@inbook{Acevedo-Muñoz_2003, address={Berkeley}, title={Los Olvidados and the Crisis of Mexican Cinema}, url={https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=222995&ppg=70}, booktitle={Buñuel and Mexico: the Crisis of National Cinema}, publisher={University of California Press}, author={Acevedo-Muñoz, Ernesto}, year={2003}, pages={57–79} }
@book{Adamowicz_2010, address={London}, title={Un chien andalou: (Luis Buñuel and Salvador Dali, 1929)}, publisher={I.B. Tauris}, author={Adamowicz, Elza}, year={2010} }
@misc{Aleksandrov_1934, title={Jolly Fellows}, url={https://www.youtube.com/watch?v=chDRXQ77IgA}, author={Aleksandrov, Grigori}, year={1934} }
@misc{Aleksandrov_1936, title={The Circus}, url={https://www.youtube.com/watch?v=FVAN0A6OWE4}, author={Aleksandrov, Grigori}, year={1936} }
@misc{Aleksandrov_Eisenstein_1927, title={October: ten days that shook the world}, url={https://bristol.kanopy.com/video/october-ten-days-shook-world}, publisher={Ruscico - Russian Cinema Council}, author={Aleksandrov, Grigori and Eisenstein, Sergei}, year={1927} }
@book{Baer_2012, address={New York}, edition={First paperback edition}, title={Dismantling the dream factory: gender, German cinema, and the postwar quest for a new film language}, volume={9}, publisher={Berghahn Books}, author={Baer, Hester}, year={2012} }
@article{Bayman_Gundle_Schoonover_2018, title={Rome, Open City: Rupture and return}, volume={6}, DOI={10.1386/jicms.6.3.295_2}, number={3}, journal={Journal of Italian Cinema & Media Studies}, author={Bayman, Louis and Gundle, Stephen and Schoonover, Karl}, year={2018}, month={Jul}, pages={295–300} }
@article{Beth Holmgren_2007, title={‘The Blue Angel’ and Blackface: Redeeming Entertainment in Aleksandrov’s ‘Circus’}, volume={66}, url={https://www.jstor.org/stable/20620475?seq=1#metadata_info_tab_contents}, number={1}, journal={The Russian Review}, publisher={Wiley}, author={Beth Holmgren}, year={2007} }
@article{Bohlinger, title={Engrossing? Exciting! Incomprehensible? Boring! Audience survey responses to Eisenstein’s October}, volume={14}, url={https://www.tandfonline.com/doi/abs/10.1386/srsc.5.1.5_1}, number={1}, journal={Studies in Russian and Soviet Cinema}, publisher={Routledge}, author={Bohlinger, Vincent}, pages={5–27} }
@book{Bordwell_Thompson_2013, address={New York}, edition={Tenth edition, McGraw-Hill international edition}, title={Film art: an introduction}, url={https://bibliu.com/users/saml/samlUniversityOfBristol?RelayState=eyJjdXN0b21fbGF1bmNoX3VybCI6IiMvdmlldy9ib29rcy85NzgxMjYwNTY4NTg1L2VwdWIvT1BTL3M5bWwvZnJvbnRfbWF0dGVyL2JyaWVmX2NvbnRlbnRzLmh0bWwifQ%3D%3D}, publisher={McGraw-Hill}, author={Bordwell, David and Thompson, Kristin}, year={2013} }
@book{Breton_Seaver_Lane_1972, address={Ann Arbor}, title={Manifestoes of surrealism}, publisher={University of Michigan Press}, author={Breton, André and Seaver, Richard and Lane, Helen R.}, year={1972} }
@book{Brockmann_2010, address={Rochester, N.Y.}, title={A critical history of German film}, publisher={Camden House}, author={Brockmann, Stephen}, year={2010} }
@article{Brunette_19851001, title={Rossellini and Cinematic Realism}, volume={25}, url={https://bris.on.worldcat.org/search?databaseList=638&queryString=rossellini#/oclc/5547908970}, number={1}, journal={Cinema Journal}, author={Brunette, Peter}, year={19851001} }
@book{Brunette, address={Berkeley}, title={Roberto Rossellini}, publisher={University of California Press}, author={Brunette, Peter} }
