1347 bakers’ charter, Bristol Record Office (no date). Available at: http://museums.bristol.gov.uk/narratives.php?irn=2658.
A. C. Spearing (1994) ‘Public and Private Spaces in “Sir Gawain and the Green Knight”’, Arthuriana, 4(2), pp. 138–145. Available at: http://www.jstor.org/stable/27869056?seq=1#page_scan_tab_contents.
A. V. C. Schmidt (1987) ‘“Latent Content” and “The Testimony in the Text”: Symbolic Meaning in “Sir Gawain and the Green Knight”’, The Review of English Studies, 38(150), pp. 145–168. Available at: http://www.jstor.org/stable/515420?seq=1#page_scan_tab_contents.
‘“Adam lay ybounden”, sung by St Peter’s Singers of Leeds’ (no date). Available at: https://www.youtube.com/watch?v=_vb_r41eOu4.
Aers, D. (1988a) ‘“In Arthurus Day”: Community, Virtue, and Individual Identity in “Sir Gawain and the Green Knight”’, in Community, gender, and individual identity: English writing 1360-1430. London: Routledge, pp. 153–178.
Aers, D. (1988b) ‘The Making of Margery Kempe’, in Community, gender, and individual identity: English writing 1360-1430. London: Routledge.
Archibald, E. and Edwards, A.S.G. (1996) A companion to Malory. Cambridge: Brewer.
Archibald, E. and Putter, A. (2009) A Cambridge companion to the Arthurian legend. Cambridge: Cambridge University Press. Available at: https://doi.org/http://dx.doi.org/10.1017/CCOL9780521860598.
Armitage, S. (2007) Sir Gawain and the Green Knight. London: Faber and Faber. Available at: http://literature.proquest.com/searchFulltext.do?id=Z001144490&divLevel=0&queryId=2935250589165&trailId=1551ACA02C4&area=poetry&forward=textsFT&print=Yes&queryType=findWork.
Arnold, J.H. and Lewis, K.J. (2004) A companion to The book of Margery Kempe. Woodbridge: D.S. Brewer.
Atkinson, C.W. (1983) Mystic and pilgrim: the Book and the world of Margery Kempe. Ithaca, N.Y.: Cornell University Press.
‘Audio clips of “Beowulf” and “Sir Gawain and the Green Knight”’ (no date). Available at: https://www.youtube.com/watch?v=5NB2Z6pZBNA.
Barber, C.L. (2000) The English language: a historical introduction. Cambridge: Cambridge University Press. Available at: http://ebooks.cambridge.org/ebook.jsf?bid=CBO9781139106894.
Barnes, G. (1993) ‘The failure of counsel and strategy: “Sir Gawain and the Green Knight”’, in Counsel and strategy in Middle English romance. Cambridge: D.S. Brewer.
Batt, C. (2002) Malory’s ‘Morte Darthur’: remaking Arthurian tradition. Basingstoke: Palgrave.
Baugh, A.C. and Cable, T. (2002) A history of the English language. 5th ed. London: Routledge.
Bawcutt, P. (1992) Dunbar the makar. Oxford: Clarendon Press. Available at: https://doi.org/10.1093/acprof:oso/9780198129639.001.0001.
Bawcutt, P.J. and Williams, J.H. (2006) A companion to medieval Scottish poetry. Woodbridge: Boydell & Brewer.
BBC News - The Middle Ages in colour (no date). Available at: http://www.bbc.co.uk/news/entertainment-arts-15667183.
Beadle, R. (2013) The York plays: a critical edition of the York Corpus Christi play as recorded in British Library additional MS 35290, Volume 2. Oxford: Oxford University Press.
Beadle, R., Early English Text Society, and British Library (2009) The York plays: a critical edition of the York Corpus Christi play as recorded in British Library Additional MS 35290, Volume 1. Oxford: Oxford University Press for the Early English Text Society.
Beadle, R. and Fletcher, A.J. (2008) The Cambridge companion to medieval English theatre. 2nd ed. Cambridge: Cambridge University Press. Available at: https://doi.org/http://dx.doi.org/10.1017/CCOL9780521864008.
Beadle, R. and King, P.M. (1984) York mystery plays: a selection in modern spelling. Oxford: Clarendon Press.
Beckwith, S. (1993) Christ’s body: identity, culture, and society in late medieval writings. London: Routledge.
Beckwith, S. (2001) Signifying God: social relation and symbolic act in the York Corpus Christi plays. Chicago: University of Chicago Press.
Beer, F. (1992) Women and mystical experience in the Middle Ages. Woodbridge: Boydell Press. Available at: http://content.talisaspire.com/bristol/bundles/57bff9ae4469eeef7d8b4580.
Beer, G. (1970) The romance. London: Methuen.
Bennett, J.A.W. (1974) Chaucer at Oxford and at Cambridge. Oxford: Clarendon Press. Available at: http://content.talisaspire.com/bristol/bundles/57c048da4469eeb9308b456d.
Bennett, M.J. (1979) ‘“Sir Gawain and the Green Knight” and the literary achievement of the north-west Midlands: the historical background’, Journal of Medieval History, 5(1), pp. 63–88. Available at: https://doi.org/10.1016/0304-4181(79)90018-6.
Benson, C.D. (1986) Chaucer’s drama of style: poetic variety and contrast in the ‘Canterbury Tales’. Chapel Hill: University of North Carolina Press.
Benson, L.D. (1965) Art and tradition in ‘Sir Gawain and the Green Knight’. New Brunswick: Rutgers University Press.
Benson, L.D. (1976) Malory’s ‘Morte Darthur’. Cambridge, Mass: Harvard University Press.
Benson, L.D. and Andersson, T.M. (1971) The literary context of Chaucer’s fabliaux: texts and translations. Indianapolis: Bobbs-Merrill.
Besserman, L. (1986) ‘The Idea of the Green Knight’, ELH, 53(2). Available at: https://doi.org/10.2307/2873255.
Bevington, D.M. (1975a) Medieval drama. Boston: Houghton Mifflin.
Bevington, D.M. (1975b) Medieval drama. Boston: Houghton Mifflin.
Bielby, N. (1976) Three early Tudor poets: a selection from Skelton, Wyatt and Surrey. Exeter: Wheaton.
Bishop, I. (1987) The narrative art of ‘The Canterbury Tales’: a critical study of the major poems. London: Dent.
Blamires, A. (1997) The case for women in medieval culture. Oxford: Clarendon Press. Available at: https://doi.org/10.1093/acprof:oso/9780198186304.001.0001.
Blamires, A., Pratt, K. and Marx, C.W. (1992) Woman defamed and woman defended: an anthology of medieval texts. Oxford: Clarendon Press.
Bloch, R.H. (2003) The anonymous Marie de France. Chicago: University of Chicago Press.
