Acevedo-Muñoz E, ‘Los Olvidados and the Crisis of Mexican Cinema’, Buñuel and Mexico: the Crisis of National Cinema (University of California Press 2003) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=222995&ppg=70>
Adamowicz E, Un Chien Andalou: (Luis Buñuel and Salvador Dali, 1929) (IB Tauris 2010)
Aleksandrov G, ‘Jolly Fellows’ <https://www.youtube.com/watch?v=chDRXQ77IgA>
——, ‘The Circus’ <https://www.youtube.com/watch?v=FVAN0A6OWE4>
Aleksandrov G and Eisenstein S, ‘October: Ten Days That Shook the World’ <https://bristol.kanopy.com/video/october-ten-days-shook-world>
Baer H, Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language, vol 9 (First paperback edition, Berghahn Books 2012)
‘Battleship Potemkin (Eisenstein, 1925)’ <https://bristol.kanopy.com/video/battleship-potemkin-1>
Bayman L, Gundle S and Schoonover K, ‘Rome, Open City: Rupture and Return’ (2018) 6 Journal of Italian Cinema & Media Studies 295
Beth Holmgren, ‘“The Blue Angel” and Blackface: Redeeming Entertainment in Aleksandrov’s “Circus”’ (2007) 66 The Russian Review <https://www.jstor.org/stable/20620475?seq=1#metadata_info_tab_contents>
Bohlinger V, ‘Engrossing? Exciting! Incomprehensible? Boring! Audience Survey Responses to Eisenstein’s October’ 14 Studies in Russian and Soviet Cinema 5 <https://www.tandfonline.com/doi/abs/10.1386/srsc.5.1.5_1>
Bordwell D and Thompson K, Film Art: An Introduction (Tenth edition, McGraw-Hill international edition, McGraw-Hill 2013) <https://bibliu.com/users/saml/samlUniversityOfBristol?RelayState=eyJjdXN0b21fbGF1bmNoX3VybCI6IiMvdmlldy9ib29rcy85NzgxMjYwNTY4NTg1L2VwdWIvT1BTL3M5bWwvZnJvbnRfbWF0dGVyL2JyaWVmX2NvbnRlbnRzLmh0bWwifQ%3D%3D>
Breton A, Seaver R and Lane HR, Manifestoes of Surrealism (University of Michigan Press 1972)
Brockmann S, A Critical History of German Film (Camden House 2010)
Brunette P, ‘Rossellini and Cinematic Realism’ (19851001) 25 Cinema Journal <https://bris.on.worldcat.org/search?databaseList=638&queryString=rossellini#/oclc/5547908970>
——, Roberto Rossellini (University of California Press)
Buñuel L and García Tsao L, Los Olvidados (Era 1980)
Cavendish P, The Men With The Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s (Berghahn Books 2013)
Chanan M, Cuban Cinema, vol 14 (University of Minnesota Press)
Corrigan T, A Short Guide to Writing about Film (Ninth edition, global edition, Pearson Education Ltd 2015)
Drummond P, Un Chien Andalou: Luis Buñuel and Salvador Dali (Faber and Faber 1994)
Dyer R, ‘Entertainment and Utopia’, Only entertainment (2nd edn, Routledge 2002) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=237341&ppg=28>
Elsaesser T, Hagener M, and dawsonera, Film Theory: An Introduction through the Senses (Routledge 2010) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=465357>
Evans PW, The Films of Luis Buñuel: Subjectivity and Desire (Clarendon Press)
Forgacs D., ‘Rome, Open City: Before and after Neorealism’ (2018) 6 Journal of Italian Cinema and Media Studies <https://bris.on.worldcat.org/search?databaseList=638&queryString=rome open city#/oclc/7844733781>
Forgacs D and others, Roberto Rossellini: Magician of the Real (British Film Institute 2000)
