Bibliography for MODL20020: Cinema & Revolution

1.
Villarejo A. Film Studies. Vol Basics. 2nd ed. Routledge, Taylor & Francis Group; 2013. https://www-taylorfrancis-com.bris.idm.oclc.org/books/9780203747544

2.
Bordwell D, Thompson K. Film Art: An Introduction. Tenth edition, McGraw-Hill international edition. McGraw-Hill; 2013. https://bibliu.com/users/saml/samlUniversityOfBristol?RelayState=eyJjdXN0b21fbGF1bmNoX3VybCI6IiMvdmlldy9ib29rcy85NzgxMjYwNTY4NTg1L2VwdWIvT1BTL3M5bWwvZnJvbnRfbWF0dGVyL2JyaWVmX2NvbnRlbnRzLmh0bWwifQ%3D%3D

3.
Elsaesser T, Hagener M, dawsonera. Film Theory: An Introduction through the Senses. Routledge; 2010. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=465357

4.
Stam R. Film Theory: An Introduction. Blackwell; 2000.

5.
Corrigan T. A Short Guide to Writing about Film. Ninth edition, global edition. Pearson Education Ltd; 2015.

6.
Taylor R, Christie I. The Film Factory: Russian and Soviet Cinema in Documents 1896-1939. Routledge; 1994.

7.
Aleksandrov G, Eisenstein S. October: ten days that shook the world. Published online 1927. https://bristol.kanopy.com/video/october-ten-days-shook-world

8.
Bohlinger V. Engrossing? Exciting! Incomprehensible? Boring! Audience survey responses to Eisenstein’s October. Studies in Russian and Soviet Cinema. 14(1):5-27. https://www.tandfonline.com/doi/abs/10.1386/srsc.5.1.5_1

9.
Battleship Potemkin (Eisenstein, 1925). https://bristol.kanopy.com/video/battleship-potemkin-1

10.
Vertov D. Man with a Movie Camera (1929) movie. Published online 1929. https://www.youtube.com/watch?v=cGYZ5847FiI

11.
The End of St Petersburg. https://bristol.kanopy.com/video/end-st-petersburg-1927

12.
Taylor R, British Film Institute. October. BFI Pub; 2002.

13.
O’Mahony M. Sergei Eisenstein. Reaktion Books; 2008.

14.
Cavendish P. The Men With The Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s. Berghahn Books; 2013.

15.
Roberts G. The Man with the Movie Camera. Vol 2. I.B. Tauris; 2000.

16.
Lawton A. Rhythmic Montage in the Films of Dziga Vertov: A Poetic Use of the Language of Cinema. Pacific Coast Philology. 1978;13. doi:10.2307/1316363

17.
Un chien andalou (Luis Buñuel & Salvador Dalí, 1929). https://www.youtube.com/watch?v=79h05vqezJ0

18.
Richardson M. Surrealism and Cinema. Berg; 2006.

19.
Stone R, Gutiérrez-Albilla JD. A Companion to Luis Buñuel. Wiley; 2013.

20.
Hammond P, Buñuel L, Dalí S. L’Âge d’or. British Film Institute; 1997.

21.
Adamowicz E. Un Chien Andalou: (Luis Buñuel and Salvador Dali, 1929). I.B. Tauris; 2010.

22.
Drummond P. Un Chien Andalou: Luis Buñuel and Salvador Dali. Faber and Faber; 1994.

23.
Frank A, Thomas E, Stanovnik J. Reframing Reality: The Aesthetics of the Surrealist Object in French and Czech Cinema. Intellect; 2013.

