‘1347 Bakers’ Charter, Bristol Record Office’ <http://museums.bristol.gov.uk/narratives.php?irn=2658>
A. C. Spearing, ‘Public and Private Spaces in “Sir Gawain and the Green Knight”’, Arthuriana, 4.2 (1994), 138–45 <http://www.jstor.org/stable/27869056?seq=1#page_scan_tab_contents>
A. V. C. Schmidt, ‘“Latent Content” and “The Testimony in the Text”: Symbolic Meaning in “Sir Gawain and the Green Knight”’, The Review of English Studies, 38.150 (1987), 145–68 <http://www.jstor.org/stable/515420?seq=1#page_scan_tab_contents>
‘“Adam Lay Ybounden”, Sung by St Peter’s Singers of Leeds’ <https://www.youtube.com/watch?v=_vb_r41eOu4>
Aers, David, ‘“In Arthurus Day”: Community, Virtue, and Individual Identity in “Sir Gawain and the Green Knight”’, in Community, Gender, and Individual Identity: English Writing 1360-1430 (London: Routledge, 1988), pp. 153–78
———, ‘The Making of Margery Kempe’, in Community, Gender, and Individual Identity: English Writing 1360-1430 (London: Routledge, 1988)
Archibald, Elizabeth, and A. S. G. Edwards, A Companion to Malory (Cambridge: Brewer, 1996), Arthurian studies
Archibald, Elizabeth, and Ad Putter, A Cambridge Companion to the Arthurian Legend (Cambridge: Cambridge University Press, 2009) <https://doi.org/http://dx.doi.org/10.1017/CCOL9780521860598>
Armitage, Simon, Sir Gawain and the Green Knight (London: Faber and Faber, 2007) <http://literature.proquest.com/searchFulltext.do?id=Z001144490&divLevel=0&queryId=2935250589165&trailId=1551ACA02C4&area=poetry&forward=textsFT&print=Yes&queryType=findWork>
Arnold, John H., and Katherine J. Lewis, A Companion to The Book of Margery Kempe (Woodbridge: D.S. Brewer, 2004)
Atkinson, Clarissa W., Mystic and Pilgrim: The Book and the World of Margery Kempe (Ithaca, N.Y.: Cornell University Press, 1983)
‘Audio Clips of “Beowulf” and “Sir Gawain and the Green Knight”’ <https://www.youtube.com/watch?v=5NB2Z6pZBNA>
Barber, Charles Laurence, The English Language: A Historical Introduction (Cambridge: Cambridge University Press, 2000), Canto <http://ebooks.cambridge.org/ebook.jsf?bid=CBO9781139106894>
Barnes, Geraldine, ‘The Failure of Counsel and Strategy: “Sir Gawain and the Green Knight”’, in Counsel and Strategy in Middle English Romance (Cambridge: D.S. Brewer, 1993)
Batt, Catherine, Malory’s ‘Morte Darthur’: Remaking Arthurian Tradition (Basingstoke: Palgrave, 2002), The new Middle Ages
Baugh, Albert C., and Thomas Cable, A History of the English Language, 5th ed (London: Routledge, 2002)
Bawcutt, Priscilla, Dunbar the Makar (Oxford: Clarendon Press, 1992) <https://doi.org/10.1093/acprof:oso/9780198129639.001.0001>
Bawcutt, Priscilla J., and Janet Hadley Williams, A Companion to Medieval Scottish Poetry (Woodbridge: Boydell & Brewer, 2006)
‘BBC News - The Middle Ages in Colour’ <http://www.bbc.co.uk/news/entertainment-arts-15667183>
Beadle, Richard, The York Plays: A Critical Edition of the York Corpus Christi Play as Recorded in British Library Additional MS 35290, Volume 2 (Oxford: Oxford University Press, 2013), Early English Text Society. Supplementary series
Beadle, Richard, Early English Text Society, and British Library, The York Plays: A Critical Edition of the York Corpus Christi Play as Recorded in British Library Additional MS 35290, Volume 1 (Oxford: Oxford University Press for the Early English Text Society, 2009), Early English Text Society
Beadle, Richard, and Alan J. Fletcher, The Cambridge Companion to Medieval English Theatre, 2nd ed (Cambridge: Cambridge University Press, 2008), Cambridge companions to literature <https://doi.org/http://dx.doi.org/10.1017/CCOL9780521864008>
Beadle, Richard, and Pamela M. King, York Mystery Plays: A Selection in Modern Spelling (Oxford: Clarendon Press, 1984)
Beckwith, Sarah, Christ’s Body: Identity, Culture, and Society in Late Medieval Writings (London: Routledge, 1993)
———, Signifying God: Social Relation and Symbolic Act in the York Corpus Christi Plays (Chicago: University of Chicago Press, 2001)
Beer, Frances, Women and Mystical Experience in the Middle Ages (Woodbridge: Boydell Press, 1992) <http://content.talisaspire.com/bristol/bundles/57bff9ae4469eeef7d8b4580>
Beer, Gillian, The Romance (London: Methuen, 1970), Critical idiom
Bennett, J. A. W., Chaucer at Oxford and at Cambridge (Oxford: Clarendon Press, 1974), Alexander lectures <http://content.talisaspire.com/bristol/bundles/57c048da4469eeb9308b456d>
Bennett, Michael J., ‘“Sir Gawain and the Green Knight” and the Literary Achievement of the North-West Midlands: The Historical Background’, Journal of Medieval History, 5.1 (1979), 63–88 <https://doi.org/10.1016/0304-4181(79)90018-6>
Benson, C. David, Chaucer’s Drama of Style: Poetic Variety and Contrast in the ‘Canterbury Tales’ (Chapel Hill: University of North Carolina Press, 1986)
Benson, Larry D., Art and Tradition in ‘Sir Gawain and the Green Knight’ (New Brunswick: Rutgers University Press, 1965)
———, Malory’s ‘Morte Darthur’ (Cambridge, Mass: Harvard University Press, 1976)
Benson, Larry D., and Theodore M. Andersson, The Literary Context of Chaucer’s Fabliaux: Texts and Translations (Indianapolis: Bobbs-Merrill, 1971), The library of literature
Besserman, Lawrence, ‘The Idea of the Green Knight’, ELH, 53.2 (1986) <https://doi.org/10.2307/2873255>
Bevington, David M., Medieval Drama (Boston: Houghton Mifflin, 1975)
———, Medieval Drama (Boston: Houghton Mifflin, 1975)
Bielby, Nicholas, Three Early Tudor Poets: A Selection from Skelton, Wyatt and Surrey (Exeter: Wheaton, 1976), Wheaton studies in literature
Bishop, Ian, The Narrative Art of ‘The Canterbury Tales’: A Critical Study of the Major Poems (London: Dent, 1987), Everyman’s university library
Blamires, Alcuin, The Case for Women in Medieval Culture (Oxford: Clarendon Press, 1997) <https://doi.org/10.1093/acprof:oso/9780198186304.001.0001>
Blamires, Alcuin, Karen Pratt, and C. William Marx, Woman Defamed and Woman Defended: An Anthology of Medieval Texts (Oxford: Clarendon Press, 1992)
Bloch, R. Howard, The Anonymous Marie de France (Chicago: University of Chicago Press, 2003)
