[1]
S. Greenblatt, The Norton anthology of English literature, 9th ed. New York: W.W. Norton, 2012.
[2]
G. Chaucer, L. D. Benson, and F. N. Robinson, The Riverside Chaucer, 3rd ed. Boston, Mass: Houghton Mifflin, 1987.
[3]
A. Putter and M. Stokes, The works of the Gawain poet, vol. Penguin classics. London: Penguin Books, 2014.
[4]
‘TEAMS Middle English Texts’. [Online]. Available: http://d.lib.rochester.edu/teams
[5]
M. S. Luria and R. L. Hoffman, Middle English lyrics: authoritative texts, critical and historical backgrounds, perspectives on six poems, vol. Norton critical editions. New York ; London: Norton, 1974.
[6]
J. C. Hirsh, Medieval lyric: Middle English lyrics, ballads and carols. Oxford: Blackwell, 2005.
[7]
G. S. Burgess, K. Busby, and Marie, The Lais of Marie de France, 2nd ed. with two further lais in the original Old French., vol. Penguin classics. London: Penguin, 1999 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57e2696f4469ee45448b4568
[8]
G. Walker, Medieval drama: an anthology. Oxford: Blackwell, 2000.
[9]
D. M. Bevington, Medieval drama. Boston: Houghton Mifflin, 1975.
[10]
M. Kempe and B. A. Windeatt, The book of Margery Kempe. Woodbridge: Brewer, 2004 [Online]. Available: http://content.talisaspire.com/bristol/bundles/599da397646be03fb539bd34
[11]
T. Malory and E. Vinaver, Works, 2nd ed. London: Oxford University Press, 1971.
[12]
T. Malory and S. H. A. Shepherd, Le morte Darthur, or, The hoole book of Kyng Arthur and of his noble knyghtes of the Rounde Table: authoritative text, sources and backgrounds, criticism, vol. Norton critical edition. New York: Norton, 2004.
[13]
T. Malory and H. Cooper, Le morte d’Arthur: the Winchester manuscript, vol. Oxford world’s classics. Oxford: Oxford University Press, 2008.
[14]
T. Wyatt and R. A. Rebholz, The complete poems, vol. The English poets. New Haven: Yale University Press, 1981.
[15]
W. Dunbar and P. Bawcutt, Selected poems, vol. Longman annotated texts. London: Longman, 1996.
[16]
J. A. Burrow, Medieval writers and their work: Middle English literature,1100--1500, 2nd ed. Oxford: Oxford University Press, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=415532
[17]
D. Wallace, The Cambridge history of medieval English literature. Cambridge: Cambridge University Press, 1999.
[18]
P. Brown, A companion to medieval English literature and culture, c.1350-c.1500, vol. Blackwell companions to literature and culture. Oxford: Wiley-Blackwell, 2009.
[19]
J. A. Burrow, English poets in the late Middle Ages: Chaucer, Langland and others, vol. Variorum collected studies series. Farnham: Ashgate Variorum, 2012.
[20]
W. A. Davenport, Medieval narrative: an introduction. Oxford: Oxford University Press, 2004.
[21]
R. Evans and L. Johnson, Feminist readings in Middle English literature: the Wife of Bath and all her sect. London: Routledge, 1994.
[22]
D. Gray, Later medieval English literature. Oxford: Oxford University Press, 2008.
[23]
D. F. Johnson and E. M. Treharne, Readings in medieval texts: interpreting old and Middle English literature. Oxford: Oxford University Press, 2005.
[24]
P. M. King, Medieval literature 1300-1500, vol. Edinburgh critical guides to literature. Edinburgh: Edinburgh University Press, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=714138
[25]
D. Pearsall, Old English and Middle English poetry, vol. The Routledge history of English poetry. London: Routledge and Kegan Paul, 1977.
[26]
L. Scanlon, The Cambridge companion to medieval English literature, 1100-1500, vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2009 [Online]. Available: https://www.cambridge.org/core/books/cambridge-companion-to-medieval-english-literature-11001500/4B4E1CF0F184D5683004D20A1576F14C
[27]
E. M. Treharne, Old and Middle English: an anthology, vol. Blackwell anthologies. Oxford: Blackwell, 2000.
[28]
E. M. Treharne and G. Walker, The Oxford handbook of medieval literature in English. Oxford: Oxford University Press, 2010.
[29]
C. Saunders, A companion to medieval poetry, vol. Blackwell companions to literature and culture. Oxford: Wiley-Blackwell, 2010.
[30]
‘Oxford English Dictionary’. [Online]. Available: http://www.oed.com/
[31]
H. Kurath, S. M. Kuhn, and R. E. Lewis, Middle English dictionary. Ann Arbor: University of Michigan, 1952 [Online]. Available: http://quod.lib.umich.edu/m/med/
[32]
C. L. Barber, The English language: a historical introduction, vol. Canto. Cambridge: Cambridge University Press, 2000 [Online]. Available: http://ebooks.cambridge.org/ebook.jsf?bid=CBO9781139106894
[33]
A. C. Baugh and T. Cable, A history of the English language, 5th ed. London: Routledge, 2002.
[34]
J. A. Burrow and T. Turville-Petre, A book of Middle English, 3rd ed. Malden, Mass., Oxford: Blackwell, 2005 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=848524
[35]
J. J. Smith, Essentials of early English. London: Routledge, 1999.
[36]
‘Teach yourself to read Chaucer: Pronunciation’. [Online]. Available: https://chaucer.fas.harvard.edu/lesson-2
[37]
‘Chaucer, The Wife of Bath’s Prologue, read aloud’. [Online]. Available: https://www.youtube.com/watch?v=e0ybnLRf3gU
[38]
‘Audio clips of “Beowulf” and “Sir Gawain and the Green Knight”’. [Online]. Available: https://www.youtube.com/watch?v=5NB2Z6pZBNA
[39]
‘Douay-Rheims Bible Online’. [Online]. Available: http://www.drbo.org/
[40]
A. Galloway, The Cambridge companion to medieval English culture, vol. Cambridge companions to culture. Cambridge: Cambridge University Press, 2011 [Online]. Available: https://www.cambridge.org/core/books/cambridge-companion-to-medieval-english-culture/7723F38743680F218958BACFED98BBDF#
[41]
R. Horrox and W. M. Ormrod, Social history of England, 1200-1500. Cambridge: Cambridge University Press, 2006 [Online]. Available: https://doi.org/10.1017/CBO9781139167154
[42]
S. H. Rigby and Historical Association, A companion to Britain in the later Middle Ages, vol. Blackwell companions to British history. Malden, Mass: Blackwell, 2003 [Online]. Available: http://lib.myilibrary.com/Open.aspx?id=131256&src=0
[43]
A. Blamires, K. Pratt, and C. W. Marx, Woman defamed and woman defended: an anthology of medieval texts. Oxford: Clarendon Press, 1992.
