Agamben, G. (1998) Homo sacer: sovereign power and bare life. Stanford, Calif: Stanford University Press.
Agamben, G. and Agamben, G. (2005) State of exception. Chicago: University of Chicago Press. Available at: https://bris.on.worldcat.org/oclc/649914311.
Barber, S. (2015) Using film as a source. Manchester: Manchester University Press.
Beauchesne, K. and Santos, A. (2011) The utopian impulse in Latin America. 1st ed. New York: Palgrave Macmillan.
Boothby, R. (2014) Death and Desire (Rle: Lacan): Psychoanalytic Theory in Lacan’s Return to. Routledge.
Cardona, D. (2008) Los niños invisibles: las imágenes y los textos en una obra para ser vista en un país eminentemente hablado. Available at: https://catedraluisalbertoalvarez.blogspot.com/search?q=los+ni%C3%B1os+invisibles.
Castañeda, C. (2002) Figurations: child, bodies, worlds. Durham [N.C.]: Duke University Press. Available at: https://bris.on.worldcat.org/oclc/654540622.
D’Lugo, M. (1991) The films of Carlos Saura: the practice of seeing. Princeton, N.J.: Princeton University Press.
Driscoll, C. (no date) Girls: feminine adolescence in popular culture and cultural theory. New York: Columbia University Press.
Ďurovičová, N. and Newman, K.E. (2010) World cinemas, transnational perspectives. New York: Routledge.
Estévez, A. (2011) ‘Joven cine chileno: en la movilización de los márgenes’, in C. Barril and J.M. Santa Cruz G. (eds) El cine que fue: 100 años de cine chileno. Santiago de Chile: Editorial Arcis, pp. 75–83.
Foucault, M. (1967) ‘“Of Other Spaces: Utopias and Heterotopias”.’ Available at: http://web.mit.edu/allanmc/www/foucault1.pdf.
Geiger, J. and Rutsky, R.L. (no date) Film analysis: a Norton reader. 1st ed. New York: W.W. Norton.
Gutiérrez-Albilla, J.D. (2011) ‘Filmar niños marginales: marginalidad social y sexual y el poder subversivo de la "imagen tiempo” en Pixote de Héctor Babenco’, Revista de Crítica Literaria Latinoamericana, 37(73).
Hart, S.M. and Young, R. (2003) Contemporary Latin American cultural studies. London: Arnold.
Henderson, J. (1985) When Colombia Bled. Tuscaloosa: University of Alabama Press.
Kroll, J.A. (2009) ‘Between the "sacred” and the "profane”: Cultural Fantasy in Madeinusa by Claudia Llosa’, Chasqui, 38(2).
Lacan, J. and Fink, B. (no date) Ecrits: the first complete edition in English. New York: W.W. Norton & Co.
Lebeau, V. (2008) Childhood and the cinema. London: Reaktion Books. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=449421.
Lee Six, A. (2013) ‘Confusa la historia y clara la pena: The Child’s Perspective in El Sur and Bene, by Adelaida Garcia Morales’, Forum for Modern Language Studies, 49(2), pp. 184–191. Available at: https://doi.org/10.1093/fmls/cqs071.
Lury, K. (2010a) Child in Film, The: Tears, Fears and Fairy Tales. London: I.B. Tauris.
Lury, K. (2010b) The child in film: tears, fears and fairy tales. London: I.B. Tauris.
Maguire, G. (2017) The politics of postmemory: violence and victimhood in contemporary Argentine culture. Cham, Switzerland: Palgrave Macmillan.
Maguire, G. and Randall, R. (eds) (2018) New visions of adolescence in contemporary Latin American cinema. Cham, Switzerland: Palgrave Macmillan.
Marks, L.U. (2000) The skin of the film: intercultural cinema, embodiment, and the senses. Durham: Duke University Press.
Martin, D. (2011a) ‘Childhood and its Representational Uses: Cinematic Experience and Agency in Víctor Gaviria’s La vendedora de rosas’, in Seeing in Spanish: From Don Quixote to Daddy Yankee, 22 Essays on Hispanic Visual Cultures. Newcastle-upon-Tyne: Cambridge Scholars Publishing. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1132983.