Blum, Martin, ‘Negotiating Masculinities: Erotic Triangles in the “Miller’s Tale”’, in Masculinities in Chaucer: Approaches to Masculinity in the Canterbury Tales and Troilus and Criseyde (Cambridge: Brewer, 1998), Chaucer studies, 37–52
Boffey, Julia, ‘“'Loke on This Wrytyng, Man, for Thi Devocion!”’: Focal Texts in Some Later Middle English Religious Lyrics’, in Individuality and Achievement in Middle English Poetry (Woodbridge: D.S. Brewer, 1997), pp. 129–45 <http://content.talisaspire.com/bristol/bundles/57c04c914469ee0c1f8b4590>
Boitani, Piero, and Jill Mann, The Cambridge Companion to Chaucer, 2nd ed (Cambridge: Cambridge University Press, 2003), Cambridge companions to literature <https://doi.org/http://dx.doi.org/10.1017/CCOL0521815568>
Boitani, Piero, and Anna Torti, Religion in the Poetry and Drama of the Late Middle Ages in England: The J.A.W. Bennett Memorial Lectures, Perugia, 1988 (Cambridge: Brewer, 1990), The J.A.W. Bennett memorial lectures
Boklund-Lagopoulou, Karin, ‘I Have a Young Suster’: Popular Song and the Middle English Lyric (Dublin: Four Courts Press, 2001)
‘Book of Margery Kempe’ <http://college.holycross.edu/projects/kempe/text/kempecap.htm>
Brewer, D. S., ‘The Ideal of Feminine Beauty in Medieval Literature, Especially “Harley Lyrics”, Chaucer, and Some Elizabethans’, The Modern Language Review, 50.3 (1955) <https://doi.org/10.2307/3719759>
Brewer, Derek, A New Introduction to Chaucer, 2nd ed (Harlow: Longman, 1998), Longman medieval and Renaissance library
Brewer, Derek, and Jonathan Gibson, A Companion to the Gawain-Poet (Cambridge: D.S Brewer, 1997), Arthurian studies
———, A Companion to the Gawain-Poet (Cambridge: D.S Brewer, 1997), Arthurian studies
Brewer, Elisabeth, ‘Sir Gawain and the Green Knight’: Sources and Analogues, 2nd ed (Cambridge: D.S. Brewer, 1992), Arthurian studies
Brigden, Susan, Thomas Wyatt: The Heart’s Forest (London: Faber and Faber, 2012)
Briscoe, Marianne G., and John C. Coldewey, Contexts for Early English Drama (Bloomington: Indiana University Press, 1989)
‘Bristol Record Society - Links’ <http://www.bristol.ac.uk/Depts/History/bristolrecordsociety/links.htm>
‘British Library: Luttrell Psalter’ <http://www.bl.uk/onlinegallery/sacredtexts/luttrellpsalter.html>
‘British Library Medieval Manuscripts Blog’ <http://blogs.bl.uk/digitisedmanuscripts/index.html>
Brown, Peter, A Companion to Chaucer (Oxford: Blackwell, 2000), Blackwell companions to literature and culture
———, A Companion to Medieval English Literature and Culture, c.1350-c.1500 (Oxford: Wiley-Blackwell, 2009), Blackwell companions to literature and culture
Burgess, Glyn S., The Lais of Marie de France: Text and Context (Manchester: Manchester University Press, 1987)
Burgess, Glyn S., Keith Busby, and Marie, The Lais of Marie de France, 2nd ed. with two further lais in the original Old French (London: Penguin, 1999), Penguin classics <http://content.talisaspire.com/bristol/bundles/57e2696f4469ee45448b4568>
Burgess, Glyn S., Keith Busby, and Marie de France, The Lais of Marie de France, 2nd ed. with two further lais in the original Old French (London: Penguin, 1999), Penguin classics <http://content.talisaspire.com/bristol/bundles/57e2696f4469ee45448b4568>
Burnley, J. D., ‘The Hunting Scenes in “Sir Gawain and the Green Knight”’, The Yearbook of English Studies, 3 (1973) <https://doi.org/10.2307/3506850>
Burrow, J. A., A Reading of ‘Sir Gawain and the Green Knight’ (London: Routledge & Kegan Paul, 1965)
———, English Poets in the Late Middle Ages: Chaucer, Langland and Others (Farnham: Ashgate Variorum, 2012), Variorum collected studies series
———, Essays on Medieval Literature (Oxford: Clarendon Press, 1984)
———, Medieval Writers and Their Work: Middle English Literature,1100--1500, 2nd ed (Oxford: Oxford University Press, 2008) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=415532>
———, Medieval Writers and Their Work: Middle English Literature,1100--1500, 2nd ed (Oxford: Oxford University Press, 2008) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=415532>
———, The Gawain-Poet (Plymouth: Northcote House, 2000), Writers and their work
———, The Gawain-Poet (Plymouth: Northcote House, 2000), Writers and their work
Burrow, J. A., and Thorlac Turville-Petre, A Book of Middle English, 3rd ed (Malden, Mass., Oxford: Blackwell, 2005) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=848524>
Burrow, J.A., ‘The Poet as Petitioner’, in Essays on Medieval Literature (Oxford University Press, 1984), pp. 161–76 <https://doi.org/10.1093/acprof:oso/9780198111870.003.0010>
Burrow, John, ‘Honour and Shame in “Sir Gawain and the Green Knight”’, in Essays on Medieval Literature (Oxford: Clarendon Press, 1984), pp. 117–31
Cartlidge, Neil, ‘Sir Orfeo in the Otherworld: Courting Chaos?’, Studies in the Age of Chaucer, 26 (2004), 195–226
Cawley, A. C., The Revels History of Drama in English: Vol. 1: Medieval Drama (London: Methuen, 1983) <http://content.talisaspire.com/bristol/bundles/57c01a804469eed7488b457c>
———, The Wakefield Pageants in the Townley Cycle (Manchester: Manchester University Press, 1958), Old and Middle English texts
‘Chaucer Bibliography’ <http://chaucer.lib.utsa.edu/items/search>
Chaucer, Geoffrey, Larry D. Benson, and F. N. Robinson, The Riverside Chaucer, 3rd ed (Boston, Mass: Houghton Mifflin, 1987)
———, The Riverside Chaucer, 3rd ed (Boston, Mass: Houghton Mifflin, 1987)
‘Chaucer, The Wife of Bath’s Prologue, Read Aloud’ <https://www.youtube.com/watch?v=e0ybnLRf3gU>
‘Chaucer’s English’ <http://www.bl.uk/learning/langlit/changlang/activities/lang/chaucer/chaucerpage1.html>
Cheney, Patrick, Reading Sixteenth-Century Poetry (Chichester: Wiley-Blackwell, 2011), Blackwell reading poetry <http://content.talisaspire.com/bristol/bundles/57c016224469ee09358b456d>
Clark, Cecily, ‘Sir Gawain and The Green Knight: Characterisation by Syntax’, Essays in Criticism, XVI.4 (1966), 361–74 <https://doi.org/10.1093/eic/XVI.4.361>
Clifford, Paula, Marie de France: ‘Lais’ (London: Grant & Cutler, 1982), Critical guides to French texts <http://content.talisaspire.com/bristol/bundles/57c0425c4469eed3248b458e>
Clopper, Lawrence M., Drama, Play, and Game: English Festive Culture in the Medieval and Early Modern Period (Chicago: University of Chicago Press, 2001)