[44]
A. Blamires, The case for women in medieval culture. Oxford: Clarendon Press, 1997 [Online]. Available: http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780198186304.001.0001/acprof-9780198186304
[45]
S. Shahar, The fourth estate: a history of women in the Middle Ages, Rev. ed. London: Routledge, 2003 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=181941
[46]
M. Keen, Chivalry, vol. Yale Nota bene. New Haven, Conn: Yale University Press, 2005.
[47]
N. Saul, Chivalry in medieval England. Cambridge, Mass: Harvard University Press, 2011 [Online]. Available: http://www.jstor.org/stable/j.ctt2jbvtm
[48]
‘In Our Time, Caxton and the Printing Press’. [Online]. Available: http://www.bbc.co.uk/programmes/b01nbqz3
[49]
‘Inside the Medieval Mind: Sex’. [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/008B8CC6?bcast=115705592
[50]
‘Terry Jones’ Medieval Lives: the king’. [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/004D00A8?bcast=30756283
[51]
‘Sacred Wonders’. [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/065CBB29?bcast=122216756
[52]
‘Medievalists.net’. [Online]. Available: http://www.medievalists.net/
[53]
‘British Library: Luttrell Psalter’. [Online]. Available: http://www.bl.uk/onlinegallery/sacredtexts/luttrellpsalter.html
[54]
‘British Library medieval manuscripts blog’. [Online]. Available: http://blogs.bl.uk/digitisedmanuscripts/index.html
[55]
‘BBC News - The Middle Ages in colour’. [Online]. Available: http://www.bbc.co.uk/news/entertainment-arts-15667183
[56]
‘Bristol Record Society - links’. [Online]. Available: http://www.bristol.ac.uk/Depts/History/bristolrecordsociety/links.htm
[57]
‘1347 bakers’ charter, Bristol Record Office’. [Online]. Available: http://museums.bristol.gov.uk/narratives.php?irn=2658
[58]
‘Withypool Triptych, Bristol Museum’. [Online]. Available: https://artuk.org/discover/artworks/withypool-triptych-virgin-and-child-with-saint-joseph-and-donor-189120
[59]
S. Greenblatt, The Norton anthology of English literature, 9th ed. New York: W.W. Norton, 2012.
[60]
J. C. Hirsh, Medieval lyric: Middle English lyrics, ballads and carols. Oxford: Blackwell, 2005.
[61]
M. Luria and R. L. Hoffman, Middle English lyrics: authoritative texts, critical and historical backgrounds, perspectives on six poems, vol. Norton critical editions. New York ; London: Norton, 1974.
[62]
R. T. Davies, Medieval English lyrics: a critical anthology. London: Faber, 1963.
[63]
J. Boffey, ‘“'Loke on this wrytyng, man, for thi devocion!”’: Focal Texts in Some Later Middle English Religious Lyrics’, in Individuality and achievement in Middle English poetry, Woodbridge: D.S. Brewer, 1997, pp. 129–145 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57c04c914469ee0c1f8b4590
[64]
J. A. Burrow, Medieval writers and their work: Middle English literature,1100--1500, 2nd ed. Oxford: Oxford University Press, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=415532
[65]
T. G. Duncan, A companion to the Middle English lyric. Cambridge: D.S. Brewer, 2005 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3003515
[66]
R. Woolf, The English religious lyric in the Middle Ages. Oxford: Clarendon, 1968 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57c0457b4469eed3248b4593
[67]
K. Boklund-Lagopoulou, ‘I have a young suster’: popular song and the Middle English lyric. Dublin: Four Courts Press, 2001.
[68]
D. S. Brewer, ‘The Ideal of Feminine Beauty in Medieval Literature, Especially “Harley Lyrics”, Chaucer, and Some Elizabethans’, The Modern Language Review, vol. 50, no. 3, Jul. 1955, doi: 10.2307/3719759.
[69]
J. A. Burrow, Essays on medieval literature. Oxford: Clarendon Press, 1984.
[70]
D. Gray, Themes and images in the medieval English religious lyric. London: Routledge and Kegan Paul, 1972.
[71]
A. J. Howell, ‘Reading the Harley Lyrics: A Master Poet and the Language of Conventions’, ELH, vol. 47, no. 4, Winter 1980, doi: 10.2307/2872852.
[72]
C. Dinshaw and D. Wallace, The Cambridge companion to medieval women’s writing, vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2003 [Online]. Available: http://universitypublishingonline.org/cambridge/companions/ebook.jsf?bid=CBO9780511999123
[73]
R. Oliver, Poems without names: the English lyric, 1200-1500. Berkeley: University of California Press, 1970.
[74]
E. Reiss, The art of the Middle English lyric: essays in criticism. Athens: University of Georgia Press, 1972.
[75]
A. C. Spearing, ‘Lyrics’, in Textual subjectivity: the encoding of subjectivity in medieval narratives and lyrics, Oxford: Oxford University Press, 2005, pp. 174–210 [Online]. Available: http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780198187240.001.0001/acprof-9780198187240-chapter-6
[76]
‘“Sumer is icumen in”, sung’. [Online]. Available: https://www.youtube.com/watch?v=ZWWEHAswpFI
[77]
‘“Adam lay ybounden”, sung by St Peter’s Singers of Leeds’. [Online]. Available: https://www.youtube.com/watch?v=_vb_r41eOu4
[78]
‘“I Sing of a Maiden” sung by Marzena Buziak’. [Online]. Available: https://www.youtube.com/watch?v=0oAy1nzA5CE
[79]
S. Greenblatt, The Norton anthology of English literature, 9th ed. New York: W.W. Norton, 2012.
[80]
‘Middle English Breton Lays at TEAMS’. [Online]. Available: http://d.lib.rochester.edu/teams/publication/laskaya-and-salisbury-middle-english-breton-lays
[81]
G. S. Burgess, K. Busby, and Marie de France, The Lais of Marie de France, 2nd ed. with two further lais in the original Old French., vol. Penguin classics. London: Penguin, 1999 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57e2696f4469ee45448b4568
[82]
P. Clifford, Marie de France: ‘Lais’, vol. Critical guides to French texts. London: Grant & Cutler, 1982 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57c0425c4469eed3248b458e
[83]
C. Dinshaw and D. Wallace, The Cambridge companion to medieval women’s writing, vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2003 [Online]. Available: http://universitypublishingonline.org/cambridge/companions/ebook.jsf?bid=CBO9780511999123
[84]
S. Kinoshita, P. McCracken, and Cambridge Books Online (Online service), Marie de France: A Critical Companion. Cambridge: Cambridge University Press, 2012 [Online]. Available: http://universitypublishingonline.org/boydell/ebook.jsf?bid=CBO9781846158612
[85]
A. C. Spearing, The medieval poet as voyeur: looking and listening in medieval love-narratives. Cambridge: Cambridge University Press, 2005.
[86]
L. E. Whalen, A companion to Marie de France, vol. Brill’s companions to the Christian tradition. Leiden: Brill, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=737798
[87]
G. S. Burgess, The Lais of Marie de France: text and context. Manchester: Manchester University Press, 1987.
[88]
E. J. Mickel, Marie de France. New York: Twayne, 1974.
[89]
R. H. Bloch, The anonymous Marie de France. Chicago: University of Chicago Press, 2003.
[90]
‘Marie de France page’. [Online]. Available: http://www.utm.edu/staff/bobp/vlibrary/mdfrancemss.shtml
[91]
S. Greenblatt, The Norton anthology of English literature, 9th ed. New York: W.W. Norton, 2012.
[92]
‘Middle English Breton Lays at TEAMS’. [Online]. Available: http://d.lib.rochester.edu/teams/publication/laskaya-and-salisbury-middle-english-breton-lays
[93]
R. Radulescu and C. Rushton, A companion to medieval popular romance, vol. Studies in medieval romance. Cambridge: D.S. Brewer, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=661881
[94]
A. Putter and J. Gilbert, The spirit of medieval English popular romance, vol. Longman medieval and Renaissance library. Harlow: Longman, 2000 [Online]. Available: https://www.taylorfrancis.com/books/9781315841335
[95]
S. Fisher, ‘Women and Men in Medieval Romance’, in The Cambridge companion to medieval romance, Cambridge: Cambridge University Press, 2000 [Online]. Available: https://www.cambridge.org/core/books/cambridge-companion-to-medieval-romance/121A4CB9EE90455CA4572E2A644D95B0
[96]
J. B. Friedman, Orpheus in the Middle Ages. Cambridge [Mass.]: Harvard University Press, 1970 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57fcfdb04469eec80e8b456d
[97]
J. Rider, ‘The otherworlds of medieval romance’, in The Cambridge companion to medieval romance, Cambridge: Cambridge University Press, 2000 [Online]. Available: https://www.cambridge.org/core/books/cambridge-companion-to-medieval-romance/121A4CB9EE90455CA4572E2A644D95B0
[98]
C. Saunders, ‘Love and Loyalty in Middle English Romance’, in Writings on love in the English Middle Ages, 1st ed., vol. Studies in Arthurian and courtly cultures, New York: Palgrave Macmillan, 2006, pp. 45–61 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57eb9db04469ee8b498b4568
[99]
A. G. Pisani Babich, ‘The Power of the Kingdom and the Ties that Bind in “Sir Orfeo”’, Neophilologus, vol. 82, no. 3, pp. 477–486, 1998, doi: 10.1023/A:1004354923977.
