[1]
P. E. Easterling, ‘Women in Tragic Space’, Bulletin of the Institute of Classical Studies, vol. 34, no. 1, 1987, doi: 10.1111/j.2041-5370.1987.tb00551.x. [Online]. Available: https://bris.on.worldcat.org/search?databaseList=638&queryString=Women in tragic space’#/oclc/5152977053
[2]
H. P. Foley, Reflections of women in antiquity. New York: Gordon and Breach Science Publishers, 1981 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1111406
[3]
H. P. Foley, Female acts in Greek tragedy. Princeton, N.J.: Princeton University Press [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=445484
[4]
S. Goldhill, ‘Representing democracy: women at the Great Dionysia’, in Ritual, Finance, Politics: Athenian Democratic Accounts Presented to David Lewis, Oxford: Clarendon Press, 1994, pp. 347–369.
[5]
S. Goldhill, ‘The audience of Athenian tragedy’, in The Cambridge Companion to Greek Tragedy, 1st ed., P. E. Easterling, Ed. Cambridge, U.K.: Cambridge University Press, 1997, pp. 54–68.
[6]
J. Gould, ‘Law, Custom and Myth: Aspects of the Social Position of Women in Classical Athens’, The Journal of Hellenic Studies, vol. 100, 19800101, doi: 10.2307/630731.
[7]
M. Griffith, ‘Extended families, marriage, and inter-city relations in (later) Athenian tragedy’, in Why Athens?: a reappraisal of tragic politics, Oxford: Oxford University Press, 2011, pp. 175–208.
[8]
E. Hall, ‘The sociology of Athenian tragedy’, in The Cambridge Companion to Greek Tragedy, 1st ed., P. E. Easterling, Ed. Cambridge, U.K.: Cambridge University Press, 1997, pp. 93–126.
[9]
J. Henderson, ‘Women and the Athenian Dramatic Festivals’, Transactions of the American Philological Association (1974-), vol. 121, 1991 [Online]. Available: https://www.jstor.org/stable/284448
[10]
Marilyn A. Katz, ‘The character of tragedy: women and the Greek imagination’, Arethusa, vol. 27, no. 1, 1994 [Online]. Available: https://www.jstor.org/stable/26309598
[11]
H. King, ‘Bound to bleed: Artemis and Greek women’, in Images of women in antiquity, Rev. ed., London: Routledge, 1993, pp. 109–127.
[12]
A. O. Koloski-Ostrow and C. L. Lyons, Naked truths: women, sexuality, and gender in classical art and archaeology. London: Routledge, 1997.
[13]
N. Loraux, Tragic ways of killing a woman. Cambridge, Mass: Harvard University Press, 1987.
[14]
J. Maitland, ‘Dynasty and Family in the Athenian City State: A View from Attic Tragedy’, The Classical Quarterly, vol. 42, no. 1, 1992, doi: 10.1017/S0009838800042555.
[15]
J. March, ‘Euripides the misogynist’, in Euripides, women, and sexuality, London: Routledge, 1990, pp. 32–75.
[16]
L. McClure, Spoken like a woman: speech and gender in Athenian drama. Princeton, N.J.: Princeton University Press, 1999.
[17]
M. Mueller, ‘Gender’, in A companion to Euripides, L. McClure, Ed. Chichester, West Sussex, UK: John Wiley & Sons Inc, 2017, pp. 500–514.
[18]
K. Ormand, Exchange and the maiden: marriage in Sophoclean tragedy, 1st ed. Austin: University of Texas Press, 1999.
[19]
D. M. Pritchard, ‘The position of Attic women in democratic Athens’, Greece and Rome, vol. 61, no. 2, 2014, doi: 10.1017/S0017383514000072. [Online]. Available: https://bris.on.worldcat.org/search?databaseList=638&queryString=The position of Attic women in democratic Athens&clusterResults=true#/oclc/5628391863
[20]
N. S. Rabinowitz, Anxiety veiled: Euripides and the traffic in women. Ithaca: Cornell University Press, 1993.
[21]
R. Rehm, Marriage to death: the conflation of wedding and funeral rituals in Greek tragedy. Princeton, N.J.: Princeton University Press, 1994.