Blum, M. (1998) ‘Negotiating Masculinities: Erotic Triangles in the “Miller’s Tale”’, in Masculinities in Chaucer: approaches to masculinity in the Canterbury Tales and Troilus and Criseyde. Cambridge: Brewer, pp. 37–52.
Boffey, J. (1997) ‘“'Loke on this wrytyng, man, for thi devocion!”’: Focal Texts in Some Later Middle English Religious Lyrics’, in Individuality and achievement in Middle English poetry. Woodbridge: D.S. Brewer, pp. 129–145. Available at: http://content.talisaspire.com/bristol/bundles/57c04c914469ee0c1f8b4590.
Boitani, P. and Mann, J. (2003) The Cambridge companion to Chaucer. 2nd ed. Cambridge: Cambridge University Press. Available at: https://doi.org/http://dx.doi.org/10.1017/CCOL0521815568.
Boitani, P. and Torti, A. (1990) Religion in the poetry and drama of the late Middle Ages in England: the J.A.W. Bennett Memorial Lectures, Perugia, 1988. Cambridge: Brewer.
Boklund-Lagopoulou, K. (2001) ‘I have a young suster’: popular song and the Middle English lyric. Dublin: Four Courts Press.
Book of Margery Kempe (no date). Available at: http://college.holycross.edu/projects/kempe/text/kempecap.htm.
Brewer, D. (1998) A new introduction to Chaucer. 2nd ed. Harlow: Longman.
Brewer, D. and Gibson, J. (1997a) A companion to the Gawain-poet. Cambridge: D.S Brewer.
Brewer, D. and Gibson, J. (1997b) A companion to the Gawain-poet. Cambridge: D.S Brewer.
Brewer, D.S. (1955) ‘The Ideal of Feminine Beauty in Medieval Literature, Especially “Harley Lyrics”, Chaucer, and Some Elizabethans’, The Modern Language Review, 50(3). Available at: https://doi.org/10.2307/3719759.
Brewer, E. (1992) ‘Sir Gawain and the Green Knight’: sources and analogues. 2nd ed. Cambridge: D.S. Brewer.
Brigden, S. (2012) Thomas Wyatt: the heart’s forest. London: Faber and Faber.
Briscoe, M.G. and Coldewey, J.C. (1989) Contexts for early English drama. Bloomington: Indiana University Press.
Bristol Record Society - links (no date). Available at: http://www.bristol.ac.uk/Depts/History/bristolrecordsociety/links.htm.
British Library: Luttrell Psalter (no date). Available at: http://www.bl.uk/onlinegallery/sacredtexts/luttrellpsalter.html.
British Library medieval manuscripts blog (no date). Available at: http://blogs.bl.uk/digitisedmanuscripts/index.html.
Brown, P. (2000) A companion to Chaucer. Oxford: Blackwell.
Brown, P. (2009) A companion to medieval English literature and culture, c.1350-c.1500. Oxford: Wiley-Blackwell.
Burgess, G.S. (1987) The Lais of Marie de France: text and context. Manchester: Manchester University Press.
Burgess, G.S., Busby, K., and Marie (1999) The Lais of Marie de France. 2nd ed. with two further lais in the original Old French. London: Penguin. Available at: http://content.talisaspire.com/bristol/bundles/57e2696f4469ee45448b4568.
Burgess, G.S., Busby, K., and Marie de France (1999) The Lais of Marie de France. 2nd ed. with two further lais in the original Old French. London: Penguin. Available at: http://content.talisaspire.com/bristol/bundles/57e2696f4469ee45448b4568.
Burnley, J.D. (1973) ‘The Hunting Scenes in “Sir Gawain and the Green Knight”’, The Yearbook of English Studies, 3. Available at: https://doi.org/10.2307/3506850.
Burrow, J. (1984) ‘Honour and Shame in “Sir Gawain and the Green Knight”’, in Essays on medieval literature. Oxford: Clarendon Press, pp. 117–131.
Burrow, J.A. (1965) A reading of ‘Sir Gawain and the Green Knight’. London: Routledge & Kegan Paul.
Burrow, J. A. (1984) Essays on medieval literature. Oxford: Clarendon Press.
Burrow, J.A. (1984) ‘The Poet as Petitioner’, in Essays on Medieval Literature. Oxford University Press, pp. 161–176. Available at: https://doi.org/10.1093/acprof:oso/9780198111870.003.0010.
Burrow, J.A. (2000a) The Gawain-poet. Plymouth: Northcote House.
Burrow, J.A. (2000b) The Gawain-poet. Plymouth: Northcote House.
Burrow, J.A. (2008a) Medieval writers and their work: Middle English literature,1100--1500. 2nd ed. Oxford: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=415532.
Burrow, J.A. (2008b) Medieval writers and their work: Middle English literature,1100--1500. 2nd ed. Oxford: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=415532.
Burrow, J.A. (2012) English poets in the late Middle Ages: Chaucer, Langland and others. Farnham: Ashgate Variorum.
Burrow, J.A. and Turville-Petre, T. (2005) A book of Middle English. 3rd ed. Malden, Mass., Oxford: Blackwell. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=848524.
Cartlidge, N. (2004) ‘Sir Orfeo in the Otherworld: Courting Chaos?’, Studies in the age of Chaucer, 26, pp. 195–226.
Cawley, A.C. (1958) The Wakefield pageants in the Townley cycle. Manchester: Manchester University Press.
Cawley, A.C. (1983) The Revels history of drama in English: Vol. 1: Medieval drama. London: Methuen. Available at: http://content.talisaspire.com/bristol/bundles/57c01a804469eed7488b457c.
Chaucer Bibliography (no date). Available at: http://chaucer.lib.utsa.edu/items/search.
Chaucer, G., Benson, L.D. and Robinson, F.N. (1987a) The Riverside Chaucer. 3rd ed. Boston, Mass: Houghton Mifflin.
Chaucer, G., Benson, L.D. and Robinson, F.N. (1987b) The Riverside Chaucer. 3rd ed. Boston, Mass: Houghton Mifflin.
‘Chaucer, The Wife of Bath’s Prologue, read aloud’ (no date). Available at: https://www.youtube.com/watch?v=e0ybnLRf3gU.
‘Chaucer’s English’ (no date). Available at: http://www.bl.uk/learning/langlit/changlang/activities/lang/chaucer/chaucerpage1.html.
Cheney, P. (2011) Reading sixteenth-century poetry. Chichester: Wiley-Blackwell. Available at: http://content.talisaspire.com/bristol/bundles/57c016224469ee09358b456d.
Clark, C. (1966) ‘Sir Gawain and The Green Knight: Characterisation by Syntax’, Essays in Criticism, XVI(4), pp. 361–374. Available at: https://doi.org/10.1093/eic/XVI.4.361.