[100]
Dominique Battles, ‘Sir Orfeo and English Identity’, Studies in Philology, vol. 107, no. 2, pp. 179–211, 2010 [Online]. Available: http://www.jstor.org/stable/25681415?seq=1#page_scan_tab_contents
[101]
G. Beer, The romance, vol. Critical idiom. London: Methuen, 1970.
[102]
N. Cartlidge, ‘Sir Orfeo in the Otherworld: Courting Chaos?’, Studies in the age of Chaucer, vol. 26, pp. 195–226, 2004.
[103]
H. Cooper, The English romance in time: transforming motifs from Geoffrey of Monmouth to the death of Shakespeare. Oxford: Oxford University Press, 2004 [Online]. Available: http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199248865.001.0001/acprof-9780199248865
[104]
A. Fletcher, ‘“Sir Orfeo” and the Flight from the Enchanter’, Studies in the age of Chaucer, vol. 22, pp. 141–177, 2000.
[105]
Kenneth R. R. Gros Louis, ‘The Significance of Sir Orfeo’s Self-Exile’, The Review of English Studies, vol. 18, no. 71, pp. 245–252, 1967 [Online]. Available: http://www.jstor.org/stable/512215?seq=1#page_scan_tab_contents
[106]
H. Hudson, ‘Toward a Theory of Popular Literature: The Case of the Middle English Romances’, Journal of Popular Culture, vol. 23, no. 3, pp. 31–50, 1989 [Online]. Available: http://literature.proquest.com/searchFullrec.do?&resultNum=1&entries=1&area=criticism&forward=critref_fr&queryId=2935766476308&trailId=1552A29E9D8
[107]
S T Knight, ‘The Oral Transmission of “Sir Launfal”’, Medium Aevum, vol. 38 [Online]. Available: http://search.proquest.com/docview/1293364837?OpenUrlRefId=info:xri/sid:primo&accountid=9730
[108]
S. Lerer, ‘Artifice and Artistry in “Sir Orfeo”’, Speculum, vol. 60, no. 1, pp. 92–109, Jan. 1985, doi: 10.2307/2852135.
[109]
C. Martindale and R. F. Thomas, Classics and the uses of reception, vol. Classical receptions. Malden, Mass: Blackwell, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=351010
[110]
N. McDonald, Pulp fictions of medieval England: essays in popular romance. Manchester: Manchester University Press, 2004 [Online]. Available: http://www.oapen.org/search?identifier=341366
[111]
A. Putter, ‘Arthurian Romance in English Popular Tradition’, in A companion to Arthurian literature, vol. Blackwell companions to literature and culture, Oxford: Wiley-Blackwell, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4026444
[112]
F. Riddy, ‘The Uses of the Past in “Sir Orfeo”’, The Yearbook of English Studies, vol. 6, 1976, doi: 10.2307/3506383.
[113]
S. H. A. Shepherd, Middle English romances: authoritative texts, sources and backgrounds, criticism, vol. A Norton critical edition. New York: W.W. Norton, 1995.
[114]
J. E. Stevens, Medieval romance: themes and approaches, vol. Hutchinson university library. English literature. London: Hutchinson, 1973.
[115]
A. Taylor, ‘Fragmentation, Corruption, and Minstrel Narration: The Question of the Middle English Romances’, The Yearbook of English Studies, vol. 22, 1992, doi: 10.2307/3508375.
[116]
T. Williams, ‘Fairy Magic, Wonder, and Morality in “Sir Orfeo”’, Philological Quarterly, vol. 91, no. 4, pp. 537–568, 2012 [Online]. Available: http://literature.proquest.com/searchFullrec.do?id=R04971825&area=mla&forward=critref_fr&queryId=2935769433884&trailId=1552A407B76
[117]
‘The Auchinleck Manuscript : National Library of Scotland’. [Online]. Available: http://auchinleck.nls.uk/
[118]
‘Middle English Romances’. [Online]. Available: http://www.middleenglishromance.org.uk/
[119]
G. Chaucer, L. D. Benson, and F. N. Robinson, The Riverside Chaucer, 3rd ed. Boston, Mass: Houghton Mifflin, 1987.
[120]
R. Correale and M. Hamel, Sources and analogues of ‘The Canterbury Tales’: Volume 1, vol. Chaucer studies. Woodbridge: D.S. Brewer, 2001 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=218478
[121]
R. Correale and M. Hamel, Sources and analogues of ‘The Canterbury Tales’: Volume 2, vol. Chaucer studies. Woodbridge: D.S. Brewer, 2001 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1068961
[122]
S. Horobin, Chaucer’s language, 2nd ed. Basingstoke: Palgrave Macmillan, 2013.
[123]
P. Boitani and J. Mann, The Cambridge companion to Chaucer, 2nd ed., vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2003 [Online]. Available: https://www.cambridge.org/core/books/cambridge-companion-to-chaucer/317F1C56EF0ABEBF78D9EEAFD5E78CEB
[124]
H. Cooper, The Canterbury Tales, 2nd ed., vol. Oxford guides to Chaucer. Oxford: Oxford University Press, 1996 [Online]. Available: http://content.talisaspire.com/bristol/bundles/598ae7c8540a262c06674424
[125]
D. Pearsall, The Canterbury Tales, vol. Unwin critical library. London: Routledge, 1993 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1144511
[126]
J. A. W. Bennett, Chaucer at Oxford and at Cambridge, vol. Alexander lectures. Oxford: Clarendon Press, 1974 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57c048da4469eeb9308b456d
[127]
D. Brewer, A new introduction to Chaucer, 2nd ed., vol. Longman medieval and Renaissance library. Harlow: Longman, 1998.
[128]
E. T. Hansen, Chaucer and the fictions of gender. Berkeley, [Calif.]: University of California Press, 1992 [Online]. Available: https://www-degruyter-com.bris.idm.oclc.org/document/doi/10.1525/9780520328204/html
[129]
J. Hines, The fabliau in English, vol. Longman medieval and Renaissance library. London: Longman, 1993 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57c03d3b4469eed3248b457b
[130]
V. A. Kolve, Chaucer and the imagery of narrative: the first five Canterbury tales. Stanford, Calif: Stanford University Press, 1984 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57c000894469ee6c308b4575
[131]
J. Mann, Chaucer and medieval estates satire: the literature of social classes and the ‘General Prologue’ to ‘The Canterbury Tales’. London: Cambridge University Press, 1973.
[132]
L. D. Benson and T. M. Andersson, The literary context of Chaucer’s fabliaux: texts and translations, vol. The library of literature. Indianapolis: Bobbs-Merrill, 1971.
[133]
D. Pearsall, The life of Geoffrey Chaucer: a critical biography, vol. Blackwell critical biographies. Oxford: Blackwell, 1992.
[134]
A. Oizumi and K. Miki, A Complete concordance to the works of Geoffrey Chaucer, vol. Alpha-Omega. Hildesheim: Olms-Weidmann, 1991.