[22]
R. Seaford, ‘The Tragic Wedding’, The Journal of Hellenic Studies, vol. 107, 1987, doi: 10.2307/630074.
[23]
R. Seaford, ‘The structural problems of marriage in Euripides’, in Euripides, women, and sexuality, London: Routledge, 1990, pp. 151–176.
[24]
M. Shaw, ‘The Female Intruder: Women in Fifth-Century Drama’, Classical Philology, vol. 70, no. 4, 1975 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/268229
[25]
A. Tzanetou, ‘Citizen-mothers on the tragic stage’, in Mothering and motherhood in ancient Greece and Rome, 1st ed., Austin: University of Texas Press, 2012, pp. 97–120.
[26]
V. Wohl, Intimate commerce: exchange, gender, and subjectivity in Greek tragedy. Austin: University of Texas Press, 1998.
[27]
F. Zeitlin, ‘Playing the Other: theater, theatricality, and the feminine in Greek drama’, in Nothing to do with Dionysos?: Athenian drama in its social context, Princeton, N.J.: Princeton University Press, 1990, pp. 63–96.
[28]
P. E. Easterling, Ed., The Cambridge Companion to Greek Tragedy, 1st ed. Cambridge, U.K.: Cambridge University Press, 1997 [Online]. Available: https://doi-org.bris.idm.oclc.org/10.1017/CCOL0521412455
[29]
J. Gregory, A companion to Greek tragedy. Malden, MA: Blackwell Pub, 2005.
[30]
S. L. James and S. Dillon, A companion to women in the ancient world. Malden, MA: Wiley-Blackwell, 2012 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=837573
[31]
M. Lloyd, Oxford Readings in Aeschylus. Oxford: Oxford University Press, 2007.
[32]
A. Markantonatos, Ed., Brill’s companion to Sophocles. Leiden: Brill, 2012.
[33]
L. McClure, Ed., A companion to Euripides. Chichester, West Sussex, UK: John Wiley & Sons Inc, 2017.
[34]
J. Mossman, Oxford Readings in Euripides. Oxford: Oxford University Press, 2003.
[35]
K. Ormand, A companion to Sophocles. Hoboken: John Wiley & Sons, 2012 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=894693
[36]
E. Segal, Oxford readings in Greek tragedy. Oxford [Oxfordshire]: Oxford University Press, 1983.
[37]
H. P. Foley, Female acts in Greek tragedy. Princeton, N.J.: Princeton University Press [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=445484
[38]
S. Goldhill, Language, sexuality, narrative, the Oresteia. Cambridge [Cambridgeshire]: Cambridge University Press, 1984 [Online]. Available: https://doi-org.bris.idm.oclc.org/10.1017/CBO9780511552496
[39]
S. Goldhill, Reading Greek tragedy. Cambridge: Cambridge University Press, 1986 [Online]. Available: https://doi-org.bris.idm.oclc.org/10.1017/CBO9780511627354
[40]
B. Goward, Aeschylus: Agamemnon. London: Duckworth, 2005.
[41]
M. Griffith, ‘Brilliant Dynasts: Power and Politics in the “Oresteia”’, Classical Antiquity, vol. 14, no. 1, 1995 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/25000143
[42]
K. J. Hame, ‘Female Control of Funeral Rites in Greek Tragedy: Klytaimestra, Medea, and Antigone’, Classical Philology, vol. 103, no. 1, 2008, doi: 10.1086/590091. [Online]. Available: https://bris.on.worldcat.org/search?databaseList=638&queryString=Female control of funeral rites in Greek tragedy&clusterResults=true#/oclc/4636838100
[43]
C. W. Marshall, Aeschylus, Libation bearers. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017.
[44]
L. McClure, Spoken like a woman: speech and gender in Athenian drama. Princeton, N.J.: Princeton University Press, 1999.
[45]
L. McNeil, ‘Bridal Cloths, Cover-ups, and Kharis: The “Carpet Scene” in Aeschylus’ Agamemnon’, Greece and Rome, vol. 52, no. 1, 2005 [Online]. Available: https://doi-org.bris.idm.oclc.org/10.1093/gromej/cxi009
[46]
Robin Mitchell-Boyask, ‘The Marriage of Cassandra and the “Oresteia”: Text, Image, Performance’, Transactions of the American Philological Association (1974-), vol. 136, no. 2, 2006 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/4543294
[47]
R. Mitchell-Boyask, Aeschylus: Eumenides. London: Duckworth, 2009.
[48]
M. Mueller, Objects as actors: props and the poetics of performance in Greek tragedy. Chicago: The University of Chicago Press, 2016.