Clifford, P. (1982) Marie de France: ‘Lais’. London: Grant & Cutler. Available at: http://content.talisaspire.com/bristol/bundles/57c0425c4469eed3248b458e.
Clopper, L.M. (2001) Drama, play, and game: English festive culture in the medieval and early modern period. Chicago: University of Chicago Press.
Collier, R.J. (1976) ‘The Action of Fulfillment in the York Corpus Christi Play’, Pacific Coast Philology, 11. Available at: https://doi.org/10.2307/1316745.
Cookson, L. and Loughrey, B. (1989) Critical essays on the ‘General Prologue’ to the ‘Canterbury Tales’, Geoffrey Chaucer. Harlow: Longman.
Cooper, H. (1996) The Canterbury Tales. 2nd ed. Oxford: Oxford University Press. Available at: http://content.talisaspire.com/bristol/bundles/598ae7c8540a262c06674424.
Cooper, H. (2004) The English romance in time: transforming motifs from Geoffrey of Monmouth to the death of Shakespeare. Oxford: Oxford University Press. Available at: https://doi.org/10.1093/acprof:oso/9780199248865.001.0001.
Correale, R. and Hamel, M. (2001a) Sources and analogues of ‘The Canterbury Tales’: Volume 1. Woodbridge: D.S. Brewer. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=218478.
Correale, R. and Hamel, M. (2001b) Sources and analogues of ‘The Canterbury Tales’: Volume 2. Woodbridge: D.S. Brewer. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1068961.
Cotton Nero A.x. Project (no date). Available at: http://people.ucalgary.ca/~scriptor/cotton/index.html.
Crampton, G.R. and Julian of Norwich (1994) The shewings of Julian of Norwich. Kalamazoo, Mich: Medieval Institute Publications for TEAMS (The Consortium for the Teaching of the Middle Ages) in association with the University of Rochester. Available at: http://d.lib.rochester.edu/teams/publication/crampton-shewings-of-julian-norwich.
Crane, S. (1994) Gender and romance in Chaucer’s ‘Canterbury Tales’. Princeton, N.J.: Princeton University Press.
Dasenbrock, R.W. (1988) ‘Wyatt’s Transformation of Petrarch’, Comparative Literature, 40(2). Available at: https://doi.org/10.2307/1770584.
Davenport, W.A. (1978) The art of the Gawain-poet. London: Athlone Press. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=436367.
Davenport, W.A. (2004) Medieval narrative: an introduction. Oxford: Oxford University Press.
Davidson, C. (1975) ‘The Realism of the York Realist and the York Passion’, Speculum, 50(2), pp. 270–283. Available at: https://doi.org/10.2307/2852264.
Davidson, C. (1984) From creation to doom: the York cycle of mystery plays. New York: AMS Press.
Davies, R.T. (1963) Medieval English lyrics: a critical anthology. London: Faber.
Delany, S. (1994) ‘Sexual Economics, Chaucer’s Wife of Bath and “The Book of Margery Kempe”’, in Feminist readings in Middle English literature: the Wife of Bath and all her sect. London: Routledge, pp. 72–87.
Dillon, J. (2006) The Cambridge introduction to early English theatre. Cambridge: Cambridge University Press.
Dinshaw, C. (1989) Chaucer’s sexual poetics. Madison, Wis: University of Wisconsin Press.
Dinshaw, C. (1994) ‘A Kiss Is Just a Kiss: Heterosexuality and Its Consolations in “Sir Gawain and the Green Knight”’, Diacritics, 24(2/3). Available at: https://doi.org/10.2307/465173.
Dinshaw, C. (2003) ‘Margery Kempe’, in The Cambridge companion to medieval women’s writing. Cambridge: Cambridge University Press, pp. 222–239. Available at: https://www.cambridge.org/core/books/cambridge-companion-to-medieval-womens-writing/D8909C2F80CBC0FB8EC65C94DBD02041.
Dinshaw, C. and Wallace, D. (2003a) The Cambridge companion to medieval women’s writing. Cambridge: Cambridge University Press. Available at: https://doi.org/http://dx.doi.org/10.1017/CCOL052179188X.
Dinshaw, C. and Wallace, D. (2003b) The Cambridge companion to medieval women’s writing. Cambridge: Cambridge University Press. Available at: https://doi.org/http://dx.doi.org/10.1017/CCOL052179188X.
Dominique Battles (2010) ‘Sir Orfeo and English Identity’, Studies in Philology, 107(2), pp. 179–211. Available at: http://www.jstor.org/stable/25681415?seq=1#page_scan_tab_contents.
Donaldson, E.T. (1954) ‘Chaucer the Pilgrim’, PMLA, 69(4). Available at: https://doi.org/10.2307/459940.
Donaldson, Kara Virginia (no date) ‘Alisoun’s Language: Body, Text and Glossing in Chaucer’s “The Miller’s Tale”’, Philological Quarterly, 710(20). Available at: http://search.proquest.com/docview/1290775620?OpenUrlRefId=info:xri/sid:primo&accountid=9730.
Douay-Rheims Bible Online (no date). Available at: http://www.drbo.org/.
Dunbar, W. and Bawcutt, P. (1996a) Selected poems. London: Longman.
Dunbar, W. and Bawcutt, P. (1996b) Selected poems. London: Longman.
Dunbar, W. and Bawcutt, P. (1998) The poems of William Dunbar. Glasgow: Association for Scottish Literary Studies.
Dunbar, W. and Conlee, J. (no date) The Complete Works (TEAMS). Available at: http://d.lib.rochester.edu/teams/publication/conlee-dunbar-complete-works.
Dunbar, W. and Kinsley, J. (1979) The poems of William Dunbar. Oxford: Clarendon Press.
Duncan, T.G. (2005) A companion to the Middle English lyric. Cambridge: D.S. Brewer. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3003515.
eChaucer: Chaucer in the Twenty-First Century (no date). Available at: http://chaucer.lib.utsa.edu/omeka/items/show/271656.
Edwards, A.S.G. (2000) ‘“Dunbar, Skelton and the Nature of Court Culture in the Early Sixteenth Century”’, in Vernacular literature and current affairs in the early sixteenth century: France, England, and Scotland. Aldershot: Ashgate.
Edwards, E. (2001) The genesis of narrative in Malory’s ‘Morte Darthur’. Cambridge: D.S. Brewer.
Elizabeth Archibald (1992) ‘Malory’s Ideal of Fellowship’, The Review of English Studies, 43(171), pp. 311–328. Available at: http://www.jstor.org/stable/518049?seq=1#page_scan_tab_contents.
Elizabeth Scala (2002) ‘Disarming Lancelot’, Studies in Philology, 99(4), pp. 380–403. Available at: http://www.jstor.org/stable/4174740?Search=yes&resultItemClick=true&searchText=disarming&searchText=lancelot&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Ddisarming%2Blancelot&seq=1#page_scan_tab_contents.