[135]
D. Gray, The Oxford companion to Chaucer. Oxford: Oxford University Press, 2003.
[136]
P. Brown, A companion to Chaucer, vol. Blackwell companions to literature and culture. Oxford: Blackwell, 2000.
[137]
James R. Andreas, ‘“Wordes Betwene”: The Rhetoric of the Canterbury Links’, The Chaucer Review, vol. 29, no. 1, pp. 45–64, 1994 [Online]. Available: http://www.jstor.org/stable/25095871?seq=1#page_scan_tab_contents
[138]
Malcolm Andrew, ‘Context and Judgment in the “General Prologue”’, The Chaucer Review, vol. 23, no. 4, pp. 316–337, 1989 [Online]. Available: http://www.jstor.org/stable/25094094?seq=1#page_scan_tab_contents
[139]
C. D. Benson, Chaucer’s drama of style: poetic variety and contrast in the ‘Canterbury Tales’. Chapel Hill: University of North Carolina Press, 1986.
[140]
I. Bishop, The narrative art of ‘The Canterbury Tales’: a critical study of the major poems, vol. Everyman’s university library. London: Dent, 1987.
[141]
M. Blum, ‘Negotiating Masculinities: Erotic Triangles in the “Miller’s Tale”’, in Masculinities in Chaucer: approaches to masculinity in the Canterbury Tales and Troilus and Criseyde, vol. Chaucer studies, Cambridge: Brewer, 1998, pp. 37–52.
[142]
L. Cookson and B. Loughrey, Critical essays on the ‘General Prologue’ to the ‘Canterbury Tales’, Geoffrey Chaucer, vol. Longman literature guides. Harlow: Longman, 1989.
[143]
S. Crane, Gender and romance in Chaucer’s ‘Canterbury Tales’. Princeton, N.J.: Princeton University Press, 1994.
[144]
C. Dinshaw, Chaucer’s sexual poetics. Madison, Wis: University of Wisconsin Press, 1989.
[145]
E. T. Donaldson, ‘Chaucer the Pilgrim’, PMLA, vol. 69, no. 4, 1954, doi: 10.2307/459940.
[146]
Donaldson, Kara Virginia, ‘Alisoun’s Language: Body, Text and Glossing in Chaucer’s “The Miller’s Tale”’, Philological Quarterly, vol. 710, no. 20 [Online]. Available: http://search.proquest.com/docview/1290775620?OpenUrlRefId=info:xri/sid:primo&accountid=9730
[147]
A. Laskaya, Chaucer’s approach to gender in the ‘Canterbury Tales’, vol. Chaucer studies. Cambridge: D.S. Brewer, 1995.
[148]
J. Mann, Geoffrey Chaucer, vol. Feminist readings. London: Harvester/Wheatsheaf, 1991.
[149]
P. Martin, Chaucer’s women: nuns, wives and Amazons. Basingstoke: Macmillan, 1996.
[150]
C. Muscatine, Chaucer and the French tradition: a study in style and meaning. Berkeley: University of California Press, 1957.
[151]
Joseph D Parry, ‘Interpreting Female Agency and Responsibility in “The Miller’s Tale” and “The Merchant’s Tale”’, People:Chaucer, Geoffrey (1340?-1400)Author(s):Joseph D ParryDocument types:FeaturePublication title:Philological Quarterly. Iowa City: Spring 2001. Vol. 80, Iss. 2; pg. 133, 35 pgsSource type:PeriodicalISSN/ISBN:00317977 Text Word Count14541, vol. 80, no. 2, 2001 [Online]. Available: http://literature.proquest.com/searchFulltext.do?id=R03347623&divLevel=0&queryId=2943242144271&trailId=15608F4BCF9&area=mla&forward=critref_ft
[152]
L. Patterson, ‘The Miller’s Tale and the Politics of Laughter’, in Chaucer and the subject of history, London: Routledge, 1991, pp. 244–279.
[153]
L. Patterson, ‘“No Man his Reson Herde”: Peasant Consciousness, Chaucer’s Miller, and the Structure of the “Canterbury Tales”’, in Chaucer, Basingstoke: Macmillan, 1996, pp. 169–192.
[154]
H. Phillips, An introduction to the ‘Canterbury Tales’: reading, context, fiction. Basingstoke: Macmillan, 2000.
[155]
C. Saunders, A concise companion to Chaucer, vol. Blackwell concise companions to literature and culture. Malden, Ma: Blackwell Pub, 2006.
[156]
R. J. Schoeck and J. Taylor, Chaucer criticism: an anthology, Vol.1: ‘The Canterbury Tales’. Notre Dame, Ind: University of Notre Dame Press, 1960.
[157]
P. Strohm, Social Chaucer. Cambridge, Mass: Harvard University Press, 1989.
[158]
S. H. Rigby, Chaucer in context: society, allegory and gender, vol. Manchester medieval studies. Manchester: Manchester University Press, 1996.
[159]
S. H. Rigby and A. J. Minnis, Historians on Chaucer: the ‘General Prologue’ to the ‘Canterbury Tales’. Oxford: Oxford University Press, 2014.
[160]
G. Walker, ‘Rough Girls and Squeamish Boys: The Trouble with Absolon in 'The Miller’s Tale’’, in Writing gender and genre in medieval literature: approaches to old and middle English texts, vol. Essays and studies / English Association: 1950-, Cambridge: D.S. Brewer, 2002, pp. 61–91.
[161]
‘Chaucer Bibliography’. [Online]. Available: http://chaucer.lib.utsa.edu/items/search
[162]
‘Interlinear Translations of Chaucer’s “Canterbury Tales”’. [Online]. Available: https://chaucer.fas.harvard.edu/pages/text-and-translations
[163]
‘Kankedort.net - The Electronic Canterbury Tales’. [Online]. Available: http://www.kankedort.net/
[164]
‘eChaucer: Chaucer in the Twenty-First Century’. [Online]. Available: http://chaucer.lib.utsa.edu/omeka/items/show/271656
[165]
‘The Open Access Companion to the Canterbury Tales’. [Online]. Available: https://opencanterburytales.dsl.lsu.edu/
[166]
‘Ellesmere Chaucer page at Long Island university library website’. [Online]. Available: https://liu.cwp.libguides.com/archives_and_special_collections/chaucer
[167]
‘Chaucer’s English’ [Online]. Available: http://www.bl.uk/learning/langlit/changlang/activities/lang/chaucer/chaucerpage1.html
[168]
S. Greenblatt, The Norton anthology of English literature, 9th ed. New York: W.W. Norton, 2012.
[169]
G. Walker, Medieval drama: an anthology. Oxford: Blackwell, 2000.
[170]
D. M. Bevington, Medieval drama. Boston: Houghton Mifflin, 1975.
[171]
R. Beadle, Early English Text Society, and British Library, The York plays: a critical edition of the York Corpus Christi play as recorded in British Library Additional MS 35290, Volume 1, vol. Early English Text Society. Oxford: Oxford University Press for the Early English Text Society, 2009.
[172]
R. Beadle, The York plays: a critical edition of the York Corpus Christi play as recorded in British Library additional MS 35290, Volume 2, vol. Early English Text Society. Supplementary series. Oxford: Oxford University Press, 2013.
[173]
R. Beadle and P. M. King, York mystery plays: a selection in modern spelling. Oxford: Clarendon Press, 1984.
[174]
A. C. Cawley, The Wakefield pageants in the Townley cycle, vol. Old and Middle English texts. Manchester: Manchester University Press, 1958.
[175]
Peter Meredith, The Towneley cycle, 2nd ed. rev. [Leeds]: [School of English, University of Leeds], 1990.