[49]
Charles P. Segal, ‘Tragedy, Corporeality, and the Texture of Language: Matricide in the Three Electra Plays’, The Classical World, vol. 79, no. 1, 1985 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/4349798
[50]
V. Wohl, Intimate commerce: exchange, gender, and subjectivity in Greek tragedy. Austin: University of Texas Press, 1998.
[51]
F. I. Zeitlin, ‘The dynamics of misogyny: myth and mythmaking in the Oresteia’, in Playing the other: gender and society in classical Greek literature, Chicago: University of Chicago Press, 1996, pp. 87–122.
[52]
F. Dunn, ‘Where is Electra in Sophocles’ Electra?’, in The play of texts and fragments: essays in honour of Martin Cropp, vol. v. 314, Leiden: Brill, 2009, pp. 345–356.
[53]
H. P. Foley, Female acts in Greek tragedy. Princeton, N.J.: Princeton University Press [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=445484
[54]
D. M. Juffras, ‘Sophocles’ Electra 973-85 and Tyrannicide’, Transactions of the American Philological Association (1974-), vol. 121, 1991, doi: 10.2307/284445.
[55]
R. Kitzinger, ‘Why Mourning Becomes Elektra’, Classical Antiquity, vol. 10, no. 2, pp. 298–327, 1991, doi: 10.2307/25010954.
[56]
M. Lloyd, Sophocles: Electra. London: Duckworth, 2005.
[57]
K. Ormand, Exchange and the maiden: marriage in Sophoclean tragedy, 1st ed. Austin: University of Texas Press, 1999.
[58]
R. Seaford, ‘The Destruction of Limits in Sophokles’ Elektra’, The Classical Quarterly, vol. 35, no. 2, 1985 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/639065
[59]
Charles P. Segal, ‘Tragedy, Corporeality, and the Texture of Language: Matricide in the Three Electra Plays’, The Classical World, vol. 79, no. 1, 1985 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/4349798
[60]
C. E. Sorum, ‘The Family in Sophocles’ “Antigone” and “Electra”’, The Classical World, vol. 75, no. 4, 1982 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/4349362
[61]
M. Wright, ‘The Joy of Sophocles’ Electra’, Greece & Rome, vol. 52, no. 2, 2005 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/3567867
[62]
H. P. Foley, Female acts in Greek tragedy. Princeton, N.J.: Princeton University Press [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=445484
[63]
R. L. Gallagher, ‘Making the Stronger Argument the Weaker: Euripides, “Electra” 518-44’, The Classical Quarterly, vol. 53, no. 2, 2003 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/3556211
[64]
BARBARA GOFF, ‘Try to Make it Real Compared to What? Euripides’ “Electra” and the Play of Genres’, Illinois Classical Studies, vol. 24, pp. 93–105, 2000 [Online]. Available: https://www.jstor.org/stable/23065360?seq=1#page_scan_tab_contents
[65]
M. Lloyd, ‘Realism and Character in Euripides’ “Electra”’, Phoenix, vol. 40, no. 1, 1986 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/1088961
[66]
J. Mossman, ‘Women’s Speech in Greek Tragedy: The Case of Electra and Clytemnestra in Euripides’ “Electra”’, The Classical Quarterly, vol. 51, no. 2, 2001 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/1088961
[67]
Charles P. Segal, ‘Tragedy, Corporeality, and the Texture of Language: Matricide in the Three Electra Plays’, The Classical World, vol. 79, no. 1, 1985 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/4349798
[68]
I. C. Torrance, Metapoetry in Euripides. Oxford, United Kingdom: Oxford University Press, 2013.
[69]