24.
Hammond P. The Shadow and Its Shadow: Surrealist Writings on the Cinema. Vol 11. 2nd ed. Polygon; 1991.

25.
Mary Corliss. BuñUel’s l’Age d’Or. MoMA. 19750401;(3). https://bris.on.worldcat.org/search?databaseList=638&queryString=buñuel l’age d’or#/oclc/5544123066

26.
Lyndy Saville. Discovering Luis Buñuel Part of the Series: Discovering The Arts. Published online 2013. https://bristol.kanopy.com/video/discovering-luis-bunuel

27.
Levy S. Surrealism: Surrealist Visuality. Keele University Press; 1996.

28.
Williams L. Figures of Desire: A Theory and Analysis of Surrealist Film. University of California Press; 1992.

29.
Breton A, Seaver R, Lane HR. Manifestoes of Surrealism. University of Michigan Press; 1972.

30.
Aleksandrov G. The Circus. Published online 1936. https://www.youtube.com/watch?v=FVAN0A6OWE4

31.
Ratchford M. Circus of 1936: Ideology and entertainment under the big top. In: Inside Soviet Film Satire. Cambridge University Press; 1993:83-93. https://www-cambridge-org.bris.idm.oclc.org/core/services/aop-cambridge-core/content/view/A2A665CFBE0256C4DD98DD497035B38F/9780511527135c8_p83-93_CBO.pdf/circus_of_1936_ideology_and_entertainment_under_the_big_top.pdf

32.
Beth Holmgren. ‘The Blue Angel’ and Blackface: Redeeming Entertainment in Aleksandrov’s ‘Circus’. The Russian Review. 2007;66(1). https://www.jstor.org/stable/20620475?seq=1#metadata_info_tab_contents

33.
Dyer R. Entertainment and Utopia. In: Only Entertainment. 2nd ed. Routledge; 2002:19-35. https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=237341&ppg=28

34.
Kenez P. Socialist Realism, 1933-41. In: Cinema and Soviet Society, 1917-1953. Cambridge University Press; 1992:143-164.

35.
Aleksandrov G. Jolly Fellows. Published online 1934. https://www.youtube.com/watch?v=chDRXQ77IgA

36.
Taylor R. The Illusion of Happiness and the Happiness of Illusion: Grigorii Aleksandrov’s ‘The Circus’. The Slavonic and East European Review. 1996;74(4). https://www.jstor.org/stable/4212234?seq=1#metadata_info_tab_contents

37.
Salys R. Art Deco Aesthetics in Grigorii Aleksandrov’s ‘The Circus’. The Russian Review. 2007;66(1). https://www.jstor.org/stable/20620476?seq=1#metadata_info_tab_contents

38.
Acevedo-Muñoz E. Los Olvidados and the Crisis of Mexican Cinema. In: Buñuel and Mexico: The Crisis of National Cinema. University of California Press; 2003:57-79. https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=222995&ppg=70

39.
Mraz J. Looking for Mexico: Modern Visual Culture and National Identity. Duke University Press; 2009.

40.
Polizzotti M. Los Olvidados. BFI Publishing; 2006.

41.
King J. Magical Reels: A History of Cinema in Latin America. New ed. Verso; 2000.

42.
Evans PW. The Films of Luis Buñuel: Subjectivity and Desire. Clarendon Press

43.
Buñuel L, García Tsao L. Los Olvidados. Era; 1980.

44.
Staudte W. The Murderers are Among Us Die Mörder sind unter uns Part of the Series: Reel Women in East German Film. Published online 1946. https://bristol.kanopy.com/video/murderers-are-among-us

45.
Pinkert A. Flashbacks and Psyche. In: Film and Memory in East Germany. Indiana University Press; :27-42.

46.
Baer H. Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language. Vol 9. First paperback edition. Berghahn Books; 2012.

47.
Shandley RR. Rubble Films: German Cinema in the Shadow of the Third Reich. Temple University Press

48.
Lamprecht G. Somewhere in Berlin. Published online 1946. https://bristol.kanopy.com/video/somewhere-berlin

49.
Pinkert A. Grieving Dead Soldiers. In: Film and Memory in East Germany. Indiana University Press; :43-58.

50.
Brockmann S. A Critical History of German Film. Camden House; 2010.

51.
Rome Open City (1945, Roberto Rossellini). https://www.youtube.com/watch?v=Sf0eAmM-OW0

52.
Gottlieb S. Roberto Rossellini’s Rome Open City. Cambridge University Press

53.
Forgacs D. Rome, Open City: Before and after neorealism. Journal of Italian Cinema and Media Studies. 2018;6(3). doi:10.1386/jicms.6.3.301_1

54.
Brunette P. Roberto Rossellini. University of California Press

55.
Giovacchini S, Sklar R. Global Neorealism: The Transnational History of a Film Style. University Press of Mississippi

56.
Brunette P. Rossellini and Cinematic Realism. Cinema Journal. 19851001;25(1). https://bris.on.worldcat.org/search?databaseList=638&queryString=rossellini#/oclc/5547908970

57.
Forgacs D, Lutton S, Nowell-Smith G, British Film Institute. Roberto Rossellini: Magician of the Real. British Film Institute; 2000.