[176]
R. Beadle and A. J. Fletcher, The Cambridge companion to medieval English theatre, 2nd ed., vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2008 [Online]. Available: http://universitypublishingonline.org/cambridge/companions/ebook.jsf?bid=CBO9781139001878
[177]
J. McGavin, ‘Performing Communities: Civic Religious Drama’, in The Oxford handbook of medieval literature in English, Oxford: Oxford University Press, 2010, pp. 200–218 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57c023364469eef5678b4572
[178]
A. C. Cawley, The Revels history of drama in English: Vol. 1: Medieval drama. London: Methuen, 1983 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57c01a804469eed7488b457c
[179]
C. Richardson and J. Johnston, Medieval drama, vol. English dramatists. Basingstoke: Macmillan Education, 1991 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57c00d154469eea3658b4590
[180]
J. W. Robinson, ‘The Art of the York Realist’, Modern Philology, vol. 60, no. 4, pp. 241–251, 1963 [Online]. Available: http://www.jstor.org/stable/435462?seq=1#page_scan_tab_contents
[181]
S. Beckwith, Signifying God: social relation and symbolic act in the York Corpus Christi plays. Chicago: University of Chicago Press, 2001.
[182]
P. Boitani and A. Torti, Religion in the poetry and drama of the late Middle Ages in England: the J.A.W. Bennett Memorial Lectures, Perugia, 1988, vol. The J.A.W. Bennett memorial lectures. Cambridge: Brewer, 1990.
[183]
M. G. Briscoe and J. C. Coldewey, Contexts for early English drama. Bloomington: Indiana University Press, 1989.
[184]
L. M. Clopper, Drama, play, and game: English festive culture in the medieval and early modern period. Chicago: University of Chicago Press, 2001.
[185]
R. J. Collier, ‘The Action of Fulfillment in the York Corpus Christi Play’, Pacific Coast Philology, vol. 11, Oct. 1976, doi: 10.2307/1316745.
[186]
C. Davidson, From creation to doom: the York cycle of mystery plays, vol. AMS studies in the Middle Ages. New York: AMS Press, 1984.
[187]
C. Davidson, ‘The Realism of the York Realist and the York Passion’, Speculum, vol. 50, no. 2, pp. 270–283, Apr. 1975, doi: 10.2307/2852264.
[188]
J. Dillon, The Cambridge introduction to early English theatre, vol. Cambridge introductions to literature. Cambridge: Cambridge University Press, 2006.
[189]
P. Happé, Medieval English drama, vol. Casebook series. London: Macmillan, 1984.
[190]
A. D. Justice, ‘Trade Symbolism in the York Cycle’, Theatre Journal, vol. 31, no. 1, Mar. 1979, doi: 10.2307/3219454.
[191]
K. Normington, Medieval English drama: performance and spectatorship, vol. Cultural history of literature. Cambridge: Polity Press, 2009.
[192]
K. Normington and Cambridge Books Online (Online service), Gender and Medieval Drama. Cambridge: Cambridge University Press, 2012 [Online]. Available: http://universitypublishingonline.org/boydell/ebook.jsf?bid=CBO9781846154706
[193]
L. V. Ryan, ‘Doctrine and Dramatic Structure in Everyman’, Speculum, vol. 32, no. 4, pp. 722–735, Oct. 1957, doi: 10.2307/2850293.
[194]
C. Sponsler, Drama and resistance: bodies, goods, and theatricality in late medieval England, vol. Medieval cultures. Minneapolis: University of Minnesota Press, 1997.
[195]
J. Taylor and A. H. Nelson, Medieval English drama: essays critical and contextual, vol. Patterns of literary criticism. Chicago: University of Chicago Press, 1972.
[196]
W. Tydeman, English medieval theatre, 1400-1500, vol. Theatre production studies. London: Routledge & Kegan Paul, 1986.
[197]
Wendy Wall, ‘“Household Stuff”: The Sexual Politics of Domesticity and the Advent of English Comedy’, ELH, vol. 65, no. 1, pp. 1–45, 1998 [Online]. Available: http://www.jstor.org/stable/30030168?seq=1#page_scan_tab_contents
[198]
D. Wallace, The Cambridge history of medieval English literature. Cambridge: Cambridge University Press, 1999.
[199]
E. White, ‘Places to Hear the Play: The Performance of the Corpus Christi Play at York’, Early Theatre, vol. 3, pp. 49–78, 2000 [Online]. Available: http://jps.library.utoronto.ca/index.php/eth/article/view/7311
[200]
‘Luminarium Everyman page’. [Online]. Available: http://www.luminarium.org/medlit/everyman.htm
[201]
‘York Mystery Plays Route’. [Online]. Available: http://maps.conted.ox.ac.uk/literature/midenglit/YorkMysteryPlaysRoute.php
[202]
‘York Corpus Christi Play’. [Online]. Available: http://jerz.setonhill.edu/resources/PSim/intro.htm
[203]
‘Manuscript of the York Mystery Plays, British Library’ [Online]. Available: http://www.bl.uk/onlinegallery/onlineex/illmanus/other/011add000035290u00004000.html
[204]
A. Putter and M. Stokes, The works of the Gawain poet, vol. Penguin classics. London: Penguin Books, 2014.
[205]
D. Brewer and J. Gibson, A companion to the Gawain-poet, vol. Arthurian studies. Cambridge: D.S Brewer, 1997.
[206]
A. Putter, An introduction to the Gawain-poet. London: Longman, 1996 [Online]. Available: https://www.taylorfrancis.com/books/9781315843858
[207]
L. Besserman, ‘The Idea of the Green Knight’, ELH, vol. 53, no. 2, 1986, doi: 10.2307/2873255.
[208]
J. Burrow, ‘Honour and Shame in “Sir Gawain and the Green Knight”’, in Essays on medieval literature, Oxford: Clarendon Press, 1984, pp. 117–131.
[209]
C. Clark, ‘Sir Gawain and The Green Knight: Characterisation by Syntax’, Essays in Criticism, vol. XVI, no. 4, pp. 361–374, 1966, doi: 10.1093/eic/XVI.4.361.
[210]
H. Fulton, A companion to Arthurian literature, vol. Blackwell companions to literature and culture. Oxford: Wiley-Blackwell, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4026444
[211]
J. Mann, ‘Price and Value in “Sir Gawain and the Green Knight”’, Essays in Criticism, vol. XXXVI, no. 4, pp. 294–318, 1986, doi: 10.1093/eic/XXXVI.4.294.
[212]
F. Riddy, ‘Gender, Nature and Culture in 'Sir Gawain and the Green Knight’’, in Arthurian romance and gender: selected proceedings of the XVIIth International Arthurian Congress = Masculin/féminin dans le roman arthurien médiéval : actes choisis du XVIIe Congrès international arthurien = Geschlechterrollen im mittelalterlichen Artusroman : Ausgewählte Akten des XVII. Internationalen Artuskongresses, vol. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, F. Wolfzettel, Ed. Amsterdam: Rodopi, 1995, pp. 215–225 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57f7a2ab4469eefc258b4580
[213]
E. Brewer, ‘Sir Gawain and the Green Knight’: sources and analogues, 2nd ed., vol. Arthurian studies. Cambridge: D.S. Brewer, 1992.
[214]
D. Aers, ‘“In Arthurus Day”: Community, Virtue, and Individual Identity in “Sir Gawain and the Green Knight”’, in Community, gender, and individual identity: English writing 1360-1430, London: Routledge, 1988, pp. 153–178.
[215]
J. J. Anderson, ‘The Three Judgments and the Ethos of Chivalry in “Sir Gawain and the Green Knight”’, The Chaucer Review, vol. 24, no. 4, pp. 337–355, 1990 [Online]. Available: http://www.jstor.org/stable/25094140?seq=1#page_scan_tab_contents
[216]
E. Archibald and A. Putter, A Cambridge companion to the Arthurian legend. Cambridge: Cambridge University Press, 2009 [Online]. Available: http://universitypublishingonline.org/cambridge/companions/ebook.jsf?bid=CBO9781139002677
[217]
G. Barnes, ‘The failure of counsel and strategy: “Sir Gawain and the Green Knight”’, in Counsel and strategy in Middle English romance, Cambridge: D.S. Brewer, 1993.
[218]
M. J. Bennett, ‘“Sir Gawain and the Green Knight” and the literary achievement of the north-west Midlands: the historical background’, Journal of Medieval History, vol. 5, no. 1, pp. 63–88, Jan. 1979, doi: 10.1016/0304-4181(79)90018-6.