Collier, Richard J., ‘The Action of Fulfillment in the York Corpus Christi Play’, Pacific Coast Philology, 11 (1976) <https://doi.org/10.2307/1316745>
Cookson, Linda, and Bryan Loughrey, Critical Essays on the ‘General Prologue’ to the ‘Canterbury Tales’, Geoffrey Chaucer (Harlow: Longman, 1989), Longman literature guides
Cooper, Helen, The Canterbury Tales, 2nd ed (Oxford: Oxford University Press, 1996), Oxford guides to Chaucer <http://content.talisaspire.com/bristol/bundles/598ae7c8540a262c06674424>
———, The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare (Oxford: Oxford University Press, 2004) <https://doi.org/10.1093/acprof:oso/9780199248865.001.0001>
Correale, Robert, and Mary Hamel, Sources and Analogues of ‘The Canterbury Tales’: Volume 1 (Woodbridge: D.S. Brewer, 2001), Chaucer studies <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=218478>
———, Sources and Analogues of ‘The Canterbury Tales’: Volume 2 (Woodbridge: D.S. Brewer, 2001), Chaucer studies <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1068961>
‘Cotton Nero A.x. Project’ <http://people.ucalgary.ca/~scriptor/cotton/index.html>
Crampton, Georgia Ronan and Julian of Norwich, The Shewings of Julian of Norwich (Kalamazoo, Mich: Medieval Institute Publications for TEAMS (The Consortium for the Teaching of the Middle Ages) in association with the University of Rochester, 1994), Middle English texts <http://d.lib.rochester.edu/teams/publication/crampton-shewings-of-julian-norwich>
Crane, Susan, Gender and Romance in Chaucer’s ‘Canterbury Tales’ (Princeton, N.J.: Princeton University Press, 1994)
Dasenbrock, Reed Way, ‘Wyatt’s Transformation of Petrarch’, Comparative Literature, 40.2 (1988) <https://doi.org/10.2307/1770584>
Davenport, W. A., Medieval Narrative: An Introduction (Oxford: Oxford University Press, 2004)
———, The Art of the Gawain-Poet (London: Athlone Press, 1978) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=436367>
Davidson, Clifford, From Creation to Doom: The York Cycle of Mystery Plays (New York: AMS Press, 1984), AMS studies in the Middle Ages
———, ‘The Realism of the York Realist and the York Passion’, Speculum, 50.2 (1975), 270–83 <https://doi.org/10.2307/2852264>
Davies, R. T., Medieval English Lyrics: A Critical Anthology (London: Faber, 1963)
Delany, Sheila, ‘Sexual Economics, Chaucer’s Wife of Bath and “The Book of Margery Kempe”’, in Feminist Readings in Middle English Literature: The Wife of Bath and All Her Sect (London: Routledge, 1994), pp. 72–87
Dillon, Janette, The Cambridge Introduction to Early English Theatre (Cambridge: Cambridge University Press, 2006), Cambridge introductions to literature
Dinshaw, Carolyn, ‘A Kiss Is Just a Kiss: Heterosexuality and Its Consolations in “Sir Gawain and the Green Knight”’, Diacritics, 24.2/3 (1994) <https://doi.org/10.2307/465173>
———, Chaucer’s Sexual Poetics (Madison, Wis: University of Wisconsin Press, 1989)
———, ‘Margery Kempe’, in The Cambridge Companion to Medieval Women’s Writing (Cambridge: Cambridge University Press, 2003), Cambridge companions to literature, 222–39 <https://www.cambridge.org/core/books/cambridge-companion-to-medieval-womens-writing/D8909C2F80CBC0FB8EC65C94DBD02041>
Dinshaw, Carolyn, and David Wallace, The Cambridge Companion to Medieval Women’s Writing (Cambridge: Cambridge University Press, 2003), Cambridge companions to literature <https://doi.org/http://dx.doi.org/10.1017/CCOL052179188X>
———, The Cambridge Companion to Medieval Women’s Writing (Cambridge: Cambridge University Press, 2003), Cambridge companions to literature <https://doi.org/http://dx.doi.org/10.1017/CCOL052179188X>
Dominique Battles, ‘Sir Orfeo and English Identity’, Studies in Philology, 107.2 (2010), 179–211 <http://www.jstor.org/stable/25681415?seq=1#page_scan_tab_contents>
Donaldson, E. Talbot, ‘Chaucer the Pilgrim’, PMLA, 69.4 (1954) <https://doi.org/10.2307/459940>
Donaldson, Kara Virginia, ‘Alisoun’s Language: Body, Text and Glossing in Chaucer’s “The Miller’s Tale”’, Philological Quarterly, 710.20 <http://search.proquest.com/docview/1290775620?OpenUrlRefId=info:xri/sid:primo&accountid=9730>
‘Douay-Rheims Bible Online’ <http://www.drbo.org/>
Dunbar, William, and Priscilla Bawcutt, Selected Poems (London: Longman, 1996), Longman annotated texts
———, Selected Poems (London: Longman, 1996), Longman annotated texts
———, The Poems of William Dunbar (Glasgow: Association for Scottish Literary Studies, 1998)
Dunbar, William, and John Conlee, ‘The Complete Works (TEAMS)’ <http://d.lib.rochester.edu/teams/publication/conlee-dunbar-complete-works>
Dunbar, William, and James Kinsley, The Poems of William Dunbar (Oxford: Clarendon Press, 1979), Oxford English texts
Duncan, Thomas G., A Companion to the Middle English Lyric (Cambridge: D.S. Brewer, 2005) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3003515>
‘eChaucer: Chaucer in the Twenty-First Century’ <http://chaucer.lib.utsa.edu/omeka/items/show/271656>
Edwards, A.S.G., ‘“Dunbar, Skelton and the Nature of Court Culture in the Early Sixteenth Century”’, in Vernacular Literature and Current Affairs in the Early Sixteenth Century: France, England, and Scotland (Aldershot: Ashgate, 2000), Studies in European cultural transition
Edwards, Elizabeth, The Genesis of Narrative in Malory’s ‘Morte Darthur’ (Cambridge: D.S. Brewer, 2001), Arthurian studies
Elizabeth Archibald, ‘Malory’s Ideal of Fellowship’, The Review of English Studies, 43.171 (1992), 311–28 <http://www.jstor.org/stable/518049?seq=1#page_scan_tab_contents>
Elizabeth Scala, ‘Disarming Lancelot’, Studies in Philology, 99.4 (2002), 380–403 <http://www.jstor.org/stable/4174740?Search=yes&resultItemClick=true&searchText=disarming&searchText=lancelot&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Ddisarming%2Blancelot&seq=1#page_scan_tab_contents>
Ellen M. Ross, ‘Spiritual Experience and Women’s Autobiography: The Rhetoric of Selfhood in “The Book of Margery Kempe”’, Journal of the American Academy of Religion, 59.3 (1991), 527–46 <http://www.jstor.org/stable/1465030?seq=1#page_scan_tab_contents>