V. Wohl, Euripides and the politics of form. Princeton: Princeton University Press, 2015.
[70]
F. I. Zeitlin, ‘The Argive Festival of Hera and Euripides’ Electra’, Transactions and Proceedings of the American Philological Association, vol. 101, 1970 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/2936074
[71]
S. A. Barlow, ‘Stereotype and Reversal in Euripides’ “Medea”’, Greece & Rome, vol. 36, no. 2, 1989 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/643169
[72]
E. B. Bongie, ‘Heroic Elements in the Medea of Euripides’, Transactions of the American Philological Association (1974-), vol. 107, 1977 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/284024
[73]
D. Cairns, ‘Medea: feminism or misogyny?’, in Looking at Medea: essays and a translation of Euripides’ tragedy, D. Stuttard, Ed. London: Bloomsbury Academic, 2014, pp. 123–137.
[74]
P. E. Easterling, T. F. Gould, and C. J. Herington, ‘The infanticide in Euripides’ Medea’, in Greek Tragedy, vol. no. 25, Cambridge: Cambridge University Press, 1977, pp. 177–192 [Online]. Available: https://www.cambridge.org/core/product/identifier/CBO9780511933738A012/type/book_part
[75]
H. P. Foley, Female acts in Greek tragedy. Princeton, N.J.: Princeton University Press [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=445484
[76]
K. J. Hame, ‘Female Control of Funeral Rites in Greek Tragedy: Klytaimestra, Medea, and Antigone’, Classical Philology, vol. 103, no. 1, 2008, doi: 10.1086/590091. [Online]. Available: https://bris.on.worldcat.org/search?databaseList=638&queryString=Female control of funeral rites in Greek tragedy&clusterResults=true#/oclc/4636838100
[77]
M. Visser, ‘Medea: daughter, sister, wife, mother: natal family uersus conjugal family in Greek and Roman myths about women’, in Greek tragedy and its legacy: essays presented to D.J. Conacher, M. Cropp, E. Fantham, and S. E. Scully, Eds. Calgary, Alberta, Canada: The University of Calgary Press, 1986, pp. 149–165.
[78]
M. Williamson, ‘A woman’s place in Euripides’ Medea’, in Euripides, women, and sexuality, London: Routledge, 1990, pp. 16–31.
[79]
A. P. Burnett, Revenge in Attic and later tragedy. Berkeley: University of California Press, 1998.
[80]
C. Dué, The captive woman’s lament in Greek tragedy, 1st ed. Austin: University of Texas Press, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3443043
[81]
H. P. Foley, Euripides: Hecuba. London: Bloomsbury Academic, 2015.
[82]
J. Mossman, Wild justice: a study of Euripides’ Hecuba, 2nd ed. London: Bristol Classical Press, 1999.
[83]
S. Papastamati, ‘The Poetics of kalos thanatos in Euripides’ Hecuba: Masculine and Feminine Motifs in Polyxena’s Death’, Mnemosyne, vol. 70, no. 3, 2017, doi: 10.1163/1568525X-12341972. [Online]. Available: https://bris.on.worldcat.org/search?databaseList=638&queryString=The poetics of kalos thanatos in Euripides&clusterResults=true#/oclc/7055574761
[84]
R. Scodel, ‘Δόμων ἄγαλμα: Virgin Sacrifice and Aesthetic Object’, Transactions of the American Philological Association (1974-), vol. 126, 1996 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/370174
[85]
R. Scodel, ‘The Captive’s Dilemma: Sexual Acquiescence in Euripides Hecuba and Troades’, Harvard Studies in Classical Philology, vol. 98, 1998, doi: 10.2307/311340.
[86]
C. Segal, ‘Violence and the Other: Greek, Female, and Barbarian in Euripides’ Hecuba’, Transactions of the American Philological Association (1974-), vol. 120, 1990, doi: 10.2307/283981.
[87]
C. Segal, Euripides and the poetics of sorrow: art, gender, and commemoration in Alcestis, Hippolytus, and Hecuba. Durham, N.C.: Duke University Press, 1993 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1167594
[88]
V. Wohl, Euripides and the politics of form. Princeton: Princeton University Press, 2015.
[89]
F. I. Zeitlin, ‘The body’s revenge: Dionysos and tragic action in Euripides’ Hekabe’, in Playing the other: gender and society in classical Greek literature, Chicago: University of Chicago Press, 1996.
