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Wallace D. The Cambridge history of medieval English literature. Cambridge: : Cambridge University Press 1999.
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Burrow JA, Turville-Petre T. A book of Middle English. 3rd ed. Malden, Mass., Oxford: : Blackwell 2005. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=848524
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Smith JJ. Essentials of early English. London: : Routledge 1999.
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Teach yourself to read Chaucer: Pronunciation. https://chaucer.fas.harvard.edu/lesson-2
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Chaucer, The Wife of Bath’s Prologue, read aloud. https://www.youtube.com/watch?v=e0ybnLRf3gU
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Audio clips of ‘Beowulf’ and ‘Sir Gawain and the Green Knight’. https://www.youtube.com/watch?v=5NB2Z6pZBNA
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Douay-Rheims Bible Online. http://www.drbo.org/
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Galloway A. The Cambridge companion to medieval English culture. Cambridge: : Cambridge University Press 2011. doi:http://dx.doi.org/10.1017/CCOL9780521856898
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Horrox R, Ormrod WM. Social history of England, 1200-1500. Cambridge: : Cambridge University Press 2006. https://doi.org/10.1017/CBO9781139167154
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Rigby SH, Historical Association. A companion to Britain in the later Middle Ages. Malden, Mass: : Blackwell 2003. http://lib.myilibrary.com/Open.aspx?id=131256&src=0
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Blamires A, Pratt K, Marx CW. Woman defamed and woman defended: an anthology of medieval texts. Oxford: : Clarendon Press 1992.
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Blamires A. The case for women in medieval culture. Oxford: : Clarendon Press 1997. doi:10.1093/acprof:oso/9780198186304.001.0001
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Shahar S. The fourth estate: a history of women in the Middle Ages. Rev. ed. London: : Routledge 2003. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=181941
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Keen M. Chivalry. New Haven, Conn: : Yale University Press 2005.
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Saul N. Chivalry in medieval England. Cambridge, Mass: : Harvard University Press 2011. http://www.jstor.org/stable/j.ctt2jbvtm
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In Our Time, Caxton and the Printing Press. http://www.bbc.co.uk/programmes/b01nbqz3
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Inside the Medieval Mind: Sex. https://learningonscreen.ac.uk/ondemand/index.php/prog/008B8CC6?bcast=115705592
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Terry Jones’ Medieval Lives: the king. https://learningonscreen.ac.uk/ondemand/index.php/prog/004D00A8?bcast=30756283
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Sacred Wonders. https://learningonscreen.ac.uk/ondemand/index.php/prog/065CBB29?bcast=122216756
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1347 bakers’ charter, Bristol Record Office. http://museums.bristol.gov.uk/narratives.php?irn=2658
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Withypool Triptych, Bristol Museum. https://artuk.org/discover/artworks/withypool-triptych-virgin-and-child-with-saint-joseph-and-donor-189120
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Hirsh JC. Medieval lyric: Middle English lyrics, ballads and carols. Oxford: : Blackwell 2005.
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Davies RT. Medieval English lyrics: a critical anthology. London: : Faber 1963.
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Boffey J. ‘'Loke on this wrytyng, man, for thi devocion!’’: Focal Texts in Some Later Middle English Religious Lyrics. In: Individuality and achievement in Middle English poetry. Woodbridge: : D.S. Brewer 1997. 129–45.http://content.talisaspire.com/bristol/bundles/57c04c914469ee0c1f8b4590
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Burrow JA. Medieval writers and their work: Middle English literature,1100--1500. 2nd ed. Oxford: : Oxford University Press 2008. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=415532
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Duncan TG. A companion to the Middle English lyric. Cambridge: : D.S. Brewer 2005. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3003515
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Woolf R. The English religious lyric in the Middle Ages. Oxford: : Clarendon 1968. http://content.talisaspire.com/bristol/bundles/57c0457b4469eed3248b4593
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Boklund-Lagopoulou K. ‘I have a young suster’: popular song and the Middle English lyric. Dublin: : Four Courts Press 2001.
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Brewer DS. The Ideal of Feminine Beauty in Medieval Literature, Especially ‘Harley Lyrics’, Chaucer, and Some Elizabethans. The Modern Language Review 1955;50. doi:10.2307/3719759
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Burrow JA. Essays on medieval literature. Oxford: : Clarendon Press 1984.
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Gray D. Themes and images in the medieval English religious lyric. London: : Routledge and Kegan Paul 1972.
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Howell AJ. Reading the Harley Lyrics: A Master Poet and the Language of Conventions. ELH 1980;47. doi:10.2307/2872852
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Reiss E. The art of the Middle English lyric: essays in criticism. Athens: : University of Georgia Press 1972.
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Spearing AC. Lyrics. In: Textual subjectivity: the encoding of subjectivity in medieval narratives and lyrics. Oxford: : Oxford University Press 2005. 174–210. doi:10.1093/acprof:oso/9780198187240.003.0006
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‘Sumer is icumen in’, sung. https://www.youtube.com/watch?v=ZWWEHAswpFI
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‘Adam lay ybounden’, sung by St Peter’s Singers of Leeds. https://www.youtube.com/watch?v=_vb_r41eOu4
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‘I Sing of a Maiden’ sung by Marzena Buziak. https://www.youtube.com/watch?v=0oAy1nzA5CE
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Clifford P. Marie de France: ‘Lais’. London: : Grant & Cutler 1982. http://content.talisaspire.com/bristol/bundles/57c0425c4469eed3248b458e
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Kinoshita S, McCracken P, Cambridge Books Online (Online service). Marie de France: A Critical Companion. Cambridge: : Cambridge University Press 2012. http://universitypublishingonline.org/boydell/ebook.jsf?bid=CBO9781846158612
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Spearing AC. The medieval poet as voyeur: looking and listening in medieval love-narratives. Cambridge: : Cambridge University Press 2005.
