Bibliography for MODL20020: Cinema & Revolution

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G. Aleksandrov, ‘The Circus’. 1936 [Online]. Available: https://www.youtube.com/watch?v=FVAN0A6OWE4

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M. Ratchford, ‘Circus of 1936: Ideology and entertainment under the big top’, in Inside Soviet Film Satire, Cambridge: Cambridge University Press, 1993, pp. 83–93 [Online]. Available: https://www-cambridge-org.bris.idm.oclc.org/core/services/aop-cambridge-core/content/view/A2A665CFBE0256C4DD98DD497035B38F/9780511527135c8_p83-93_CBO.pdf/circus_of_1936_ideology_and_entertainment_under_the_big_top.pdf

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A. Pinkert, ‘Flashbacks and Psyche’, in Film and memory in East Germany, Bloomington: Indiana University Press, pp. 27–42.

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H. Baer, Dismantling the dream factory: gender, German cinema, and the postwar quest for a new film language, First paperback edition., vol. 9. New York: Berghahn Books, 2012.

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G. Lamprecht, ‘Somewhere in Berlin’. DEFA Film Library, 1946 [Online]. Available: https://bristol.kanopy.com/video/somewhere-berlin

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A. Pinkert, ‘Grieving Dead Soldiers’, in Film and memory in East Germany, Bloomington: Indiana University Press, pp. 43–58.

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D. Forgacs, S. Lutton, G. Nowell-Smith, and British Film Institute, Roberto Rossellini: magician of the real. London: British Film Institute, 2000.

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D. Forgacs and British Film Institute, Rome open city (Roma città aperta). London: BFI Pub, 2000.

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L. Bayman, S. Gundle, and K. Schoonover, ‘Rome, Open City: Rupture and return’, Journal of Italian Cinema & Media Studies, vol. 6, no. 3, pp. 295–300, Jul. 2018, doi: 10.1386/jicms.6.3.295_2.

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P. Merchant, ‘Melodramatic materials: The Roof and The Man Next Door’, Journal of Italian Cinema & Media Studies, vol. 4, no. 3, pp. 337–352, Jul. 2016, doi: 10.1386/jicms.4.3.337_1.

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M. Mestman, ‘The Hour of the Furnaces’, in The cinema of Latin America, London: Wallflower, 2003 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=909593&ppg=136

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Bibliography for MODL20020: Cinema & Revolution BETA