1.
Greenblatt, S. The Norton anthology of English literature. (W.W. Norton, 2012).
2.
Chaucer, G., Benson, L. D. & Robinson, F. N. The Riverside Chaucer. (Houghton Mifflin, 1987).
3.
Putter, A. & Stokes, M. The works of the Gawain poet. vol. Penguin classics (Penguin Books, 2014).
4.
TEAMS Middle English Texts. http://d.lib.rochester.edu/teams.
5.
Luria, M. S. & Hoffman, R. L. Middle English lyrics: authoritative texts, critical and historical backgrounds, perspectives on six poems. vol. Norton critical editions (Norton, 1974).
6.
Hirsh, J. C. Medieval lyric: Middle English lyrics, ballads and carols. (Blackwell, 2005).
7.
Burgess, G. S., Busby, K., & Marie. The Lais of Marie de France. vol. Penguin classics (Penguin, 1999).
8.
Walker, G. Medieval drama: an anthology. (Blackwell, 2000).
9.
Bevington, D. M. Medieval drama. (Houghton Mifflin, 1975).
10.
Kempe, M. & Windeatt, B. A. The book of Margery Kempe. (Brewer, 2004).
11.
Malory, T. & Vinaver, E. Works. (Oxford University Press, 1971).
12.
Malory, T. & Shepherd, S. H. A. Le morte Darthur, or, The hoole book of Kyng Arthur and of his noble knyghtes of the Rounde Table: authoritative text, sources and backgrounds, criticism. vol. Norton critical edition (Norton, 2004).
13.
Malory, T. & Cooper, H. Le morte d’Arthur: the Winchester manuscript. vol. Oxford world’s classics (Oxford University Press, 2008).
14.
Wyatt, T. & Rebholz, R. A. The complete poems. vol. The English poets (Yale University Press, 1981).
15.
Dunbar, W. & Bawcutt, P. Selected poems. vol. Longman annotated texts (Longman, 1996).
16.
Burrow, J. A. Medieval writers and their work: Middle English literature,1100--1500. (Oxford University Press, 2008).
17.
Wallace, D. The Cambridge history of medieval English literature. (Cambridge University Press, 1999).
18.
Brown, P. A companion to medieval English literature and culture, c.1350-c.1500. vol. Blackwell companions to literature and culture (Wiley-Blackwell, 2009).
19.
Burrow, J. A. English poets in the late Middle Ages: Chaucer, Langland and others. vol. Variorum collected studies series (Ashgate Variorum, 2012).
20.
Davenport, W. A. Medieval narrative: an introduction. (Oxford University Press, 2004).
21.
Evans, R. & Johnson, L. Feminist readings in Middle English literature: the Wife of Bath and all her sect. (Routledge, 1994).
22.
Gray, D. Later medieval English literature. (Oxford University Press, 2008).
23.
Johnson, D. F. & Treharne, E. M. Readings in medieval texts: interpreting old and Middle English literature. (Oxford University Press, 2005).
24.
King, P. M. Medieval literature 1300-1500. vol. Edinburgh critical guides to literature (Edinburgh University Press, 2011).
25.
Pearsall, D. Old English and Middle English poetry. vol. The Routledge history of English poetry (Routledge and Kegan Paul, 1977).
26.
Scanlon, L. The Cambridge companion to medieval English literature, 1100-1500. vol. Cambridge companions to literature (Cambridge University Press, 2009).
27.
Treharne, E. M. Old and Middle English: an anthology. vol. Blackwell anthologies (Blackwell, 2000).
28.
Treharne, E. M. & Walker, G. The Oxford handbook of medieval literature in English. (Oxford University Press, 2010).
29.
Saunders, C. A companion to medieval poetry. vol. Blackwell companions to literature and culture (Wiley-Blackwell, 2010).
30.
Oxford English Dictionary. http://www.oed.com/.
31.
Kurath, H., Kuhn, S. M. & Lewis, R. E. Middle English dictionary. (University of Michigan, 1952).
32.
Barber, C. L. The English language: a historical introduction. vol. Canto (Cambridge University Press, 2000).
33.
Baugh, A. C. & Cable, T. A history of the English language. (Routledge, 2002).
34.
Burrow, J. A. & Turville-Petre, T. A book of Middle English. (Blackwell, 2005).
35.
Smith, J. J. Essentials of early English. (Routledge, 1999).
36.
Teach yourself to read Chaucer: Pronunciation. https://chaucer.fas.harvard.edu/lesson-2.
37.
Chaucer, The Wife of Bath’s Prologue, read aloud.
38.
Audio clips of ‘Beowulf’ and ‘Sir Gawain and the Green Knight’.
39.
Douay-Rheims Bible Online. http://www.drbo.org/.
40.
Galloway, A. The Cambridge companion to medieval English culture. vol. Cambridge companions to culture (Cambridge University Press, 2011).
41.
Horrox, R. & Ormrod, W. M. Social history of England, 1200-1500. (Cambridge University Press, 2006).
42.
Rigby, S. H. & Historical Association. A companion to Britain in the later Middle Ages. vol. Blackwell companions to British history (Blackwell, 2003).
43.
Blamires, A., Pratt, K. & Marx, C. W. Woman defamed and woman defended: an anthology of medieval texts. (Clarendon Press, 1992).
44.
Blamires, A. The case for women in medieval culture. (Clarendon Press, 1997). doi:10.1093/acprof:oso/9780198186304.001.0001.
45.
Shahar, S. The fourth estate: a history of women in the Middle Ages. (Routledge, 2003).
46.
Keen, M. Chivalry. vol. Yale Nota bene (Yale University Press, 2005).
47.
Saul, N. Chivalry in medieval England. (Harvard University Press, 2011).
48.
In Our Time, Caxton and the Printing Press. http://www.bbc.co.uk/programmes/b01nbqz3.
