‘1347 Bakers’ Charter, Bristol Record Office’ <http://museums.bristol.gov.uk/narratives.php?irn=2658>
A. C. Spearing, ‘Public and Private Spaces in “Sir Gawain and the Green Knight”’ (1994) 4 Arthuriana 138 <http://www.jstor.org/stable/27869056?seq=1#page_scan_tab_contents>
A. V. C. Schmidt, ‘“Latent Content” and “The Testimony in the Text”: Symbolic Meaning in “Sir Gawain and the Green Knight”’ (1987) 38 The Review of English Studies 145 <http://www.jstor.org/stable/515420?seq=1#page_scan_tab_contents>
‘“Adam Lay Ybounden”, Sung by St Peter’s Singers of Leeds’ <https://www.youtube.com/watch?v=_vb_r41eOu4>
Aers D, ‘“In Arthurus Day”: Community, Virtue, and Individual Identity in “Sir Gawain and the Green Knight”’, Community, gender, and individual identity: English writing 1360-1430 (Routledge 1988)
——, ‘The Making of Margery Kempe’, Community, gender, and individual identity: English writing 1360-1430 (Routledge 1988)
Archibald E and Edwards ASG, A Companion to Malory, vol Arthurian studies (Brewer 1996)
Archibald E and Putter A, A Cambridge Companion to the Arthurian Legend (Cambridge University Press 2009) <http://universitypublishingonline.org/cambridge/companions/ebook.jsf?bid=CBO9781139002677>
Armitage S, Sir Gawain and the Green Knight (Faber and Faber 2007) <http://literature.proquest.com/searchFulltext.do?id=Z001144490&divLevel=0&queryId=2935250589165&trailId=1551ACA02C4&area=poetry&forward=textsFT&print=Yes&queryType=findWork>
Arnold JH and Lewis KJ, A Companion to The Book of Margery Kempe (DS Brewer 2004)
Atkinson CW, Mystic and Pilgrim: The Book and the World of Margery Kempe (Cornell University Press 1983)
‘Audio Clips of “Beowulf” and “Sir Gawain and the Green Knight”’ <https://www.youtube.com/watch?v=5NB2Z6pZBNA>
Barber CL, The English Language: A Historical Introduction, vol Canto (Cambridge University Press 2000) <http://ebooks.cambridge.org/ebook.jsf?bid=CBO9781139106894>
Barnes G, ‘The Failure of Counsel and Strategy: “Sir Gawain and the Green Knight”’, Counsel and strategy in Middle English romance (DS Brewer 1993)
Batt C, Malory’s ‘Morte Darthur’: Remaking Arthurian Tradition, vol The new Middle Ages (Palgrave 2002)
Baugh AC and Cable T, A History of the English Language (5th ed, Routledge 2002)
Bawcutt P, Dunbar the Makar (Clarendon Press 1992) <http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780198129639.001.0001/acprof-9780198129639>
Bawcutt PJ and Williams JH, A Companion to Medieval Scottish Poetry (Boydell & Brewer 2006)
‘BBC News - The Middle Ages in Colour’ <http://www.bbc.co.uk/news/entertainment-arts-15667183>
Beadle R, The York Plays: A Critical Edition of the York Corpus Christi Play as Recorded in British Library Additional MS 35290, Volume 2, vol Early English Text Society. Supplementary series (Oxford University Press 2013)
Beadle R, Early English Text Society, and British Library, The York Plays: A Critical Edition of the York Corpus Christi Play as Recorded in British Library Additional MS 35290, Volume 1, vol Early English Text Society (Oxford University Press for the Early English Text Society 2009)
Beadle R and Fletcher AJ, The Cambridge Companion to Medieval English Theatre, vol Cambridge companions to literature (2nd ed, Cambridge University Press 2008) <http://universitypublishingonline.org/cambridge/companions/ebook.jsf?bid=CBO9781139001878>
Beadle R and King PM, York Mystery Plays: A Selection in Modern Spelling (Clarendon Press 1984)
Beckwith S, Christ’s Body: Identity, Culture, and Society in Late Medieval Writings (Routledge 1993)
——, Signifying God: Social Relation and Symbolic Act in the York Corpus Christi Plays (University of Chicago Press 2001)
Beer F, Women and Mystical Experience in the Middle Ages (Boydell Press 1992) <http://content.talisaspire.com/bristol/bundles/57bff9ae4469eeef7d8b4580>
Beer G, The Romance, vol Critical idiom (Methuen 1970)
Bennett JAW, Chaucer at Oxford and at Cambridge, vol Alexander lectures (Clarendon Press 1974) <http://content.talisaspire.com/bristol/bundles/57c048da4469eeb9308b456d>
Bennett MJ, ‘“Sir Gawain and the Green Knight” and the Literary Achievement of the North-West Midlands: The Historical Background’ (1979) 5 Journal of Medieval History 63
Benson CD, Chaucer’s Drama of Style: Poetic Variety and Contrast in the ‘Canterbury Tales’ (University of North Carolina Press 1986)
Benson LD, Art and Tradition in ‘Sir Gawain and the Green Knight’ (Rutgers University Press 1965)
——, Malory’s ‘Morte Darthur’ (Harvard University Press 1976)
Benson LD and Andersson TM, The Literary Context of Chaucer’s Fabliaux: Texts and Translations, vol The library of literature (Bobbs-Merrill 1971)
Besserman L, ‘The Idea of the Green Knight’ (1986) 53 ELH
Bevington DM, Medieval Drama (Houghton Mifflin 1975)
——, Medieval Drama (Houghton Mifflin 1975)
Bielby N, Three Early Tudor Poets: A Selection from Skelton, Wyatt and Surrey, vol Wheaton studies in literature (Wheaton 1976)
Bishop I, The Narrative Art of ‘The Canterbury Tales’: A Critical Study of the Major Poems, vol Everyman’s university library (Dent 1987)
Blamires A, The Case for Women in Medieval Culture (Clarendon Press 1997) <http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780198186304.001.0001/acprof-9780198186304>
Blamires A, Pratt K and Marx CW, Woman Defamed and Woman Defended: An Anthology of Medieval Texts (Clarendon Press 1992)
Bloch RH, The Anonymous Marie de France (University of Chicago Press 2003)
Blum M, ‘Negotiating Masculinities: Erotic Triangles in the “Miller’s Tale”’, Masculinities in Chaucer: approaches to masculinity in the Canterbury Tales and Troilus and Criseyde, vol Chaucer studies (Brewer 1998)
