BARBARA GOFF. (2000). Try to Make it Real Compared to What? Euripides’ ‘Electra’ and the Play of Genres. Illinois Classical Studies, 24, 93–105. https://www.jstor.org/stable/23065360?seq=1#page_scan_tab_contents
Barlow, S. A. (1989). Stereotype and Reversal in Euripides’ ‘Medea’. Greece & Rome, 36(2). https://www-jstor-org.bris.idm.oclc.org/stable/643169
Bongie, E. B. (1977). Heroic Elements in the Medea of Euripides. Transactions of the American Philological Association (1974-), 107. https://www-jstor-org.bris.idm.oclc.org/stable/284024
Burnett, A. P. (1998). Revenge in Attic and later tragedy. University of California Press.
Cairns, D. (2014). Medea: feminism or misogyny? In D. Stuttard (Ed.), Looking at Medea: essays and a translation of Euripides’ tragedy (pp. 123–137). Bloomsbury Academic.
Cairns, D. L. (2016). Sophocles, Antigone. Bloomsbury Academic. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4585035
Charles P. Segal. (1985a). Tragedy, Corporeality, and the Texture of Language: Matricide in the Three Electra Plays. The Classical World, 79(1). https://www-jstor-org.bris.idm.oclc.org/stable/4349798
Charles P. Segal. (1985b). Tragedy, Corporeality, and the Texture of Language: Matricide in the Three Electra Plays. The Classical World, 79(1). https://www-jstor-org.bris.idm.oclc.org/stable/4349798
Charles P. Segal. (1985c). Tragedy, Corporeality, and the Texture of Language: Matricide in the Three Electra Plays. The Classical World, 79(1). https://www-jstor-org.bris.idm.oclc.org/stable/4349798
Cropp, M. (1997). Antigone’s Final Speech (Sophocles, 891–928). Greece and Rome, 44(2), 137–160. https://doi.org/10.1093/gr/44.2.137
Dué, C. (2006). The captive woman’s lament in Greek tragedy (1st ed). University of Texas Press. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3443043
Dunn, F. (2009). Where is Electra in Sophocles’ Electra? In The play of texts and fragments: essays in honour of Martin Cropp: Vol. v. 314 (pp. 345–356). Brill.
Easterling, P. E. (1987). Women in Tragic Space. Bulletin of the Institute of Classical Studies, 34(1). https://doi.org/10.1111/j.2041-5370.1987.tb00551.x
Easterling, P. E. (Ed.). (1997). The Cambridge Companion to Greek Tragedy (1st ed). Cambridge University Press. https://doi-org.bris.idm.oclc.org/10.1017/CCOL0521412455
Easterling, P. E., Gould, T. F., & Herington, C. J. (1977). The infanticide in Euripides’ Medea. In Greek Tragedy: Vol. no. 25 (pp. 177–192). Cambridge University Press. https://doi.org/10.1017/CBO9780511933738.007
Foley, H. P. (n.d.-a). Female acts in Greek tragedy. Princeton University Press. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=445484
Foley, H. P. (n.d.-b). Female acts in Greek tragedy. Princeton University Press. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=445484
Foley, H. P. (n.d.-c). Female acts in Greek tragedy. Princeton University Press. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=445484
Foley, H. P. (n.d.-d). Female acts in Greek tragedy. Princeton University Press. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=445484
Foley, H. P. (n.d.-e). Female acts in Greek tragedy. Princeton University Press. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=445484
Foley, H. P. (n.d.-f). Female acts in Greek tragedy. Princeton University Press. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=445484
Foley, H. P. (1981). Reflections of women in antiquity. Gordon and Breach Science Publishers. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1111406
Foley, H. P. (2015). Euripides: Hecuba. Bloomsbury Academic.
Gallagher, R. L. (2003). Making the Stronger Argument the Weaker: Euripides, ‘Electra’ 518-44. The Classical Quarterly, 53(2). https://www-jstor-org.bris.idm.oclc.org/stable/3556211
Goldhill, S. (1984). Language, sexuality, narrative, the Oresteia. Cambridge University Press. https://doi-org.bris.idm.oclc.org/10.1017/CBO9780511552496
Goldhill, S. (1986a). Reading Greek tragedy. Cambridge University Press. https://doi-org.bris.idm.oclc.org/10.1017/CBO9780511627354
Goldhill, S. (1986b). Reading Greek tragedy. Cambridge University Press. https://doi-org.bris.idm.oclc.org/10.1017/CBO9780511627354
Goldhill, S. (1994). Representing democracy: women at the Great Dionysia. In Ritual, Finance, Politics: Athenian Democratic Accounts Presented to David Lewis (pp. 347–369). Clarendon Press.