49.
Inside the Medieval Mind: Sex. https://learningonscreen.ac.uk/ondemand/index.php/prog/008B8CC6?bcast=115705592.
50.
Terry Jones’ Medieval Lives: the king. https://learningonscreen.ac.uk/ondemand/index.php/prog/004D00A8?bcast=30756283.
51.
Sacred Wonders. https://learningonscreen.ac.uk/ondemand/index.php/prog/065CBB29?bcast=122216756.
52.
Medievalists.net. http://www.medievalists.net/.
53.
British Library: Luttrell Psalter. http://www.bl.uk/onlinegallery/sacredtexts/luttrellpsalter.html.
54.
British Library medieval manuscripts blog. http://blogs.bl.uk/digitisedmanuscripts/index.html.
55.
BBC News - The Middle Ages in colour. http://www.bbc.co.uk/news/entertainment-arts-15667183.
56.
Bristol Record Society - links. http://www.bristol.ac.uk/Depts/History/bristolrecordsociety/links.htm.
57.
1347 bakers’ charter, Bristol Record Office. http://museums.bristol.gov.uk/narratives.php?irn=2658.
58.
Withypool Triptych, Bristol Museum. https://artuk.org/discover/artworks/withypool-triptych-virgin-and-child-with-saint-joseph-and-donor-189120.
59.
Greenblatt, S. The Norton anthology of English literature. (W.W. Norton, 2012).
60.
Hirsh, J. C. Medieval lyric: Middle English lyrics, ballads and carols. (Blackwell, 2005).
61.
Luria, M. & Hoffman, R. L. Middle English lyrics: authoritative texts, critical and historical backgrounds, perspectives on six poems. vol. Norton critical editions (Norton, 1974).
62.
Davies, R. T. Medieval English lyrics: a critical anthology. (Faber, 1963).
63.
Boffey, J. ‘'Loke on this wrytyng, man, for thi devocion!’’: Focal Texts in Some Later Middle English Religious Lyrics. in Individuality and achievement in Middle English poetry 129–145 (D.S. Brewer, 1997).
64.
Burrow, J. A. Medieval writers and their work: Middle English literature,1100--1500. (Oxford University Press, 2008).
65.
Duncan, T. G. A companion to the Middle English lyric. (D.S. Brewer, 2005).
66.
Woolf, R. The English religious lyric in the Middle Ages. (Clarendon, 1968).
67.
Boklund-Lagopoulou, K. ‘I have a young suster’: popular song and the Middle English lyric. (Four Courts Press, 2001).
68.
Brewer, D. S. The Ideal of Feminine Beauty in Medieval Literature, Especially ‘Harley Lyrics’, Chaucer, and Some Elizabethans. The Modern Language Review 50, (1955).
69.
Burrow, J. A. Essays on medieval literature. (Clarendon Press, 1984).
70.
Gray, D. Themes and images in the medieval English religious lyric. (Routledge and Kegan Paul, 1972).
71.
Howell, A. J. Reading the Harley Lyrics: A Master Poet and the Language of Conventions. ELH 47, (1980).
72.
Dinshaw, C. & Wallace, D. The Cambridge companion to medieval women’s writing. vol. Cambridge companions to literature (Cambridge University Press, 2003).
73.
Oliver, R. Poems without names: the English lyric, 1200-1500. (University of California Press, 1970).
74.
Reiss, E. The art of the Middle English lyric: essays in criticism. (University of Georgia Press, 1972).
75.
Spearing, A. C. Lyrics. in Textual subjectivity: the encoding of subjectivity in medieval narratives and lyrics 174–210 (Oxford University Press, 2005). doi:10.1093/acprof:oso/9780198187240.003.0006.
76.
‘Sumer is icumen in’, sung.
77.
‘Adam lay ybounden’, sung by St Peter’s Singers of Leeds.
78.
‘I Sing of a Maiden’ sung by Marzena Buziak.
79.
Greenblatt, S. The Norton anthology of English literature. (W.W. Norton, 2012).
80.
Middle English Breton Lays at TEAMS. http://d.lib.rochester.edu/teams/publication/laskaya-and-salisbury-middle-english-breton-lays.
81.
Burgess, G. S., Busby, K., & Marie de France. The Lais of Marie de France. vol. Penguin classics (Penguin, 1999).
82.
Clifford, P. Marie de France: ‘Lais’. vol. Critical guides to French texts (Grant & Cutler, 1982).
83.
Dinshaw, C. & Wallace, D. The Cambridge companion to medieval women’s writing. vol. Cambridge companions to literature (Cambridge University Press, 2003).
84.
Kinoshita, S., McCracken, P., & Cambridge Books Online (Online service). Marie de France: A Critical Companion. (Cambridge University Press, 2012).
85.
Spearing, A. C. The medieval poet as voyeur: looking and listening in medieval love-narratives. (Cambridge University Press, 2005).
86.
Whalen, L. E. A companion to Marie de France. vol. Brill’s companions to the Christian tradition (Brill, 2011).
87.
Burgess, G. S. The Lais of Marie de France: text and context. (Manchester University Press, 1987).
88.
Mickel, E. J. Marie de France. (Twayne, 1974).
89.
Bloch, R. H. The anonymous Marie de France. (University of Chicago Press, 2003).
90.
Marie de France page. http://www.utm.edu/staff/bobp/vlibrary/mdfrancemss.shtml.
91.
Greenblatt, S. The Norton anthology of English literature. (W.W. Norton, 2012).
92.
Middle English Breton Lays at TEAMS. http://d.lib.rochester.edu/teams/publication/laskaya-and-salisbury-middle-english-breton-lays.
93.
Radulescu, R. & Rushton, C. A companion to medieval popular romance. vol. Studies in medieval romance (D.S. Brewer, 2009).