Boffey J, ‘“'Loke on This Wrytyng, Man, for Thi Devocion!”’: Focal Texts in Some Later Middle English Religious Lyrics’, Individuality and achievement in Middle English poetry (DS Brewer 1997) <http://content.talisaspire.com/bristol/bundles/57c04c914469ee0c1f8b4590>
Boitani P and Mann J, The Cambridge Companion to Chaucer, vol Cambridge companions to literature (2nd ed, Cambridge University Press 2003) <https://www.cambridge.org/core/books/cambridge-companion-to-chaucer/317F1C56EF0ABEBF78D9EEAFD5E78CEB>
Boitani P and Torti A, Religion in the Poetry and Drama of the Late Middle Ages in England: The J.A.W. Bennett Memorial Lectures, Perugia, 1988, vol The J.A.W. Bennett memorial lectures (Brewer 1990)
Boklund-Lagopoulou K, ‘I Have a Young Suster’: Popular Song and the Middle English Lyric (Four Courts Press 2001)
‘Book of Margery Kempe’ <http://college.holycross.edu/projects/kempe/text/kempecap.htm>
Brewer D, A New Introduction to Chaucer, vol Longman medieval and Renaissance library (2nd ed, Longman 1998)
Brewer D and Gibson J, A Companion to the Gawain-Poet, vol Arthurian studies (DS Brewer 1997)
——, A Companion to the Gawain-Poet, vol Arthurian studies (DS Brewer 1997)
Brewer DS, ‘The Ideal of Feminine Beauty in Medieval Literature, Especially “Harley Lyrics”, Chaucer, and Some Elizabethans’ (1955) 50 The Modern Language Review
Brewer E, ‘Sir Gawain and the Green Knight’: Sources and Analogues, vol Arthurian studies (2nd ed, DS Brewer 1992)
Brigden S, Thomas Wyatt: The Heart’s Forest (Faber and Faber 2012)
Briscoe MG and Coldewey JC, Contexts for Early English Drama (Indiana University Press 1989)
‘Bristol Record Society - Links’ <http://www.bristol.ac.uk/Depts/History/bristolrecordsociety/links.htm>
‘British Library: Luttrell Psalter’ <http://www.bl.uk/onlinegallery/sacredtexts/luttrellpsalter.html>
‘British Library Medieval Manuscripts Blog’ <http://blogs.bl.uk/digitisedmanuscripts/index.html>
Brown P, A Companion to Chaucer, vol Blackwell companions to literature and culture (Blackwell 2000)
——, A Companion to Medieval English Literature and Culture, c.1350-c.1500, vol Blackwell companions to literature and culture (Wiley-Blackwell 2009)
Burgess GS, The Lais of Marie de France: Text and Context (Manchester University Press 1987)
Burgess GS, Busby K, and Marie, The Lais of Marie de France, vol Penguin classics (2nd ed. with two further lais in the original Old French, Penguin 1999) <http://content.talisaspire.com/bristol/bundles/57e2696f4469ee45448b4568>
Burgess GS, Busby K, and Marie de France, The Lais of Marie de France, vol Penguin classics (2nd ed. with two further lais in the original Old French, Penguin 1999) <http://content.talisaspire.com/bristol/bundles/57e2696f4469ee45448b4568>
Burnley JD, ‘The Hunting Scenes in “Sir Gawain and the Green Knight”’ (1973) 3 The Yearbook of English Studies
Burrow J, ‘Honour and Shame in “Sir Gawain and the Green Knight”’, Essays on medieval literature (Clarendon Press 1984)
Burrow JA, A Reading of ‘Sir Gawain and the Green Knight’ (Routledge & Kegan Paul 1965)
——, Essays on Medieval Literature (Clarendon Press 1984)
Burrow JA, ‘The Poet as Petitioner’, Essays on Medieval Literature (Oxford University Press 1984) <http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780198111870.001.0001/acprof-9780198111870-chapter-10>
Burrow JA, The Gawain-Poet, vol Writers and their work (Northcote House 2000)
——, The Gawain-Poet, vol Writers and their work (Northcote House 2000)
——, Medieval Writers and Their Work: Middle English Literature,1100--1500 (2nd ed, Oxford University Press 2008) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=415532>
——, Medieval Writers and Their Work: Middle English Literature,1100--1500 (2nd ed, Oxford University Press 2008) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=415532>
——, English Poets in the Late Middle Ages: Chaucer, Langland and Others, vol Variorum collected studies series (Ashgate Variorum 2012)
Burrow JA and Turville-Petre T, A Book of Middle English (3rd ed, Blackwell 2005) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=848524>
Cartlidge N, ‘Sir Orfeo in the Otherworld: Courting Chaos?’ (2004) 26 Studies in the age of Chaucer 195
Cawley AC, The Wakefield Pageants in the Townley Cycle, vol Old and Middle English texts (Manchester University Press 1958)
——, The Revels History of Drama in English: Vol. 1: Medieval Drama (Methuen 1983) <http://content.talisaspire.com/bristol/bundles/57c01a804469eed7488b457c>
‘Chaucer Bibliography’ <http://chaucer.lib.utsa.edu/items/search>
Chaucer G, Benson LD and Robinson FN, The Riverside Chaucer (3rd ed, Houghton Mifflin 1987)
——, The Riverside Chaucer (3rd ed, Houghton Mifflin 1987)
‘Chaucer, The Wife of Bath’s Prologue, Read Aloud’ <https://www.youtube.com/watch?v=e0ybnLRf3gU>
‘Chaucer’s English’ <http://www.bl.uk/learning/langlit/changlang/activities/lang/chaucer/chaucerpage1.html>
Cheney P, Reading Sixteenth-Century Poetry, vol Blackwell reading poetry (Wiley-Blackwell 2011) <http://content.talisaspire.com/bristol/bundles/57c016224469ee09358b456d>
Clark C, ‘Sir Gawain and The Green Knight: Characterisation by Syntax’ (1966) XVI Essays in Criticism 361
Clifford P, Marie de France: ‘Lais’, vol Critical guides to French texts (Grant & Cutler 1982) <http://content.talisaspire.com/bristol/bundles/57c0425c4469eed3248b458e>
Clopper LM, Drama, Play, and Game: English Festive Culture in the Medieval and Early Modern Period (University of Chicago Press 2001)
Collier RJ, ‘The Action of Fulfillment in the York Corpus Christi Play’ (1976) 11 Pacific Coast Philology
Cookson L and Loughrey B, Critical Essays on the ‘General Prologue’ to the ‘Canterbury Tales’, Geoffrey Chaucer, vol Longman literature guides (Longman 1989)