@book{Buñuel_García Tsao_1980, address={México}, title={Los olvidados}, publisher={Era}, author={Buñuel, Luis and García Tsao, Leonardo}, year={1980} }
@book{Cavendish_2013, address={New York}, title={The Men With The Movie Camera: the Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s}, publisher={Berghahn Books}, author={Cavendish, Philip}, year={2013} }
@book{Chanan, address={Minneapolis}, title={Cuban cinema}, volume={14}, publisher={University of Minnesota Press}, author={Chanan, Michael} }
@book{Corrigan_2015, address={Boston}, edition={Ninth edition, global edition}, title={A short guide to writing about film}, publisher={Pearson Education Ltd}, author={Corrigan, Timothy}, year={2015} }
@book{Drummond_1994, address={London}, title={Un chien Andalou: Luis Buñuel and Salvador Dali}, publisher={Faber and Faber}, author={Drummond, Phillip}, year={1994} }
@inbook{Dyer_2002, edition={2nd}, title={Entertainment and Utopia}, url={https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=237341&ppg=28}, booktitle={Only entertainment}, publisher={Routledge}, author={Dyer, Richard}, year={2002}, pages={19–35} }
@book{Elsaesser_Hagener_dawsonera_2010, address={New York}, title={Film theory: an introduction through the senses}, url={https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=465357}, publisher={Routledge}, author={Elsaesser, Thomas and Hagener, Malte and dawsonera}, year={2010} }
@book{Evans, address={Oxford}, title={The films of Luis Buñuel: subjectivity and desire}, publisher={Clarendon Press}, author={Evans, Peter William} }
@article{2018, title={Rome, Open City: Before and after neorealism}, volume={6}, url={https://bris.on.worldcat.org/search?databaseList=638&queryString=rome open city#/oclc/7844733781}, DOI={10.1386/jicms.6.3.301_1}, number={3}, journal={Journal of Italian Cinema and Media Studies}, author={Forgacs D.}, year={2018} }
@book{Forgacs_British Film Institute_2000, address={London}, title={Rome open city (Roma città aperta)}, publisher={BFI Pub}, author={Forgacs, David and British Film Institute}, year={2000} }
@book{Forgacs_Lutton_Nowell-Smith_British Film Institute_2000, address={London}, title={Roberto Rossellini: magician of the real}, publisher={British Film Institute}, author={Forgacs, David and Lutton, Sarah and Nowell-Smith, Geoffrey and British Film Institute}, year={2000} }
@book{Frank_Thomas_Stanovnik_2013, address={Bristol, England}, title={Reframing reality: the aesthetics of the surrealist object in French and Czech cinema}, publisher={Intellect}, author={Frank, Alison and Thomas, Ellen and Stanovnik, Jelena}, year={2013} }
@article{Getino, title={The Cinema as Political Fact}, volume={25}, url={https://bris.on.worldcat.org/search?databaseList=638&queryString=solanas getino#/oclc/4839414275}, DOI={10.1080/09528822.2011.545613}, number={1}, journal={Third Text}, author={Getino, Octavio} }
@book{Giovacchini_Sklar, address={Jackson}, title={Global neorealism: the transnational history of a film style}, publisher={University Press of Mississippi}, author={Giovacchini, Saverio and Sklar, Robert} }
@book{Gottlieb, address={Cambridge}, title={Roberto Rossellini’s Rome open city}, publisher={Cambridge University Press}, author={Gottlieb, Sidney} }
@book{Hammond_1991, address={Edinburgh}, edition={2nd ed}, title={The Shadow and its shadow: surrealist writings on the cinema}, volume={11}, publisher={Polygon}, author={Hammond, Paul}, year={1991} }