Goldhill, S. (1997). The audience of Athenian tragedy. In P. E. Easterling (Ed.), The Cambridge Companion to Greek Tragedy (1st ed, pp. 54–68). Cambridge University Press.
Goldhill, S. (2012). Antigone and the Politics of Sisterhood. In Sophocles and the language of tragedy: Vol. The Onassis series in Hellenic culture (pp. 231–248). Oxford University Press. http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199796274.001.0001/acprof-9780199796274-chapter-9
Gould, J. (19800101). Law, Custom and Myth: Aspects of the Social Position of Women in Classical Athens. The Journal of Hellenic Studies, 100. https://doi.org/10.2307/630731
Goward, B. (2005). Aeschylus: Agamemnon. Duckworth.
Gregory, J. (2005). A companion to Greek tragedy. Blackwell Pub.
Griffith, M. (1995). Brilliant Dynasts: Power and Politics in the ‘Oresteia’. Classical Antiquity, 14(1). https://www-jstor-org.bris.idm.oclc.org/stable/25000143
Griffith, M. (2005). The subject of desire in Sophocles’ Antigone. In The soul of tragedy: essays on Athenian drama (pp. 91–136). University of Chicago Press.
Griffith, M. (2011). Extended families, marriage, and inter-city relations in (later) Athenian  tragedy. In Why Athens?: a reappraisal of tragic politics (pp. 175–208). Oxford University Press.
Hall, E. (1997). The sociology of Athenian tragedy. In P. E. Easterling (Ed.), The Cambridge Companion to Greek Tragedy (1st ed, pp. 93–126). Cambridge University Press.
Hame, K. J. (2008a). Female Control of Funeral Rites in Greek Tragedy: Klytaimestra, Medea, and Antigone. Classical Philology, 103(1). https://doi.org/10.1086/590091
Hame, K. J. (2008b). Female Control of Funeral Rites in Greek Tragedy: Klytaimestra, Medea, and Antigone. Classical Philology, 103(1). https://doi.org/10.1086/590091
Hame, K. J. (2008c). Female Control of Funeral Rites in Greek Tragedy: Klytaimestra, Medea, and Antigone. Classical Philology, 103(1). https://doi.org/10.1086/590091
Henderson, J. (1991). Women and the Athenian Dramatic Festivals. Transactions of the American Philological Association (1974-), 121. https://www.jstor.org/stable/284448
Holland, C. A. (1998). After Antigone: Women, the Past, and the Future of Feminist Political Thought. American Journal of Political Science, 42(4). https://www-jstor-org.bris.idm.oclc.org/stable/2991851
Holt, P. (1999). Polis and Tragedy in the ‘Antigone’. Mnemosyne, 52(6). https://www-jstor-org.bris.idm.oclc.org/stable/4433045
Honig, B. (2013a). Antigone, interrupted. Cambridge University Press. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1139750
Honig, B. (2013b). Sacrifice, Sorority, Integrity. In Antigone, interrupted (pp. 151–189). Cambridge University Press. https://doi.org/10.1017/CBO9781139583084.010
James, S. L., & Dillon, S. (2012). A companion to women in the ancient world. Wiley-Blackwell. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=837573
Juffras, D. M. (1991). Sophocles’ Electra 973-85 and Tyrannicide. Transactions of the American Philological Association (1974-), 121. https://doi.org/10.2307/284445
King, H. (1993). Bound to bleed: Artemis and Greek women. In Images of women in antiquity (Rev. ed, pp. 109–127). Routledge.
Kitzinger, R. (1991). Why Mourning Becomes Elektra. Classical Antiquity, 10(2), 298–327. https://doi.org/10.2307/25010954
Koloski-Ostrow, A. O., & Lyons, C. L. (1997). Naked truths: women, sexuality, and gender in classical art and archaeology. Routledge.
Lloyd, M. (1986). Realism and Character in Euripides’ ‘Electra’. Phoenix, 40(1). https://www-jstor-org.bris.idm.oclc.org/stable/1088961
Lloyd, M. (2005). Sophocles: Electra. Duckworth.
Lloyd, M. (2007). Oxford Readings in Aeschylus. Oxford University Press.