Cooper H, The Canterbury Tales, vol Oxford guides to Chaucer (2nd ed, Oxford University Press 1996) <http://content.talisaspire.com/bristol/bundles/598ae7c8540a262c06674424>
——, The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare (Oxford University Press 2004) <http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199248865.001.0001/acprof-9780199248865>
Correale R and Hamel M, Sources and Analogues of ‘The Canterbury Tales’: Volume 1, vol Chaucer studies (DS Brewer 2001) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=218478>
——, Sources and Analogues of ‘The Canterbury Tales’: Volume 2, vol Chaucer studies (DS Brewer 2001) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1068961>
‘Cotton Nero A.x. Project’ <http://people.ucalgary.ca/~scriptor/cotton/index.html>
Crampton GR and Julian of Norwich, The Shewings of Julian of Norwich, vol Middle English texts (Medieval Institute Publications for TEAMS (The Consortium for the Teaching of the Middle Ages) in association with the University of Rochester 1994) <http://d.lib.rochester.edu/teams/publication/crampton-shewings-of-julian-norwich>
Crane S, Gender and Romance in Chaucer’s ‘Canterbury Tales’ (Princeton University Press 1994)
Dasenbrock RW, ‘Wyatt’s Transformation of Petrarch’ (1988) 40 Comparative Literature
Davenport WA, The Art of the Gawain-Poet (Athlone Press 1978) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=436367>
——, Medieval Narrative: An Introduction (Oxford University Press 2004)
Davidson C, ‘The Realism of the York Realist and the York Passion’ (1975) 50 Speculum 270
——, From Creation to Doom: The York Cycle of Mystery Plays, vol AMS studies in the Middle Ages (AMS Press 1984)
Davies RT, Medieval English Lyrics: A Critical Anthology (Faber 1963)
Delany S, ‘Sexual Economics, Chaucer’s Wife of Bath and “The Book of Margery Kempe”’, Feminist readings in Middle English literature: the Wife of Bath and all her sect (Routledge 1994)
Dillon J, The Cambridge Introduction to Early English Theatre, vol Cambridge introductions to literature (Cambridge University Press 2006)
Dinshaw C, Chaucer’s Sexual Poetics (University of Wisconsin Press 1989)
——, ‘A Kiss Is Just a Kiss: Heterosexuality and Its Consolations in “Sir Gawain and the Green Knight”’ (1994) 24 Diacritics
——, ‘Margery Kempe’, The Cambridge companion to medieval women’s writing, vol Cambridge companions to literature (Cambridge University Press 2003) <https://www.cambridge.org/core/books/cambridge-companion-to-medieval-womens-writing/D8909C2F80CBC0FB8EC65C94DBD02041>
Dinshaw C and Wallace D, The Cambridge Companion to Medieval Women’s Writing, vol Cambridge companions to literature (Cambridge University Press 2003) <http://universitypublishingonline.org/cambridge/companions/ebook.jsf?bid=CBO9780511999123>
——, The Cambridge Companion to Medieval Women’s Writing, vol Cambridge companions to literature (Cambridge University Press 2003) <http://universitypublishingonline.org/cambridge/companions/ebook.jsf?bid=CBO9780511999123>
Dominique Battles, ‘Sir Orfeo and English Identity’ (2010) 107 Studies in Philology 179 <http://www.jstor.org/stable/25681415?seq=1#page_scan_tab_contents>
Donaldson ET, ‘Chaucer the Pilgrim’ (1954) 69 PMLA
Donaldson, Kara Virginia, ‘Alisoun’s Language: Body, Text and Glossing in Chaucer’s “The Miller’s Tale”’ 710 Philological Quarterly <http://search.proquest.com/docview/1290775620?OpenUrlRefId=info:xri/sid:primo&accountid=9730>
‘Douay-Rheims Bible Online’ <http://www.drbo.org/>
Dunbar W and Bawcutt P, Selected Poems, vol Longman annotated texts (Longman 1996)
——, Selected Poems, vol Longman annotated texts (Longman 1996)
——, The Poems of William Dunbar (Association for Scottish Literary Studies 1998)
Dunbar W and Conlee J, ‘The Complete Works (TEAMS)’ <http://d.lib.rochester.edu/teams/publication/conlee-dunbar-complete-works>
Dunbar W and Kinsley J, The Poems of William Dunbar, vol Oxford English texts (Clarendon Press 1979)
Duncan TG, A Companion to the Middle English Lyric (DS Brewer 2005) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3003515>
‘eChaucer: Chaucer in the Twenty-First Century’ <http://chaucer.lib.utsa.edu/omeka/items/show/271656>
Edwards ASG, ‘“Dunbar, Skelton and the Nature of Court Culture in the Early Sixteenth Century”’, Vernacular literature and current affairs in the early sixteenth century: France, England, and Scotland, vol Studies in European cultural transition (Ashgate 2000)
Edwards E, The Genesis of Narrative in Malory’s ‘Morte Darthur’, vol Arthurian studies (DS Brewer 2001)
Elizabeth Archibald, ‘Malory’s Ideal of Fellowship’ (1992) 43 The Review of English Studies 311 <http://www.jstor.org/stable/518049?seq=1#page_scan_tab_contents>
Elizabeth Scala, ‘Disarming Lancelot’ (2002) 99 Studies in Philology 380 <http://www.jstor.org/stable/4174740?Search=yes&resultItemClick=true&searchText=disarming&searchText=lancelot&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Ddisarming%2Blancelot&seq=1#page_scan_tab_contents>
Ellen M. Ross, ‘Spiritual Experience and Women’s Autobiography: The Rhetoric of Selfhood in “The Book of Margery Kempe”’ (1991) 59 Journal of the American Academy of Religion 527 <http://www.jstor.org/stable/1465030?seq=1#page_scan_tab_contents>
‘Ellesmere Chaucer Page at Long Island University Library Website’ <https://liu.cwp.libguides.com/archives_and_special_collections/chaucer>
Evans R and Johnson L, Feminist Readings in Middle English Literature: The Wife of Bath and All Her Sect (Routledge 1994)
Fanous S and Gillespie V, The Cambridge Companion to Medieval English Mysticism, vol Cambridge companions to literature (Cambridge University Press 2011) <http://universitypublishingonline.org/cambridge/companions/ebook.jsf?bid=CBO9780511975578>