Forgacs D and British Film Institute, Rome Open City (Roma Città Aperta) (BFI Pub 2000)
Frank A, Thomas E and Stanovnik J, Reframing Reality: The Aesthetics of the Surrealist Object in French and Czech Cinema (Intellect 2013)
Getino O, ‘The Cinema as Political Fact’ 25 Third Text <https://bris.on.worldcat.org/search?databaseList=638&queryString=solanas getino#/oclc/4839414275>
Giovacchini S and Sklar R, Global Neorealism: The Transnational History of a Film Style (University Press of Mississippi)
Gottlieb S, Roberto Rossellini’s Rome Open City (Cambridge University Press)
Hammond P, The Shadow and Its Shadow: Surrealist Writings on the Cinema, vol 11 (2nd ed, Polygon 1991)
Hammond P, Buñuel L and Dalí S, L’Âge d’or (British Film Institute 1997)
Kenez P, ‘Socialist Realism, 1933-41’, Cinema and Soviet society, 1917-1953 (Cambridge University Press 1992)
Kernan M, ‘Cuban Cinema: Tomas Guiterrez Alea’ (19751201) 29 Film Quarterly <https://bris.on.worldcat.org/search?databaseList=638&queryString=cuban cinema#/oclc/5972253000>
King J, Magical Reels: A History of Cinema in Latin America (New ed, Verso 2000)
——, Magical Reels: A History of Cinema in Latin America (New ed, Verso 2000)
Lamprecht G, ‘Somewhere in Berlin’ <https://bristol.kanopy.com/video/somewhere-berlin>
Lawton A, ‘Rhythmic Montage in the Films of Dziga Vertov: A Poetic Use of the Language of Cinema’ (1978) 13 Pacific Coast Philology
Levy S, Surrealism: Surrealist Visuality (Keele University Press 1996)
Lyndy Saville, ‘Discovering Luis Buñuel Part of the Series: Discovering The Arts’ <https://bristol.kanopy.com/video/discovering-luis-bunuel>
Martin MT, New Latin American Cinema (Wayne State University Press)
Mary Corliss, ‘BuñUel’s l’Age d’Or’ [19750401] MoMA <https://bris.on.worldcat.org/search?databaseList=638&queryString=buñuel l’age d’or#/oclc/5544123066>
Merchant P, ‘Melodramatic Materials: The Roof and The Man Next Door’ (2016) 4 Journal of Italian Cinema & Media Studies 337
Mestman M, ‘The Hour of the Furnaces’, The cinema of Latin America (Wallflower 2003) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=909593&ppg=136>
Mraz J, Looking for Mexico: Modern Visual Culture and National Identity (Duke University Press 2009)
Myerson M, Memories of Underdevelopment: The Revolutionary Films of Cuba (Grossman Publishers 1973)
Nagib L, World Cinema and the Ethics of Realism (Continuum)
O’Mahony M, Sergei Eisenstein (Reaktion Books 2008)
Pick ZM, The New Latin American Cinema: A Continental Project (1st ed, University of Texas Press 1993)
Pinkert A, ‘Flashbacks and Psyche’, Film and memory in East Germany (Indiana University Press)
——, ‘Grieving Dead Soldiers’, Film and memory in East Germany (Indiana University Press)
Polizzotti M, Los Olvidados (BFI Publishing 2006)
Ratchford M, ‘Circus of 1936: Ideology and Entertainment under the Big Top’, Inside Soviet Film Satire (Cambridge University Press 1993) <https://www-cambridge-org.bris.idm.oclc.org/core/services/aop-cambridge-core/content/view/A2A665CFBE0256C4DD98DD497035B38F/9780511527135c8_p83-93_CBO.pdf/circus_of_1936_ideology_and_entertainment_under_the_big_top.pdf>
Richardson M, Surrealism and Cinema (Berg 2006)