‘Ellesmere Chaucer Page at Long Island University Library Website’ <https://liu.cwp.libguides.com/archives_and_special_collections/chaucer>
Evans, Ruth, and Lesley Johnson, Feminist Readings in Middle English Literature: The Wife of Bath and All Her Sect (London: Routledge, 1994)
Fanous, Samuel, and Vincent Gillespie, The Cambridge Companion to Medieval English Mysticism (Cambridge: Cambridge University Press, 2011), Cambridge companions to literature <https://doi.org/http://dx.doi.org/10.1017/CCOL9780521853439>
Field, P. J. C., Romance and Chronicle: A Study of Malory’s Prose Style (London: Barrie & Jenkins, 1971)
———, The Life and Times of Sir Thomas Malory (Cambridge: D. S. Brewer, 1993), Arthurian studies
Fisher, Sheila, ‘Women and Men in Late Medieval Romance’, in The Cambridge Companion to Medieval Romance (Cambridge: Cambridge University Press, 2000) <https://doi.org/http://dx.doi.org/10.1017/CCOL0521553423>
———, ‘Women and Men in Medieval Romance’, in The Cambridge Companion to Medieval Romance (Cambridge: Cambridge University Press, 2000) <https://www.cambridge.org/core/books/cambridge-companion-to-medieval-romance/121A4CB9EE90455CA4572E2A644D95B0>
Fletcher, Alan, ‘“Sir Orfeo” and the Flight from the Enchanter’, Studies in the Age of Chaucer, 22 (2000), 141–77
Fox, D., ‘“Middle Scots Poets and Their Patrons”’, in English Court Culture in the Later Middle Ages (London: Duckworth, 1982)
———, ‘“The Scottish Chaucerians”’, in Chaucer and Chaucerians: Critical Studies in Middle English Literature (University, Ala: University of Alabama, 1966)
Friedman, John B., Orpheus in the Middle Ages (Cambridge [Mass.]: Harvard University Press, 1970) <http://content.talisaspire.com/bristol/bundles/57fcfdb04469eec80e8b456d>
Fulton, Helen, A Companion to Arthurian Literature (Oxford: Wiley-Blackwell, 2009), Blackwell companions to literature and culture <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4026444>
Galloway, Andrew, The Cambridge Companion to Medieval English Culture (Cambridge: Cambridge University Press, 2011), Cambridge companions to culture <https://doi.org/http://dx.doi.org/10.1017/CCOL9780521856898>
Ganim, John M., ‘Disorientation, Style, and Consciousness in “Sir Gawain and the Green Knight”’, PMLA, 91.3 (1976) <https://doi.org/10.2307/461688>
Glenn, Cheryl, ‘Author, Audience, and Autobiography: Rhetorical Technique in the “Book of Margery Kempe”’, College English, 54.5 (1992) <https://doi.org/10.2307/378154>
Goodman, Anthony, Margery Kempe and Her World (London: Longman, 2002), The medieval world <http://content.talisaspire.com/bristol/bundles/57c0269f4469eef5678b457b>
Gray, Douglas, Later Medieval English Literature (Oxford: Oxford University Press, 2008)
———, Later Medieval English Literature (Oxford: Oxford University Press, 2008)
———, The Oxford Companion to Chaucer (Oxford: Oxford University Press, 2003)
———, Themes and Images in the Medieval English Religious Lyric (London: Routledge and Kegan Paul, 1972)
Greenblatt, Stephen, Renaissance Self-Fashioning: From More to Shakespeare (Chicago: University of Chicago Press, 2005)
———, The Norton Anthology of English Literature, 9th ed (New York: W.W. Norton, 2012)
———, The Norton Anthology of English Literature, 9th ed (New York: W.W. Norton, 2012)
———, The Norton Anthology of English Literature, 9th ed (New York: W.W. Norton, 2012)
———, The Norton Anthology of English Literature, 9th ed (New York: W.W. Norton, 2012)
———, The Norton Anthology of English Literature, 9th ed (New York: W.W. Norton, 2012)
———, The Norton Anthology of English Literature, 9th ed (New York: W.W. Norton, 2012)
———, The Norton Anthology of English Literature, 9th ed (New York: W.W. Norton, 2012)
———, The Norton Anthology of English Literature, 9th ed (New York: W.W. Norton, 2012)
Guy, John, ‘The Tudor Age’, in The Oxford Illustrated History of Britain (Oxford: Oxford University Press, 1984), pp. 223–85
Hanna, Ralph, ‘Unlocking What’s Unlocked: Gawain’s Green Girdle’, Viator, 14 (1983), 289–302
Hansen, Elaine Tuttle, Chaucer and the Fictions of Gender (Berkeley, [Calif.]: University of California Press, 1992) <https://www-degruyter-com.bris.idm.oclc.org/document/doi/10.1525/9780520328204/html>
Happé, Peter, Medieval English Drama (London: Macmillan, 1984), Casebook series
Harry E. Cole, ‘Forgiveness as Structure: “The Book of Sir Launcelot and Queen Guinevere”’, The Chaucer Review, 31.1 (1996), 36–44 <http://www.jstor.org/stable/25095958?seq=1#page_scan_tab_contents>
Heale, Elizabeth, Wyatt, Surrey, and Early Tudor Poetry (New York: Longman, 1998), Longman medieval and Renaissance library <http://content.talisaspire.com/bristol/bundles/57c008774469eea3658b457c>
Heng, Geraldine, ‘Feminine Knots and the Other: “Sir Gawain and the Green Knight”’, PMLA, 106.3 (1991) <https://doi.org/10.2307/462782>
Hines, John, The Fabliau in English (London: Longman, 1993), Longman medieval and Renaissance library <http://content.talisaspire.com/bristol/bundles/57c03d3b4469eed3248b457b>
Hirsh, John C., Medieval Lyric: Middle English Lyrics, Ballads and Carols (Oxford: Blackwell, 2005)
———, Medieval Lyric: Middle English Lyrics, Ballads and Carols (Oxford: Blackwell, 2005)
Horobin, Simon, Chaucer’s Language, 2nd ed (Basingstoke: Palgrave Macmillan, 2013)
Horrox, Rosemary, and W. M. Ormrod, Social History of England, 1200-1500 (Cambridge: Cambridge University Press, 2006) <https://doi.org/10.1017/CBO9781139167154>
Howard, Donald R., ‘Structure and Symmetry in “Sir Gawain”’, Speculum, 39.3 (1964), 425–33 <https://doi.org/10.2307/2852497>
Howell, Andrew J., ‘Reading the Harley Lyrics: A Master Poet and the Language of Conventions’, ELH, 47.4 (1980) <https://doi.org/10.2307/2872852>
Hudson, Harriet, ‘Toward a Theory of Popular Literature: The Case of the Middle English Romances’, Journal of Popular Culture, 23.3 (1989), 31–50 <http://literature.proquest.com/searchFullrec.do?&resultNum=1&entries=1&area=criticism&forward=critref_fr&queryId=2935766476308&trailId=1552A29E9D8>
‘“I Sing of a Maiden” Sung by Marzena Buziak’ <https://www.youtube.com/watch?v=0oAy1nzA5CE>
‘Images from the “Sir Gawain and the Green Knight” Manuscript’ <http://faculty.virginia.edu/engl381ck/three.html>