Field PJC, Romance and Chronicle: A Study of Malory’s Prose Style (Barrie & Jenkins 1971)
——, The Life and Times of Sir Thomas Malory, vol Arthurian studies (D S Brewer 1993)
Fisher S, ‘Women and Men in Late Medieval Romance’, The Cambridge companion to medieval romance (Cambridge University Press 2000) <http://universitypublishingonline.org/cambridge/companions/ebook.jsf?bid=CBO9780511999284>
——, ‘Women and Men in Medieval Romance’, The Cambridge companion to medieval romance (Cambridge University Press 2000) <https://www.cambridge.org/core/books/cambridge-companion-to-medieval-romance/121A4CB9EE90455CA4572E2A644D95B0>
Fletcher A, ‘“Sir Orfeo” and the Flight from the Enchanter’ (2000) 22 Studies in the age of Chaucer 141
Fox D, ‘“The Scottish Chaucerians”’, Chaucer and Chaucerians: critical studies in Middle English literature (University of Alabama 1966)
——, ‘“Middle Scots Poets and Their Patrons”’, English court culture in the later Middle Ages (Duckworth 1982)
Friedman JB, Orpheus in the Middle Ages (Harvard University Press 1970) <http://content.talisaspire.com/bristol/bundles/57fcfdb04469eec80e8b456d>
Fulton H, A Companion to Arthurian Literature, vol Blackwell companions to literature and culture (Wiley-Blackwell 2009) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4026444>
Galloway A, The Cambridge Companion to Medieval English Culture, vol Cambridge companions to culture (Cambridge University Press 2011) <https://www.cambridge.org/core/books/cambridge-companion-to-medieval-english-culture/7723F38743680F218958BACFED98BBDF#>
Ganim JM, ‘Disorientation, Style, and Consciousness in “Sir Gawain and the Green Knight”’ (1976) 91 PMLA
Glenn C, ‘Author, Audience, and Autobiography: Rhetorical Technique in the “Book of Margery Kempe”’ (1992) 54 College English
Goodman A, Margery Kempe and Her World, vol The medieval world (Longman 2002) <http://content.talisaspire.com/bristol/bundles/57c0269f4469eef5678b457b>
Gray D, Themes and Images in the Medieval English Religious Lyric (Routledge and Kegan Paul 1972)
——, The Oxford Companion to Chaucer (Oxford University Press 2003)
——, Later Medieval English Literature (Oxford University Press 2008)
——, Later Medieval English Literature (Oxford University Press 2008)
Greenblatt S, Renaissance Self-Fashioning: From More to Shakespeare (University of Chicago Press 2005)
——, The Norton Anthology of English Literature (9th ed, WW Norton 2012)
——, The Norton Anthology of English Literature (9th ed, WW Norton 2012)
——, The Norton Anthology of English Literature (9th ed, WW Norton 2012)
——, The Norton Anthology of English Literature (9th ed, WW Norton 2012)
——, The Norton Anthology of English Literature (9th ed, WW Norton 2012)
——, The Norton Anthology of English Literature (9th ed, WW Norton 2012)
——, The Norton Anthology of English Literature (9th ed, WW Norton 2012)
——, The Norton Anthology of English Literature (9th ed, WW Norton 2012)
Guy J, ‘The Tudor Age’, The Oxford illustrated history of Britain (Oxford University Press 1984)
Hanna R, ‘Unlocking What’s Unlocked: Gawain’s Green Girdle’ (1983) 14 Viator 289
Hansen ET, Chaucer and the Fictions of Gender (University of California Press 1992) <https://www-degruyter-com.bris.idm.oclc.org/document/doi/10.1525/9780520328204/html>
Happé P, Medieval English Drama, vol Casebook series (Macmillan 1984)
Harry E. Cole, ‘Forgiveness as Structure: “The Book of Sir Launcelot and Queen Guinevere”’ (1996) 31 The Chaucer Review 36 <http://www.jstor.org/stable/25095958?seq=1#page_scan_tab_contents>
Heale E, Wyatt, Surrey, and Early Tudor Poetry, vol Longman medieval and Renaissance library (Longman 1998) <http://content.talisaspire.com/bristol/bundles/57c008774469eea3658b457c>
Heng G, ‘Feminine Knots and the Other: “Sir Gawain and the Green Knight”’ (1991) 106 PMLA
Hines J, The Fabliau in English, vol Longman medieval and Renaissance library (Longman 1993) <http://content.talisaspire.com/bristol/bundles/57c03d3b4469eed3248b457b>
Hirsh JC, Medieval Lyric: Middle English Lyrics, Ballads and Carols (Blackwell 2005)
——, Medieval Lyric: Middle English Lyrics, Ballads and Carols (Blackwell 2005)
Horobin S, Chaucer’s Language (2nd ed, Palgrave Macmillan 2013)
Horrox R and Ormrod WM, Social History of England, 1200-1500 (Cambridge University Press 2006) <https://doi.org/10.1017/CBO9781139167154>
Howard DR, ‘Structure and Symmetry in “Sir Gawain”’ (1964) 39 Speculum 425
Howell AJ, ‘Reading the Harley Lyrics: A Master Poet and the Language of Conventions’ (1980) 47 ELH
Hudson H, ‘Toward a Theory of Popular Literature: The Case of the Middle English Romances’ (1989) 23 Journal of Popular Culture 31 <http://literature.proquest.com/searchFullrec.do?&resultNum=1&entries=1&area=criticism&forward=critref_fr&queryId=2935766476308&trailId=1552A29E9D8>
‘“I Sing of a Maiden” Sung by Marzena Buziak’ <https://www.youtube.com/watch?v=0oAy1nzA5CE>
‘Images from the “Sir Gawain and the Green Knight” Manuscript’ <http://faculty.virginia.edu/engl381ck/three.html>
‘In Our Time, Caxton and the Printing Press’ <http://www.bbc.co.uk/programmes/b01nbqz3>
‘In Our Time, “Le Morte d’Arthur”’ <http://www.bbc.co.uk/programmes/b01pp989>
‘In Our Time, Margery Kempe and English Mysticism’ <http://www.bbc.co.uk/programmes/b07cyfkg>
‘Inside the Medieval Mind: Sex’ <https://learningonscreen.ac.uk/ondemand/index.php/prog/008B8CC6?bcast=115705592>
‘Interlinear Translations of Chaucer’s “Canterbury Tales”’ <https://chaucer.fas.harvard.edu/pages/text-and-translations>
J. Finlayson, ‘The Expectations of Romance in “Sir Gawain and the Green Knight”’ (1979) 12 Genre 1
J. J. Anderson, ‘The Three Judgments and the Ethos of Chivalry in “Sir Gawain and the Green Knight”’ (1990) 24 The Chaucer Review 337 <http://www.jstor.org/stable/25094140?seq=1#page_scan_tab_contents>
