1.
Podalsky L. The politics of affect and emotion in contemporary Latin American cinema: Argentina, Brazil, Cuba, and Mexico. New York: Palgrave Macmillan; 2011.
2.
Lebeau V. Childhood and the cinema [Internet]. London: Reaktion Books; 2008. Available from: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=449421
3.
Lury K. Child in Film, The: Tears, Fears and Fairy Tales. London: I.B. Tauris; 2010.
4.
Martin D. The child in contemporary Latin American cinema. New York, NY, U.S.A.: Palgrave Macmillan; 2019.
5.
Randall R. Children on the threshold in contemporary Latin American cinema: nature, gender, and agency. Lanham: Lexington Books; 2017.
6.
Hart SM, Young R. Contemporary Latin American cultural studies. London: Arnold; 2003.
7.
Stone R, Gutiérrez-Albilla JD, editors. A companion to Luis Buñuel. Malden, MA: Wiley-Blackwell; 2013.
8.
Gutiérrez-Albilla JD. Filmar niños marginales: marginalidad social y sexual y el poder subversivo de la "imagen tiempo” en Pixote de Héctor Babenco. Revista de Crítica Literaria Latinoamericana. 2011;37(73).
9.
Maguire G, Randall R, editors. New visions of adolescence in contemporary Latin American cinema. Cham, Switzerland: Palgrave Macmillan; 2018.
10.
Martin D. Childhood and its Representational Uses: Cinematic Experience and Agency in Víctor Gaviria’s La vendedora de rosas. In: Seeing in Spanish: From Don Quixote to Daddy Yankee, 22 Essays on Hispanic Visual Cultures [Internet]. Newcastle-upon-Tyne: Cambridge Scholars Publishing; 2011. Available from: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1132983
11.
Melo JM. Aesthetics and Ethics in City of God. Third Text. 2004;18(5).
12.
Randall R. ‘I’m No Street Urchin!’ In: Children on the Threshold in Contemporary Latin American Cinema [Internet]. Lanham: Lexington; Available from: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5061850&ppg=188
13.
Ďurovičová N, Newman KE. World cinemas, transnational perspectives. New York: Routledge; 2010.
14.
Vieira ERP. ‘City of God’ in Several Voices. Nottingham: Critical, Cultural and Communications Press; 2005.
15.
Martin D. The child in contemporary Latin American cinema. New York, NY, U.S.A.: Palgrave Macmillan; 2019.
16.
Shaw D. Contemporary cinema of Latin America: ten key films. New York: Continuum; 2003.
17.
Nagib L, University of Oxford. Centre for Brazilian Studies. The new Brazilian cinema. London: I.B. Tauris in association with the Centre for Brazilian Studies, University of Oxford; 2003.
18.
Thomas S. Inhabiting the in-between: childhood and cinema in Spain’s long transition. Toronto: University of Toronto Press; 2019.
19.
D’Lugo M. The films of Carlos Saura: the practice of seeing. Princeton, N.J.: Princeton University Press; 1991.
20.
Lury K. The child in film: tears, fears and fairy tales. London: I.B. Tauris; 2010.
21.
Wright S. The child in Spanish cinema [Internet]. Manchester: Manchester University Press; 2013. Available from: https://www.jstor.org/stable/j.ctt18mvmw3
22.
Agamben G, Agamben G. State of exception [Internet]. Chicago: University of Chicago Press; 2005. Available from: https://bris.on.worldcat.org/oclc/649914311
23.
Agamben G. Homo sacer: sovereign power and bare life. Vol. 1. Stanford, Calif: Stanford University Press; 1998.
24.
Beauchesne K, Santos A. The utopian impulse in Latin America. 1st ed. New York: Palgrave Macmillan; 2011.
25.
Maguire G. The politics of postmemory: violence and victimhood in contemporary Argentine culture. Cham, Switzerland: Palgrave Macmillan; 2017.
26.
Randall R. Children on the threshold in contemporary Latin American cinema: nature, gender, and agency. Lanham: Lexington Books; 2017.