‘In Our Time, Caxton and the Printing Press’ <http://www.bbc.co.uk/programmes/b01nbqz3>
‘In Our Time, “Le Morte d’Arthur”’ <http://www.bbc.co.uk/programmes/b01pp989>
‘In Our Time, Margery Kempe and English Mysticism’ <http://www.bbc.co.uk/programmes/b07cyfkg>
‘Inside the Medieval Mind: Sex’ <https://learningonscreen.ac.uk/ondemand/index.php/prog/008B8CC6?bcast=115705592>
‘Interlinear Translations of Chaucer’s “Canterbury Tales”’ <https://chaucer.fas.harvard.edu/pages/text-and-translations>
J. Finlayson, ‘The Expectations of Romance in “Sir Gawain and the Green Knight”’, Genre, 12 (1979), 1–24
J. J. Anderson, ‘The Three Judgments and the Ethos of Chivalry in “Sir Gawain and the Green Knight”’, The Chaucer Review, 24.4 (1990), 337–55 <http://www.jstor.org/stable/25094140?seq=1#page_scan_tab_contents>
J. W. Robinson, ‘The Art of the York Realist’, Modern Philology, 60.4 (1963), 241–51 <http://www.jstor.org/stable/435462?seq=1#page_scan_tab_contents>
James R. Andreas, ‘“Wordes Betwene”: The Rhetoric of the Canterbury Links’, The Chaucer Review, 29.1 (1994), 45–64 <http://www.jstor.org/stable/25095871?seq=1#page_scan_tab_contents>
Johnson, David F., and Elaine M. Treharne, Readings in Medieval Texts: Interpreting Old and Middle English Literature (Oxford: Oxford University Press, 2005)
Joseph D Parry, ‘Interpreting Female Agency and Responsibility in “The Miller’s Tale” and “The Merchant’s Tale”’, People:Chaucer, Geoffrey (1340?-1400)Author(s):Joseph D ParryDocument Types:FeaturePublication Title:Philological Quarterly. Iowa City: Spring 2001. Vol. 80, Iss. 2; Pg. 133, 35 pgsSource Type:PeriodicalISSN/ISBN:00317977 Text Word Count14541, 80.2 (2001) <http://literature.proquest.com/searchFulltext.do?id=R03347623&divLevel=0&queryId=2943242144271&trailId=15608F4BCF9&area=mla&forward=critref_ft>
‘Julian of Norwich Documentary with Janina Ramirez’ <https://learningonscreen.ac.uk/ondemand/index.php/prog/0CF2743F?bcast=122145485>
Justice, Alan D., ‘Trade Symbolism in the York Cycle’, Theatre Journal, 31.1 (1979) <https://doi.org/10.2307/3219454>
‘Kankedort.Net - The Electronic Canterbury Tales’ <http://www.kankedort.net/>
Keen, Maurice, Chivalry (New Haven, Conn: Yale University Press, 2005), Yale Nota bene
Kempe, Margery, and Lynn Staley, The Book of Margery Kempe: A New Translation, Contexts, Criticism (New York: Norton, 2001), A Norton critical edition
Kempe, Margery, and B. A. Windeatt, The Book of Margery Kempe (Woodbridge: Brewer, 2004) <http://content.talisaspire.com/bristol/bundles/599da397646be03fb539bd34>
———, The Book of Margery Kempe (Woodbridge: Brewer, 2004) <http://content.talisaspire.com/bristol/bundles/599da397646be03fb539bd34>
Kennedy, Beverly, Knighthood in the ‘Morte Darthur’, 2nd ed (Woodbridge: D.S. Brewer, 1992), Arthurian studies
Kenneth R. R. Gros Louis, ‘The Significance of Sir Orfeo’s Self-Exile’, The Review of English Studies, 18.71 (1967), 245–52 <http://www.jstor.org/stable/512215?seq=1#page_scan_tab_contents>
King, Pamela M., Medieval Literature 1300-1500 (Edinburgh: Edinburgh University Press, 2011), Edinburgh critical guides to literature <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=714138>
Kinney, Arthur F., The Cambridge Companion to English Literature, 1500-1600 (Cambridge: Cambridge University Press, 2000), Cambridge companions to literature <https://doi.org/http://dx.doi.org/10.1017/CCOL0521582946>
Kinoshita, Sharon, Peggy McCracken, and Cambridge Books Online (Online service), Marie de France: A Critical Companion (Cambridge: Cambridge University Press, 2012) <http://universitypublishingonline.org/boydell/ebook.jsf?bid=CBO9781846158612>
Kolve, V. A., Chaucer and the Imagery of Narrative: The First Five Canterbury Tales (Stanford, Calif: Stanford University Press, 1984) <http://content.talisaspire.com/bristol/bundles/57c000894469ee6c308b4575>
Kratzmann, Gregory, Anglo-Scottish Literary Relations, 1430-1550 (Cambridge: Cambridge University Press, 1979)
Krueger, Roberta L., The Cambridge Companion to Medieval Romance (Cambridge: Cambridge University Press, 2000) <https://doi.org/http://dx.doi.org/10.1017/CCOL0521553423>
Kurath, Hans, Sherman M. Kuhn, and Robert E. Lewis, Middle English Dictionary (Ann Arbor: University of Michigan, 1952) <http://quod.lib.umich.edu/m/med/>
Lambert, Mark, Malory: Style and Vision in ‘Le Morte Darthur’ (New Haven: Yale University Press, 1975), Yale studies in English
Laskaya, Anne, Chaucer’s Approach to Gender in the ‘Canterbury Tales’ (Cambridge: D.S. Brewer, 1995), Chaucer studies
Laurie A. Finke and Martin B. Schichtman, ‘No Pain, No Gain: Violence as Symbolic Capital in Malory’s “Morte d’Arthur”’, Arthuriana, 8.2 (1998), 115–34 <http://www.jstor.org/stable/27869341?seq=1#page_scan_tab_contents>
Lerer, Seth, ‘Artifice and Artistry in “Sir Orfeo”’, Speculum, 60.1 (1985), 92–109 <https://doi.org/10.2307/2852135>
Lois A. Ebin, ‘The Theme of Poetry in Dunbar’s “Goldyn Targe”’, The Chaucer Review, 7.2 (1972), 147–59 <http://www.jstor.org/stable/25093223?Search=yes&resultItemClick=true&searchText=%27The%20Theme%20of%20poetry%20in%20Dunbar%27&searchText=s&searchText=Golden&searchText=Targe&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3D%25E2%2580%2599The%2BTheme%2Bof%2Bpoetry%2Bin%2BDunbar%25E2%2580%2599s%2BGolden%2BTarge%26amp%3Bprq%3DChaucer%2BReview%253A%2BA%2BJournal%2Bof%2BMedieval%2BStudies%2Band%2BLiterary%2BCriticism%26amp%3Bgroup%3Dnone%26amp%3Bso%3Drel%26amp%3Bfc%3Doff%26amp%3Bwc%3Doff%26amp%3Bhp%3D25&seq=1#page_scan_tab_contents>
Lois Ebin, ‘Dunbar’s Bawdy’, The Chaucer Review, 14.3 (1980), 278–86 <http://www.jstor.org/stable/25093508?Search=yes&resultItemClick=true&searchText=Dunbar%27s&searchText=Bawdy&searchText=ebin&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DDunbar%25E2%2580%2599s%2BBawdy%2Bebin&seq=1#page_scan_tab_contents>
‘Luminarium Everyman Page’ <http://www.luminarium.org/medlit/everyman.htm>
Luria, Maxwell, and Richard L. Hoffman, Middle English Lyrics: Authoritative Texts, Critical and Historical Backgrounds, Perspectives on Six Poems, ed. by Maxwell Luria and Richard L. Hoffman (New York ; London: Norton, 1974), Norton critical editions
