deutscher Kunstverlag 2010)
Shalem A, ‘Fountains of Light: The Meaning of Medieval Islamic Rock Crystal Lamps’ (1994) 11 Muqarnas
——, ‘From Royal Caskets to Relic Containers: Two Ivory Caskets from Burgos and Madrid’ (1995) 12 Muqarnas
——, The Oliphant: Islamic Objects in Historical Context, vol volume 54 (Brill 2004) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3003961>
——, ‘Objects as Carriers of Real or Contrived Memories in a Cross-Cultural Context’ (2005) 4 Austausch diplomatischer Geschenke in Spätantike und Byzanz, Mitteilungen zur Spätantiken Archäologie und Byzantinischen Kunstgeschichte 101
——, ‘The Architecture for the Body: Some Reflections on the Mobility of Textiles and the Fate of the so-Called Chasuble of Saint Thomas Becket in the Cathedral of Fermo in Italy’ in Alina Alexandra Payne (ed), Dalmatia and the Mediterranean: portable archaeology and the poetics of influence, vol volume 1 (Brill 2014) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1632919&ppg=268>
Silva Santa-Cruz N, ‘Ivory Gifts for Women in Caliphal Córdoba: Marriage, Maternity and Sensuality’ (2014) 6 Journal of Medieval Iberian Studies 103
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Snelders, Bas; Immerzeel, Mat, ‘The Thirteenth-Century Flabellum from Deir al-Surian in the Musée Royal de Mariemont (Morlanwelz, Belgium)’ [2004] Eastern Christian Art 113 <http://search.ebscohost.com.bris.idm.oclc.org/login.aspx?direct=true&db=rfh&AN=ATLAiGFE180328001656&site=ehost-live>
Soucek P, ‘Byzantium and the Islamic East’, The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843-1261 (1997)
Stanley T, ‘A Mamluk Tray and Its Journey to the V&A’ in Venetia Porter and Mariam Rosser-Owen (eds), Metalwork and material culture in the Islamic world: art, craft and text : essays presented to James W. Allan (IB Tauris 2012) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1208973&ppg=201>
Steppan T, ‘The Artukid Bowl: Courtly Art in the Middle Byzantine Period and Its Relation to the Islamic East’ in Olenka Z Pevny (ed), Perceptions of Byzantium and its Neighbors (Metropolitan Museum of Art 2000) <https://www.metmuseum.org/art/metpublications/Perceptions_of_Byzantium_and_Its_Neighbors_843_1261>
Thomas TK, ‘Christians in the Islamic East’, The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843-1261 (1997)
Trilling J, ‘Daedalus and the Nightingale: Art and Technology in the Myth of the Byzantine Court’, Byzantine court culture from 829 to 1204 (Dumbarton Oaks Research Library and Collection 1997)
Tronzo W, ‘The Medieval Object-Enigma, and the Problem of the Cappella Palatina in Palermo’ [1993] Word & image 197 <http://linkserver.bristol.ac.uk:9003/prod?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2017-02-21T11:10:39IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Journal-44BU_SFX_DS&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=journal&rft.atitle=&rft.jtitle=Word%20&%20image&rft.btitle=&rft.aulast=&rft.auinit=&rft.auinit1=&rft.auinitm=&rft.ausuffix=&rft.au=&rft.aucorp=&rft.volume=&rft.issue=&rft.part=&rft.quarter=&rft.ssn=&rft.spage=&rft.epage=&rft.pages=&rft.artnum=&rft.issn=0266-6286&rft.eissn=1943-2178&rft.isbn=&rft.sici=&rft.coden=&rft_id=info:doi/&rft.object_id=954925500123&svc_val_fmt=info:ofi/fmt:kev:mtx:sch_svc&svc.fulltext=yes&rft_dat=%3C44BU_SFX_DS%3E954925500123%3C/44BU_SFX_DS%3E%3Cgrp_id%3E119948189%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft.eisbn=&rft_id=info:oai/&req.language=eng>
——, The Cultures of His Kingdom: Roger II and the Cappella Palatina in Palermo (Princeton University Press 1997)
——, ‘Chapter 10 The Mantle of Roger II of Sicily’ in Stewart Gordon (ed), Robes and honor: the medieval world of investiture, vol The new Middle Ages (Palgrave 2001)
——, ‘Regarding Norman Sicily: Art, Identity and Court Culture in the Later Middle Ages’, Römisches Jahrbuch der Bibliotheca Hertziana: Band 35: 2003/4 (Hirmer Verlag 2005)
——, ‘The Artistic Culture of Twelfth-Century Sicily, with a Focus on Palermo’ in Claudia Karagoz and Giovanna Summerfield (eds), Sicily and the Mediterranean: migration, exchange, reinvention (Palgrave Macmillan 2015) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=4001404&ppg=69>
Truitt ER and Project Muse, Medieval Robots: Mechanism, Magic, Nature, and Art (University of Pennsylvania Press 2015) <https://bris.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt14jxw3m>
Vernon C, ‘Dressing for Succession in Norman Italy: The Mantle of King Roger II’ (2019) 31 Al-Masāq 95
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——, ‘Cross-Cultural Reception in the Absence of Texts: The Islamic Appropriation of a Middle Byzantine Rosette Casket’ Gesta 99 <http://www.journals.uchicago.edu.bris.idm.oclc.org/doi/abs/10.2307/20648966>
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Walker R and Batten J, Art in Spain and Portugal from the Romans to the Early Middle Ages: Routes and Myths (Amsterdam University Press 2016)
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Woodfin WU, ‘Presents given and Presence Subverted: The Cunegunda Chormantel in Bamberg and the Ideology of Byzantine Textiles’ Gesta 33 <http://www.journals.uchicago.edu.bris.idm.oclc.org/doi/abs/10.2307/20648959>
Zeitler B, ‘Cross-Cultural Interpretations of Imagery in the Middle Ages’ (1994) 76 The Art Bulletin
——, ‘The Distorting Mirror: Reflections on the Queen Melisende Psalter’ in Robin Cormack and Elizabeth Jeffreys (eds), Through the looking glass: Byzantium through British eyes : papers from the Twenty-ninth Spring Symposium of Byzantine Studies, London, March 1995, vol Society for the Promotion of Byzantine Studies publication (Ashgate 2012)