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Whalen LE. A companion to Marie de France. Leiden: : Brill 2011. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=737798
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Burgess GS. The Lais of Marie de France: text and context. Manchester: : Manchester University Press 1987.
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Mickel EJ. Marie de France. New York: : Twayne 1974.
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Bloch RH. The anonymous Marie de France. Chicago: : University of Chicago Press 2003.
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Radulescu R, Rushton C. A companion to medieval popular romance. Cambridge: : D.S. Brewer 2009. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=661881
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Putter A, Gilbert J. The spirit of medieval English popular romance. Harlow: : Longman 2000. https://www.taylorfrancis.com/books/9781315841335
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Fisher S. Women and Men in Medieval Romance. In: The Cambridge companion to medieval romance. Cambridge: : Cambridge University Press 2000. https://www.cambridge.org/core/books/cambridge-companion-to-medieval-romance/121A4CB9EE90455CA4572E2A644D95B0
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Friedman JB. Orpheus in the Middle Ages. Cambridge [Mass.]: : Harvard University Press 1970. http://content.talisaspire.com/bristol/bundles/57fcfdb04469eec80e8b456d
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Rider J. The otherworlds of medieval romance. In: The Cambridge companion to medieval romance. Cambridge: : Cambridge University Press 2000. https://www.cambridge.org/core/books/cambridge-companion-to-medieval-romance/121A4CB9EE90455CA4572E2A644D95B0
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Saunders C. Love and Loyalty in Middle English Romance. In: Writings on love in the English Middle Ages. New York: : Palgrave Macmillan 2006. 45–61.http://content.talisaspire.com/bristol/bundles/57eb9db04469ee8b498b4568
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Pisani Babich AG. The Power of the Kingdom and the Ties that Bind in ‘Sir Orfeo’. Neophilologus 1998;82:477–86. doi:10.1023/A:1004354923977
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Dominique Battles. Sir Orfeo and English Identity. Studies in Philology 2010;107:179–211.http://www.jstor.org/stable/25681415?seq=1#page_scan_tab_contents
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Beer G. The romance. London: : Methuen 1970.
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Cartlidge N. Sir Orfeo in the Otherworld: Courting Chaos? Studies in the age of Chaucer 2004;26:195–226.
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Fletcher A. ‘Sir Orfeo’ and the Flight from the Enchanter. Studies in the age of Chaucer 2000;22:141–77.
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Kenneth R. R. Gros Louis. The Significance of Sir Orfeo’s Self-Exile. The Review of English Studies 1967;18:245–52.http://www.jstor.org/stable/512215?seq=1#page_scan_tab_contents
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Hudson H. Toward a Theory of Popular Literature: The Case of the Middle English Romances. Journal of Popular Culture 1989;23:31–50.http://literature.proquest.com/searchFullrec.do?&resultNum=1&entries=1&area=criticism&forward=critref_fr&queryId=2935766476308&trailId=1552A29E9D8
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S T Knight. The Oral Transmission of ‘Sir Launfal’. Medium Aevum;38.http://search.proquest.com/docview/1293364837?OpenUrlRefId=info:xri/sid:primo&accountid=9730
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Lerer S. Artifice and Artistry in ‘Sir Orfeo’. Speculum 1985;60:92–109. doi:10.2307/2852135
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Martindale C, Thomas RF. Classics and the uses of reception. Malden, Mass: : Blackwell 2006. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=351010
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McDonald N. Pulp fictions of medieval England: essays in popular romance. Manchester: : Manchester University Press 2004. http://www.oapen.org/search?identifier=341366
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Putter A. Arthurian Romance in English Popular Tradition. In: A companion to Arthurian literature. Oxford: : Wiley-Blackwell 2009. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4026444
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Riddy F. The Uses of the Past in ‘Sir Orfeo’. The Yearbook of English Studies 1976;6. doi:10.2307/3506383
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Shepherd SHA. Middle English romances: authoritative texts, sources and backgrounds, criticism. New York: : W.W. Norton 1995.
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Stevens JE. Medieval romance: themes and approaches. London: : Hutchinson 1973.
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Taylor A. Fragmentation, Corruption, and Minstrel Narration: The Question of the Middle English Romances. The Yearbook of English Studies 1992;22. doi:10.2307/3508375
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Correale R, Hamel M. Sources and analogues of ‘The Canterbury Tales’: Volume 2. Woodbridge: : D.S. Brewer 2001. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1068961
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Horobin S. Chaucer’s language. 2nd ed. Basingstoke: : Palgrave Macmillan 2013.
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Bennett JAW. Chaucer at Oxford and at Cambridge. Oxford: : Clarendon Press 1974. http://content.talisaspire.com/bristol/bundles/57c048da4469eeb9308b456d
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Hansen ET. Chaucer and the fictions of gender. Berkeley, [Calif.]: : University of California Press 1992. https://www-degruyter-com.bris.idm.oclc.org/document/doi/10.1525/9780520328204/html
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Hines J. The fabliau in English. London: : Longman 1993. http://content.talisaspire.com/bristol/bundles/57c03d3b4469eed3248b457b
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Malcolm Andrew. Context and Judgment in the ‘General Prologue’. The Chaucer Review 1989;23:316–37.http://www.jstor.org/stable/25094094?seq=1#page_scan_tab_contents
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