[219]
L. D. Benson, Art and tradition in ‘Sir Gawain and the Green Knight’. New Brunswick: Rutgers University Press, 1965.
[220]
J. D. Burnley, ‘The Hunting Scenes in “Sir Gawain and the Green Knight”’, The Yearbook of English Studies, vol. 3, 1973, doi: 10.2307/3506850.
[221]
J. A. Burrow, A reading of ‘Sir Gawain and the Green Knight’. London: Routledge & Kegan Paul, 1965.
[222]
J. A. Burrow, The Gawain-poet, vol. Writers and their work. Plymouth: Northcote House, 2000.
[223]
W. A. Davenport, The art of the Gawain-poet. London: Athlone Press, 1978 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=436367
[224]
C. Dinshaw, ‘A Kiss Is Just a Kiss: Heterosexuality and Its Consolations in “Sir Gawain and the Green Knight”’, Diacritics, vol. 24, no. 2/3, Summer 1994, doi: 10.2307/465173.
[225]
J. Finlayson, ‘The Expectations of Romance in “Sir Gawain and the Green Knight”’, Genre, vol. 12, pp. 1–24, 1979.
[226]
J. M. Ganim, ‘Disorientation, Style, and Consciousness in “Sir Gawain and the Green Knight”’, PMLA, vol. 91, no. 3, May 1976, doi: 10.2307/461688.
[227]
R. Hanna, ‘Unlocking what’s Unlocked: Gawain’s Green Girdle’, Viator, vol. 14, pp. 289–302, 1983.
[228]
G. Heng, ‘Feminine Knots and the Other: “Sir Gawain and the Green Knight”’, PMLA, vol. 106, no. 3, May 1991, doi: 10.2307/462782.
[229]
D. R. Howard, ‘Structure and Symmetry in “Sir Gawain”’, Speculum, vol. 39, no. 3, pp. 425–433, Jul. 1964, doi: 10.2307/2852497.
[230]
R. L. Krueger, The Cambridge companion to medieval romance. Cambridge: Cambridge University Press, 2000 [Online]. Available: http://universitypublishingonline.org/cambridge/companions/ebook.jsf?bid=CBO9780511999284
[231]
G. Morgan, ‘Medieval Misogyny and Gawain’s Outburst against Women in “Sir Gawain and the Green Knight”’, The Modern Language Review, vol. 97, no. 2, Apr. 2002, doi: 10.2307/3736858.
[232]
A. Putter, ‘Sir Gawain and the Green Knight’ and the French Arthurian romance. Oxford: Clarendon Press, 1995 [Online]. Available: http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780198182535.001.0001/acprof-9780198182535
[233]
A. V. C. Schmidt, ‘“Latent Content” and “The Testimony in the Text”: Symbolic Meaning in “Sir Gawain and the Green Knight”’, The Review of English Studies, vol. 38, no. 150, pp. 145–168, 1987 [Online]. Available: http://www.jstor.org/stable/515420?seq=1#page_scan_tab_contents
[234]
A. C. Spearing, ‘Public and Private Spaces in “Sir Gawain and the Green Knight”’, Arthuriana, vol. 4, no. 2, pp. 138–145, 1994 [Online]. Available: http://www.jstor.org/stable/27869056?seq=1#page_scan_tab_contents
[235]
A. C. Spearing, The Gawain-poet: a critical study. Cambridge: Cambridge University Press, 1970.
[236]
M. Stevens, ‘Laughter and Game in “Sir Gawain and the Green Knight”’, Speculum, vol. 47, no. 1, pp. 65–78, Jan. 1972, doi: 10.2307/2851217.
[237]
S. Armitage, Sir Gawain and the Green Knight. London: Faber and Faber, 2007 [Online]. Available: http://literature.proquest.com/searchFulltext.do?id=Z001144490&divLevel=0&queryId=2935250589165&trailId=1551ACA02C4&area=poetry&forward=textsFT&print=Yes&queryType=findWork
[238]
‘Images from the “Sir Gawain and the Green Knight” manuscript’. [Online]. Available: http://faculty.virginia.edu/engl381ck/three.html
[239]
‘The Camelot Project’. [Online]. Available: http://d.lib.rochester.edu/camelot-project
[240]
‘Sir Gawain and the Green Knight (BBC Documentary)’. [Online]. Available: https://www.youtube.com/watch?v=74glI1lg1CQ
[241]
‘Cotton Nero A.x. Project’. [Online]. Available: http://people.ucalgary.ca/~scriptor/cotton/index.html
[242]
A. Putter and M. Stokes, The works of the Gawain poet, vol. Penguin classics. London: Penguin Books, 2014.
[243]
D. Brewer and J. Gibson, A companion to the Gawain-poet, vol. Arthurian studies. Cambridge: D.S Brewer, 1997.
[244]
J. A. Burrow, The Gawain-poet, vol. Writers and their work. Plymouth: Northcote House, 2000.
[245]
B. Newman, ‘The artifice of eternity’, in Envisaging heaven in the Middle Ages, vol. Routledge studies in medieval religion and culture, London: Routledge, 2007, pp. 185–206 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=356028
[246]
A. C. Spearing, The Gawain-poet: a critical study. Cambridge: Cambridge University Press, 1970.
[247]
A. Putter, An introduction to the Gawain-poet. London: Longman, 1996 [Online]. Available: https://www.taylorfrancis.com/books/9781315843858
[248]
S. Greenblatt, The Norton anthology of English literature, 9th ed. New York: W.W. Norton, 2012.
[249]
G. R. Crampton and Julian of Norwich, The shewings of Julian of Norwich, vol. Middle English texts. Kalamazoo, Mich: Medieval Institute Publications for TEAMS (The Consortium for the Teaching of the Middle Ages) in association with the University of Rochester, 1994 [Online]. Available: http://d.lib.rochester.edu/teams/publication/crampton-shewings-of-julian-norwich
[250]
E. Spearing, A. C. Spearing, and Julian of Norwich, Revelations of divine love: (short text and long text), vol. Penguin classics. London: Penguin, 1998.
[251]
M. Kempe and B. A. Windeatt, The book of Margery Kempe. Woodbridge: Brewer, 2004 [Online]. Available: http://content.talisaspire.com/bristol/bundles/599da397646be03fb539bd34
[252]
M. Kempe and L. Staley, The book of Margery Kempe: a new translation, contexts, criticism, vol. A Norton critical edition. New York: Norton, 2001.
[253]
B. Windeatt, English mystics of the Middle Ages. Cambridge: Cambridge University Press, 1994 [Online]. Available: http://ebooks.cambridge.org/ebook.jsf?bid=CBO9780511518812
[254]
J. H. Arnold and K. J. Lewis, A companion to The book of Margery Kempe. Woodbridge: D.S. Brewer, 2004.
[255]
F. Beer, Women and mystical experience in the Middle Ages. Woodbridge: Boydell Press, 1992 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57bff9ae4469eeef7d8b4580
[256]
C. Dinshaw, ‘Margery Kempe’, in The Cambridge companion to medieval women’s writing, vol. Cambridge companions to literature, Cambridge: Cambridge University Press, 2003, pp. 222–239 [Online]. Available: https://www.cambridge.org/core/books/cambridge-companion-to-medieval-womens-writing/D8909C2F80CBC0FB8EC65C94DBD02041
[257]
S. Fanous and V. Gillespie, The Cambridge companion to medieval English mysticism, vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2011 [Online]. Available: http://universitypublishingonline.org/cambridge/companions/ebook.jsf?bid=CBO9780511975578
[258]
A. Goodman, Margery Kempe and her world, vol. The medieval world. London: Longman, 2002 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57c0269f4469eef5678b457b
[259]
L. Staley, Margery Kempe’s dissenting fictions. University Park, Pa: Pennsylvania State University Press, 1994 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57c020114469eef5678b4568
[260]
N. Watson, ‘Julian of Norwich’, in The Cambridge companion to medieval women’s writing, vol. The Cambridge companions to literature and classics, Cambridge: Cambridge University Press, 2006 [Online]. Available: http://dx.doi.org/10.1017/CCOL052179188X
[261]
D. Aers, ‘The Making of Margery Kempe’, in Community, gender, and individual identity: English writing 1360-1430, London: Routledge, 1988.
