Bibliography for HISP30093: Children and Adolescents in Iberian and Latin American Cinema

Agamben, Giorgio. Homo Sacer: Sovereign Power and Bare Life. Vol. 1. Stanford, Calif: Stanford University Press, 1998. Print.

Agamben, Giorgio, and Giorgio Agamben. State of Exception. Chicago: University of Chicago Press, 2005. Web. <https://bris.on.worldcat.org/oclc/649914311>.

Barber, Sian. Using Film as a Source. Manchester: Manchester University Press, 2015. Print.

Beauchesne, Kim, and Alessandra Santos. The Utopian Impulse in Latin America. 1st ed. New York: Palgrave Macmillan, 2011. Print.

Boothby, Richard. Death and Desire (Rle: Lacan): Psychoanalytic Theory in Lacan’s Return To. Routledge, 2014. Print.

Cardona, David. ‘Los Niños Invisibles: Las Imágenes y Los Textos En Una Obra Para Ser Vista En Un País Eminentemente Hablado’. N.p., 2008. Web. <https://catedraluisalbertoalvarez.blogspot.com/search?q=los+ni%C3%B1os+invisibles>.

Castañeda, Claudia. Figurations: Child, Bodies, Worlds. Durham [N.C.]: Duke University Press, 2002. Web. <https://bris.on.worldcat.org/oclc/654540622>.

D’Lugo, Marvin. The Films of Carlos Saura: The Practice of Seeing. Princeton, N.J.: Princeton University Press, 1991. Print.

Driscoll, Catherine. Girls: Feminine Adolescence in Popular Culture and Cultural Theory. New York: Columbia University Press. Print.

Ďurovičová, Natasa, and Kathleen E. Newman. World Cinemas, Transnational Perspectives. New York: Routledge, 2010. Print.

Estévez, Antonella. ‘Joven Cine Chileno: En La Movilización de Los Márgenes’. El Cine Que Fue: 100 Años de Cine Chileno. Ed. Claudia Barril and José M. Santa Cruz G. Santiago de Chile: Editorial Arcis, 2011. 75–83. Print.

Foucault, Michel. ‘“Of Other Spaces: Utopias and Heterotopias”.’ (1967): n. pag. Web. <http://web.mit.edu/allanmc/www/foucault1.pdf>.

Geiger, Jeffrey, and R. L. Rutsky. Film Analysis: A Norton Reader. 1st ed. New York: W.W. Norton. Print.

Gutiérrez-Albilla, Julián Daniel. ‘Filmar Niños Marginales: Marginalidad Social y Sexual y El Poder Subversivo de La "imagen Tiempo” En Pixote de Héctor Babenco’. Revista de Crítica Literaria Latinoamericana 37.73 (2011): n. pag. Print.

Hart, Stephen M., and Richard Young. Contemporary Latin American Cultural Studies. London: Arnold, 2003. Print.

Henderson, James. When Colombia Bled. Tuscaloosa: University of Alabama Press, 1985. Print.

Kroll, Juli A. ‘Between the "sacred” and the "Profane”: Cultural Fantasy in Madeinusa by Claudia Llosa’. Chasqui 38.2 (2009): n. pag. Print.

Lacan, Jacques, and Bruce Fink. Ecrits: The First Complete Edition in English. New York: W.W. Norton & Co. Print.

Lebeau, Vicky. Childhood and the Cinema. London: Reaktion Books, 2008. Web. <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=449421>.

Lee Six, A. ‘Confusa La Historia y Clara La Pena: The Child’s Perspective in El Sur and Bene, by Adelaida Garcia Morales’. Forum for Modern Language Studies 49.2 (2013): 184–191. Web.

Lury, Karen. Child in Film, The: Tears, Fears and Fairy Tales. London: I.B. Tauris, 2010. Print.

---. The Child in Film: Tears, Fears and Fairy Tales. London: I.B. Tauris, 2010. Print.

Maguire, Geoffrey. The Politics of Postmemory: Violence and Victimhood in Contemporary Argentine Culture. Cham, Switzerland: Palgrave Macmillan, 2017. Print.

Maguire, Geoffrey, and Rachel Randall, eds. New Visions of Adolescence in Contemporary Latin American Cinema. Cham, Switzerland: Palgrave Macmillan, 2018. Print.