Roberts G, The Man with the Movie Camera, vol 2 (IB Tauris 2000)
‘Rome Open City (1945, Roberto Rossellini)’ <https://www.youtube.com/watch?v=Sf0eAmM-OW0>
Salys R, ‘Art Deco Aesthetics in Grigorii Aleksandrov’s “The Circus”’ (2007) 66 The Russian Review <https://www.jstor.org/stable/20620476?seq=1#metadata_info_tab_contents>
Sarto A del, ‘Cinema Novo and New/Third Cinema Revisited: Aesthetics, Culture and Politics’ (2005) 34 Chasqui
Schroeder PA, Tomas Gutierrez Alea: The Dialectics of a Filmmaker (Taylor and Francis 2014)
——, Latin American Cinema: A Comparative History (University of California Press 2016)
Shandley RR, Rubble Films: German Cinema in the Shadow of the Third Reich (Temple University Press)
Shrayer MD, ‘Why Are the Cranes Still Flying?’ (1997) 56 Russian Review
Solanas F and Getino O, ‘Towards a Third Cinema: Notes and Experiences for the Development of a Cinema of Liberation in the Third World’, Film manifestos and global cinema cultures: a critical anthology (University of California Press 2014) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1650802&ppg=342>
Stam R, Film Theory: An Introduction (Blackwell 2000)
Staudte W, ‘The Murderers Are Among Us Die Mörder Sind Unter Uns Part of the Series: Reel Women in East German Film’ <https://bristol.kanopy.com/video/murderers-are-among-us>
Stites Mor J, Transition Cinema: Political Filmmaking and the Argentine Left since 1968 (University of Pittsburgh Press 2012)
Stone R and Gutiérrez-Albilla JD, A Companion to Luis Buñuel (Wiley 2013)
Taylor R, ‘The Illusion of Happiness and the Happiness of Illusion: Grigorii Aleksandrov’s “The Circus”’ (1996) 74 The Slavonic and East European Review <https://www.jstor.org/stable/4212234?seq=1#metadata_info_tab_contents>
Taylor R and British Film Institute, October (BFI Pub 2002)
Taylor R and Christie I, The Film Factory: Russian and Soviet Cinema in Documents 1896-1939 (Routledge 1994)
‘The Cranes Are Flying’
‘The End of St Petersburg’ <https://bristol.kanopy.com/video/end-st-petersburg-1927>
‘The Hour of the Furnaces (1968) Part 1: Neocolonialism and Violence’ <https://youtu.be/jQOXKoMHOE0>
‘The Hour of the Furnaces (1968) Part 2: Act for Liberation’ <https://www.youtube.com/watch?v=OqaHNU03aag>
‘The Hour of the Furnaces (1968) Part 3: Violence & Liberation’ <https://www.youtube.com/watch?v=ePJpI3_sV_Y>
‘Un Chien Andalou (Luis Buñuel & Salvador Dalí, 1929)’ <https://www.youtube.com/watch?v=79h05vqezJ0>
Vertov D, ‘Man with a Movie Camera (1929) Movie’ <https://www.youtube.com/watch?v=cGYZ5847FiI>
Villarejo A, Film Studies, vol Basics (2nd ed, Routledge, Taylor & Francis Group 2013) <https://www-taylorfrancis-com.bris.idm.oclc.org/books/9780203747544>
Williams C, ‘Bazin on Neo-Realism’ (1973) 14 Screen 61
Williams L, Figures of Desire: A Theory and Analysis of Surrealist Film (University of California Press 1992)
Woll J, ‘The Best Years of Our Lives’, Real images: Soviet cinema and the thaw (IB Tauris 2000)
——, The Cranes Are Flying, vol 7 (IB Tauris 2003)
WOOD D, ‘Tomás Gutiérrez Alea and the Art of Revolutionary Cinema’ (2009) 28 Bulletin of Latin American Research <https://bris.on.worldcat.org/search?databaseList=638&queryString=gutierrez alea#/oclc/435648026>