Ellen M. Ross (1991) ‘Spiritual Experience and Women’s Autobiography: The Rhetoric of Selfhood in “The Book of Margery Kempe”’, Journal of the American Academy of Religion, 59(3), pp. 527–546. Available at: http://www.jstor.org/stable/1465030?seq=1#page_scan_tab_contents.
Ellesmere Chaucer page at Long Island university library website (no date). Available at: https://liu.cwp.libguides.com/archives_and_special_collections/chaucer.
Evans, R. and Johnson, L. (1994) Feminist readings in Middle English literature: the Wife of Bath and all her sect. London: Routledge.
Fanous, S. and Gillespie, V. (2011) The Cambridge companion to medieval English mysticism. Cambridge: Cambridge University Press. Available at: https://doi.org/http://dx.doi.org/10.1017/CCOL9780521853439.
Field, P.J.C. (1971) Romance and chronicle: a study of Malory’s prose style. London: Barrie & Jenkins.
Field, P.J.C. (1993) The life and times of Sir Thomas Malory. Cambridge: D. S. Brewer.
Fisher, S. (2000a) ‘Women and Men in Late Medieval Romance’, in The Cambridge companion to medieval romance. Cambridge: Cambridge University Press. Available at: https://doi.org/http://dx.doi.org/10.1017/CCOL0521553423.
Fisher, S. (2000b) ‘Women and Men in Medieval Romance’, in The Cambridge companion to medieval romance. Cambridge: Cambridge University Press. Available at: https://www.cambridge.org/core/books/cambridge-companion-to-medieval-romance/121A4CB9EE90455CA4572E2A644D95B0.
Fletcher, A. (2000) ‘“Sir Orfeo” and the Flight from the Enchanter’, Studies in the age of Chaucer, 22, pp. 141–177.
Fox, D. (1966) ‘“The Scottish Chaucerians”’, in Chaucer and Chaucerians: critical studies in Middle English literature. University, Ala: University of Alabama.
Fox, D. (1982) ‘“Middle Scots Poets and Their Patrons”’, in English court culture in the later Middle Ages. London: Duckworth.
Friedman, J.B. (1970) Orpheus in the Middle Ages. Cambridge [Mass.]: Harvard University Press. Available at: http://content.talisaspire.com/bristol/bundles/57fcfdb04469eec80e8b456d.
Fulton, H. (2009) A companion to Arthurian literature. Oxford: Wiley-Blackwell. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4026444.
Galloway, A. (2011) The Cambridge companion to medieval English culture. Cambridge: Cambridge University Press. Available at: https://doi.org/http://dx.doi.org/10.1017/CCOL9780521856898.
Ganim, J.M. (1976) ‘Disorientation, Style, and Consciousness in “Sir Gawain and the Green Knight”’, PMLA, 91(3). Available at: https://doi.org/10.2307/461688.
Glenn, C. (1992) ‘Author, Audience, and Autobiography: Rhetorical Technique in the “Book of Margery Kempe”’, College English, 54(5). Available at: https://doi.org/10.2307/378154.
Goodman, A. (2002) Margery Kempe and her world. London: Longman. Available at: http://content.talisaspire.com/bristol/bundles/57c0269f4469eef5678b457b.
Gray, D. (1972) Themes and images in the medieval English religious lyric. London: Routledge and Kegan Paul.
Gray, D. (2003) The Oxford companion to Chaucer. Oxford: Oxford University Press.
Gray, D. (2008a) Later medieval English literature. Oxford: Oxford University Press.
Gray, D. (2008b) Later medieval English literature. Oxford: Oxford University Press.
Greenblatt, S. (2005) Renaissance self-fashioning: from More to Shakespeare. Chicago: University of Chicago Press.
Greenblatt, S. (2012a) The Norton anthology of English literature. 9th ed. New York: W.W. Norton.
Greenblatt, S. (2012b) The Norton anthology of English literature. 9th ed. New York: W.W. Norton.
Greenblatt, S. (2012c) The Norton anthology of English literature. 9th ed. New York: W.W. Norton.
Greenblatt, S. (2012d) The Norton anthology of English literature. 9th ed. New York: W.W. Norton.
Greenblatt, S. (2012e) The Norton anthology of English literature. 9th ed. New York: W.W. Norton.
Greenblatt, S. (2012f) The Norton anthology of English literature. 9th ed. New York: W.W. Norton.
Greenblatt, S. (2012g) The Norton anthology of English literature. 9th ed. New York: W.W. Norton.
Greenblatt, S. (2012h) The Norton anthology of English literature. 9th ed. New York: W.W. Norton.
Guy, J. (1984) ‘The Tudor Age’, in The Oxford illustrated history of Britain. Oxford: Oxford University Press, pp. 223–285.
Hanna, R. (1983) ‘Unlocking what’s Unlocked: Gawain’s Green Girdle’, Viator, 14, pp. 289–302.
Hansen, E.T. (1992) Chaucer and the fictions of gender. Berkeley, [Calif.]: University of California Press. Available at: https://www-degruyter-com.bris.idm.oclc.org/document/doi/10.1525/9780520328204/html.
Happé, P. (1984) Medieval English drama. London: Macmillan.
Harry E. Cole (1996) ‘Forgiveness as Structure: “The Book of Sir Launcelot and Queen Guinevere”’, The Chaucer Review, 31(1), pp. 36–44. Available at: http://www.jstor.org/stable/25095958?seq=1#page_scan_tab_contents.
Heale, E. (1998) Wyatt, Surrey, and early Tudor poetry. New York: Longman. Available at: http://content.talisaspire.com/bristol/bundles/57c008774469eea3658b457c.
Heng, G. (1991) ‘Feminine Knots and the Other: “Sir Gawain and the Green Knight”’, PMLA, 106(3). Available at: https://doi.org/10.2307/462782.
Hines, J. (1993) The fabliau in English. London: Longman. Available at: http://content.talisaspire.com/bristol/bundles/57c03d3b4469eed3248b457b.
Hirsh, J.C. (2005a) Medieval lyric: Middle English lyrics, ballads and carols. Oxford: Blackwell.
Hirsh, J.C. (2005b) Medieval lyric: Middle English lyrics, ballads and carols. Oxford: Blackwell.
Horobin, S. (2013) Chaucer’s language. 2nd ed. Basingstoke: Palgrave Macmillan.
Horrox, R. and Ormrod, W.M. (2006) Social history of England, 1200-1500. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/CBO9781139167154.
Howard, D.R. (1964) ‘Structure and Symmetry in “Sir Gawain”’, Speculum, 39(3), pp. 425–433. Available at: https://doi.org/10.2307/2852497.