27.
Rocha C, Seminet G. Representing history, class, and gender in Spain and Latin America: children and adolescents in film [Internet]. 1st ed. New York, NY: Palgrave Macmillan; 2012. Available from: https://bris.on.worldcat.org/oclc/809799745
28.
Thomas S. Rupture and reparation: Postmemory, the child seer and graphic violence in Infancia clandestina (Benjamín Ávila, 2012). Studies in Spanish & Latin-American Cinemas. 2015 Sept 1;12(3):235–54.
29.
Boothby R. Death and Desire (Rle: Lacan): Psychoanalytic Theory in Lacan’s Return to. Routledge; 2014.
30.
Cardona D. Los niños invisibles: las imágenes y los textos en una obra para ser vista en un país eminentemente hablado [Internet]. 2008. Available from: https://catedraluisalbertoalvarez.blogspot.com/search?q=los+ni%C3%B1os+invisibles
31.
Foucault M. ‘Of Other Spaces: Utopias and Heterotopias’. 1967; Available from: http://web.mit.edu/allanmc/www/foucault1.pdf
32.
Henderson J. When Colombia Bled. Tuscaloosa: University of Alabama Press; 1985.
33.
Lacan J, Fink B. Ecrits: the first complete edition in English. New York: W.W. Norton & Co;
34.
O’Bryen R. Literature, testimony and cinema in contemporary Colombian culture: spectres of La Violencia. Vol. 269. Woodbridge: Tamesis; 2008.
35.
Randall R. Children on the threshold in contemporary Latin American cinema: nature, gender, and agency. Lanham: Lexington Books; 2017.
36.
Stockton KB, Stockton KB. Queer Child, or Growing Sideways in the Twentieth Century [Internet]. Barale M, Goldberg J, Moon M, Sedgwick EK, editors. Duke University Press; 2009. Available from: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1170534
37.
Driscoll C. Girls: feminine adolescence in popular culture and cultural theory. New York: Columbia University Press;
38.
Martin D, Shaw D, editors. Latin American women filmmakers: production, politics, poetics. London: I.B. Tauris & Co. Ltd; 2017.
39.
Martin D. The cinema of Lucrecia Martel. Manchester [UK]: Manchester University Press; 2016.
40.
Martin D. Wholly Ambivalent Demon-Girl: Horror, the Uncanny and the Representation of Feminine Adolescence in Lucrecia Martel’s La niña santa. Journal of Iberian and Latin American Studies. 2011;17(1):59–76.
41.
Lee Six A. Confusa la historia y clara la pena: The Child’s Perspective in El Sur and Bene, by Adelaida Garcia Morales. Forum for Modern Language Studies. 2013 Apr 1;49(2):184–91.
42.
Kroll JA. Between the "sacred” and the "profane”: Cultural Fantasy in Madeinusa by Claudia Llosa. Chasqui. 2009;38(2).
43.
Martin D, Shaw D, editors. Latin American women filmmakers: production, politics, poetics. London: I.B. Tauris & Co. Ltd; 2017.
44.
Castañeda C. Figurations: child, bodies, worlds [Internet]. Durham [N.C.]: Duke University Press; 2002. Available from: https://bris.on.worldcat.org/oclc/654540622
45.
Estévez A. Joven cine chileno: en la movilización de los márgenes. In: Barril C, Santa Cruz G. JM, editors. El cine que fue: 100 años de cine chileno. Santiago de Chile: Editorial Arcis; 2011. p. 75–83.
46.
Marks LU. The skin of the film: intercultural cinema, embodiment, and the senses. Durham: Duke University Press; 2000.
47.
Randall R. Children on the threshold in contemporary Latin American cinema: nature, gender, and agency. Lanham: Lexington Books; 2017.
48.
Barber S. Using film as a source. Manchester: Manchester University Press; 2015.
49.
Stam R. Film theory: an introduction. Malden, MA: Blackwell; 2000.
50.
Geiger J, Rutsky RL. Film analysis: a Norton reader. 1st ed. New York: W.W. Norton;