Martin, D. (2011b) ‘Wholly Ambivalent Demon-Girl: Horror, the Uncanny and the Representation of Feminine Adolescence in Lucrecia Martel’s La niña santa’, Journal of Iberian and Latin American Studies, 17(1), pp. 59–76.
Martin, D. (2016) The cinema of Lucrecia Martel. Manchester [UK]: Manchester University Press.
Martin, D. (2019a) The child in contemporary Latin American cinema. New York, NY, U.S.A.: Palgrave Macmillan.
Martin, D. (2019b) The child in contemporary Latin American cinema. New York, NY, U.S.A.: Palgrave Macmillan.
Martin, D. and Shaw, D. (eds) (2017a) Latin American women filmmakers: production, politics, poetics. London: I.B. Tauris & Co. Ltd.
Martin, D. and Shaw, D. (eds) (2017b) Latin American women filmmakers: production, politics, poetics. London: I.B. Tauris & Co. Ltd.
Melo, J.M. (2004) ‘Aesthetics and Ethics in City of God’, Third Text, 18(5).
Nagib, L. and University of Oxford. Centre for Brazilian Studies (2003) The new Brazilian cinema. London: I.B. Tauris in association with the Centre for Brazilian Studies, University of Oxford.
O’Bryen, R. (2008) Literature, testimony and cinema in contemporary Colombian culture: spectres of La Violencia. Woodbridge: Tamesis.
Podalsky, L. (2011) The politics of affect and emotion in contemporary Latin American cinema: Argentina, Brazil, Cuba, and Mexico. New York: Palgrave Macmillan.
Randall, R. (2017a) Children on the threshold in contemporary Latin American cinema: nature, gender, and agency. Lanham: Lexington Books.
Randall, R. (2017b) Children on the threshold in contemporary Latin American cinema: nature, gender, and agency. Lanham: Lexington Books.
Randall, R. (2017c) Children on the threshold in contemporary Latin American cinema: nature, gender, and agency. Lanham: Lexington Books.
Randall, R. (2017d) Children on the threshold in contemporary Latin American cinema: nature, gender, and agency. Lanham: Lexington Books.
Randall, R. (no date) ‘“I’m No Street Urchin!”’, in Children on the Threshold in Contemporary Latin American Cinema. Lanham: Lexington. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5061850&ppg=188.
Rocha, C. and Seminet, G. (2012) Representing history, class, and gender in Spain and Latin America: children and adolescents in film. 1st ed. New York, NY: Palgrave Macmillan. Available at: https://bris.on.worldcat.org/oclc/809799745.
Shaw, D. (2003) Contemporary cinema of Latin America: ten key films. New York: Continuum.
Stam, R. (2000) Film theory: an introduction. Malden, MA: Blackwell.
Stockton, K.B. and Stockton, K.B. (2009) Queer Child, or Growing Sideways in the Twentieth Century. Edited by M. Barale et al. Duke University Press. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1170534.
Stone, R. and Gutiérrez-Albilla, J.D. (eds) (2013) A companion to Luis Buñuel. Malden, MA: Wiley-Blackwell.
Thomas, S. (2015) ‘Rupture and reparation: Postmemory, the child seer and graphic violence in Infancia clandestina (Benjamín Ávila, 2012)’, Studies in Spanish & Latin-American Cinemas, 12(3), pp. 235–254. Available at: https://doi.org/10.1386/slac.12.3.235_1.
Thomas, S. (2019) Inhabiting the in-between: childhood and cinema in Spain’s long transition. Toronto: University of Toronto Press.
Vieira, E.R.P. (2005) ‘City of God’ in Several Voices. Nottingham: Critical, Cultural and Communications Press.
Wright, S. (2013) The child in Spanish cinema. Manchester: Manchester University Press. Available at: https://www.jstor.org/stable/j.ctt18mvmw3.