94.
Putter, A. & Gilbert, J. The spirit of medieval English popular romance. vol. Longman medieval and Renaissance library (Longman, 2000).
95.
Fisher, S. Women and Men in Medieval Romance. in The Cambridge companion to medieval romance (Cambridge University Press, 2000).
96.
Friedman, J. B. Orpheus in the Middle Ages. (Harvard University Press, 1970).
97.
Rider, J. The otherworlds of medieval romance. in The Cambridge companion to medieval romance (Cambridge University Press, 2000).
98.
Saunders, C. Love and Loyalty in Middle English Romance. in Writings on love in the English Middle Ages vol. Studies in Arthurian and courtly cultures 45–61 (Palgrave Macmillan, 2006).
99.
Pisani Babich, A. G. The Power of the Kingdom and the Ties that Bind in ‘Sir Orfeo’. Neophilologus 82, 477–486 (1998).
100.
Dominique Battles. Sir Orfeo and English Identity. Studies in Philology 107, 179–211 (2010).
101.
Beer, G. The romance. vol. Critical idiom (Methuen, 1970).
102.
Cartlidge, N. Sir Orfeo in the Otherworld: Courting Chaos? Studies in the age of Chaucer 26, 195–226 (2004).
103.
Cooper, H. The English romance in time: transforming motifs from Geoffrey of Monmouth to the death of Shakespeare. (Oxford University Press, 2004). doi:10.1093/acprof:oso/9780199248865.001.0001.
104.
Fletcher, A. ‘Sir Orfeo’ and the Flight from the Enchanter. Studies in the age of Chaucer 22, 141–177 (2000).
105.
Kenneth R. R. Gros Louis. The Significance of Sir Orfeo’s Self-Exile. The Review of English Studies 18, 245–252 (1967).
106.
Hudson, H. Toward a Theory of Popular Literature: The Case of the Middle English Romances. Journal of Popular Culture 23, 31–50 (1989).
107.
S T Knight. The Oral Transmission of ‘Sir Launfal’. Medium Aevum 38,.
108.
Lerer, S. Artifice and Artistry in ‘Sir Orfeo’. Speculum 60, 92–109 (1985).
109.
Martindale, C. & Thomas, R. F. Classics and the uses of reception. vol. Classical receptions (Blackwell, 2006).
110.
McDonald, N. Pulp fictions of medieval England: essays in popular romance. (Manchester University Press, 2004).
111.
Putter, A. Arthurian Romance in English Popular Tradition. in A companion to Arthurian literature vol. Blackwell companions to literature and culture (Wiley-Blackwell, 2009).
112.
Riddy, F. The Uses of the Past in ‘Sir Orfeo’. The Yearbook of English Studies 6, (1976).
113.
Shepherd, S. H. A. Middle English romances: authoritative texts, sources and backgrounds, criticism. vol. A Norton critical edition (W.W. Norton, 1995).
114.
Stevens, J. E. Medieval romance: themes and approaches. vol. Hutchinson university library. English literature (Hutchinson, 1973).
115.
Taylor, A. Fragmentation, Corruption, and Minstrel Narration: The Question of the Middle English Romances. The Yearbook of English Studies 22, (1992).
116.
Williams, T. Fairy Magic, Wonder, and Morality in ‘Sir Orfeo’. Philological Quarterly 91, 537–568 (2012).
117.
The Auchinleck Manuscript : National Library of Scotland. http://auchinleck.nls.uk/.
118.
Middle English Romances. http://www.middleenglishromance.org.uk/.
119.
Chaucer, G., Benson, L. D. & Robinson, F. N. The Riverside Chaucer. (Houghton Mifflin, 1987).
120.
Correale, R. & Hamel, M. Sources and analogues of ‘The Canterbury Tales’: Volume 1. vol. Chaucer studies (D.S. Brewer, 2001).
121.
Correale, R. & Hamel, M. Sources and analogues of ‘The Canterbury Tales’: Volume 2. vol. Chaucer studies (D.S. Brewer, 2001).
122.
Horobin, S. Chaucer’s language. (Palgrave Macmillan, 2013).
123.
Boitani, P. & Mann, J. The Cambridge companion to Chaucer. vol. Cambridge companions to literature (Cambridge University Press, 2003).
124.
Cooper, H. The Canterbury Tales. vol. Oxford guides to Chaucer (Oxford University Press, 1996).
125.
Pearsall, D. The Canterbury Tales. vol. Unwin critical library (Routledge, 1993).
126.
Bennett, J. A. W. Chaucer at Oxford and at Cambridge. vol. Alexander lectures (Clarendon Press, 1974).
127.
Brewer, D. A new introduction to Chaucer. vol. Longman medieval and Renaissance library (Longman, 1998).
128.
Hansen, E. T. Chaucer and the fictions of gender. (University of California Press, 1992).
129.
Hines, J. The fabliau in English. vol. Longman medieval and Renaissance library (Longman, 1993).
130.
Kolve, V. A. Chaucer and the imagery of narrative: the first five Canterbury tales. (Stanford University Press, 1984).
131.
Mann, J. Chaucer and medieval estates satire: the literature of social classes and the ‘General Prologue’ to ‘The Canterbury Tales’. (Cambridge University Press, 1973).
132.
Benson, L. D. & Andersson, T. M. The literary context of Chaucer’s fabliaux: texts and translations. vol. The library of literature (Bobbs-Merrill, 1971).
133.
Pearsall, D. The life of Geoffrey Chaucer: a critical biography. vol. Blackwell critical biographies (Blackwell, 1992).
134.
Oizumi, A. & Miki, K. A Complete concordance to the works of Geoffrey Chaucer. vol. Alpha-Omega (Olms-Weidmann, 1991).
135.
