Bibliography for CLAS30027: Women and the Family in Ancient Greek Tragedy BETA

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Foley, H. P. Female Acts in Greek Tragedy; Princeton University Press: Princeton, N.J.

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Goldhill, S. The Audience of Athenian Tragedy. In The Cambridge Companion to Greek Tragedy; Easterling, P. E., Ed.; Cambridge University Press: Cambridge, U.K., 1997; pp 54–68.

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Gould, J. Law, Custom and Myth: Aspects of the Social Position of Women in Classical Athens. The Journal of Hellenic Studies 19800101, 100. https://doi.org/10.2307/630731.

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Griffith, M. Extended Families, Marriage, and Inter-City Relations in (Later) Athenian  Tragedy. In Why Athens?: a reappraisal of tragic politics; Oxford University Press: Oxford, 2011; pp 175–208.

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Hall, E. The Sociology of Athenian Tragedy. In The Cambridge Companion to Greek Tragedy; Easterling, P. E., Ed.; Cambridge University Press: Cambridge, U.K., 1997; pp 93–126.

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Henderson, J. Women and the Athenian Dramatic Festivals. Transactions of the American Philological Association (1974-) 1991, 121.

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Marilyn A. Katz. The Character of Tragedy: Women and the Greek Imagination. Arethusa 1994, 27 (1).

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Koloski-Ostrow, A. O.; Lyons, C. L. Naked Truths: Women, Sexuality, and Gender in Classical Art and Archaeology; Routledge: London, 1997.

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Loraux, N. Tragic Ways of Killing a Woman; Harvard University Press: Cambridge, Mass, 1987.

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Maitland, J. Dynasty and Family in the Athenian City State: A View from Attic Tragedy. The Classical Quarterly 1992, 42 (1). https://doi.org/10.1017/S0009838800042555.

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McClure, L. Spoken like a Woman: Speech and Gender in Athenian Drama; Princeton University Press: Princeton, N.J., 1999.

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Mueller, M. Gender. In A companion to Euripides; McClure, L., Ed.; John Wiley & Sons Inc: Chichester, West Sussex, UK, 2017; pp 500–514.

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Ormand, K. Exchange and the Maiden: Marriage in Sophoclean Tragedy, 1st ed.; University of Texas Press: Austin, 1999.

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Seaford, R. The Tragic Wedding. The Journal of Hellenic Studies 1987, 107. https://doi.org/10.2307/630074.

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Wohl, V. Intimate Commerce: Exchange, Gender, and Subjectivity in Greek Tragedy; University of Texas Press: Austin, 1998.

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Zeitlin, F. Playing the Other: Theater, Theatricality, and the Feminine in Greek Drama. In Nothing to do with Dionysos?: Athenian drama in its social context; Princeton University Press: Princeton, N.J., 1990; pp 63–96.

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The Cambridge Companion to Greek Tragedy, 1st ed.; Easterling, P. E., Ed.; Cambridge University Press: Cambridge, U.K., 1997.

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James, S. L.; Dillon, S. A Companion to Women in the Ancient World; Wiley-Blackwell: Malden, MA, 2012.

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Lloyd, M. Oxford Readings in Aeschylus; Oxford University Press: Oxford, 2007.

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Brill’s Companion to Sophocles; Markantonatos, A., Ed.; Brill: Leiden, 2012.

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Mossman, J. Oxford Readings in Euripides; Oxford University Press: Oxford, 2003.

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Ormand, K. A Companion to Sophocles; John Wiley & Sons: Hoboken, 2012.

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Segal, E. Oxford Readings in Greek Tragedy; Oxford University Press: Oxford [Oxfordshire], 1983.

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Foley, H. P. Female Acts in Greek Tragedy; Princeton University Press: Princeton, N.J.

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Goldhill, S. Language, Sexuality, Narrative, the Oresteia; Cambridge University Press: Cambridge [Cambridgeshire], 1984.

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Marshall, C. W. Aeschylus, Libation Bearers; Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc: London, 2017.

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McClure, L. Spoken like a Woman: Speech and Gender in Athenian Drama; Princeton University Press: Princeton, N.J., 1999.

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McNeil, L. Bridal Cloths, Cover-Ups, and  Kharis: The ‘Carpet Scene’ in Aeschylus’  Agamemnon. Greece and Rome 2005, 52 (1).

(46)

Robin Mitchell-Boyask. The Marriage of Cassandra and the ‘Oresteia’: Text, Image, Performance. Transactions of the American Philological Association (1974-) 2006, 136 (2).

(47)

Mitchell-Boyask, R. Aeschylus: Eumenides; Duckworth: London, 2009.

(48)

Mueller, M. Objects as Actors: Props and the Poetics of Performance in Greek Tragedy; The University of Chicago Press: Chicago, 2016. https://doi.org/10.7208/chicago/9780226313009.001.0001.

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Charles P. Segal. Tragedy, Corporeality, and the Texture of Language: Matricide in the Three Electra Plays. The Classical World 1985, 79 (1).

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Wohl, V. Intimate Commerce: Exchange, Gender, and Subjectivity in Greek Tragedy; University of Texas Press: Austin, 1998.

(51)

Zeitlin, F. I. The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia. In Playing the other: gender and society in classical Greek literature; University of Chicago Press: Chicago, 1996; pp 87–122.

(52)

Dunn, F. Where Is Electra in Sophocles’ Electra? In The play of texts and fragments: essays in honour of Martin Cropp; Brill: Leiden, 2009; Vol. v. 314, pp 345–356.