Luria, Maxwell S., and Richard L. Hoffman, Middle English Lyrics: Authoritative Texts, Critical and Historical Backgrounds, Perspectives on Six Poems, ed. by Maxwell S. Luria and Richard L. Hoffman (New York ; London: Norton, 1974), Norton critical editions
Lynch, Andrew, Malory’s Book of Arms: The Narrative of Combat in ‘Le Morte Darthur’ (Woodbridge: D. S. Brewer, 1997), Arthurian studies
———, ‘Malory’s Morte Darthur and History’, in A Companion to Arthurian Literature (Oxford: Wiley-Blackwell, 2009), Blackwell companions to literature and culture, 297–311 <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4026444>
Malcolm Andrew, ‘Context and Judgment in the “General Prologue”’, The Chaucer Review, 23.4 (1989), 316–37 <http://www.jstor.org/stable/25094094?seq=1#page_scan_tab_contents>
‘Malory Project’ <http://www.maloryproject.com/index.php>
Malory, Thomas, and Helen Cooper, Le Morte d’Arthur: The Winchester Manuscript, ed. by Helen Cooper (Oxford: Oxford University Press, 2008), Oxford world’s classics
———, Le Morte Darthur: The Winchester Manuscript (Oxford: Oxford University Press, 1998), Oxford world’s classics <http://content.talisaspire.com/bristol/bundles/598d7020540a265be5674424>
Malory, Thomas, and Stephen H. A. Shepherd, Le Morte Darthur, or, The Hoole Book of Kyng Arthur and of His Noble Knyghtes of the Rounde Table: Authoritative Text, Sources and Backgrounds, Criticism (New York: Norton, 2004), Norton critical edition
———, Le Morte Darthur, or, The Hoole Book of Kyng Arthur and of His Noble Knyghtes of the Rounde Table: Authoritative Text, Sources and Backgrounds, Criticism (New York: Norton, 2004), Norton critical edition <http://content.talisaspire.com/bristol/bundles/599d7f1b646be018b553c2d4>
———, Le Morte Darthur, or, The Hoole Book of Kyng Arthur and of His Noble Knyghtes of the Rounde Table: Authoritative Text, Sources and Backgrounds, Criticism (New York: Norton, 2004), Norton critical edition
Malory, Thomas, and Eugène Vinaver, Works, ed. by Vinaver, 2nd ed (London: Oxford University Press, 1971)
———, Works, ed. by Vinaver, 2nd ed (London: Oxford University Press, 1971)
Mann, Jill, Chaucer and Medieval Estates Satire: The Literature of Social Classes and the ‘General Prologue’ to ‘The Canterbury Tales’ (London: Cambridge University Press, 1973)
———, Geoffrey Chaucer (London: Harvester/Wheatsheaf, 1991), Feminist readings
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‘Manuscript of The Book of the Margery Kempe, British Library’ <http://www.bl.uk/manuscripts/Viewer.aspx?ref=add_ms_61823_fs001r>
‘Manuscript of the York Mystery Plays, British Library’ <http://www.bl.uk/onlinegallery/onlineex/illmanus/other/011add000035290u00004000.html>
Mapstone, Sally, ‘Was There a Court Literature in Fifteenth-Century Scotland?’, Studies in Scottish Literature, 26.1 (1991) <http://scholarcommons.sc.edu/ssl/vol26/iss1/35/>
‘Marie de France Page’ <http://www.utm.edu/staff/bobp/vlibrary/mdfrancemss.shtml>
Martin, Priscilla, Chaucer’s Women: Nuns, Wives and Amazons (Basingstoke: Macmillan, 1996)
Martindale, Charles, and Richard F. Thomas, Classics and the Uses of Reception (Malden, Mass: Blackwell, 2006), Classical receptions <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=351010>
Mason, H. A., Sir Thomas Wyatt: A Literary Portrait (Bristol: Bristol Classical Press, 1986)
McAvoy, Liz Herbert and Cambridge Books Online (Online service), Authority and the Female Body in the Writings of Julian of Norwich and Margery Kempe (Cambridge: Cambridge University Press, 2012) <http://universitypublishingonline.org/boydell/ebook.jsf?bid=CBO9781846152610>
McCarthy, Terence, An Introduction to Malory (Woodbridge, Suffolk: D.S. Brewer, 1991), Arthurian studies
McDonald, Nicola, Pulp Fictions of Medieval England: Essays in Popular Romance (Manchester: Manchester University Press, 2004) <http://www.oapen.org/search?identifier=341366>
McGavin, John, ‘Performing Communities: Civic Religious Drama’, in The Oxford Handbook of Medieval Literature in English (Oxford: Oxford University Press, 2010), pp. 200–218 <https://doi.org/10.1093/oxfordhb/9780199229123.013.0011>
‘Medievalists.Net’ <http://www.medievalists.net/>
Mickel, Emanuel J., Marie de France (New York: Twayne, 1974)
‘Middle English Breton Lays at TEAMS’ <http://d.lib.rochester.edu/teams/publication/laskaya-and-salisbury-middle-english-breton-lays>
‘———’ <http://d.lib.rochester.edu/teams/publication/laskaya-and-salisbury-middle-english-breton-lays>
‘Middle English Romances’ <http://www.middleenglishromance.org.uk/>
Morgan, Gerald, ‘Medieval Misogyny and Gawain’s Outburst against Women in “Sir Gawain and the Green Knight”’, The Modern Language Review, 97.2 (2002) <https://doi.org/10.2307/3736858>
Muscatine, Charles, Chaucer and the French Tradition: A Study in Style and Meaning (Berkeley: University of California Press, 1957)
Newman, Barbara, ‘The Artifice of Eternity’, in Envisaging Heaven in the Middle Ages (London: Routledge, 2007), Routledge studies in medieval religion and culture, 185–206 <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=356028>
Normington, Katie, Medieval English Drama: Performance and Spectatorship (Cambridge: Polity Press, 2009), Cultural history of literature
Normington, Katie and Cambridge Books Online (Online service), Gender and Medieval Drama (Cambridge: Cambridge University Press, 2012) <http://universitypublishingonline.org/boydell/ebook.jsf?bid=CBO9781846154706>
Oizumi, Akio, and Kunihiro Miki, A Complete Concordance to the Works of Geoffrey Chaucer (Hildesheim: Olms-Weidmann, 1991), Alpha-Omega
Oliver, Raymond, Poems without Names: The English Lyric, 1200-1500 (Berkeley: University of California Press, 1970)
‘Oxford English Dictionary’ <http://www.oed.com/>
Pamela M. King, ‘Dunbar’s “Golden Targe”: A Chaucerian Masque’, Studies in Scottish Literature, 19.1 (1984) <http://scholarcommons.sc.edu/ssl/vol19/iss1/10/>
Patterson, Lee, ‘“No Man His Reson Herde”: Peasant Consciousness, Chaucer’s Miller, and the Structure of the “Canterbury Tales”’, in Chaucer (Basingstoke: Macmillan, 1996), pp. 169–92
———, ‘The Miller’s Tale and the Politics of Laughter’, in Chaucer and the Subject of History (London: Routledge, 1991), pp. 244–79