[262]
C. W. Atkinson, Mystic and pilgrim: the Book and the world of Margery Kempe. Ithaca, N.Y.: Cornell University Press, 1983.
[263]
S. Beckwith, Christ’s body: identity, culture, and society in late medieval writings. London: Routledge, 1993.
[264]
Terence N. Bowers, ‘Margery Kempe as Traveler’, Studies in Philology, vol. 97, 2000 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&db=rlh&AN=2831232&site=ehost-live
[265]
S. Delany, ‘Sexual Economics, Chaucer’s Wife of Bath and “The Book of Margery Kempe”’, in Feminist readings in Middle English literature: the Wife of Bath and all her sect, London: Routledge, 1994, pp. 72–87.
[266]
C. Glenn, ‘Author, Audience, and Autobiography: Rhetorical Technique in the “Book of Margery Kempe”’, College English, vol. 54, no. 5, Sep. 1992, doi: 10.2307/378154.
[267]
L. H. McAvoy and Cambridge Books Online (Online service), Authority and the Female Body in the Writings of Julian of Norwich and Margery Kempe. Cambridge: Cambridge University Press, 2012 [Online]. Available: http://universitypublishingonline.org/boydell/ebook.jsf?bid=CBO9781846152610
[268]
Raymond A. Powell, ‘Margery Kempe: An Exemplar of Late Medieval English Piety’, The Catholic Historical Review, vol. 89, no. 1, pp. 1–23, 2003 [Online]. Available: http://www.jstor.org/stable/25026320?seq=1#page_scan_tab_contents
[269]
Ellen M. Ross, ‘Spiritual Experience and Women’s Autobiography: The Rhetoric of Selfhood in “The Book of Margery Kempe”’, Journal of the American Academy of Religion, vol. 59, no. 3, pp. 527–546, 1991 [Online]. Available: http://www.jstor.org/stable/1465030?seq=1#page_scan_tab_contents
[270]
‘In Our Time, Margery Kempe and English Mysticism’. [Online]. Available: http://www.bbc.co.uk/programmes/b07cyfkg
[271]
‘Book of Margery Kempe’. [Online]. Available: http://college.holycross.edu/projects/kempe/text/kempecap.htm
[272]
‘Manuscript of The Book of the Margery Kempe, British Library’. [Online]. Available: http://www.bl.uk/manuscripts/Viewer.aspx?ref=add_ms_61823_fs001r
[273]
‘Julian of Norwich documentary with Janina Ramirez’. [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0CF2743F?bcast=122145485
[274]
S. Greenblatt, The Norton anthology of English literature, 9th ed. New York: W.W. Norton, 2012.
[275]
T. Malory and E. Vinaver, Works, 2nd ed. London: Oxford University Press, 1971.
[276]
T. Malory and S. H. A. Shepherd, Le morte Darthur, or, The hoole book of Kyng Arthur and of his noble knyghtes of the Rounde Table: authoritative text, sources and backgrounds, criticism, vol. Norton critical edition. New York: Norton, 2004 [Online]. Available: http://content.talisaspire.com/bristol/bundles/599d7f1b646be018b553c2d4
[277]
T. Malory and H. Cooper, Le morte Darthur: the Winchester manuscript, vol. Oxford world’s classics. Oxford: Oxford University Press, 1998 [Online]. Available: http://content.talisaspire.com/bristol/bundles/598d7020540a265be5674424
[278]
T. Malory and S. H. A. Shepherd, Le morte Darthur, or, The hoole book of Kyng Arthur and of his noble knyghtes of the Rounde Table: authoritative text, sources and backgrounds, criticism, vol. Norton critical edition. New York: Norton, 2004.
[279]
E. Archibald and A. S. G. Edwards, A companion to Malory, vol. Arthurian studies. Cambridge: Brewer, 1996.
[280]
Elizabeth Archibald, ‘Malory’s Ideal of Fellowship’, The Review of English Studies, vol. 43, no. 171, pp. 311–328, 1992 [Online]. Available: http://www.jstor.org/stable/518049?seq=1#page_scan_tab_contents
[281]
A. Lynch, ‘Malory’s Morte Darthur and History’, in A companion to Arthurian literature, vol. Blackwell companions to literature and culture, Oxford: Wiley-Blackwell, 2009, pp. 297–311 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4026444
[282]
F. Tolhurst, ‘Why Every Knight Needs His Lady: Re-Viewing Questions of Genre and ‘Cohesion’’, in Re-viewing Le morte Darthur: texts and contexts, characters and themes, vol. Arthurian studies, Woodbridge: D.S. Brewer, 2005 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57c04abf4469ee0c1f8b458b
[283]
C. Batt, Malory’s ‘Morte Darthur’: remaking Arthurian tradition, vol. The new Middle Ages. Basingstoke: Palgrave, 2002.
[284]
L. D. Benson, Malory’s ‘Morte Darthur’. Cambridge, Mass: Harvard University Press, 1976.
[285]
Harry E. Cole, ‘Forgiveness as Structure: “The Book of Sir Launcelot and Queen Guinevere”’, The Chaucer Review, vol. 31, no. 1, pp. 36–44, 1996 [Online]. Available: http://www.jstor.org/stable/25095958?seq=1#page_scan_tab_contents
[286]
E. Edwards, The genesis of narrative in Malory’s ‘Morte Darthur’, vol. Arthurian studies. Cambridge: D.S. Brewer, 2001.
[287]
P. J. C. Field, Romance and chronicle: a study of Malory’s prose style. London: Barrie & Jenkins, 1971.
[288]
P. J. C. Field, The life and times of Sir Thomas Malory, vol. Arthurian studies. Cambridge: D. S. Brewer, 1993.
[289]
Laurie A. Finke and Martin B. Schichtman, ‘No Pain, No Gain: Violence as Symbolic Capital in Malory’s “Morte d’Arthur”’, Arthuriana, vol. 8, no. 2, pp. 115–134, 1998 [Online]. Available: http://www.jstor.org/stable/27869341?seq=1#page_scan_tab_contents
[290]
S. Fisher, ‘Women and Men in Late Medieval Romance’, in The Cambridge companion to medieval romance, Cambridge: Cambridge University Press, 2000 [Online]. Available: http://universitypublishingonline.org/cambridge/companions/ebook.jsf?bid=CBO9780511999284
[291]
B. Kennedy, Knighthood in the ‘Morte Darthur’, 2nd ed., vol. Arthurian studies. Woodbridge: D.S. Brewer, 1992.
[292]
M. Lambert, Malory: style and vision in ‘Le Morte Darthur’, vol. Yale studies in English. New Haven: Yale University Press, 1975.
[293]
A. Lynch, Malory’s book of arms: the narrative of combat in ‘Le Morte Darthur’, vol. Arthurian studies. Woodbridge: D. S. Brewer, 1997.