Gray, D. The Oxford companion to Chaucer. (Oxford University Press, 2003).
136.
Brown, P. A companion to Chaucer. vol. Blackwell companions to literature and culture (Blackwell, 2000).
137.
James R. Andreas. ‘Wordes Betwene’: The Rhetoric of the Canterbury Links. The Chaucer Review 29, 45–64 (1994).
138.
Malcolm Andrew. Context and Judgment in the ‘General Prologue’. The Chaucer Review 23, 316–337 (1989).
139.
Benson, C. D. Chaucer’s drama of style: poetic variety and contrast in the ‘Canterbury Tales’. (University of North Carolina Press, 1986).
140.
Bishop, I. The narrative art of ‘The Canterbury Tales’: a critical study of the major poems. vol. Everyman’s university library (Dent, 1987).
141.
Blum, M. Negotiating Masculinities: Erotic Triangles in the ‘Miller’s Tale’. in Masculinities in Chaucer: approaches to masculinity in the Canterbury Tales and Troilus and Criseyde vol. Chaucer studies 37–52 (Brewer, 1998).
142.
Cookson, L. & Loughrey, B. Critical essays on the ‘General Prologue’ to the ‘Canterbury Tales’, Geoffrey Chaucer. vol. Longman literature guides (Longman, 1989).
143.
Crane, S. Gender and romance in Chaucer’s ‘Canterbury Tales’. (Princeton University Press, 1994).
144.
Dinshaw, C. Chaucer’s sexual poetics. (University of Wisconsin Press, 1989).
145.
Donaldson, E. T. Chaucer the Pilgrim. PMLA 69, (1954).
146.
Donaldson, Kara Virginia. Alisoun’s Language: Body, Text and Glossing in Chaucer’s ‘The Miller’s Tale’. Philological Quarterly 710,.
147.
Laskaya, A. Chaucer’s approach to gender in the ‘Canterbury Tales’. vol. Chaucer studies (D.S. Brewer, 1995).
148.
Mann, J. Geoffrey Chaucer. vol. Feminist readings (Harvester/Wheatsheaf, 1991).
149.
Martin, P. Chaucer’s women: nuns, wives and Amazons. (Macmillan, 1996).
150.
Muscatine, C. Chaucer and the French tradition: a study in style and meaning. (University of California Press, 1957).
151.
Joseph D Parry. Interpreting Female Agency and Responsibility in ‘The Miller’s Tale’ and ‘The Merchant’s Tale’. People:Chaucer, Geoffrey (1340?-1400)Author(s):Joseph D ParryDocument types:FeaturePublication title:Philological Quarterly. Iowa City: Spring 2001. Vol. 80, Iss. 2; pg. 133, 35 pgsSource type:PeriodicalISSN/ISBN:00317977 Text Word Count14541 80, (2001).
152.
Patterson, L. The Miller’s Tale and the Politics of Laughter. in Chaucer and the subject of history 244–279 (Routledge, 1991).
153.
Patterson, L. ‘No Man his Reson Herde’: Peasant Consciousness, Chaucer’s Miller, and the Structure of the ‘Canterbury Tales’. in Chaucer 169–192 (Macmillan, 1996).
154.
Phillips, H. An introduction to the ‘Canterbury Tales’: reading, context, fiction. (Macmillan, 2000).
155.
Saunders, C. A concise companion to Chaucer. vol. Blackwell concise companions to literature and culture (Blackwell Pub, 2006).
156.
Schoeck, R. J. & Taylor, J. Chaucer criticism: an anthology, Vol.1: ‘The Canterbury Tales’. (University of Notre Dame Press, 1960).
157.
Strohm, P. Social Chaucer. (Harvard University Press, 1989).
158.
Rigby, S. H. Chaucer in context: society, allegory and gender. vol. Manchester medieval studies (Manchester University Press, 1996).
159.
Rigby, S. H. & Minnis, A. J. Historians on Chaucer: the ‘General Prologue’ to the ‘Canterbury Tales’. (Oxford University Press, 2014).
160.
Walker, G. Rough Girls and Squeamish Boys: The Trouble with Absolon in 'The Miller’s Tale’. in Writing gender and genre in medieval literature: approaches to old and middle English texts vol. Essays and studies / English Association: 1950- 61–91 (D.S. Brewer, 2002).
161.
Chaucer Bibliography. http://chaucer.lib.utsa.edu/items/search.
162.
Interlinear Translations of Chaucer’s ‘Canterbury Tales’. https://chaucer.fas.harvard.edu/pages/text-and-translations.
163.
Kankedort.net - The Electronic Canterbury Tales. http://www.kankedort.net/.
164.
eChaucer: Chaucer in the Twenty-First Century. http://chaucer.lib.utsa.edu/omeka/items/show/271656.
165.
The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu/.
166.
Ellesmere Chaucer page at Long Island university library website. https://liu.cwp.libguides.com/archives_and_special_collections/chaucer.
168.
Greenblatt, S. The Norton anthology of English literature. (W.W. Norton, 2012).
169.
Walker, G. Medieval drama: an anthology. (Blackwell, 2000).
170.
Bevington, D. M. Medieval drama. (Houghton Mifflin, 1975).
171.
Beadle, R., Early English Text Society, & British Library. The York plays: a critical edition of the York Corpus Christi play as recorded in British Library Additional MS 35290, Volume 1. vol. Early English Text Society (Oxford University Press for the Early English Text Society, 2009).
172.
Beadle, R. The York plays: a critical edition of the York Corpus Christi play as recorded in British Library additional MS 35290, Volume 2. vol. Early English Text Society. Supplementary series (Oxford University Press, 2013).
173.
Beadle, R. & King, P. M. York mystery plays: a selection in modern spelling. (Clarendon Press, 1984).
174.