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Juffras, D. M. Sophocles’ Electra 973-85 and Tyrannicide. Transactions of the American Philological Association (1974-) 1991, 121. https://doi.org/10.2307/284445.

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Kitzinger, R. Why Mourning Becomes Elektra. Classical Antiquity 1991, 10 (2), 298–327. https://doi.org/10.2307/25010954.

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Lloyd, M. Sophocles: Electra; Duckworth: London, 2005.

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Ormand, K. Exchange and the Maiden: Marriage in Sophoclean Tragedy, 1st ed.; University of Texas Press: Austin, 1999.

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Seaford, R. The Destruction of Limits in Sophokles’ Elektra. The Classical Quarterly 1985, 35 (2).

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Charles P. Segal. Tragedy, Corporeality, and the Texture of Language: Matricide in the Three Electra Plays. The Classical World 1985, 79 (1).

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Sorum, C. E. The Family in Sophocles’ ‘Antigone’ and ‘Electra’. The Classical World 1982, 75 (4).

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Wright, M. The Joy of Sophocles’ Electra. Greece & Rome 2005, 52 (2).

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Foley, H. P. Female Acts in Greek Tragedy; Princeton University Press: Princeton, N.J.

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Gallagher, R. L. Making the Stronger Argument the Weaker: Euripides, ‘Electra’ 518-44. The Classical Quarterly 2003, 53 (2).

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BARBARA GOFF. Try to Make It Real Compared to What? Euripides’ ‘Electra’ and the Play of Genres. Illinois Classical Studies 2000, 24, 93–105.

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Lloyd, M. Realism and Character in Euripides’ ‘Electra’. Phoenix 1986, 40 (1).

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Mossman, J. Women’s Speech in Greek Tragedy: The Case of Electra and Clytemnestra in Euripides’ ‘Electra’. The Classical Quarterly 2001, 51 (2).

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Charles P. Segal. Tragedy, Corporeality, and the Texture of Language: Matricide in the Three Electra Plays. The Classical World 1985, 79 (1).

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Torrance, I. C. Metapoetry in Euripides; Oxford University Press: Oxford, United Kingdom, 2013. https://doi.org/10.1093/acprof:oso/9780199657834.001.0001.

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Wohl, V. Euripides and the Politics of Form; Princeton University Press: Princeton, 2015. https://doi.org/10.23943/princeton/9780691166506.001.0001.

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Zeitlin, F. I. The Argive Festival of Hera and Euripides’ Electra. Transactions and Proceedings of the American Philological Association 1970, 101.

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Barlow, S. A. Stereotype and Reversal in Euripides’ ‘Medea’. Greece & Rome 1989, 36 (2).

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Bongie, E. B. Heroic Elements in the Medea of Euripides. Transactions of the American Philological Association (1974-) 1977, 107.

(73)

Cairns, D. Medea: Feminism or Misogyny? In Looking at Medea: essays and a translation of Euripides’ tragedy; Stuttard, D., Ed.; Bloomsbury Academic: London, 2014; pp 123–137.

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Foley, H. P. Female Acts in Greek Tragedy; Princeton University Press: Princeton, N.J.

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Williamson, M. A Woman’s Place in Euripides’ Medea. In Euripides, women, and sexuality; Routledge: London, 1990; pp 16–31.

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Burnett, A. P. Revenge in Attic and Later Tragedy; University of California Press: Berkeley, 1998.

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Dué, C. The Captive Woman’s Lament in Greek Tragedy, 1st ed.; University of Texas Press: Austin, 2006.

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Foley, H. P. Euripides: Hecuba; Bloomsbury Academic: London, 2015.

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Mossman, J. Wild Justice: A Study of Euripides’ Hecuba, 2nd ed.; Bristol Classical Press: London, 1999.

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Papastamati, S. The Poetics of Kalos Thanatos in Euripides’ Hecuba: Masculine and Feminine Motifs in Polyxena’s Death. Mnemosyne 2017, 70 (3). https://doi.org/10.1163/1568525X-12341972.

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Scodel, R. The Captive’s Dilemma: Sexual Acquiescence in Euripides Hecuba and Troades. Harvard Studies in Classical Philology 1998, 98. https://doi.org/10.2307/311340.

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Segal, C. Violence and the Other: Greek, Female, and Barbarian in Euripides’ Hecuba. Transactions of the American Philological Association (1974-) 1990, 120. https://doi.org/10.2307/283981.

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Segal, C. Euripides and the Poetics of Sorrow: Art, Gender, and Commemoration in Alcestis, Hippolytus, and Hecuba; Duke University Press: Durham, N.C., 1993.

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Zeitlin, F. I. The Body’s Revenge: Dionysos and Tragic Action in Euripides’ Hekabe. In Playing the other: gender and society in classical Greek literature; University of Chicago Press: Chicago, 1996.

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Cairns, D. L. Sophocles, Antigone; Bloomsbury Academic: London, 2016.

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Hame, K. J. Female Control of Funeral Rites in Greek Tragedy: Klytaimestra, Medea, and Antigone. Classical Philology 2008, 103 (1). https://doi.org/10.1086/590091.

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Ormand, K. Exchange and the Maiden: Marriage in Sophoclean Tragedy, 1st ed.; University of Texas Press: Austin, 1999.

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Richard Seaford. The Imprisonment of Women in Greek Tragedy. The Journal of Hellenic Studies 1990, 110.

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Segal, E. Antigone: Death and Love, Hades and Dionysus. In Oxford readings in Greek tragedy; Oxford University Press: Oxford [Oxfordshire], 1983; pp 167–176.

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