J. W. Robinson, ‘The Art of the York Realist’ (1963) 60 Modern Philology 241 <http://www.jstor.org/stable/435462?seq=1#page_scan_tab_contents>
James R. Andreas, ‘“Wordes Betwene”: The Rhetoric of the Canterbury Links’ (1994) 29 The Chaucer Review 45 <http://www.jstor.org/stable/25095871?seq=1#page_scan_tab_contents>
Johnson DF and Treharne EM, Readings in Medieval Texts: Interpreting Old and Middle English Literature (Oxford University Press 2005)
Joseph D Parry, ‘Interpreting Female Agency and Responsibility in “The Miller’s Tale” and “The Merchant’s Tale”’ (2001) 80 People:Chaucer, Geoffrey (1340?-1400)Author(s):Joseph D ParryDocument types:FeaturePublication title:Philological Quarterly. Iowa City: Spring 2001. Vol. 80, Iss. 2; pg. 133, 35 pgsSource type:PeriodicalISSN/ISBN:00317977 Text Word Count14541 <http://literature.proquest.com/searchFulltext.do?id=R03347623&divLevel=0&queryId=2943242144271&trailId=15608F4BCF9&area=mla&forward=critref_ft>
‘Julian of Norwich Documentary with Janina Ramirez’ <https://learningonscreen.ac.uk/ondemand/index.php/prog/0CF2743F?bcast=122145485>
Justice AD, ‘Trade Symbolism in the York Cycle’ (1979) 31 Theatre Journal
‘Kankedort.Net - The Electronic Canterbury Tales’ <http://www.kankedort.net/>
Keen M, Chivalry, vol Yale Nota bene (Yale University Press 2005)
Kempe M and Staley L, The Book of Margery Kempe: A New Translation, Contexts, Criticism, vol A Norton critical edition (Norton 2001)
Kempe M and Windeatt BA, The Book of Margery Kempe (Brewer 2004) <http://content.talisaspire.com/bristol/bundles/599da397646be03fb539bd34>
——, The Book of Margery Kempe (Brewer 2004) <http://content.talisaspire.com/bristol/bundles/599da397646be03fb539bd34>
Kennedy B, Knighthood in the ‘Morte Darthur’, vol Arthurian studies (2nd ed, DS Brewer 1992)
Kenneth R. R. Gros Louis, ‘The Significance of Sir Orfeo’s Self-Exile’ (1967) 18 The Review of English Studies 245 <http://www.jstor.org/stable/512215?seq=1#page_scan_tab_contents>
King PM, Medieval Literature 1300-1500, vol Edinburgh critical guides to literature (Edinburgh University Press 2011) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=714138>
Kinney AF, The Cambridge Companion to English Literature, 1500-1600, vol Cambridge companions to literature (Cambridge University Press 2000) <http://universitypublishingonline.org/cambridge/companions/ebook.jsf?bid=CBO9780511999253>
Kinoshita S, McCracken P, and Cambridge Books Online (Online service), Marie de France: A Critical Companion (Cambridge University Press 2012) <http://universitypublishingonline.org/boydell/ebook.jsf?bid=CBO9781846158612>
Kolve VA, Chaucer and the Imagery of Narrative: The First Five Canterbury Tales (Stanford University Press 1984) <http://content.talisaspire.com/bristol/bundles/57c000894469ee6c308b4575>
Kratzmann G, Anglo-Scottish Literary Relations, 1430-1550 (Cambridge University Press 1979)
Krueger RL, The Cambridge Companion to Medieval Romance (Cambridge University Press 2000) <http://universitypublishingonline.org/cambridge/companions/ebook.jsf?bid=CBO9780511999284>
Kurath H, Kuhn SM and Lewis RE, Middle English Dictionary (University of Michigan 1952) <http://quod.lib.umich.edu/m/med/>
Lambert M, Malory: Style and Vision in ‘Le Morte Darthur’, vol Yale studies in English (Yale University Press 1975)
Laskaya A, Chaucer’s Approach to Gender in the ‘Canterbury Tales’, vol Chaucer studies (DS Brewer 1995)
Laurie A. Finke and Martin B. Schichtman, ‘No Pain, No Gain: Violence as Symbolic Capital in Malory’s “Morte d’Arthur”’ (1998) 8 Arthuriana 115 <http://www.jstor.org/stable/27869341?seq=1#page_scan_tab_contents>
Lerer S, ‘Artifice and Artistry in “Sir Orfeo”’ (1985) 60 Speculum 92
Lois A. Ebin, ‘The Theme of Poetry in Dunbar’s “Goldyn Targe”’ (1972) 7 The Chaucer Review 147 <http://www.jstor.org/stable/25093223?Search=yes&resultItemClick=true&searchText=%27The%20Theme%20of%20poetry%20in%20Dunbar%27&searchText=s&searchText=Golden&searchText=Targe&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3D%25E2%2580%2599The%2BTheme%2Bof%2Bpoetry%2Bin%2BDunbar%25E2%2580%2599s%2BGolden%2BTarge%26amp%3Bprq%3DChaucer%2BReview%253A%2BA%2BJournal%2Bof%2BMedieval%2BStudies%2Band%2BLiterary%2BCriticism%26amp%3Bgroup%3Dnone%26amp%3Bso%3Drel%26amp%3Bfc%3Doff%26amp%3Bwc%3Doff%26amp%3Bhp%3D25&seq=1#page_scan_tab_contents>
Lois Ebin, ‘Dunbar’s Bawdy’ (1980) 14 The Chaucer Review 278 <http://www.jstor.org/stable/25093508?Search=yes&resultItemClick=true&searchText=Dunbar%27s&searchText=Bawdy&searchText=ebin&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DDunbar%25E2%2580%2599s%2BBawdy%2Bebin&seq=1#page_scan_tab_contents>
‘Luminarium Everyman Page’ <http://www.luminarium.org/medlit/everyman.htm>
Luria M and Hoffman RL, Middle English Lyrics: Authoritative Texts, Critical and Historical Backgrounds, Perspectives on Six Poems, vol Norton critical editions (Maxwell Luria and Richard L Hoffman eds, Norton 1974)
Luria MS and Hoffman RL, Middle English Lyrics: Authoritative Texts, Critical and Historical Backgrounds, Perspectives on Six Poems, vol Norton critical editions (Maxwell S Luria and Richard L Hoffman eds, Norton 1974)
Lynch A, Malory’s Book of Arms: The Narrative of Combat in ‘Le Morte Darthur’, vol Arthurian studies (D S Brewer 1997)
——, ‘Malory’s Morte Darthur and History’, A companion to Arthurian literature, vol Blackwell companions to literature and culture (Wiley-Blackwell 2009) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4026444>
Malcolm Andrew, ‘Context and Judgment in the “General Prologue”’ (1989) 23 The Chaucer Review 316 <http://www.jstor.org/stable/25094094?seq=1#page_scan_tab_contents>
‘Malory Project’ <http://www.maloryproject.com/index.php>