[294]
T. McCarthy, An introduction to Malory, vol. Arthurian studies. Woodbridge, Suffolk: D.S. Brewer, 1991.
[295]
R. Radulescu, The gentry context for Malory’s ‘Morte Darthur’, vol. Arthurian studies. Cambridge: D.S. Brewer, 2003.
[296]
F. Riddy, Sir Thomas Malory, vol. Medieval and Renaissance authors. Leiden: Brill, 1987.
[297]
C. Saunders, ‘Religion and Magic’, in The Cambridge companion to the Arthurian legend, vol. The Cambridge companions to literature and classics, Cambridge: Cambridge University Press, 2010 [Online]. Available: http://dx.doi.org/10.1017/CCOL9780521860598
[298]
Elizabeth Scala, ‘Disarming Lancelot’, Studies in Philology, vol. 99, no. 4, pp. 380–403, 2002 [Online]. Available: http://www.jstor.org/stable/4174740?Search=yes&resultItemClick=true&searchText=disarming&searchText=lancelot&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Ddisarming%2Blancelot&seq=1#page_scan_tab_contents
[299]
Peter R. Schroeder, ‘Saying but Little: Malory and the Suggestion of Emotion’, Arthuriana, vol. 11, no. 2, pp. 43–51, 2001 [Online]. Available: http://www.jstor.org/stable/27869634?seq=1#page_scan_tab_contents
[300]
‘Malory Project’. [Online]. Available: http://www.maloryproject.com/index.php
[301]
‘In Our Time, “Le Morte d’Arthur”’. [Online]. Available: http://www.bbc.co.uk/programmes/b01pp989
[302]
S. Greenblatt, The Norton anthology of English literature, 9th ed. New York: W.W. Norton, 2012.
[303]
T. Wyatt and R. A. Rebholz, The complete poems, vol. The English poets. New Haven: Yale University Press, 1981.
[304]
N. Bielby, Three early Tudor poets: a selection from Skelton, Wyatt and Surrey, vol. Wheaton studies in literature. Exeter: Wheaton, 1976.
[305]
P. Cheney, Reading sixteenth-century poetry, vol. Blackwell reading poetry. Chichester: Wiley-Blackwell, 2011 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57c016224469ee09358b456d
[306]
R. W. Dasenbrock, ‘Wyatt’s Transformation of Petrarch’, Comparative Literature, vol. 40, no. 2, Spring 1988, doi: 10.2307/1770584.
[307]
S. Greenblatt, Renaissance self-fashioning: from More to Shakespeare. Chicago: University of Chicago Press, 2005.
[308]
E. Heale, Wyatt, Surrey, and early Tudor poetry, vol. Longman medieval and Renaissance library. New York: Longman, 1998 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57c008774469eea3658b457c
[309]
A. C. Spearing, Medieval to Renaissance in English poetry. Cambridge: Cambridge University Press, 1985 [Online]. Available: http://content.talisaspire.com/bristol/bundles/57c0050c4469eea3658b456d
[310]
S. Brigden, Thomas Wyatt: the heart’s forest. London: Faber and Faber, 2012.
[311]
J. Guy, ‘The Tudor Age’, in The Oxford illustrated history of Britain, Oxford: Oxford University Press, 1984, pp. 223–285.
[312]
A. F. Kinney, The Cambridge companion to English literature, 1500-1600, vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2000 [Online]. Available: http://universitypublishingonline.org/cambridge/companions/ebook.jsf?bid=CBO9780511999253
[313]
H. A. Mason, Sir Thomas Wyatt: a literary portrait. Bristol: Bristol Classical Press, 1986.
[314]
N. Shulman, Graven with diamonds: the many lives of Thomas Wyatt, courtier, poet, assassin, spy. London: Short, 2011.
[315]
R. Southall, The courtly maker: an essay on the poetry of Wyatt and his contemporaries. Oxford: Blackwell, 1964.
[316]
C. Stamatakis, Sir Thomas Wyatt and the rhetoric of rewriting: turning the word, vol. Oxford English monographs. Oxford: Oxford University Press, 2012 [Online]. Available: http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199644407.001.0001/acprof-9780199644407
[317]
J. E. Stevens, Music & poetry in the early Tudor court, (1st ed.) reprinted with corrections., vol. Cambridge studies in music. Cambridge: Cambridge University Press, 1979.
[318]
P. Thomson, Sir Thomas Wyatt and his background. Stanford, Calif: Stanford University Press, 1964.
[319]
W. Dunbar and J. Conlee, ‘The Complete Works (TEAMS)’. [Online]. Available: http://d.lib.rochester.edu/teams/publication/conlee-dunbar-complete-works
[320]
W. Dunbar and P. Bawcutt, Selected poems, vol. Longman annotated texts. London: Longman, 1996.
[321]
W. Dunbar and P. Bawcutt, The poems of William Dunbar. Glasgow: Association for Scottish Literary Studies, 1998.
[322]
W. Dunbar and J. Kinsley, The poems of William Dunbar, vol. Oxford English texts. Oxford: Clarendon Press, 1979.
[323]
P. Bawcutt, Dunbar the makar. Oxford: Clarendon Press, 1992 [Online]. Available: http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780198129639.001.0001/acprof-9780198129639
[324]
P. J. Bawcutt and J. H. Williams, A companion to medieval Scottish poetry. Woodbridge: Boydell & Brewer, 2006.
[325]
J. A. Burrow, ‘The Poet as Petitioner’, in Essays on Medieval Literature, Oxford University Press, 1984, pp. 161–176 [Online]. Available: http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780198111870.001.0001/acprof-9780198111870-chapter-10
[326]
Lois A. Ebin, ‘The Theme of Poetry in Dunbar’s “Goldyn Targe”’, The Chaucer Review, vol. 7, no. 2, pp. 147–159, 1972 [Online]. Available: http://www.jstor.org/stable/25093223?Search=yes&resultItemClick=true&searchText=%27The%20Theme%20of%20poetry%20in%20Dunbar%27&searchText=s&searchText=Golden&searchText=Targe&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3D%25E2%2580%2599The%2BTheme%2Bof%2Bpoetry%2Bin%2BDunbar%25E2%2580%2599s%2BGolden%2BTarge%26amp%3Bprq%3DChaucer%2BReview%253A%2BA%2BJournal%2Bof%2BMedieval%2BStudies%2Band%2BLiterary%2BCriticism%26amp%3Bgroup%3Dnone%26amp%3Bso%3Drel%26amp%3Bfc%3Doff%26amp%3Bwc%3Doff%26amp%3Bhp%3D25&seq=1#page_scan_tab_contents
[327]
Mapstone, Sally, ‘Was there a Court Literature in Fifteenth-Century Scotland?’, Studies in Scottish Literature, vol. 26, no. 1, 1991 [Online]. Available: http://scholarcommons.sc.edu/ssl/vol26/iss1/35/
[328]
Lois Ebin, ‘Dunbar’s Bawdy’, The Chaucer Review, vol. 14, no. 3, pp. 278–286, 1980 [Online]. Available: http://www.jstor.org/stable/25093508?Search=yes&resultItemClick=true&searchText=Dunbar%27s&searchText=Bawdy&searchText=ebin&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DDunbar%25E2%2580%2599s%2BBawdy%2Bebin&seq=1#page_scan_tab_contents
[329]
A. S. G. Edwards, ‘“Dunbar, Skelton and the Nature of Court Culture in the Early Sixteenth Century”’, in Vernacular literature and current affairs in the early sixteenth century: France, England, and Scotland, vol. Studies in European cultural transition, Aldershot: Ashgate, 2000.
[330]
D. Fox, ‘“Middle Scots Poets and Their Patrons”’, in English court culture in the later Middle Ages, London: Duckworth, 1982.
[331]
D. Fox, ‘“The Scottish Chaucerians”’, in Chaucer and Chaucerians: critical studies in Middle English literature, University, Ala: University of Alabama, 1966.
[332]
D. Gray, Later medieval English literature. Oxford: Oxford University Press, 2008.
[333]
Pamela M. King, ‘Dunbar’s “Golden Targe”: A Chaucerian Masque’, Studies in Scottish Literature, vol. 19, no. 1, 1984 [Online]. Available: http://scholarcommons.sc.edu/ssl/vol19/iss1/10/
[334]
G. Kratzmann, Anglo-Scottish literary relations, 1430-1550. Cambridge: Cambridge University Press, 1979.