Howell, A.J. (1980) ‘Reading the Harley Lyrics: A Master Poet and the Language of Conventions’, ELH, 47(4). Available at: https://doi.org/10.2307/2872852.
Hudson, H. (1989) ‘Toward a Theory of Popular Literature: The Case of the Middle English Romances’, Journal of Popular Culture, 23(3), pp. 31–50. Available at: http://literature.proquest.com/searchFullrec.do?&resultNum=1&entries=1&area=criticism&forward=critref_fr&queryId=2935766476308&trailId=1552A29E9D8.
‘“I Sing of a Maiden” sung by Marzena Buziak’ (no date). Available at: https://www.youtube.com/watch?v=0oAy1nzA5CE.
Images from the ‘Sir Gawain and the Green Knight’ manuscript (no date). Available at: http://faculty.virginia.edu/engl381ck/three.html.
In Our Time, Caxton and the Printing Press (no date). Available at: http://www.bbc.co.uk/programmes/b01nbqz3.
In Our Time, ‘Le Morte d’Arthur’ (no date). Available at: http://www.bbc.co.uk/programmes/b01pp989.
In Our Time, Margery Kempe and English Mysticism (no date). Available at: http://www.bbc.co.uk/programmes/b07cyfkg.
Inside the Medieval Mind: Sex (no date). Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/008B8CC6?bcast=115705592.
Interlinear Translations of Chaucer’s ‘Canterbury Tales’ (no date). Available at: https://chaucer.fas.harvard.edu/pages/text-and-translations.
J. Finlayson (1979) ‘The Expectations of Romance in “Sir Gawain and the Green Knight”’, Genre, 12, pp. 1–24.
J. J. Anderson (1990) ‘The Three Judgments and the Ethos of Chivalry in “Sir Gawain and the Green Knight”’, The Chaucer Review, 24(4), pp. 337–355. Available at: http://www.jstor.org/stable/25094140?seq=1#page_scan_tab_contents.
J. W. Robinson (1963) ‘The Art of the York Realist’, Modern Philology, 60(4), pp. 241–251. Available at: http://www.jstor.org/stable/435462?seq=1#page_scan_tab_contents.
James R. Andreas (1994) ‘“Wordes Betwene”: The Rhetoric of the Canterbury Links’, The Chaucer Review, 29(1), pp. 45–64. Available at: http://www.jstor.org/stable/25095871?seq=1#page_scan_tab_contents.
Johnson, D.F. and Treharne, E.M. (2005) Readings in medieval texts: interpreting old and Middle English literature. Oxford: Oxford University Press.
Joseph D Parry (2001) ‘Interpreting Female Agency and Responsibility in “The Miller’s Tale” and “The Merchant’s Tale”’, People:Chaucer, Geoffrey (1340?-1400)Author(s):Joseph D ParryDocument types:FeaturePublication title:Philological Quarterly. Iowa City: Spring 2001. Vol. 80, Iss. 2; pg. 133, 35 pgsSource type:PeriodicalISSN/ISBN:00317977 Text Word Count14541, 80(2). Available at: http://literature.proquest.com/searchFulltext.do?id=R03347623&divLevel=0&queryId=2943242144271&trailId=15608F4BCF9&area=mla&forward=critref_ft.
Julian of Norwich documentary with Janina Ramirez (no date). Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0CF2743F?bcast=122145485.
Justice, A.D. (1979) ‘Trade Symbolism in the York Cycle’, Theatre Journal, 31(1). Available at: https://doi.org/10.2307/3219454.
Kankedort.net - The Electronic Canterbury Tales (no date). Available at: http://www.kankedort.net/.
Keen, M. (2005) Chivalry. New Haven, Conn: Yale University Press.
Kempe, M. and Staley, L. (2001) The book of Margery Kempe: a new translation, contexts, criticism. New York: Norton.
Kempe, M. and Windeatt, B.A. (2004a) The book of Margery Kempe. Woodbridge: Brewer. Available at: http://content.talisaspire.com/bristol/bundles/599da397646be03fb539bd34.
Kempe, M. and Windeatt, B.A. (2004b) The book of Margery Kempe. Woodbridge: Brewer. Available at: http://content.talisaspire.com/bristol/bundles/599da397646be03fb539bd34.
Kennedy, B. (1992) Knighthood in the ‘Morte Darthur’. 2nd ed. Woodbridge: D.S. Brewer.
Kenneth R. R. Gros Louis (1967) ‘The Significance of Sir Orfeo’s Self-Exile’, The Review of English Studies, 18(71), pp. 245–252. Available at: http://www.jstor.org/stable/512215?seq=1#page_scan_tab_contents.
King, P.M. (2011) Medieval literature 1300-1500. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=714138.
Kinney, A.F. (2000) The Cambridge companion to English literature, 1500-1600. Cambridge: Cambridge University Press. Available at: https://doi.org/http://dx.doi.org/10.1017/CCOL0521582946.
Kinoshita, S., McCracken, P., and Cambridge Books Online (Online service) (2012) Marie de France: A Critical Companion [electronic resource]. Cambridge: Cambridge University Press. Available at: http://universitypublishingonline.org/boydell/ebook.jsf?bid=CBO9781846158612.
Kolve, V.A. (1984) Chaucer and the imagery of narrative: the first five Canterbury tales. Stanford, Calif: Stanford University Press. Available at: http://content.talisaspire.com/bristol/bundles/57c000894469ee6c308b4575.
Kratzmann, G. (1979) Anglo-Scottish literary relations, 1430-1550. Cambridge: Cambridge University Press.
Krueger, R.L. (2000) The Cambridge companion to medieval romance. Cambridge: Cambridge University Press. Available at: https://doi.org/http://dx.doi.org/10.1017/CCOL0521553423.
Kurath, H., Kuhn, S.M. and Lewis, R.E. (1952) Middle English dictionary. Ann Arbor: University of Michigan. Available at: http://quod.lib.umich.edu/m/med/.
Lambert, M. (1975) Malory: style and vision in ‘Le Morte Darthur’. New Haven: Yale University Press.
Laskaya, A. (1995) Chaucer’s approach to gender in the ‘Canterbury Tales’. Cambridge: D.S. Brewer.
Laurie A. Finke and Martin B. Schichtman (1998) ‘No Pain, No Gain: Violence as Symbolic Capital in Malory’s “Morte d’Arthur”’, Arthuriana, 8(2), pp. 115–134. Available at: http://www.jstor.org/stable/27869341?seq=1#page_scan_tab_contents.
Lerer, S. (1985) ‘Artifice and Artistry in “Sir Orfeo”’, Speculum, 60(1), pp. 92–109. Available at: https://doi.org/10.2307/2852135.