Cawley, A. C. The Wakefield pageants in the Townley cycle. vol. Old and Middle English texts (Manchester University Press, 1958).
175.
Peter Meredith. The Towneley cycle. ([School of English, University of Leeds], 1990).
176.
Beadle, R. & Fletcher, A. J. The Cambridge companion to medieval English theatre. vol. Cambridge companions to literature (Cambridge University Press, 2008).
177.
McGavin, J. Performing Communities: Civic Religious Drama. in The Oxford handbook of medieval literature in English 200–218 (Oxford University Press, 2010). doi:10.1093/oxfordhb/9780199229123.013.0011.
178.
Cawley, A. C. The Revels history of drama in English: Vol. 1: Medieval drama. (Methuen, 1983).
179.
Richardson, C. & Johnston, J. Medieval drama. vol. English dramatists (Macmillan Education, 1991).
180.
J. W. Robinson. The Art of the York Realist. Modern Philology 60, 241–251 (1963).
181.
Beckwith, S. Signifying God: social relation and symbolic act in the York Corpus Christi plays. (University of Chicago Press, 2001).
182.
Boitani, P. & Torti, A. Religion in the poetry and drama of the late Middle Ages in England: the J.A.W. Bennett Memorial Lectures, Perugia, 1988. vol. The J.A.W. Bennett memorial lectures (Brewer, 1990).
183.
Briscoe, M. G. & Coldewey, J. C. Contexts for early English drama. (Indiana University Press, 1989).
184.
Clopper, L. M. Drama, play, and game: English festive culture in the medieval and early modern period. (University of Chicago Press, 2001).
185.
Collier, R. J. The Action of Fulfillment in the York Corpus Christi Play. Pacific Coast Philology 11, (1976).
186.
Davidson, C. From creation to doom: the York cycle of mystery plays. vol. AMS studies in the Middle Ages (AMS Press, 1984).
187.
Davidson, C. The Realism of the York Realist and the York Passion. Speculum 50, 270–283 (1975).
188.
Dillon, J. The Cambridge introduction to early English theatre. vol. Cambridge introductions to literature (Cambridge University Press, 2006).
189.
Happé, P. Medieval English drama. vol. Casebook series (Macmillan, 1984).
190.
Justice, A. D. Trade Symbolism in the York Cycle. Theatre Journal 31, (1979).
191.
Normington, K. Medieval English drama: performance and spectatorship. vol. Cultural history of literature (Polity Press, 2009).
192.
Normington, K. & Cambridge Books Online (Online service). Gender and Medieval Drama. (Cambridge University Press, 2012).
193.
Ryan, L. V. Doctrine and Dramatic Structure in Everyman. Speculum 32, 722–735 (1957).
194.
Sponsler, C. Drama and resistance: bodies, goods, and theatricality in late medieval England. vol. Medieval cultures (University of Minnesota Press, 1997).
195.
Taylor, J. & Nelson, A. H. Medieval English drama: essays critical and contextual. vol. Patterns of literary criticism (University of Chicago Press, 1972).
196.
Tydeman, W. English medieval theatre, 1400-1500. vol. Theatre production studies (Routledge & Kegan Paul, 1986).
197.
Wendy Wall. ‘Household Stuff’: The Sexual Politics of Domesticity and the Advent of English Comedy. ELH 65, 1–45 (1998).
198.
Wallace, D. The Cambridge history of medieval English literature. (Cambridge University Press, 1999).
199.
White, E. Places to Hear the Play: The Performance of the Corpus Christi Play at York. Early Theatre 3, 49–78 (2000).
200.
Luminarium Everyman page. http://www.luminarium.org/medlit/everyman.htm.
201.
York Mystery Plays Route. http://maps.conted.ox.ac.uk/literature/midenglit/YorkMysteryPlaysRoute.php.
202.
York Corpus Christi Play. http://jerz.setonhill.edu/resources/PSim/intro.htm.
203.
Manuscript of the York Mystery Plays, British Library.
204.
Putter, A. & Stokes, M. The works of the Gawain poet. vol. Penguin classics (Penguin Books, 2014).
205.
Brewer, D. & Gibson, J. A companion to the Gawain-poet. vol. Arthurian studies (D.S Brewer, 1997).
206.
Putter, A. An introduction to the Gawain-poet. (Longman, 1996).
207.
Besserman, L. The Idea of the Green Knight. ELH 53, (1986).
208.
Burrow, J. Honour and Shame in ‘Sir Gawain and the Green Knight’. in Essays on medieval literature 117–131 (Clarendon Press, 1984).
209.
Clark, C. Sir Gawain and The Green Knight: Characterisation by Syntax. Essays in Criticism XVI, 361–374 (1966).
210.
Fulton, H. A companion to Arthurian literature. vol. Blackwell companions to literature and culture (Wiley-Blackwell, 2009).
211.
Mann, J. Price and Value in ‘Sir Gawain and the Green Knight’. Essays in Criticism XXXVI, 294–318 (1986).
212.
Riddy, F. Gender, Nature and Culture in 'Sir Gawain and the Green Knight’. in Arthurian romance and gender: selected proceedings of the XVIIth International Arthurian Congress = Masculin/féminin dans le roman arthurien médiéval : actes choisis du XVIIe Congrès international arthurien = Geschlechterrollen im mittelalterlichen Artusroman : Ausgewählte Akten des XVII. Internationalen Artuskongresses (ed. Wolfzettel, F.) vol. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft 215–225 (Rodopi, 1995).
213.
Brewer, E. ‘Sir Gawain and the Green Knight’: sources and analogues. vol. Arthurian studies (D.S. Brewer, 1992).
214.
Aers, D. ‘In Arthurus Day’: Community, Virtue, and Individual Identity in ‘Sir Gawain and the Green Knight’. in Community, gender, and individual identity: English writing 1360-1430 153–178 (Routledge, 1988).