[90]
D. L. Cairns, Sophocles, Antigone. London: Bloomsbury Academic, 2016 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4585035
[91]
M. Cropp, ‘Antigone’s Final Speech (Sophocles, 891–928)’, Greece and Rome, vol. 44, no. 2, pp. 137–160, 1997, doi: 10.1093/gr/44.2.137.
[92]
H. P. Foley, Female acts in Greek tragedy. Princeton, N.J.: Princeton University Press [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=445484
[93]
S. Goldhill, Reading Greek tragedy. Cambridge: Cambridge University Press, 1986 [Online]. Available: https://doi-org.bris.idm.oclc.org/10.1017/CBO9780511627354
[94]
K. J. Hame, ‘Female Control of Funeral Rites in Greek Tragedy: Klytaimestra, Medea, and Antigone’, Classical Philology, vol. 103, no. 1, 2008, doi: 10.1086/590091. [Online]. Available: https://bris.on.worldcat.org/search?databaseList=638&queryString=Female control of funeral rites in Greek tragedy&clusterResults=true#/oclc/4636838100
[95]
S. Murnaghan, ‘Antigone 904-920 and the Institution of Marriage’, The American Journal of Philology, vol. 107, no. 2, 1986, doi: 10.2307/294602.
[96]
M. Neuburg, ‘How Like a Woman: Antigone’s “Inconsistency”’, The Classical Quarterly, vol. 40, no. 1, 1990, doi: 10.1017/S000983880002680X. [Online]. Available: https://bris.on.worldcat.org/search?databaseList=638&queryString=How like a woman: Antigone’s ‘inconsistency&clusterResults=true#/oclc/4669412150
[97]
K. Ormand, Exchange and the maiden: marriage in Sophoclean tragedy, 1st ed. Austin: University of Texas Press, 1999.
[98]
Richard Seaford, ‘The Imprisonment of Women in Greek Tragedy’, The Journal of Hellenic Studies, vol. 110, 1990 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/631733
[99]
E. Segal, ‘Antigone: death and love, Hades and Dionysus’, in Oxford readings in Greek tragedy, Oxford [Oxfordshire]: Oxford University Press, 1983, pp. 167–176.
[100]
C. E. Sorum, ‘The Family in Sophocles’ “Antigone” and “Electra”’, The Classical World, vol. 75, no. 4, 1982 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/4349362
[101]
H. M. Zellner, ‘Antigone and the Wife of Intaphrenes’, The Classical World, vol. 90, no. 5, 1997 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/4351958
[102]
S. Goldhill, ‘Antigone and the Politics of Sisterhood’, in Sophocles and the language of tragedy, vol. The Onassis series in Hellenic culture, Oxford: Oxford University Press, 2012, pp. 231–248 [Online]. Available: http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199796274.001.0001/acprof-9780199796274-chapter-9
[103]
M. Griffith, ‘The subject of desire in Sophocles’ Antigone’, in The soul of tragedy: essays on Athenian drama, Chicago: University of Chicago Press, 2005, pp. 91–136.
[104]
C. A. Holland, ‘After Antigone: Women, the Past, and the Future of Feminist Political Thought’, American Journal of Political Science, vol. 42, no. 4, 1998 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/2991851
[105]
P. Holt, ‘Polis and Tragedy in the “Antigone”’, Mnemosyne, vol. 52, no. 6, 1999 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/4433045
[106]
B. Honig, ‘Sacrifice, Sorority, Integrity’, in Antigone, interrupted, Cambridge: Cambridge University Press, 2013, pp. 151–189 [Online]. Available: https://doi.org/10.1017/CBO9781139583084.010
[107]
B. Honig, Antigone, interrupted. Cambridge: Cambridge University Press, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1139750
[108]
C. Sourvinou-Inwood, ‘Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone’, The Journal of Hellenic Studies, vol. 109, 1989 [Online]. Available: https://www-jstor-org.bris.idm.oclc.org/stable/632037
[109]
G. Steiner, Antigones. New York: Oxford University Press, 1984.