58.
Forgacs D, British Film Institute. Rome Open City (Roma Città Aperta). BFI Pub; 2000.

59.
Bayman L, Gundle S, Schoonover K. Rome, Open City: Rupture and return. Journal of Italian Cinema & Media Studies. 2018;6(3):295-300. doi:10.1386/jicms.6.3.295_2

60.
Williams C. Bazin on Neo-Realism. Screen. 1973;14(4):61-68. doi:10.1093/screen/14.4.61

61.
Merchant P. Melodramatic materials: The Roof and The Man Next Door. Journal of Italian Cinema & Media Studies. 2016;4(3):337-352. doi:10.1386/jicms.4.3.337_1

62.
The Cranes are Flying. Published online 1957.

63.
Shrayer MD. Why Are the Cranes Still Flying? Russian Review. 1997;56(3). doi:10.2307/131752

64.
Woll J. The Best Years of Our Lives. In: Real Images: Soviet Cinema and the Thaw. I.B. Tauris; 2000:66-82.

65.
Woll J. The Cranes Are Flying. Vol 7. I.B. Tauris; 2003.

66.
The Hour of the Furnaces (1968) Part 1: Neocolonialism and Violence. https://youtu.be/jQOXKoMHOE0

67.
Solanas F, Getino O. Towards a Third Cinema: Notes and Experiences for the Development of a Cinema of Liberation in the Third World. In: Film Manifestos and Global Cinema Cultures: A Critical Anthology. University of California Press; 2014. https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1650802&ppg=342

68.
Mestman M. The Hour of the Furnaces. In: The Cinema of Latin America. Wallflower; 2003. https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=909593&ppg=136

69.
The Hour of the Furnaces (1968) Part 2: Act for Liberation. https://www.youtube.com/watch?v=OqaHNU03aag

70.
The Hour of the Furnaces (1968) Part 3: Violence & Liberation. https://www.youtube.com/watch?v=ePJpI3_sV_Y

71.
Getino O. The Cinema as Political Fact. Third Text. 25(1). doi:10.1080/09528822.2011.545613

72.
Schroeder PA. Latin American Cinema: A Comparative History. University of California Press; 2016.

73.
Sarto A del. Cinema Novo and New/Third Cinema Revisited: Aesthetics, Culture and Politics. Chasqui. 2005;34. doi:10.2307/29742031

74.
Martin MT. New Latin American Cinema. Wayne State University Press

75.
Nagib L. World Cinema and the Ethics of Realism. Continuum

76.
Pick ZM. The New Latin American Cinema: A Continental Project. 1st ed. University of Texas Press; 1993.

77.
King J. Magical Reels: A History of Cinema in Latin America. New ed. Verso; 2000.

78.
Stites Mor J. Transition Cinema: Political Filmmaking and the Argentine Left since 1968. University of Pittsburgh Press; 2012.

79.
WOOD D. Tomás Gutiérrez Alea and the Art of Revolutionary Cinema. Bulletin of Latin American Research. 2009;28(4). https://bris.on.worldcat.org/search?databaseList=638&queryString=gutierrez alea#/oclc/435648026

80.
Schroeder PA. Tomas Gutierrez Alea: The Dialectics of a Filmmaker. Taylor and Francis; 2014.

81.
Myerson M. Memories of Underdevelopment: The Revolutionary Films of Cuba. Grossman Publishers; 1973.

82.
Chanan M. Cuban Cinema. Vol 14. University of Minnesota Press

83.
Kernan M. Cuban Cinema: Tomas Guiterrez Alea. Film Quarterly. 19751201;29(2). https://bris.on.worldcat.org/search?databaseList=638&queryString=cuban cinema#/oclc/5972253000

Bibliography for MODL20020: Cinema & Revolution BETA