Marks, Laura U. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham: Duke University Press, 2000. Print.

Martin, Deborah. ‘Childhood and Its Representational Uses: Cinematic Experience and Agency in Víctor Gaviria’s La Vendedora de Rosas’. Seeing in Spanish: From Don Quixote to Daddy Yankee, 22 Essays on Hispanic Visual Cultures. Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2011. Web. <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1132983>.

---. The Child in Contemporary Latin American Cinema. New York, NY, U.S.A.: Palgrave Macmillan, 2019. Print.

---. The Child in Contemporary Latin American Cinema. New York, NY, U.S.A.: Palgrave Macmillan, 2019. Print.

---. The Cinema of Lucrecia Martel. Manchester [UK]: Manchester University Press, 2016. Print.

---. ‘Wholly Ambivalent Demon-Girl: Horror, the Uncanny and the Representation of Feminine Adolescence in Lucrecia Martel’s La Niña Santa’. Journal of Iberian and Latin American Studies 17.1 (2011): 59–76. Print.

Martin, Deborah, and Deborah Shaw, eds. Latin American Women Filmmakers: Production, Politics, Poetics. London: I.B. Tauris & Co. Ltd, 2017. Print.

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Melo, João Marcelo. ‘Aesthetics and Ethics in City of God’. Third Text 18.5 (2004): n. pag. Print.

Nagib, Lúcia and University of Oxford. Centre for Brazilian Studies. The New Brazilian Cinema. London: I.B. Tauris in association with the Centre for Brazilian Studies, University of Oxford, 2003. Print.

O’Bryen, Rory. Literature, Testimony and Cinema in Contemporary Colombian Culture: Spectres of La Violencia. Vol. 269. Woodbridge: Tamesis, 2008. Print.

Podalsky, Laura. The Politics of Affect and Emotion in Contemporary Latin American Cinema: Argentina, Brazil, Cuba, and Mexico. New York: Palgrave Macmillan, 2011. Print.

Randall, Rachel. Children on the Threshold in Contemporary Latin American Cinema: Nature, Gender, and Agency. Lanham: Lexington Books, 2017. Print.

---. Children on the Threshold in Contemporary Latin American Cinema: Nature, Gender, and Agency. Lanham: Lexington Books, 2017. Print.

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---. Children on the Threshold in Contemporary Latin American Cinema: Nature, Gender, and Agency. Lanham: Lexington Books, 2017. Print.

---. ‘“I’m No Street Urchin!”’ Children on the Threshold in Contemporary Latin American Cinema. Lanham: Lexington. Web. <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5061850&ppg=188>.

Rocha, Carolina, and Georgia Seminet. Representing History, Class, and Gender in Spain and Latin America: Children and Adolescents in Film. 1st ed. New York, NY: Palgrave Macmillan, 2012. Web. <https://bris.on.worldcat.org/oclc/809799745>.

Shaw, Deborah. Contemporary Cinema of Latin America: Ten Key Films. New York: Continuum, 2003. Print.

Stam, Robert. Film Theory: An Introduction. Malden, MA: Blackwell, 2000. Print.

Stockton, Kathryn Bond, and Kathryn Bond Stockton. Queer Child, or Growing Sideways in the Twentieth Century. Ed. Mich Barale et al. Duke University Press, 2009. Web. <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1170534>.

Stone, Rob, and Julián Daniel Gutiérrez-Albilla, eds. A Companion to Luis Buñuel. Malden, MA: Wiley-Blackwell, 2013. Print.

Thomas, Sarah. Inhabiting the In-between: Childhood and Cinema in Spain’s Long Transition. Toronto: University of Toronto Press, 2019. Print.

---. ‘Rupture and Reparation: Postmemory, the Child Seer and Graphic Violence in Infancia Clandestina (Benjamín Ávila, 2012)’. Studies in Spanish & Latin-American Cinemas 12.3 (2015): 235–254. Web.

Vieira, Else R.P. ‘City of God’ in Several Voices. Nottingham: Critical, Cultural and Communications Press, 2005. Print.

Wright, Sarah. The Child in Spanish Cinema. Manchester: Manchester University Press, 2013. Web. <https://www.jstor.org/stable/j.ctt18mvmw3>.

Bibliography for HISP30093: Children and Adolescents in Iberian and Latin American Cinema BETA