215.
J. J. Anderson. The Three Judgments and the Ethos of Chivalry in ‘Sir Gawain and the Green Knight’. The Chaucer Review 24, 337–355 (1990).
216.
Archibald, E. & Putter, A. A Cambridge companion to the Arthurian legend. (Cambridge University Press, 2009). doi:http://dx.doi.org/10.1017/CCOL9780521860598.
217.
Barnes, G. The failure of counsel and strategy: ‘Sir Gawain and the Green Knight’. in Counsel and strategy in Middle English romance (D.S. Brewer, 1993).
218.
Bennett, M. J. ‘Sir Gawain and the Green Knight’ and the literary achievement of the north-west Midlands: the historical background. Journal of Medieval History 5, 63–88 (1979).
219.
Benson, L. D. Art and tradition in ‘Sir Gawain and the Green Knight’. (Rutgers University Press, 1965).
220.
Burnley, J. D. The Hunting Scenes in ‘Sir Gawain and the Green Knight’. The Yearbook of English Studies 3, (1973).
221.
Burrow, J. A. A reading of ‘Sir Gawain and the Green Knight’. (Routledge & Kegan Paul, 1965).
222.
Burrow, J. A. The Gawain-poet. vol. Writers and their work (Northcote House, 2000).
223.
Davenport, W. A. The art of the Gawain-poet. (Athlone Press, 1978).
224.
Dinshaw, C. A Kiss Is Just a Kiss: Heterosexuality and Its Consolations in ‘Sir Gawain and the Green Knight’. Diacritics 24, (1994).
225.
J. Finlayson. The Expectations of Romance in ‘Sir Gawain and the Green Knight’. Genre 12, 1–24 (1979).
226.
Ganim, J. M. Disorientation, Style, and Consciousness in ‘Sir Gawain and the Green Knight’. PMLA 91, (1976).
227.
Hanna, R. Unlocking what’s Unlocked: Gawain’s Green Girdle. Viator 14, 289–302 (1983).
228.
Heng, G. Feminine Knots and the Other: ‘Sir Gawain and the Green Knight’. PMLA 106, (1991).
229.
Howard, D. R. Structure and Symmetry in ‘Sir Gawain’. Speculum 39, 425–433 (1964).
230.
Krueger, R. L. The Cambridge companion to medieval romance. (Cambridge University Press, 2000). doi:http://dx.doi.org/10.1017/CCOL0521553423.
231.
Morgan, G. Medieval Misogyny and Gawain’s Outburst against Women in ‘Sir Gawain and the Green Knight’. The Modern Language Review 97, (2002).
232.
Putter, A. ‘Sir Gawain and the Green Knight’ and the French Arthurian romance. (Clarendon Press, 1995). doi:10.1093/acprof:oso/9780198182535.001.0001.
233.
A. V. C. Schmidt. ‘Latent Content’ and ‘The Testimony in the Text’: Symbolic Meaning in ‘Sir Gawain and the Green Knight’. The Review of English Studies 38, 145–168 (1987).
234.
A. C. Spearing. Public and Private Spaces in ‘Sir Gawain and the Green Knight’. Arthuriana 4, 138–145 (1994).
235.
Spearing, A. C. The Gawain-poet: a critical study. (Cambridge University Press, 1970).
236.
Stevens, M. Laughter and Game in ‘Sir Gawain and the Green Knight’. Speculum 47, 65–78 (1972).
237.
Armitage, S. Sir Gawain and the Green Knight. (Faber and Faber, 2007).
238.
Images from the ‘Sir Gawain and the Green Knight’ manuscript. http://faculty.virginia.edu/engl381ck/three.html.
239.
The Camelot Project. http://d.lib.rochester.edu/camelot-project.
240.
Sir Gawain and the Green Knight (BBC Documentary).
241.
Cotton Nero A.x. Project. http://people.ucalgary.ca/~scriptor/cotton/index.html.
242.
Putter, A. & Stokes, M. The works of the Gawain poet. vol. Penguin classics (Penguin Books, 2014).
243.
Brewer, D. & Gibson, J. A companion to the Gawain-poet. vol. Arthurian studies (D.S Brewer, 1997).
244.
Burrow, J. A. The Gawain-poet. vol. Writers and their work (Northcote House, 2000).
245.
Newman, B. The artifice of eternity. in Envisaging heaven in the Middle Ages vol. Routledge studies in medieval religion and culture 185–206 (Routledge, 2007).
246.
Spearing, A. C. The Gawain-poet: a critical study. (Cambridge University Press, 1970).
247.
Putter, A. An introduction to the Gawain-poet. (Longman, 1996).
248.
Greenblatt, S. The Norton anthology of English literature. (W.W. Norton, 2012).
249.
Crampton, G. R. & Julian of Norwich. The shewings of Julian of Norwich. vol. Middle English texts (Medieval Institute Publications for TEAMS (The Consortium for the Teaching of the Middle Ages) in association with the University of Rochester, 1994).
250.
Spearing, E., Spearing, A. C., & Julian of Norwich. Revelations of divine love: (short text and long text). vol. Penguin classics (Penguin, 1998).
251.
Kempe, M. & Windeatt, B. A. The book of Margery Kempe. (Brewer, 2004).
252.
Kempe, M. & Staley, L. The book of Margery Kempe: a new translation, contexts, criticism. vol. A Norton critical edition (Norton, 2001).
253.
Windeatt, B. English mystics of the Middle Ages. (Cambridge University Press, 1994). doi:http://dx.doi.org/10.1017/CBO9780511518812.
254.
Arnold, J. H. & Lewis, K. J. A companion to The book of Margery Kempe. (D.S. Brewer, 2004).
255.
Beer, F. Women and mystical experience in the Middle Ages. (Boydell Press, 1992).