Lois A. Ebin (1972) ‘The Theme of Poetry in Dunbar’s “Goldyn Targe”’, The Chaucer Review, 7(2), pp. 147–159. Available at: http://www.jstor.org/stable/25093223?Search=yes&resultItemClick=true&searchText=%27The%20Theme%20of%20poetry%20in%20Dunbar%27&searchText=s&searchText=Golden&searchText=Targe&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3D%25E2%2580%2599The%2BTheme%2Bof%2Bpoetry%2Bin%2BDunbar%25E2%2580%2599s%2BGolden%2BTarge%26amp%3Bprq%3DChaucer%2BReview%253A%2BA%2BJournal%2Bof%2BMedieval%2BStudies%2Band%2BLiterary%2BCriticism%26amp%3Bgroup%3Dnone%26amp%3Bso%3Drel%26amp%3Bfc%3Doff%26amp%3Bwc%3Doff%26amp%3Bhp%3D25&seq=1#page_scan_tab_contents.
Lois Ebin (1980) ‘Dunbar’s Bawdy’, The Chaucer Review, 14(3), pp. 278–286. Available at: http://www.jstor.org/stable/25093508?Search=yes&resultItemClick=true&searchText=Dunbar%27s&searchText=Bawdy&searchText=ebin&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DDunbar%25E2%2580%2599s%2BBawdy%2Bebin&seq=1#page_scan_tab_contents.
Luminarium Everyman page (no date). Available at: http://www.luminarium.org/medlit/everyman.htm.
Luria, M. and Hoffman, R.L. (1974) Middle English lyrics: authoritative texts, critical and historical backgrounds, perspectives on six poems. Edited by M. Luria and R.L. Hoffman. New York ; London: Norton.
Luria, M.S. and Hoffman, R.L. (1974) Middle English lyrics: authoritative texts, critical and historical backgrounds, perspectives on six poems. Edited by M.S. Luria and R.L. Hoffman. New York ; London: Norton.
Lynch, A. (1997) Malory’s book of arms: the narrative of combat in ‘Le Morte Darthur’. Woodbridge: D. S. Brewer.
Lynch, A. (2009) ‘Malory’s Morte Darthur and History’, in A companion to Arthurian literature. Oxford: Wiley-Blackwell, pp. 297–311. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4026444.
Malcolm Andrew (1989) ‘Context and Judgment in the “General Prologue”’, The Chaucer Review, 23(4), pp. 316–337. Available at: http://www.jstor.org/stable/25094094?seq=1#page_scan_tab_contents.
Malory Project (no date). Available at: http://www.maloryproject.com/index.php.
Malory, T. and Cooper, H. (1998) Le morte Darthur: the Winchester manuscript. Oxford: Oxford University Press. Available at: http://content.talisaspire.com/bristol/bundles/598d7020540a265be5674424.
Malory, T. and Cooper, H. (2008) Le morte d’Arthur: the Winchester manuscript. Edited by H. Cooper. Oxford: Oxford University Press.
Malory, T. and Shepherd, S.H.A. (2004a) Le morte Darthur, or, The hoole book of Kyng Arthur and of his noble knyghtes of the Rounde Table: authoritative text, sources and backgrounds, criticism. New York: Norton.
Malory, T. and Shepherd, S.H.A. (2004b) Le morte Darthur, or, The hoole book of Kyng Arthur and of his noble knyghtes of the Rounde Table: authoritative text, sources and backgrounds, criticism. New York: Norton. Available at: http://content.talisaspire.com/bristol/bundles/599d7f1b646be018b553c2d4.
Malory, T. and Shepherd, S.H.A. (2004c) Le morte Darthur, or, The hoole book of Kyng Arthur and of his noble knyghtes of the Rounde Table: authoritative text, sources and backgrounds, criticism. New York: Norton.
Malory, T. and Vinaver, E. (1971a) Works. 2nd ed. Edited by Vinaver. London: Oxford University Press.
Malory, T. and Vinaver, E. (1971b) Works. 2nd ed. Edited by Vinaver. London: Oxford University Press.
Mann, J. (1973) Chaucer and medieval estates satire: the literature of social classes and the ‘General Prologue’ to ‘The Canterbury Tales’. London: Cambridge University Press.
Mann, J. (1986) ‘Price and Value in “Sir Gawain and the Green Knight”’, Essays in Criticism, XXXVI(4), pp. 294–318. Available at: https://doi.org/10.1093/eic/XXXVI.4.294.
Mann, J. (1991) Geoffrey Chaucer. London: Harvester/Wheatsheaf.
Manuscript of The Book of the Margery Kempe, British Library (no date). Available at: http://www.bl.uk/manuscripts/Viewer.aspx?ref=add_ms_61823_fs001r.
‘Manuscript of the York Mystery Plays, British Library’ (no date). Available at: http://www.bl.uk/onlinegallery/onlineex/illmanus/other/011add000035290u00004000.html.
Mapstone, Sally (1991) ‘Was there a Court Literature in Fifteenth-Century Scotland?’, Studies in Scottish Literature, 26(1). Available at: http://scholarcommons.sc.edu/ssl/vol26/iss1/35/.
Marie de France page (no date). Available at: http://www.utm.edu/staff/bobp/vlibrary/mdfrancemss.shtml.
Martin, P. (1996) Chaucer’s women: nuns, wives and Amazons. Basingstoke: Macmillan.
Martindale, C. and Thomas, R.F. (2006) Classics and the uses of reception. Malden, Mass: Blackwell. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=351010.
Mason, H.A. (1986) Sir Thomas Wyatt: a literary portrait. Bristol: Bristol Classical Press.
McAvoy, L.H. and Cambridge Books Online (Online service) (2012) Authority and the Female Body in the Writings of Julian of Norwich and Margery Kempe [electronic resource]. Cambridge: Cambridge University Press. Available at: http://universitypublishingonline.org/boydell/ebook.jsf?bid=CBO9781846152610.
McCarthy, T. (1991) An introduction to Malory. Woodbridge, Suffolk: D.S. Brewer.
McDonald, N. (2004) Pulp fictions of medieval England: essays in popular romance. Manchester: Manchester University Press. Available at: http://www.oapen.org/search?identifier=341366.
McGavin, J. (2010) ‘Performing Communities: Civic Religious Drama’, in The Oxford handbook of medieval literature in English. Oxford: Oxford University Press, pp. 200–218. Available at: https://doi.org/10.1093/oxfordhb/9780199229123.013.0011.
Medievalists.net (no date). Available at: http://www.medievalists.net/.
Mickel, E.J. (1974) Marie de France. New York: Twayne.
Middle English Breton Lays at TEAMS (no date a). Available at: http://d.lib.rochester.edu/teams/publication/laskaya-and-salisbury-middle-english-breton-lays.
Middle English Breton Lays at TEAMS (no date b). Available at: http://d.lib.rochester.edu/teams/publication/laskaya-and-salisbury-middle-english-breton-lays.
