Agamben, Giorgio, Homo Sacer: Sovereign Power and Bare Life (Stanford University Press, 1998), i
——, and Giorgio Agamben, State of Exception (University of Chicago Press, 2005) <https://bris.on.worldcat.org/oclc/649914311>
Barber, Sian, Using Film as a Source (Manchester University Press, 2015)
Beauchesne, Kim, and Alessandra Santos, The Utopian Impulse in Latin America, 1st ed (Palgrave Macmillan, 2011)
Boothby, Richard, Death and Desire (Rle: Lacan): Psychoanalytic Theory in Lacan’s Return To (Routledge, 2014)
Cardona, David, ‘Los Niños Invisibles: Las Imágenes y Los Textos En Una Obra Para Ser Vista En Un País Eminentemente Hablado’, 2008 <https://catedraluisalbertoalvarez.blogspot.com/search?q=los+ni%C3%B1os+invisibles>
Castañeda, Claudia, Figurations: Child, Bodies, Worlds (Duke University Press, 2002) <https://bris.on.worldcat.org/oclc/654540622>
D’Lugo, Marvin, The Films of Carlos Saura: The Practice of Seeing (Princeton University Press, 1991)
Driscoll, Catherine, Girls: Feminine Adolescence in Popular Culture and Cultural Theory (Columbia University Press, n.d.)
Ďurovičová, Natasa, and Kathleen E. Newman, World Cinemas, Transnational Perspectives (Routledge, 2010)
Estévez, Antonella, ‘Joven Cine Chileno: En La Movilización de Los Márgenes’, in El Cine Que Fue: 100 Años de Cine Chileno, ed. by Claudia Barril and José M. Santa Cruz G. (Editorial Arcis, 2011), pp. 75–83
Foucault, Michel, ‘Of Other Spaces: Utopias and Heterotopias’., 1967 <http://web.mit.edu/allanmc/www/foucault1.pdf>
Geiger, Jeffrey, and R. L. Rutsky, Film Analysis: A Norton Reader, 1st ed (W.W. Norton, n.d.)
Gutiérrez-Albilla, Julián Daniel, ‘Filmar Niños Marginales: Marginalidad Social y Sexual y El Poder Subversivo de La "imagen Tiempo” En Pixote de Héctor Babenco’, Revista de Crítica Literaria Latinoamericana, 37.73 (2011)
Hart, Stephen M., and Richard Young, Contemporary Latin American Cultural Studies (Arnold, 2003)
Henderson, James, When Colombia Bled (University of Alabama Press, 1985)
Kroll, Juli A., ‘Between the "sacred” and the "Profane”: Cultural Fantasy in Madeinusa by Claudia Llosa’, Chasqui, 38.2 (2009)
Lacan, Jacques, and Bruce Fink, Ecrits: The First Complete Edition in English (W.W. Norton & Co, n.d.)