Pearsall, Derek, Old English and Middle English Poetry (London: Routledge and Kegan Paul, 1977), The Routledge history of English poetry
———, The Canterbury Tales (London: Routledge, 1993), Unwin critical library <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1144511>
———, The Life of Geoffrey Chaucer: A Critical Biography (Oxford: Blackwell, 1992), Blackwell critical biographies
Peter Meredith, The Towneley Cycle, 2nd ed. rev. ([Leeds]: [School of English, University of Leeds], 1990)
Peter R. Schroeder, ‘Saying but Little: Malory and the Suggestion of Emotion’, Arthuriana, 11.2 (2001), 43–51 <http://www.jstor.org/stable/27869634?seq=1#page_scan_tab_contents>
Phillips, Helen, An Introduction to the ‘Canterbury Tales’: Reading, Context, Fiction (Basingstoke: Macmillan, 2000)
Pisani Babich, Andrea G., ‘The Power of the Kingdom and the Ties That Bind in “Sir Orfeo”’, Neophilologus, 82.3 (1998), 477–86 <https://doi.org/10.1023/A:1004354923977>
Putter, Ad, An Introduction to the Gawain-Poet (London: Longman, 1996) <https://www.taylorfrancis.com/books/9781315843858>
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———, ‘Arthurian Romance in English Popular Tradition’, in A Companion to Arthurian Literature (Oxford: Wiley-Blackwell, 2009), Blackwell companions to literature and culture <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4026444>
———, ‘Sir Gawain and the Green Knight’ and the French Arthurian Romance (Oxford: Clarendon Press, 1995) <https://doi.org/10.1093/acprof:oso/9780198182535.001.0001>
Putter, Ad, and Jane Gilbert, The Spirit of Medieval English Popular Romance (Harlow: Longman, 2000), Longman medieval and Renaissance library <https://www.taylorfrancis.com/books/9781315841335>
Putter, Ad, and Myra Stokes, The Works of the Gawain Poet, ed. by Ad Putter and Myra Stokes (London: Penguin Books, 2014), Penguin classics
———, The Works of the Gawain Poet, ed. by Ad Putter and Myra Stokes (London: Penguin Books, 2014), Penguin classics
———, The Works of the Gawain Poet, ed. by Ad Putter and Myra Stokes (London: Penguin Books, 2014), Penguin classics
Radulescu, Raluca, The Gentry Context for Malory’s ‘Morte Darthur’ (Cambridge: D.S. Brewer, 2003), Arthurian studies
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Raymond A. Powell, ‘Margery Kempe: An Exemplar of Late Medieval English Piety’, The Catholic Historical Review, 89.1 (2003), 1–23 <http://www.jstor.org/stable/25026320?seq=1#page_scan_tab_contents>
Reiss, Edmund, The Art of the Middle English Lyric: Essays in Criticism (Athens: University of Georgia Press, 1972)
Richardson, Christine, and Jackie Johnston, Medieval Drama (Basingstoke: Macmillan Education, 1991), English dramatists <http://content.talisaspire.com/bristol/bundles/57c00d154469eea3658b4590>
Riddy, Felicity, ‘Gender, Nature and Culture in 'Sir Gawain and the Green Knight’’, in Arthurian Romance and Gender: Selected Proceedings of the XVIIth International Arthurian Congress = Masculin/Féminin Dans Le Roman Arthurien Médiéval : Actes Choisis Du XVIIe Congrès International Arthurien = Geschlechterrollen Im Mittelalterlichen Artusroman : Ausgewählte Akten Des XVII. Internationalen Artuskongresses, ed. by Friedrich Wolfzettel (Amsterdam: Rodopi, 1995), Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 215–25 <http://content.talisaspire.com/bristol/bundles/57f7a2ab4469eefc258b4580>
———, Sir Thomas Malory (Leiden: Brill, 1987), Medieval and Renaissance authors
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Rider, Jeff, ‘The Otherworlds of Medieval Romance’, in The Cambridge Companion to Medieval Romance (Cambridge: Cambridge University Press, 2000) <https://www.cambridge.org/core/books/cambridge-companion-to-medieval-romance/121A4CB9EE90455CA4572E2A644D95B0>
Rigby, S. H., Chaucer in Context: Society, Allegory and Gender (Manchester: Manchester University Press, 1996), Manchester medieval studies
Rigby, S. H. and Historical Association, A Companion to Britain in the Later Middle Ages (Malden, Mass: Blackwell, 2003), Blackwell companions to British history <http://lib.myilibrary.com/Open.aspx?id=131256&src=0>
Rigby, S. H., and A. J. Minnis, Historians on Chaucer: The ‘General Prologue’ to the ‘Canterbury Tales’, ed. by S. H. Rigby and A. J. Minnis (Oxford: Oxford University Press, 2014)
Ryan, Lawrence V., ‘Doctrine and Dramatic Structure in Everyman’, Speculum, 32.4 (1957), 722–35 <https://doi.org/10.2307/2850293>
S T Knight, ‘The Oral Transmission of “Sir Launfal”’, Medium Aevum, 38 <http://search.proquest.com/docview/1293364837?OpenUrlRefId=info:xri/sid:primo&accountid=9730>
‘Sacred Wonders’ <https://learningonscreen.ac.uk/ondemand/index.php/prog/065CBB29?bcast=122216756>
Saul, Nigel, Chivalry in Medieval England (Cambridge, Mass: Harvard University Press, 2011) <http://www.jstor.org/stable/j.ctt2jbvtm>
Saunders, Corinne, A Companion to Medieval Poetry (Oxford: Wiley-Blackwell, 2010), Blackwell companions to literature and culture
———, A Concise Companion to Chaucer (Malden, Ma: Blackwell Pub, 2006), Blackwell concise companions to literature and culture
———, ‘Love and Loyalty in Middle English Romance’, in Writings on Love in the English Middle Ages, 1st ed (New York: Palgrave Macmillan, 2006), Studies in Arthurian and courtly cultures, 45–61 <http://content.talisaspire.com/bristol/bundles/57eb9db04469ee8b498b4568>
———, ‘Religion and Magic’, in The Cambridge Companion to the Arthurian Legend (Cambridge: Cambridge University Press, 2010), The Cambridge companions to literature and classics <http://dx.doi.org/10.1017/CCOL9780521860598>
Scanlon, Larry, The Cambridge Companion to Medieval English Literature, 1100-1500 (Cambridge: Cambridge University Press, 2009), Cambridge companions to literature <https://doi.org/http://dx.doi.org/10.1017/CCOL9780521841672>
Schoeck, Richard J., and Jerome Taylor, Chaucer Criticism: An Anthology, Vol.1: ‘The Canterbury Tales’ (Notre Dame, Ind: University of Notre Dame Press, 1960)
Shahar, Shulamith, The Fourth Estate: A History of Women in the Middle Ages, Rev. ed (London: Routledge, 2003) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=181941>