Middle English Romances (no date). Available at: http://www.middleenglishromance.org.uk/.
Morgan, G. (2002) ‘Medieval Misogyny and Gawain’s Outburst against Women in “Sir Gawain and the Green Knight”’, The Modern Language Review, 97(2). Available at: https://doi.org/10.2307/3736858.
Muscatine, C. (1957) Chaucer and the French tradition: a study in style and meaning. Berkeley: University of California Press.
Newman, B. (2007) ‘The artifice of eternity’, in Envisaging heaven in the Middle Ages. London: Routledge, pp. 185–206. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=356028.
Normington, K. (2009) Medieval English drama: performance and spectatorship. Cambridge: Polity Press.
Normington, K. and Cambridge Books Online (Online service) (2012) Gender and Medieval Drama [electronic resource]. Cambridge: Cambridge University Press. Available at: http://universitypublishingonline.org/boydell/ebook.jsf?bid=CBO9781846154706.
Oizumi, A. and Miki, K. (1991) A Complete concordance to the works of Geoffrey Chaucer. Hildesheim: Olms-Weidmann.
Oliver, R. (1970) Poems without names: the English lyric, 1200-1500. Berkeley: University of California Press.
Oxford English Dictionary (no date). Available at: http://www.oed.com/.
Pamela M. King (1984) ‘Dunbar’s “Golden Targe”: A Chaucerian Masque’, Studies in Scottish Literature, 19(1). Available at: http://scholarcommons.sc.edu/ssl/vol19/iss1/10/.
Patterson, L. (1991) ‘The Miller’s Tale and the Politics of Laughter’, in Chaucer and the subject of history. London: Routledge, pp. 244–279.
Patterson, L. (1996) ‘“No Man his Reson Herde”: Peasant Consciousness, Chaucer’s Miller, and the Structure of the “Canterbury Tales”’, in Chaucer. Basingstoke: Macmillan, pp. 169–192.
Pearsall, D. (1977) Old English and Middle English poetry. London: Routledge and Kegan Paul.
Pearsall, D. (1992) The life of Geoffrey Chaucer: a critical biography. Oxford: Blackwell.
Pearsall, D. (1993) The Canterbury Tales. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1144511.
Peter Meredith (1990) The Towneley cycle. 2nd ed. rev. [Leeds]: [School of English, University of Leeds].
Peter R. Schroeder (2001) ‘Saying but Little: Malory and the Suggestion of Emotion’, Arthuriana, 11(2), pp. 43–51. Available at: http://www.jstor.org/stable/27869634?seq=1#page_scan_tab_contents.
Phillips, H. (2000) An introduction to the ‘Canterbury Tales’: reading, context, fiction. Basingstoke: Macmillan.
Pisani Babich, A.G. (1998) ‘The Power of the Kingdom and the Ties that Bind in “Sir Orfeo”’, Neophilologus, 82(3), pp. 477–486. Available at: https://doi.org/10.1023/A:1004354923977.
Putter, A. (1995) ‘Sir Gawain and the Green Knight’ and the French Arthurian romance. Oxford: Clarendon Press. Available at: https://doi.org/10.1093/acprof:oso/9780198182535.001.0001.
Putter, A. (1996a) An introduction to the Gawain-poet. London: Longman. Available at: https://www.taylorfrancis.com/books/9781315843858.
Putter, A. (1996b) An introduction to the Gawain-poet. London: Longman. Available at: https://www.taylorfrancis.com/books/9781315843858.
Putter, A. (2009) ‘Arthurian Romance in English Popular Tradition’, in A companion to Arthurian literature. Oxford: Wiley-Blackwell. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4026444.
Putter, A. and Gilbert, J. (2000) The spirit of medieval English popular romance. Harlow: Longman. Available at: https://www.taylorfrancis.com/books/9781315841335.
Putter, A. and Stokes, M. (2014a) The works of the Gawain poet. Edited by A. Putter and M. Stokes. London: Penguin Books.
Putter, A. and Stokes, M. (2014b) The works of the Gawain poet. Edited by A. Putter and M. Stokes. London: Penguin Books.
Putter, A. and Stokes, M. (2014c) The works of the Gawain poet. Edited by A. Putter and M. Stokes. London: Penguin Books.
Radulescu, R. (2003) The gentry context for Malory’s ‘Morte Darthur’. Cambridge: D.S. Brewer.
Radulescu, R. and Rushton, C. (2009) A companion to medieval popular romance. Cambridge: D.S. Brewer. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=661881.
Raymond A. Powell (2003) ‘Margery Kempe: An Exemplar of Late Medieval English Piety’, The Catholic Historical Review, 89(1), pp. 1–23. Available at: http://www.jstor.org/stable/25026320?seq=1#page_scan_tab_contents.
Reiss, E. (1972) The art of the Middle English lyric: essays in criticism. Athens: University of Georgia Press.
Richardson, C. and Johnston, J. (1991) Medieval drama. Basingstoke: Macmillan Education. Available at: http://content.talisaspire.com/bristol/bundles/57c00d154469eea3658b4590.
Riddy, F. (1976) ‘The Uses of the Past in “Sir Orfeo”’, The Yearbook of English Studies, 6. Available at: https://doi.org/10.2307/3506383.
Riddy, F. (1987) Sir Thomas Malory. Leiden: Brill.
Riddy, F. (1995) ‘Gender, Nature and Culture in 'Sir Gawain and the Green Knight’’, in F. Wolfzettel (ed.) Arthurian romance and gender: selected proceedings of the XVIIth International Arthurian Congress = Masculin/féminin dans le roman arthurien médiéval : actes choisis du XVIIe Congrès international arthurien = Geschlechterrollen im mittelalterlichen Artusroman : Ausgewählte Akten des XVII. Internationalen Artuskongresses. Amsterdam: Rodopi, pp. 215–225. Available at: http://content.talisaspire.com/bristol/bundles/57f7a2ab4469eefc258b4580.
Rider, J. (2000) ‘The otherworlds of medieval romance’, in The Cambridge companion to medieval romance. Cambridge: Cambridge University Press. Available at: https://www.cambridge.org/core/books/cambridge-companion-to-medieval-romance/121A4CB9EE90455CA4572E2A644D95B0.
Rigby, S.H. (1996) Chaucer in context: society, allegory and gender. Manchester: Manchester University Press.
Rigby, S.H. and Historical Association (2003) A companion to Britain in the later Middle Ages. Malden, Mass: Blackwell. Available at: http://lib.myilibrary.com/Open.aspx?id=131256&src=0.
Rigby, S.H. and Minnis, A.J. (2014) Historians on Chaucer: the ‘General Prologue’ to the ‘Canterbury Tales’. Edited by S.H. Rigby and A.J. Minnis. Oxford: Oxford University Press.