Lebeau, Vicky, Childhood and the Cinema (Reaktion Books, 2008) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=449421>
Lee Six, A., ‘Confusa La Historia y Clara La Pena: The Child’s Perspective in El Sur and Bene, by Adelaida Garcia Morales’, Forum for Modern Language Studies, 49.2 (2013), pp. 184–91, doi:10.1093/fmls/cqs071
Lury, Karen, Child in Film, The: Tears, Fears and Fairy Tales (I.B. Tauris, 2010)
——, The Child in Film: Tears, Fears and Fairy Tales (I.B. Tauris, 2010)
Maguire, Geoffrey, The Politics of Postmemory: Violence and Victimhood in Contemporary Argentine Culture (Palgrave Macmillan, 2017)
——, and Rachel Randall (eds), New Visions of Adolescence in Contemporary Latin American Cinema (Palgrave Macmillan, 2018)
Marks, Laura U., The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses (Duke University Press, 2000)
Martin, Deborah, ‘Childhood and Its Representational Uses: Cinematic Experience and Agency in Víctor Gaviria’s La Vendedora de Rosas’, in Seeing in Spanish: From Don Quixote to Daddy Yankee, 22 Essays on Hispanic Visual Cultures (Cambridge Scholars Publishing, 2011) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1132983>
——, The Child in Contemporary Latin American Cinema (Palgrave Macmillan, 2019)
——, The Child in Contemporary Latin American Cinema (Palgrave Macmillan, 2019)
——, The Cinema of Lucrecia Martel (Manchester University Press, 2016)
——, ‘Wholly Ambivalent Demon-Girl: Horror, the Uncanny and the Representation of Feminine Adolescence in Lucrecia Martel’s La Niña Santa’, Journal of Iberian and Latin American Studies, 17.1 (2011), pp. 59–76
——, and Deborah Shaw (eds), Latin American Women Filmmakers: Production, Politics, Poetics (I.B. Tauris & Co. Ltd, 2017)
——, and Deborah Shaw (eds), Latin American Women Filmmakers: Production, Politics, Poetics (I.B. Tauris & Co. Ltd, 2017)
Melo, João Marcelo, ‘Aesthetics and Ethics in City of God’, Third Text, 18.5 (2004)
Nagib, Lúcia and University of Oxford. Centre for Brazilian Studies, The New Brazilian Cinema (I.B. Tauris in association with the Centre for Brazilian Studies, University of Oxford, 2003)
O’Bryen, Rory, Literature, Testimony and Cinema in Contemporary Colombian Culture: Spectres of La Violencia (Tamesis, 2008), cclxix
Podalsky, Laura, The Politics of Affect and Emotion in Contemporary Latin American Cinema: Argentina, Brazil, Cuba, and Mexico (Palgrave Macmillan, 2011)
Randall, Rachel, Children on the Threshold in Contemporary Latin American Cinema: Nature, Gender, and Agency (Lexington Books, 2017)
——, Children on the Threshold in Contemporary Latin American Cinema: Nature, Gender, and Agency (Lexington Books, 2017)
——, Children on the Threshold in Contemporary Latin American Cinema: Nature, Gender, and Agency (Lexington Books, 2017)
——, Children on the Threshold in Contemporary Latin American Cinema: Nature, Gender, and Agency (Lexington Books, 2017)
——, ‘“I’m No Street Urchin!”’, in Children on the Threshold in Contemporary Latin American Cinema (Lexington, n.d.) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5061850&amp;ppg=188>
Rocha, Carolina, and Georgia Seminet, Representing History, Class, and Gender in Spain and Latin America: Children and Adolescents in Film, 1st ed (Palgrave Macmillan, 2012) <https://bris.on.worldcat.org/oclc/809799745>
Shaw, Deborah, Contemporary Cinema of Latin America: Ten Key Films (Continuum, 2003)
Stam, Robert, Film Theory: An Introduction (Blackwell, 2000)
Stockton, Kathryn Bond, and Kathryn Bond Stockton, Queer Child, or Growing Sideways in the Twentieth Century, ed. by Mich Barale and others (Duke University Press, 2009) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1170534>
Stone, Rob, and Julián Daniel Gutiérrez-Albilla (eds), A Companion to Luis Buñuel (Wiley-Blackwell, 2013)
Thomas, Sarah, Inhabiting the In-between: Childhood and Cinema in Spain’s Long Transition (University of Toronto Press, 2019)
——, ‘Rupture and Reparation: Postmemory, the Child Seer and Graphic Violence in Infancia Clandestina (Benjamín Ávila, 2012)’, Studies in Spanish & Latin-American Cinemas, 12.3 (2015), pp. 235–54, doi:10.1386/slac.12.3.235_1
Vieira, Else R.P., ‘City of God’ in Several Voices (Critical, Cultural and Communications Press, 2005)
Wright, Sarah, The Child in Spanish Cinema (Manchester University Press, 2013) <https://www.jstor.org/stable/j.ctt18mvmw3>