Malory T and Cooper H, Le Morte Darthur: The Winchester Manuscript, vol Oxford world’s classics (Oxford University Press 1998) <http://content.talisaspire.com/bristol/bundles/598d7020540a265be5674424>
——, Le Morte d’Arthur: The Winchester Manuscript, vol Oxford world’s classics (Helen Cooper ed, Oxford University Press 2008)
Malory T and Shepherd SHA, Le Morte Darthur, or, The Hoole Book of Kyng Arthur and of His Noble Knyghtes of the Rounde Table: Authoritative Text, Sources and Backgrounds, Criticism, vol Norton critical edition (Norton 2004)
——, Le Morte Darthur, or, The Hoole Book of Kyng Arthur and of His Noble Knyghtes of the Rounde Table: Authoritative Text, Sources and Backgrounds, Criticism, vol Norton critical edition (Norton 2004) <http://content.talisaspire.com/bristol/bundles/599d7f1b646be018b553c2d4>
——, Le Morte Darthur, or, The Hoole Book of Kyng Arthur and of His Noble Knyghtes of the Rounde Table: Authoritative Text, Sources and Backgrounds, Criticism, vol Norton critical edition (Norton 2004)
Malory T and Vinaver E, Works (Vinaver ed, 2nd ed, Oxford University Press 1971)
——, Works (Vinaver ed, 2nd ed, Oxford University Press 1971)
Mann J, Chaucer and Medieval Estates Satire: The Literature of Social Classes and the ‘General Prologue’ to ‘The Canterbury Tales’ (Cambridge University Press 1973)
——, ‘Price and Value in “Sir Gawain and the Green Knight”’ (1986) XXXVI Essays in Criticism 294
——, Geoffrey Chaucer, vol Feminist readings (Harvester/Wheatsheaf 1991)
‘Manuscript of The Book of the Margery Kempe, British Library’ <http://www.bl.uk/manuscripts/Viewer.aspx?ref=add_ms_61823_fs001r>
‘Manuscript of the York Mystery Plays, British Library’ <http://www.bl.uk/onlinegallery/onlineex/illmanus/other/011add000035290u00004000.html>
Mapstone, Sally, ‘Was There a Court Literature in Fifteenth-Century Scotland?’ (1991) 26 Studies in Scottish Literature <http://scholarcommons.sc.edu/ssl/vol26/iss1/35/>
‘Marie de France Page’ <http://www.utm.edu/staff/bobp/vlibrary/mdfrancemss.shtml>
Martin P, Chaucer’s Women: Nuns, Wives and Amazons (Macmillan 1996)
Martindale C and Thomas RF, Classics and the Uses of Reception, vol Classical receptions (Blackwell 2006) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=351010>
Mason HA, Sir Thomas Wyatt: A Literary Portrait (Bristol Classical Press 1986)
McAvoy LH and Cambridge Books Online (Online service), Authority and the Female Body in the Writings of Julian of Norwich and Margery Kempe (Cambridge University Press 2012) <http://universitypublishingonline.org/boydell/ebook.jsf?bid=CBO9781846152610>
McCarthy T, An Introduction to Malory, vol Arthurian studies (DS Brewer 1991)
McDonald N, Pulp Fictions of Medieval England: Essays in Popular Romance (Manchester University Press 2004) <http://www.oapen.org/search?identifier=341366>
McGavin J, ‘Performing Communities: Civic Religious Drama’, The Oxford handbook of medieval literature in English (Oxford University Press 2010) <http://content.talisaspire.com/bristol/bundles/57c023364469eef5678b4572>
‘Medievalists.Net’ <http://www.medievalists.net/>
Mickel EJ, Marie de France (Twayne 1974)
‘Middle English Breton Lays at TEAMS’ <http://d.lib.rochester.edu/teams/publication/laskaya-and-salisbury-middle-english-breton-lays>
‘——’ <http://d.lib.rochester.edu/teams/publication/laskaya-and-salisbury-middle-english-breton-lays>
‘Middle English Romances’ <http://www.middleenglishromance.org.uk/>
Morgan G, ‘Medieval Misogyny and Gawain’s Outburst against Women in “Sir Gawain and the Green Knight”’ (2002) 97 The Modern Language Review
Muscatine C, Chaucer and the French Tradition: A Study in Style and Meaning (University of California Press 1957)
Newman B, ‘The Artifice of Eternity’, Envisaging heaven in the Middle Ages, vol Routledge studies in medieval religion and culture (Routledge 2007) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=356028>
Normington K, Medieval English Drama: Performance and Spectatorship, vol Cultural history of literature (Polity Press 2009)
Normington K and Cambridge Books Online (Online service), Gender and Medieval Drama (Cambridge University Press 2012) <http://universitypublishingonline.org/boydell/ebook.jsf?bid=CBO9781846154706>
Oizumi A and Miki K, A Complete Concordance to the Works of Geoffrey Chaucer, vol Alpha-Omega (Olms-Weidmann 1991)
Oliver R, Poems without Names: The English Lyric, 1200-1500 (University of California Press 1970)
‘Oxford English Dictionary’ <http://www.oed.com/>
Pamela M. King, ‘Dunbar’s “Golden Targe”: A Chaucerian Masque’ (1984) 19 Studies in Scottish Literature <http://scholarcommons.sc.edu/ssl/vol19/iss1/10/>
Patterson L, ‘The Miller’s Tale and the Politics of Laughter’, Chaucer and the subject of history (Routledge 1991)
——, ‘“No Man His Reson Herde”: Peasant Consciousness, Chaucer’s Miller, and the Structure of the “Canterbury Tales”’, Chaucer (Macmillan 1996)
Pearsall D, Old English and Middle English Poetry, vol The Routledge history of English poetry (Routledge and Kegan Paul 1977)
——, The Life of Geoffrey Chaucer: A Critical Biography, vol Blackwell critical biographies (Blackwell 1992)
——, The Canterbury Tales, vol Unwin critical library (Routledge 1993) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1144511>
Peter Meredith, The Towneley Cycle (2nd ed. rev., [School of English, University of Leeds] 1990)
Peter R. Schroeder, ‘Saying but Little: Malory and the Suggestion of Emotion’ (2001) 11 Arthuriana 43 <http://www.jstor.org/stable/27869634?seq=1#page_scan_tab_contents>
Phillips H, An Introduction to the ‘Canterbury Tales’: Reading, Context, Fiction (Macmillan 2000)
Pisani Babich AG, ‘The Power of the Kingdom and the Ties That Bind in “Sir Orfeo”’ (1998) 82 Neophilologus 477