256.
Dinshaw, C. Margery Kempe. in The Cambridge companion to medieval women’s writing vol. Cambridge companions to literature 222–239 (Cambridge University Press, 2003).
257.
Fanous, S. & Gillespie, V. The Cambridge companion to medieval English mysticism. vol. Cambridge companions to literature (Cambridge University Press, 2011).
258.
Goodman, A. Margery Kempe and her world. vol. The medieval world (Longman, 2002).
259.
Staley, L. Margery Kempe’s dissenting fictions. (Pennsylvania State University Press, 1994).
260.
Watson, N. Julian of Norwich. in The Cambridge companion to medieval women’s writing vol. The Cambridge companions to literature and classics (Cambridge University Press, 2006).
261.
Aers, D. The Making of Margery Kempe. in Community, gender, and individual identity: English writing 1360-1430 (Routledge, 1988).
262.
Atkinson, C. W. Mystic and pilgrim: the Book and the world of Margery Kempe. (Cornell University Press, 1983).
263.
Beckwith, S. Christ’s body: identity, culture, and society in late medieval writings. (Routledge, 1993).
264.
Terence N. Bowers. Margery Kempe as Traveler. Studies in Philology 97, (2000).
265.
Delany, S. Sexual Economics, Chaucer’s Wife of Bath and ‘The Book of Margery Kempe’. in Feminist readings in Middle English literature: the Wife of Bath and all her sect 72–87 (Routledge, 1994).
266.
Glenn, C. Author, Audience, and Autobiography: Rhetorical Technique in the ‘Book of Margery Kempe’. College English 54, (1992).
267.
McAvoy, L. H. & Cambridge Books Online (Online service). Authority and the Female Body in the Writings of Julian of Norwich and Margery Kempe. (Cambridge University Press, 2012).
268.
Raymond A. Powell. Margery Kempe: An Exemplar of Late Medieval English Piety. The Catholic Historical Review 89, 1–23 (2003).
269.
Ellen M. Ross. Spiritual Experience and Women’s Autobiography: The Rhetoric of Selfhood in ‘The Book of Margery Kempe’. Journal of the American Academy of Religion 59, 527–546 (1991).
270.
In Our Time, Margery Kempe and English Mysticism. http://www.bbc.co.uk/programmes/b07cyfkg.
271.
Book of Margery Kempe. http://college.holycross.edu/projects/kempe/text/kempecap.htm.
272.
Manuscript of The Book of the Margery Kempe, British Library. http://www.bl.uk/manuscripts/Viewer.aspx?ref=add_ms_61823_fs001r.
273.
Julian of Norwich documentary with Janina Ramirez. https://learningonscreen.ac.uk/ondemand/index.php/prog/0CF2743F?bcast=122145485.
274.
Greenblatt, S. The Norton anthology of English literature. (W.W. Norton, 2012).
275.
Malory, T. & Vinaver, E. Works. (Oxford University Press, 1971).
276.
Malory, T. & Shepherd, S. H. A. Le morte Darthur, or, The hoole book of Kyng Arthur and of his noble knyghtes of the Rounde Table: authoritative text, sources and backgrounds, criticism. vol. Norton critical edition (Norton, 2004).
277.
Malory, T. & Cooper, H. Le morte Darthur: the Winchester manuscript. vol. Oxford world’s classics (Oxford University Press, 1998).
278.
Malory, T. & Shepherd, S. H. A. Le morte Darthur, or, The hoole book of Kyng Arthur and of his noble knyghtes of the Rounde Table: authoritative text, sources and backgrounds, criticism. vol. Norton critical edition (Norton, 2004).
279.
Archibald, E. & Edwards, A. S. G. A companion to Malory. vol. Arthurian studies (Brewer, 1996).
280.
Elizabeth Archibald. Malory’s Ideal of Fellowship. The Review of English Studies 43, 311–328 (1992).
281.
Lynch, A. Malory’s Morte Darthur and History. in A companion to Arthurian literature vol. Blackwell companions to literature and culture 297–311 (Wiley-Blackwell, 2009).
282.
Tolhurst, F. Why Every Knight Needs His Lady: Re-Viewing Questions of Genre and ‘Cohesion’. in Re-viewing Le morte Darthur: texts and contexts, characters and themes vol. Arthurian studies (D.S. Brewer, 2005).
283.
Batt, C. Malory’s ‘Morte Darthur’: remaking Arthurian tradition. vol. The new Middle Ages (Palgrave, 2002).
284.
Benson, L. D. Malory’s ‘Morte Darthur’. (Harvard University Press, 1976).
285.
Harry E. Cole. Forgiveness as Structure: ‘The Book of Sir Launcelot and Queen Guinevere’. The Chaucer Review 31, 36–44 (1996).
286.
Edwards, E. The genesis of narrative in Malory’s ‘Morte Darthur’. vol. Arthurian studies (D.S. Brewer, 2001).
287.
Field, P. J. C. Romance and chronicle: a study of Malory’s prose style. (Barrie & Jenkins, 1971).
288.
Field, P. J. C. The life and times of Sir Thomas Malory. vol. Arthurian studies (D. S. Brewer, 1993).
289.
Laurie A. Finke and Martin B. Schichtman. No Pain, No Gain: Violence as Symbolic Capital in Malory’s ‘Morte d’Arthur’. Arthuriana 8, 115–134 (1998).
290.
Fisher, S. Women and Men in Late Medieval Romance. in The Cambridge companion to medieval romance (Cambridge University Press, 2000). doi:http://dx.doi.org/10.1017/CCOL0521553423.
291.
Kennedy, B. Knighthood in the ‘Morte Darthur’. vol. Arthurian studies (D.S. Brewer, 1992).
292.