Loraux, N. (1987). Tragic ways of killing a woman. Harvard University Press.
Maitland, J. (1992). Dynasty and Family in the Athenian City State: A View from Attic Tragedy. The Classical Quarterly, 42(1). https://doi.org/10.1017/S0009838800042555
March, J. (1990). Euripides the misogynist. In Euripides, women, and sexuality (pp. 32–75). Routledge.
Marilyn A. Katz. (1994). The character of tragedy: women and the Greek imagination. Arethusa, 27(1). https://www.jstor.org/stable/26309598
Markantonatos, A. (Ed.). (2012). Brill’s companion to Sophocles. Brill.
Marshall, C. W. (2017). Aeschylus, Libation bearers. Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc.
McClure, L. (1999a). Spoken like a woman: speech and gender in Athenian drama. Princeton University Press.
McClure, L. (1999b). Spoken like a woman: speech and gender in Athenian drama. Princeton University Press.
McClure, L. (Ed.). (2017). A companion to Euripides. John Wiley & Sons Inc.
McNeil, L. (2005). Bridal Cloths, Cover-ups, and  Kharis: The ‘Carpet Scene’ in Aeschylus’  Agamemnon. Greece and Rome, 52(1). https://doi-org.bris.idm.oclc.org/10.1093/gromej/cxi009
Mitchell-Boyask, R. (2009). Aeschylus: Eumenides. Duckworth.
Mossman, J. (1999). Wild justice: a study of Euripides’ Hecuba (2nd ed). Bristol Classical Press.
Mossman, J. (2001). Women’s Speech in Greek Tragedy: The Case of Electra and Clytemnestra in Euripides’ ‘Electra’. The Classical Quarterly, 51(2). https://www-jstor-org.bris.idm.oclc.org/stable/1088961
Mossman, J. (2003). Oxford Readings in Euripides. Oxford University Press.
Mueller, M. (2016). Objects as actors: props and the poetics of performance in Greek tragedy. The University of Chicago Press. https://doi.org/10.7208/chicago/9780226313009.001.0001
Mueller, M. (2017). Gender. In L. McClure (Ed.), A companion to Euripides (pp. 500–514). John Wiley & Sons Inc.
Murnaghan, S. (1986). Antigone 904-920 and the Institution of Marriage. The American Journal of Philology, 107(2). https://doi.org/10.2307/294602
Neuburg, M. (1990). How Like a Woman: Antigone’s ‘Inconsistency’. The Classical Quarterly, 40(1). https://doi.org/10.1017/S000983880002680X
Ormand, K. (1999a). Exchange and the maiden: marriage in Sophoclean tragedy (1st ed). University of Texas Press.
Ormand, K. (1999b). Exchange and the maiden: marriage in Sophoclean tragedy (1st ed). University of Texas Press.
Ormand, K. (1999c). Exchange and the maiden: marriage in Sophoclean tragedy (1st ed). University of Texas Press.
Ormand, K. (2012). A companion to Sophocles. John Wiley & Sons. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=894693
Papastamati, S. (2017). The Poetics of kalos thanatos in Euripides’ Hecuba: Masculine and Feminine Motifs in Polyxena’s Death. Mnemosyne, 70(3). https://doi.org/10.1163/1568525X-12341972
Pritchard, D. M. (2014). The position of Attic women in democratic Athens. Greece and Rome, 61(2). https://doi.org/10.1017/S0017383514000072
Rabinowitz, N. S. (1993). Anxiety veiled: Euripides and the traffic in women. Cornell University Press.
Rehm, R. (1994). Marriage to death: the conflation of wedding and funeral rituals in Greek tragedy. Princeton University Press.
Richard Seaford. (1990). The Imprisonment of Women in Greek Tragedy. The Journal of Hellenic Studies, 110. https://www-jstor-org.bris.idm.oclc.org/stable/631733
Robin Mitchell-Boyask. (2006). The Marriage of Cassandra and the ‘Oresteia’: Text, Image, Performance. Transactions of the American Philological Association (1974-), 136(2). https://www-jstor-org.bris.idm.oclc.org/stable/4543294
Scodel, R. (1996). Δόμων ἄγαλμα: Virgin Sacrifice and Aesthetic Object. Transactions of the American Philological Association (1974-), 126. https://www-jstor-org.bris.idm.oclc.org/stable/370174
Scodel, R. (1998). The Captive’s Dilemma: Sexual Acquiescence in Euripides Hecuba and Troades. Harvard Studies in Classical Philology, 98. https://doi.org/10.2307/311340
Seaford, R. (1985). The Destruction of Limits in Sophokles’ Elektra. The Classical Quarterly, 35(2). https://www-jstor-org.bris.idm.oclc.org/stable/639065
Seaford, R. (1987). The Tragic Wedding. The Journal of Hellenic Studies, 107. https://doi.org/10.2307/630074
Seaford, R. (1990). The structural problems of marriage in Euripides. In Euripides, women, and sexuality (pp. 151–176). Routledge.