@book{Hammond_Buñuel_Dalí_1997, address={London}, title={L’Âge d’or}, publisher={British Film Institute}, author={Hammond, Paul and Buñuel, Luis and Dalí, Salvador}, year={1997} }
@inbook{Kenez_1992, address={Cambridge [England]}, title={Socialist Realism, 1933-41}, booktitle={Cinema and Soviet society, 1917-1953}, publisher={Cambridge University Press}, author={Kenez, Peter}, year={1992}, pages={143–164} }
@article{Kernan_19751201, title={Cuban Cinema: Tomas Guiterrez Alea}, volume={29}, url={https://bris.on.worldcat.org/search?databaseList=638&queryString=cuban cinema#/oclc/5972253000}, number={2}, journal={Film Quarterly}, author={Kernan, Margot}, year={19751201} }
@book{King_2000a, address={London}, edition={New ed}, title={Magical reels: a history of cinema in Latin America}, publisher={Verso}, author={King, John}, year={2000} }
@book{King_2000b, address={London}, edition={New ed}, title={Magical reels: a history of cinema in Latin America}, publisher={Verso}, author={King, John}, year={2000} }
@misc{Lamprecht_1946, title={Somewhere in Berlin}, url={https://bristol.kanopy.com/video/somewhere-berlin}, publisher={DEFA Film Library}, author={Lamprecht, Gerhard}, year={1946} }
@article{Lawton_1978, title={Rhythmic Montage in the Films of Dziga Vertov: A Poetic Use of the Language of Cinema}, volume={13}, DOI={10.2307/1316363}, journal={Pacific Coast Philology}, author={Lawton, Anna}, year={1978} }
@book{Levy_1996, address={Keele, Straffordshire}, title={Surrealism: surrealist visuality}, publisher={Keele University Press}, author={Levy, Silvano}, year={1996} }
@misc{Lyndy Saville_2013, title={Discovering Luis Buñuel Part of the Series: Discovering The Arts}, url={https://bristol.kanopy.com/video/discovering-luis-bunuel}, publisher={3DD Group}, author={Lyndy Saville}, year={2013} }
@book{Martin, address={Detroit}, title={New Latin American cinema}, publisher={Wayne State University Press}, author={Martin, Michael T.} }
@article{19750401, title={BuñUel’s l’Age d’Or}, url={https://bris.on.worldcat.org/search?databaseList=638&queryString=buñuel l’age d’or#/oclc/5544123066}, number={3}, journal={MoMA}, author={Mary Corliss}, year={19750401} }
@article{Merchant_2016, title={Melodramatic materials: The Roof and The Man Next Door}, volume={4}, DOI={10.1386/jicms.4.3.337_1}, number={3}, journal={Journal of Italian Cinema & Media Studies}, author={Merchant, Paul}, year={2016}, month={Jul}, pages={337–352} }
@inbook{Mestman_2003, address={London}, title={The Hour of the Furnaces}, url={https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=909593&ppg=136}, booktitle={The cinema of Latin America}, publisher={Wallflower}, author={Mestman, Mariano}, year={2003} }
@book{Mraz_2009, address={Durham, [N.C.]}, title={Looking for Mexico: modern visual culture and national identity}, publisher={Duke University Press}, author={Mraz, John}, year={2009} }
@book{Myerson_1973, address={New York}, title={Memories of underdevelopment: the revolutionary films of Cuba}, publisher={Grossman Publishers}, author={Myerson, Michael}, year={1973} }
@book{Nagib, address={New York, NY}, title={World cinema and the ethics of realism}, publisher={Continuum}, author={Nagib, Lúcia} }
@book{O’Mahony_2008, address={London}, title={Sergei Eisenstein}, publisher={Reaktion Books}, author={O’Mahony, Mike}, year={2008} }