Putter A, ‘Sir Gawain and the Green Knight’ and the French Arthurian Romance (Clarendon Press 1995) <http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780198182535.001.0001/acprof-9780198182535>
——, An Introduction to the Gawain-Poet (Longman 1996) <https://www.taylorfrancis.com/books/9781315843858>
——, An Introduction to the Gawain-Poet (Longman 1996) <https://www.taylorfrancis.com/books/9781315843858>
——, ‘Arthurian Romance in English Popular Tradition’, A companion to Arthurian literature, vol Blackwell companions to literature and culture (Wiley-Blackwell 2009) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4026444>
Putter A and Gilbert J, The Spirit of Medieval English Popular Romance, vol Longman medieval and Renaissance library (Longman 2000) <https://www.taylorfrancis.com/books/9781315841335>
Putter A and Stokes M, The Works of the Gawain Poet, vol Penguin classics (Ad Putter and Myra Stokes eds, Penguin Books 2014)
——, The Works of the Gawain Poet, vol Penguin classics (Ad Putter and Myra Stokes eds, Penguin Books 2014)
——, The Works of the Gawain Poet, vol Penguin classics (Ad Putter and Myra Stokes eds, Penguin Books 2014)
Radulescu R, The Gentry Context for Malory’s ‘Morte Darthur’, vol Arthurian studies (DS Brewer 2003)
Radulescu R and Rushton C, A Companion to Medieval Popular Romance, vol Studies in medieval romance (DS Brewer 2009) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=661881>
Raymond A. Powell, ‘Margery Kempe: An Exemplar of Late Medieval English Piety’ (2003) 89 The Catholic Historical Review 1 <http://www.jstor.org/stable/25026320?seq=1#page_scan_tab_contents>
Reiss E, The Art of the Middle English Lyric: Essays in Criticism (University of Georgia Press 1972)
Richardson C and Johnston J, Medieval Drama, vol English dramatists (Macmillan Education 1991) <http://content.talisaspire.com/bristol/bundles/57c00d154469eea3658b4590>
Riddy F, ‘The Uses of the Past in “Sir Orfeo”’ (1976) 6 The Yearbook of English Studies
——, Sir Thomas Malory, vol Medieval and Renaissance authors (Brill 1987)
——, ‘Gender, Nature and Culture in 'Sir Gawain and the Green Knight’’ in Friedrich Wolfzettel (ed), Arthurian romance and gender: selected proceedings of the XVIIth International Arthurian Congress = Masculin/féminin dans le roman arthurien médiéval : actes choisis du XVIIe Congrès international arthurien = Geschlechterrollen im mittelalterlichen Artusroman : Ausgewählte Akten des XVII. Internationalen Artuskongresses, vol Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft (Rodopi 1995) <http://content.talisaspire.com/bristol/bundles/57f7a2ab4469eefc258b4580>
Rider J, ‘The Otherworlds of Medieval Romance’, The Cambridge companion to medieval romance (Cambridge University Press 2000) <https://www.cambridge.org/core/books/cambridge-companion-to-medieval-romance/121A4CB9EE90455CA4572E2A644D95B0>
Rigby SH, Chaucer in Context: Society, Allegory and Gender, vol Manchester medieval studies (Manchester University Press 1996)
Rigby SH and Historical Association, A Companion to Britain in the Later Middle Ages, vol Blackwell companions to British history (Blackwell 2003) <http://lib.myilibrary.com/Open.aspx?id=131256&src=0>
Rigby SH and Minnis AJ, Historians on Chaucer: The ‘General Prologue’ to the ‘Canterbury Tales’ (SH Rigby and AJ Minnis eds, Oxford University Press 2014)
Ryan LV, ‘Doctrine and Dramatic Structure in Everyman’ (1957) 32 Speculum 722
S T Knight, ‘The Oral Transmission of “Sir Launfal”’ 38 Medium Aevum <http://search.proquest.com/docview/1293364837?OpenUrlRefId=info:xri/sid:primo&accountid=9730>
‘Sacred Wonders’ <https://learningonscreen.ac.uk/ondemand/index.php/prog/065CBB29?bcast=122216756>
Saul N, Chivalry in Medieval England (Harvard University Press 2011) <http://www.jstor.org/stable/j.ctt2jbvtm>
Saunders C, A Concise Companion to Chaucer, vol Blackwell concise companions to literature and culture (Blackwell Pub 2006)
——, ‘Love and Loyalty in Middle English Romance’, Writings on love in the English Middle Ages, vol Studies in Arthurian and courtly cultures (1st ed, Palgrave Macmillan 2006) <http://content.talisaspire.com/bristol/bundles/57eb9db04469ee8b498b4568>
——, A Companion to Medieval Poetry, vol Blackwell companions to literature and culture (Wiley-Blackwell 2010)
——, ‘Religion and Magic’, The Cambridge companion to the Arthurian legend, vol The Cambridge companions to literature and classics (Cambridge University Press 2010) <http://dx.doi.org/10.1017/CCOL9780521860598>
Scanlon L, The Cambridge Companion to Medieval English Literature, 1100-1500, vol Cambridge companions to literature (Cambridge University Press 2009) <https://www.cambridge.org/core/books/cambridge-companion-to-medieval-english-literature-11001500/4B4E1CF0F184D5683004D20A1576F14C>
Schoeck RJ and Taylor J, Chaucer Criticism: An Anthology, Vol.1: ‘The Canterbury Tales’ (University of Notre Dame Press 1960)
Shahar S, The Fourth Estate: A History of Women in the Middle Ages (Rev ed, Routledge 2003) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=181941>
Shepherd SHA, Middle English Romances: Authoritative Texts, Sources and Backgrounds, Criticism, vol A Norton critical edition (WW Norton 1995)
Shulman N, Graven with Diamonds: The Many Lives of Thomas Wyatt, Courtier, Poet, Assassin, Spy (Short 2011)
‘Sir Gawain and the Green Knight (BBC Documentary)’ <https://www.youtube.com/watch?v=74glI1lg1CQ>
Smith JJ, Essentials of Early English (Routledge 1999)
Southall R, The Courtly Maker: An Essay on the Poetry of Wyatt and His Contemporaries (Blackwell 1964)
Spearing AC, The Gawain-Poet: A Critical Study (Cambridge University Press 1970)
——, The Gawain-Poet: A Critical Study (Cambridge University Press 1970)