Lambert, M. Malory: style and vision in ‘Le Morte Darthur’. vol. Yale studies in English (Yale University Press, 1975).
293.
Lynch, A. Malory’s book of arms: the narrative of combat in ‘Le Morte Darthur’. vol. Arthurian studies (D. S. Brewer, 1997).
294.
McCarthy, T. An introduction to Malory. vol. Arthurian studies (D.S. Brewer, 1991).
295.
Radulescu, R. The gentry context for Malory’s ‘Morte Darthur’. vol. Arthurian studies (D.S. Brewer, 2003).
296.
Riddy, F. Sir Thomas Malory. vol. Medieval and Renaissance authors (Brill, 1987).
297.
Saunders, C. Religion and Magic. in The Cambridge companion to the Arthurian legend vol. The Cambridge companions to literature and classics (Cambridge University Press, 2010).
298.
Elizabeth Scala. Disarming Lancelot. Studies in Philology 99, 380–403 (2002).
299.
Peter R. Schroeder. Saying but Little: Malory and the Suggestion of Emotion. Arthuriana 11, 43–51 (2001).
300.
Malory Project. http://www.maloryproject.com/index.php.
301.
In Our Time, ‘Le Morte d’Arthur’. http://www.bbc.co.uk/programmes/b01pp989.
302.
Greenblatt, S. The Norton anthology of English literature. (W.W. Norton, 2012).
303.
Wyatt, T. & Rebholz, R. A. The complete poems. vol. The English poets (Yale University Press, 1981).
304.
Bielby, N. Three early Tudor poets: a selection from Skelton, Wyatt and Surrey. vol. Wheaton studies in literature (Wheaton, 1976).
305.
Cheney, P. Reading sixteenth-century poetry. vol. Blackwell reading poetry (Wiley-Blackwell, 2011).
306.
Dasenbrock, R. W. Wyatt’s Transformation of Petrarch. Comparative Literature 40, (1988).
307.
Greenblatt, S. Renaissance self-fashioning: from More to Shakespeare. (University of Chicago Press, 2005).
308.
Heale, E. Wyatt, Surrey, and early Tudor poetry. vol. Longman medieval and Renaissance library (Longman, 1998).
309.
Spearing, A. C. Medieval to Renaissance in English poetry. (Cambridge University Press, 1985).
310.
Brigden, S. Thomas Wyatt: the heart’s forest. (Faber and Faber, 2012).
311.
Guy, J. The Tudor Age. in The Oxford illustrated history of Britain 223–285 (Oxford University Press, 1984).
312.
Kinney, A. F. The Cambridge companion to English literature, 1500-1600. vol. Cambridge companions to literature (Cambridge University Press, 2000).
313.
Mason, H. A. Sir Thomas Wyatt: a literary portrait. (Bristol Classical Press, 1986).
314.
Shulman, N. Graven with diamonds: the many lives of Thomas Wyatt, courtier, poet, assassin, spy. (Short, 2011).
315.
Southall, R. The courtly maker: an essay on the poetry of Wyatt and his contemporaries. (Blackwell, 1964).
316.
Stamatakis, C. Sir Thomas Wyatt and the rhetoric of rewriting: turning the word. vol. Oxford English monographs (Oxford University Press, 2012).
317.
Stevens, J. E. Music & poetry in the early Tudor court. vol. Cambridge studies in music (Cambridge University Press, 1979).
318.
Thomson, P. Sir Thomas Wyatt and his background. (Stanford University Press, 1964).
319.
Dunbar, W. & Conlee, J. The Complete Works (TEAMS). http://d.lib.rochester.edu/teams/publication/conlee-dunbar-complete-works.
320.
Dunbar, W. & Bawcutt, P. Selected poems. vol. Longman annotated texts (Longman, 1996).
321.
Dunbar, W. & Bawcutt, P. The poems of William Dunbar. (Association for Scottish Literary Studies, 1998).
322.
Dunbar, W. & Kinsley, J. The poems of William Dunbar. vol. Oxford English texts (Clarendon Press, 1979).
323.
Bawcutt, P. Dunbar the makar. (Clarendon Press, 1992). doi:10.1093/acprof:oso/9780198129639.001.0001.
324.
Bawcutt, P. J. & Williams, J. H. A companion to medieval Scottish poetry. (Boydell & Brewer, 2006).
325.
Burrow, J. A. The Poet as Petitioner. in Essays on Medieval Literature 161–176 (Oxford University Press, 1984). doi:10.1093/acprof:oso/9780198111870.003.0010.
326.
Lois A. Ebin. The Theme of Poetry in Dunbar’s ‘Goldyn Targe’. The Chaucer Review 7, 147–159 (1972).
327.
Mapstone, Sally. Was there a Court Literature in Fifteenth-Century Scotland? Studies in Scottish Literature 26, (1991).
328.
Lois Ebin. Dunbar’s Bawdy. The Chaucer Review 14, 278–286 (1980).
329.
Edwards, A. S. G. ‘Dunbar, Skelton and the Nature of Court Culture in the Early Sixteenth Century’. in Vernacular literature and current affairs in the early sixteenth century: France, England, and Scotland vol. Studies in European cultural transition (Ashgate, 2000).
330.
Fox, D. ‘Middle Scots Poets and Their Patrons’. in English court culture in the later Middle Ages (Duckworth, 1982).
331.
Fox, D. ‘The Scottish Chaucerians’. in Chaucer and Chaucerians: critical studies in Middle English literature (University of Alabama, 1966).
332.
Gray, D. Later medieval English literature. (Oxford University Press, 2008).
333.
Pamela M. King. Dunbar’s ‘Golden Targe’: A Chaucerian Masque. Studies in Scottish Literature 19, (1984).
334.
Kratzmann, G. Anglo-Scottish literary relations, 1430-1550. (Cambridge University Press, 1979).