@book{Pick_1993, address={Austin}, edition={1st ed}, title={The new Latin American cinema: a continental project}, publisher={University of Texas Press}, author={Pick, Zuzana M.}, year={1993} }
@inbook{Pinkert, address={Bloomington}, title={Flashbacks and Psyche}, booktitle={Film and memory in East Germany}, publisher={Indiana University Press}, author={Pinkert, Anke}, pages={27–42} }
@inbook{Pinkert, address={Bloomington}, title={Grieving Dead Soldiers}, booktitle={Film and memory in East Germany}, publisher={Indiana University Press}, author={Pinkert, Anke}, pages={43–58} }
@book{Polizzotti_2006, address={London}, title={Los olvidados}, publisher={BFI Publishing}, author={Polizzotti, Mark}, year={2006} }
@inbook{Ratchford_1993, address={Cambridge}, title={Circus of 1936: Ideology and entertainment under the big top}, url={https://www-cambridge-org.bris.idm.oclc.org/core/services/aop-cambridge-core/content/view/A2A665CFBE0256C4DD98DD497035B38F/9780511527135c8_p83-93_CBO.pdf/circus_of_1936_ideology_and_entertainment_under_the_big_top.pdf}, booktitle={Inside Soviet Film Satire}, publisher={Cambridge University Press}, author={Ratchford, Moira}, year={1993}, pages={83–93} }
@book{Richardson_2006, address={Oxford}, title={Surrealism and cinema}, publisher={Berg}, author={Richardson, Michael}, year={2006} }
@book{Roberts_2000, address={London}, title={The man with the movie camera}, volume={2}, publisher={I.B. Tauris}, author={Roberts, Graham}, year={2000} }
@article{Salys_2007, title={Art Deco Aesthetics in Grigorii Aleksandrov’s ‘The Circus’}, volume={66}, url={https://www.jstor.org/stable/20620476?seq=1#metadata_info_tab_contents}, number={1}, journal={The Russian Review}, publisher={Wiley}, author={Salys, Rimgaila}, year={2007} }
@article{Sarto_2005, title={Cinema Novo and New/Third Cinema Revisited: Aesthetics, Culture and Politics}, volume={34}, DOI={10.2307/29742031}, journal={Chasqui}, author={Sarto, Ana del}, year={2005} }
@book{Schroeder_2014, address={Hoboken}, title={Tomas Gutierrez Alea: the Dialectics of a Filmmaker}, publisher={Taylor and Francis}, author={Schroeder, Paul A.}, year={2014} }
@book{Schroeder_2016, address={Oakland, California}, title={Latin American cinema: a comparative history}, publisher={University of California Press}, author={Schroeder, Paul A.}, year={2016} }
@book{Shandley, address={Philadelphia, PA}, title={Rubble films: German cinema in the shadow of the Third Reich}, publisher={Temple University Press}, author={Shandley, Robert R.} }
@article{Shrayer_1997, title={Why Are the Cranes Still Flying?}, volume={56}, DOI={10.2307/131752}, number={3}, journal={Russian Review}, author={Shrayer, Maxim D.}, year={1997} }
@inbook{Solanas_Getino_2014, address={Berkeley}, title={Towards a Third Cinema: Notes and Experiences for the Development of a Cinema of Liberation in the Third World}, url={https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1650802&ppg=342}, booktitle={Film manifestos and global cinema cultures: a critical anthology}, publisher={University of California Press}, author={Solanas, Fernando and Getino, Octavio}, year={2014} }
@book{Stam_2000, address={Oxford}, title={Film theory: an introduction}, publisher={Blackwell}, author={Stam, Robert}, year={2000} }
@misc{Staudte_1946, title={The Murderers are Among Us Die Mörder sind unter uns Part of the Series: Reel Women in East German Film}, url={https://bristol.kanopy.com/video/murderers-are-among-us}, publisher={DEFA Film Library}, author={Staudte, Wolfgang}, year={1946} }