——, Medieval to Renaissance in English Poetry (Cambridge University Press 1985) <http://content.talisaspire.com/bristol/bundles/57c0050c4469eea3658b456d>
Spearing AC, ‘Lyrics’, Textual subjectivity: the encoding of subjectivity in medieval narratives and lyrics (Oxford University Press 2005) <http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780198187240.001.0001/acprof-9780198187240-chapter-6>
Spearing AC, The Medieval Poet as Voyeur: Looking and Listening in Medieval Love-Narratives (Cambridge University Press 2005)
Spearing E, Spearing AC, and Julian of Norwich, Revelations of Divine Love: (Short Text and Long Text), vol Penguin classics (Penguin 1998)
Sponsler C, Drama and Resistance: Bodies, Goods, and Theatricality in Late Medieval England, vol Medieval cultures (University of Minnesota Press 1997)
Staley L, Margery Kempe’s Dissenting Fictions (Pennsylvania State University Press 1994) <http://content.talisaspire.com/bristol/bundles/57c020114469eef5678b4568>
Stamatakis C, Sir Thomas Wyatt and the Rhetoric of Rewriting: Turning the Word, vol Oxford English monographs (Oxford University Press 2012) <http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199644407.001.0001/acprof-9780199644407>
Stevens JE, Medieval Romance: Themes and Approaches, vol Hutchinson university library. English literature (Hutchinson 1973)
——, Music & Poetry in the Early Tudor Court, vol Cambridge studies in music ((1st ed) reprinted with corrections, Cambridge University Press 1979)
Stevens M, ‘Laughter and Game in “Sir Gawain and the Green Knight”’ (1972) 47 Speculum 65
Strohm P, Social Chaucer (Harvard University Press 1989)
‘“Sumer Is Icumen in”, Sung’ <https://www.youtube.com/watch?v=ZWWEHAswpFI>
Taylor A, ‘Fragmentation, Corruption, and Minstrel Narration: The Question of the Middle English Romances’ (1992) 22 The Yearbook of English Studies
Taylor J and Nelson AH, Medieval English Drama: Essays Critical and Contextual, vol Patterns of literary criticism (University of Chicago Press 1972)
‘Teach Yourself to Read Chaucer: Pronunciation’ <https://chaucer.fas.harvard.edu/lesson-2>
‘TEAMS Middle English Texts’ <http://d.lib.rochester.edu/teams>
Terence N. Bowers, ‘Margery Kempe as Traveler’ (2000) 97 Studies in Philology <http://search.ebscohost.com/login.aspx?direct=true&db=rlh&AN=2831232&site=ehost-live>
‘Terry Jones’ Medieval Lives: The King’ <https://learningonscreen.ac.uk/ondemand/index.php/prog/004D00A8?bcast=30756283>
‘The Auchinleck Manuscript : National Library of Scotland’ <http://auchinleck.nls.uk/>
‘The Camelot Project’ <http://d.lib.rochester.edu/camelot-project>
‘The Open Access Companion to the Canterbury Tales’ <https://opencanterburytales.dsl.lsu.edu/>
Thomson P, Sir Thomas Wyatt and His Background (Stanford University Press 1964)
Tolhurst F, ‘Why Every Knight Needs His Lady: Re-Viewing Questions of Genre and ‘Cohesion’’, Re-viewing Le morte Darthur: texts and contexts, characters and themes, vol Arthurian studies (DS Brewer 2005) <http://content.talisaspire.com/bristol/bundles/57c04abf4469ee0c1f8b458b>
Treharne EM, Old and Middle English: An Anthology, vol Blackwell anthologies (Blackwell 2000)
Treharne EM and Walker G, The Oxford Handbook of Medieval Literature in English (Oxford University Press 2010)
Tydeman W, English Medieval Theatre, 1400-1500, vol Theatre production studies (Routledge & Kegan Paul 1986)
Walker G, Medieval Drama: An Anthology (Blackwell 2000)
——, Medieval Drama: An Anthology (Blackwell 2000)
——, ‘Rough Girls and Squeamish Boys: The Trouble with Absolon in 'The Miller’s Tale’’, Writing gender and genre in medieval literature: approaches to old and middle English texts, vol Essays and studies / English Association: 1950- (DS Brewer 2002)
Wallace D, The Cambridge History of Medieval English Literature (Cambridge University Press 1999)
——, The Cambridge History of Medieval English Literature (Cambridge University Press 1999)
Watson N, ‘Julian of Norwich’, The Cambridge companion to medieval women’s writing, vol The Cambridge companions to literature and classics (Cambridge University Press 2006) <http://dx.doi.org/10.1017/CCOL052179188X>
Wendy Wall, ‘“Household Stuff”: The Sexual Politics of Domesticity and the Advent of English Comedy’ (1998) 65 ELH 1 <http://www.jstor.org/stable/30030168?seq=1#page_scan_tab_contents>
Whalen LE, A Companion to Marie de France, vol Brill’s companions to the Christian tradition (Logan E Whalen ed, Brill 2011) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=737798>
White E, ‘Places to Hear the Play: The Performance of the Corpus Christi Play at York’ (2000) 3 Early Theatre 49 <http://jps.library.utoronto.ca/index.php/eth/article/view/7311>
Williams T, ‘Fairy Magic, Wonder, and Morality in “Sir Orfeo”’ (2012) 91 Philological Quarterly 537 <http://literature.proquest.com/searchFullrec.do?id=R04971825&area=mla&forward=critref_fr&queryId=2935769433884&trailId=1552A407B76>
Windeatt B, English Mystics of the Middle Ages (Cambridge University Press 1994) <http://ebooks.cambridge.org/ebook.jsf?bid=CBO9780511518812>
‘Withypool Triptych, Bristol Museum’ <https://artuk.org/discover/artworks/withypool-triptych-virgin-and-child-with-saint-joseph-and-donor-189120>
Woolf R, The English Religious Lyric in the Middle Ages (Clarendon 1968) <http://content.talisaspire.com/bristol/bundles/57c0457b4469eed3248b4593>
Wyatt T and Rebholz RA, The Complete Poems, vol The English poets (Yale University Press 1981)
——, The Complete Poems, vol The English poets (Yale University Press 1981)
‘York Corpus Christi Play’ <http://jerz.setonhill.edu/resources/PSim/intro.htm>
‘York Mystery Plays Route’ <http://maps.conted.ox.ac.uk/literature/midenglit/YorkMysteryPlaysRoute.php>