Segal, C. (1990). Violence and the Other: Greek, Female, and Barbarian in Euripides’ Hecuba. Transactions of the American Philological Association (1974-), 120. https://doi.org/10.2307/283981
Segal, C. (1993). Euripides and the poetics of sorrow: art, gender, and commemoration in Alcestis, Hippolytus, and Hecuba. Duke University Press. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1167594
Segal, E. (1983a). Antigone: death and love, Hades and Dionysus. In Oxford readings in Greek tragedy (pp. 167–176). Oxford University Press.
Segal, E. (1983b). Oxford readings in Greek tragedy. Oxford University Press.
Shaw, M. (1975). The Female Intruder: Women in Fifth-Century Drama. Classical Philology, 70(4). https://www-jstor-org.bris.idm.oclc.org/stable/268229
Sorum, C. E. (1982a). The Family in Sophocles’ ‘Antigone’ and ‘Electra’. The Classical World, 75(4). https://www-jstor-org.bris.idm.oclc.org/stable/4349362
Sorum, C. E. (1982b). The Family in Sophocles’ ‘Antigone’ and ‘Electra’. The Classical World, 75(4). https://www-jstor-org.bris.idm.oclc.org/stable/4349362
Sourvinou-Inwood, C. (1989). Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone. The Journal of Hellenic Studies, 109. https://www-jstor-org.bris.idm.oclc.org/stable/632037
Steiner, G. (1984). Antigones. Oxford University Press.
Torrance, I. C. (2013). Metapoetry in Euripides. Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199657834.001.0001
Tzanetou, A. (2012). Citizen-mothers on the tragic stage. In Mothering and motherhood in ancient Greece and Rome (1st ed, pp. 97–120). University of Texas Press.
Visser, M. (1986). Medea: daughter, sister, wife, mother: natal family uersus conjugal family in Greek and Roman myths about women. In M. Cropp, E. Fantham, & S. E. Scully (Eds.), Greek tragedy and its legacy: essays presented to D.J. Conacher (pp. 149–165). The University of Calgary Press.
Williamson, M. (1990). A woman’s place in Euripides’ Medea. In Euripides, women, and sexuality (pp. 16–31). Routledge.
Wohl, V. (1998a). Intimate commerce: exchange, gender, and subjectivity in Greek tragedy. University of Texas Press.
Wohl, V. (1998b). Intimate commerce: exchange, gender, and subjectivity in Greek tragedy. University of Texas Press.
Wohl, V. (2015a). Euripides and the politics of form. Princeton University Press. https://doi.org/10.23943/princeton/9780691166506.001.0001
Wohl, V. (2015b). Euripides and the politics of form. Princeton University Press. https://doi.org/10.23943/princeton/9780691166506.001.0001
Wright, M. (2005). The Joy of Sophocles’ Electra. Greece & Rome, 52(2). https://www-jstor-org.bris.idm.oclc.org/stable/3567867
Zeitlin, F. (1990). Playing the Other: theater, theatricality, and the feminine in Greek drama. In Nothing to do with Dionysos?: Athenian drama in its social context (pp. 63–96). Princeton University Press.
Zeitlin, F. I. (1970). The Argive Festival of Hera and Euripides’ Electra. Transactions and Proceedings of the American Philological Association, 101. https://www-jstor-org.bris.idm.oclc.org/stable/2936074
Zeitlin, F. I. (1996a). The body’s revenge: Dionysos and tragic action in Euripides’ Hekabe. In Playing the other: gender and society in classical Greek literature. University of Chicago Press.
Zeitlin, F. I. (1996b). The dynamics of misogyny: myth and mythmaking in the Oresteia. In Playing the other: gender and society in classical Greek literature (pp. 87–122). University of Chicago Press.
Zellner, H. M. (1997). Antigone and the Wife of Intaphrenes. The Classical World, 90(5). https://www-jstor-org.bris.idm.oclc.org/stable/4351958