Shepherd, Stephen H. A., Middle English Romances: Authoritative Texts, Sources and Backgrounds, Criticism (New York: W.W. Norton, 1995), A Norton critical edition
Shulman, Nicola, Graven with Diamonds: The Many Lives of Thomas Wyatt, Courtier, Poet, Assassin, Spy (London: Short, 2011)
‘Sir Gawain and the Green Knight (BBC Documentary)’ <https://www.youtube.com/watch?v=74glI1lg1CQ>
Smith, Jeremy J., Essentials of Early English (London: Routledge, 1999)
Southall, Raymond, The Courtly Maker: An Essay on the Poetry of Wyatt and His Contemporaries (Oxford: Blackwell, 1964)
Spearing, A. C., Medieval to Renaissance in English Poetry (Cambridge: Cambridge University Press, 1985) <http://content.talisaspire.com/bristol/bundles/57c0050c4469eea3658b456d>
———, The Gawain-Poet: A Critical Study (Cambridge: Cambridge University Press, 1970)
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Spearing, A.C., ‘Lyrics’, in Textual Subjectivity: The Encoding of Subjectivity in Medieval Narratives and Lyrics (Oxford: Oxford University Press, 2005), pp. 174–210 <https://doi.org/10.1093/acprof:oso/9780198187240.003.0006>
Spearing, Elizabeth, A. C. Spearing, and Julian of Norwich, Revelations of Divine Love: (Short Text and Long Text) (London: Penguin, 1998), Penguin classics
Sponsler, Claire, Drama and Resistance: Bodies, Goods, and Theatricality in Late Medieval England (Minneapolis: University of Minnesota Press, 1997), Medieval cultures
Staley, Lynn, Margery Kempe’s Dissenting Fictions (University Park, Pa: Pennsylvania State University Press, 1994) <http://content.talisaspire.com/bristol/bundles/57c020114469eef5678b4568>
Stamatakis, Chris, Sir Thomas Wyatt and the Rhetoric of Rewriting: Turning the Word (Oxford: Oxford University Press, 2012), Oxford English monographs <https://doi.org/10.1093/acprof:oso/9780199644407.001.0001>
Stevens, John E., Medieval Romance: Themes and Approaches (London: Hutchinson, 1973), Hutchinson university library. English literature
———, Music & Poetry in the Early Tudor Court, (1st ed.) reprinted with corrections (Cambridge: Cambridge University Press, 1979), Cambridge studies in music
Stevens, Martin, ‘Laughter and Game in “Sir Gawain and the Green Knight”’, Speculum, 47.1 (1972), 65–78 <https://doi.org/10.2307/2851217>
Strohm, Paul, Social Chaucer (Cambridge, Mass: Harvard University Press, 1989)
‘“Sumer Is Icumen in”, Sung’ <https://www.youtube.com/watch?v=ZWWEHAswpFI>
Taylor, Andrew, ‘Fragmentation, Corruption, and Minstrel Narration: The Question of the Middle English Romances’, The Yearbook of English Studies, 22 (1992) <https://doi.org/10.2307/3508375>
Taylor, Jerome, and Alan H. Nelson, Medieval English Drama: Essays Critical and Contextual (Chicago: University of Chicago Press, 1972), Patterns of literary criticism
‘Teach Yourself to Read Chaucer: Pronunciation’ <https://chaucer.fas.harvard.edu/lesson-2>
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Terence N. Bowers, ‘Margery Kempe as Traveler’, Studies in Philology, 97 (2000) <http://search.ebscohost.com/login.aspx?direct=true&db=rlh&AN=2831232&site=ehost-live>
‘Terry Jones’ Medieval Lives: The King’ <https://learningonscreen.ac.uk/ondemand/index.php/prog/004D00A8?bcast=30756283>
‘The Auchinleck Manuscript : National Library of Scotland’ <http://auchinleck.nls.uk/>
‘The Camelot Project’ <http://d.lib.rochester.edu/camelot-project>
‘The Open Access Companion to the Canterbury Tales’ <https://opencanterburytales.dsl.lsu.edu/>
Thomson, Patricia, Sir Thomas Wyatt and His Background (Stanford, Calif: Stanford University Press, 1964)
Tolhurst, Fiona, ‘Why Every Knight Needs His Lady: Re-Viewing Questions of Genre and ‘Cohesion’’, in Re-Viewing Le Morte Darthur: Texts and Contexts, Characters and Themes (Woodbridge: D.S. Brewer, 2005), Arthurian studies <http://content.talisaspire.com/bristol/bundles/57c04abf4469ee0c1f8b458b>
Treharne, Elaine M., Old and Middle English: An Anthology (Oxford: Blackwell, 2000), Blackwell anthologies
Treharne, Elaine M., and Greg Walker, The Oxford Handbook of Medieval Literature in English (Oxford: Oxford University Press, 2010)
Tydeman, William, English Medieval Theatre, 1400-1500 (London: Routledge & Kegan Paul, 1986), Theatre production studies
Walker, Greg, Medieval Drama: An Anthology (Oxford: Blackwell, 2000)
———, Medieval Drama: An Anthology (Oxford: Blackwell, 2000)
———, ‘Rough Girls and Squeamish Boys: The Trouble with Absolon in 'The Miller’s Tale’’, in Writing Gender and Genre in Medieval Literature: Approaches to Old and Middle English Texts (Cambridge: D.S. Brewer, 2002), Essays and studies / English Association: 1950-, 61–91
Wallace, David, The Cambridge History of Medieval English Literature (Cambridge: Cambridge University Press, 1999)
———, The Cambridge History of Medieval English Literature (Cambridge: Cambridge University Press, 1999)
Watson, Nicholas, ‘Julian of Norwich’, in The Cambridge Companion to Medieval Women’s Writing (Cambridge: Cambridge University Press, 2006), The Cambridge companions to literature and classics <http://dx.doi.org/10.1017/CCOL052179188X>
Wendy Wall, ‘“Household Stuff”: The Sexual Politics of Domesticity and the Advent of English Comedy’, ELH, 65.1 (1998), 1–45 <http://www.jstor.org/stable/30030168?seq=1#page_scan_tab_contents>
Whalen, Logan E., A Companion to Marie de France, ed. by Logan E. Whalen (Leiden: Brill, 2011), Brill’s companions to the Christian tradition <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=737798>
White, Eileen, ‘Places to Hear the Play: The Performance of the Corpus Christi Play at York’, Early Theatre, 3 (2000), 49–78 <http://jps.library.utoronto.ca/index.php/eth/article/view/7311>
Williams, Tara, ‘Fairy Magic, Wonder, and Morality in “Sir Orfeo”’, Philological Quarterly, 91.4 (2012), 537–68 <http://literature.proquest.com/searchFullrec.do?id=R04971825&area=mla&forward=critref_fr&queryId=2935769433884&trailId=1552A407B76>
Windeatt, Barry, English Mystics of the Middle Ages (Cambridge: Cambridge University Press, 1994) <https://doi.org/http://dx.doi.org/10.1017/CBO9780511518812>
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