@book{Stites Mor_2012, address={Pittsburgh}, title={Transition cinema: political filmmaking and the Argentine left since 1968}, publisher={University of Pittsburgh Press}, author={Stites Mor, Jessica}, year={2012} }
@book{Stone_Gutiérrez-Albilla_2013, address={Chicester}, title={A Companion to Luis Buñuel}, publisher={Wiley}, author={Stone, Rob and Gutiérrez-Albilla, Juli?n Daniel}, year={2013} }
@article{Taylor_1996, title={The Illusion of Happiness and the Happiness of Illusion: Grigorii Aleksandrov’s ‘The Circus’}, volume={74}, url={https://www.jstor.org/stable/4212234?seq=1#metadata_info_tab_contents}, number={4}, journal={The Slavonic and East European Review}, publisher={Modern Humanities Research Association}, author={Taylor, Richard}, year={1996} }
@book{Taylor_British Film Institute_2002, address={London}, title={October}, publisher={BFI Pub}, author={Taylor, Richard and British Film Institute}, year={2002} }
@book{Taylor_Christie_1994, address={London}, title={The Film factory: Russian and Soviet cinema in documents 1896-1939}, publisher={Routledge}, author={Taylor, Richard and Christie, Ian}, year={1994} }
@misc{Vertov_1929, title={Man with a Movie Camera (1929) movie}, url={https://www.youtube.com/watch?v=cGYZ5847FiI}, author={Vertov, Dziga}, year={1929} }
@book{Villarejo_2013, address={London}, edition={2nd ed}, title={Film studies}, volume={Basics}, url={https://www-taylorfrancis-com.bris.idm.oclc.org/books/9780203747544}, publisher={Routledge, Taylor & Francis Group}, author={Villarejo, Amy}, year={2013} }
@article{Williams_1973, title={Bazin on Neo-Realism}, volume={14}, DOI={10.1093/screen/14.4.61}, number={4}, journal={Screen}, author={Williams, C.}, year={1973}, month={Dec}, pages={61–68} }
@book{Williams_1992, address={Berkeley}, title={Figures of desire: a theory and analysis of surrealist film}, publisher={University of California Press}, author={Williams, Linda}, year={1992} }
@inbook{Woll_2000, address={London}, title={The Best Years of Our Lives}, booktitle={Real images: Soviet cinema and the thaw}, publisher={I.B. Tauris}, author={Woll, Josephine}, year={2000}, pages={66–82} }
@book{Woll_2003, address={London}, title={The cranes are flying}, volume={7}, publisher={I.B. Tauris}, author={Woll, Josephine}, year={2003} }
@article{WOOD_2009, title={Tomás Gutiérrez Alea and the Art of Revolutionary Cinema}, volume={28}, url={https://bris.on.worldcat.org/search?databaseList=638&queryString=gutierrez alea#/oclc/435648026}, number={4}, journal={Bulletin of Latin American Research}, author={WOOD, DAVID}, year={2009} }
@misc{The Cranes are Flying_1957, year={1957} }
@misc{Battleship Potemkin (Eisenstein, 1925), url={https://bristol.kanopy.com/video/battleship-potemkin-1} }
@misc{The End of St Petersburg, url={https://bristol.kanopy.com/video/end-st-petersburg-1927} }
@misc{Un chien andalou (Luis Buñuel & Salvador Dalí, 1929), url={https://www.youtube.com/watch?v=79h05vqezJ0} }
@misc{Rome Open City (1945, Roberto Rossellini), url={https://www.youtube.com/watch?v=Sf0eAmM-OW0} }
@misc{The Hour of the Furnaces (1968) Part 1: Neocolonialism and Violence, url={https://youtu.be/jQOXKoMHOE0} }
@misc{The Hour of the Furnaces (1968) Part 2: Act for Liberation, url={https://www.youtube.com/watch?v=OqaHNU03aag} }
@misc{The Hour of the Furnaces (1968) Part 3: Violence & Liberation, url={https://www.youtube.com/watch?v=ePJpI3_sV_Y} }