Ryan, L.V. (1957) ‘Doctrine and Dramatic Structure in Everyman’, Speculum, 32(4), pp. 722–735. Available at: https://doi.org/10.2307/2850293.
S T Knight (no date) ‘The Oral Transmission of “Sir Launfal”’, Medium Aevum, 38. Available at: http://search.proquest.com/docview/1293364837?OpenUrlRefId=info:xri/sid:primo&accountid=9730.
Sacred Wonders (no date). Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/065CBB29?bcast=122216756.
Saul, N. (2011) Chivalry in medieval England. Cambridge, Mass: Harvard University Press. Available at: http://www.jstor.org/stable/j.ctt2jbvtm.
Saunders, C. (2006a) A concise companion to Chaucer. Malden, Ma: Blackwell Pub.
Saunders, C. (2006b) ‘Love and Loyalty in Middle English Romance’, in Writings on love in the English Middle Ages. 1st ed. New York: Palgrave Macmillan, pp. 45–61. Available at: http://content.talisaspire.com/bristol/bundles/57eb9db04469ee8b498b4568.
Saunders, C. (2010a) A companion to medieval poetry. Oxford: Wiley-Blackwell.
Saunders, C. (2010b) ‘Religion and Magic’, in The Cambridge companion to the Arthurian legend. Cambridge: Cambridge University Press. Available at: http://dx.doi.org/10.1017/CCOL9780521860598.
Scanlon, L. (2009) The Cambridge companion to medieval English literature, 1100-1500. Cambridge: Cambridge University Press. Available at: https://doi.org/http://dx.doi.org/10.1017/CCOL9780521841672.
Schoeck, R.J. and Taylor, J. (1960) Chaucer criticism: an anthology, Vol.1: ‘The Canterbury Tales’. Notre Dame, Ind: University of Notre Dame Press.
Shahar, S. (2003) The fourth estate: a history of women in the Middle Ages. Rev. ed. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=181941.
Shepherd, S.H.A. (1995) Middle English romances: authoritative texts, sources and backgrounds, criticism. New York: W.W. Norton.
Shulman, N. (2011) Graven with diamonds: the many lives of Thomas Wyatt, courtier, poet, assassin, spy. London: Short.
‘Sir Gawain and the Green Knight (BBC Documentary)’ (no date). Available at: https://www.youtube.com/watch?v=74glI1lg1CQ.
Smith, J.J. (1999) Essentials of early English. London: Routledge.
Southall, R. (1964) The courtly maker: an essay on the poetry of Wyatt and his contemporaries. Oxford: Blackwell.
Spearing, A.C. (1970a) The Gawain-poet: a critical study. Cambridge: Cambridge University Press.
Spearing, A.C. (1970b) The Gawain-poet: a critical study. Cambridge: Cambridge University Press.
Spearing, A.C. (1985) Medieval to Renaissance in English poetry. Cambridge: Cambridge University Press. Available at: http://content.talisaspire.com/bristol/bundles/57c0050c4469eea3658b456d.
Spearing, A.C. (2005) ‘Lyrics’, in Textual subjectivity: the encoding of subjectivity in medieval narratives and lyrics. Oxford: Oxford University Press, pp. 174–210. Available at: https://doi.org/10.1093/acprof:oso/9780198187240.003.0006.
Spearing, A. C. (2005) The medieval poet as voyeur: looking and listening in medieval love-narratives. Cambridge: Cambridge University Press.
Spearing, E., Spearing, A.C., and Julian of Norwich (1998) Revelations of divine love: (short text and long text). London: Penguin.
Sponsler, C. (1997) Drama and resistance: bodies, goods, and theatricality in late medieval England. Minneapolis: University of Minnesota Press.
Staley, L. (1994) Margery Kempe’s dissenting fictions. University Park, Pa: Pennsylvania State University Press. Available at: http://content.talisaspire.com/bristol/bundles/57c020114469eef5678b4568.
Stamatakis, C. (2012) Sir Thomas Wyatt and the rhetoric of rewriting: turning the word. Oxford: Oxford University Press. Available at: https://doi.org/10.1093/acprof:oso/9780199644407.001.0001.
Stevens, J.E. (1973) Medieval romance: themes and approaches. London: Hutchinson.
Stevens, J.E. (1979) Music & poetry in the early Tudor court. (1st ed.) reprinted with corrections. Cambridge: Cambridge University Press.
Stevens, M. (1972) ‘Laughter and Game in “Sir Gawain and the Green Knight”’, Speculum, 47(1), pp. 65–78. Available at: https://doi.org/10.2307/2851217.
Strohm, P. (1989) Social Chaucer. Cambridge, Mass: Harvard University Press.
‘“Sumer is icumen in”, sung’ (no date). Available at: https://www.youtube.com/watch?v=ZWWEHAswpFI.
Taylor, A. (1992) ‘Fragmentation, Corruption, and Minstrel Narration: The Question of the Middle English Romances’, The Yearbook of English Studies, 22. Available at: https://doi.org/10.2307/3508375.
Taylor, J. and Nelson, A.H. (1972) Medieval English drama: essays critical and contextual. Chicago: University of Chicago Press.
Teach yourself to read Chaucer: Pronunciation (no date). Available at: https://chaucer.fas.harvard.edu/lesson-2.
TEAMS Middle English Texts (no date). Available at: http://d.lib.rochester.edu/teams.
Terence N. Bowers (2000) ‘Margery Kempe as Traveler’, Studies in Philology, 97. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=rlh&AN=2831232&site=ehost-live.
Terry Jones’ Medieval Lives: the king (no date). Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/004D00A8?bcast=30756283.
The Auchinleck Manuscript : National Library of Scotland (no date). Available at: http://auchinleck.nls.uk/.
The Camelot Project (no date). Available at: http://d.lib.rochester.edu/camelot-project.
The Open Access Companion to the Canterbury Tales (no date). Available at: https://opencanterburytales.dsl.lsu.edu/.
Thomson, P. (1964) Sir Thomas Wyatt and his background. Stanford, Calif: Stanford University Press.
Tolhurst, F. (2005) ‘Why Every Knight Needs His Lady: Re-Viewing Questions of Genre and ‘Cohesion’’, in Re-viewing Le morte Darthur: texts and contexts, characters and themes. Woodbridge: D.S. Brewer. Available at: http://content.talisaspire.com/bristol/bundles/57c04abf4469ee0c1f8b458b.
Treharne, E.M. (2000) Old and Middle English: an anthology. Oxford: Blackwell.
Treharne, E.M. and Walker, G. (2010) The Oxford handbook of medieval literature in English. Oxford: Oxford University Press.
Tydeman, W. (1986) English medieval theatre, 1400-1500. London: Routledge & Kegan Paul.
Walker, G. (2000a) Medieval drama: an anthology. Oxford: Blackwell.
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