Bibliography for CLAS30027: Women and the Family in Ancient Greek Tragedy BETA

1.

Easterling, P.E.: Women in Tragic Space. Bulletin of the Institute of Classical Studies. 34, (1987). https://doi.org/10.1111/j.2041-5370.1987.tb00551.x.

2.

Foley, H.P.: Reflections of women in antiquity. Gordon and Breach Science Publishers, New York (1981).

3.

Foley, H.P.: Female acts in Greek tragedy. Princeton University Press, Princeton, N.J.

4.

Goldhill, S.: Representing democracy: women at the Great Dionysia. In: Ritual, Finance, Politics: Athenian Democratic Accounts Presented to David Lewis. pp. 347–369. Clarendon Press, Oxford (1994).

5.

Goldhill, S.: The audience of Athenian tragedy. In: Easterling, P.E. (ed.) The Cambridge Companion to Greek Tragedy. pp. 54–68. Cambridge University Press, Cambridge, U.K. (1997).

6.

Gould, J.: Law, Custom and Myth: Aspects of the Social Position of Women in Classical Athens. The Journal of Hellenic Studies. 100, (19800101). https://doi.org/10.2307/630731.

7.

Griffith, M.: Extended families, marriage, and inter-city relations in (later) Athenian  tragedy. In: Why Athens?: a reappraisal of tragic politics. pp. 175–208. Oxford University Press, Oxford (2011).

8.

Hall, E.: The sociology of Athenian tragedy. In: Easterling, P.E. (ed.) The Cambridge Companion to Greek Tragedy. pp. 93–126. Cambridge University Press, Cambridge, U.K. (1997).

9.

Henderson, J.: Women and the Athenian Dramatic Festivals. Transactions of the American Philological Association (1974-). 121, (1991).

10.

Marilyn A. Katz: The character of tragedy: women and the Greek imagination. Arethusa. 27, (1994).

11.

King, H.: Bound to bleed: Artemis and Greek women. In: Images of women in antiquity. pp. 109–127. Routledge, London (1993).

12.

Koloski-Ostrow, A.O., Lyons, C.L.: Naked truths: women, sexuality, and gender in classical art and archaeology. Routledge, London (1997).

13.

Loraux, N.: Tragic ways of killing a woman. Harvard University Press, Cambridge, Mass (1987).

14.

Maitland, J.: Dynasty and Family in the Athenian City State: A View from Attic Tragedy. The Classical Quarterly. 42, (1992). https://doi.org/10.1017/S0009838800042555.

15.

March, J.: Euripides the misogynist. In: Euripides, women, and sexuality. pp. 32–75. Routledge, London (1990).

16.

McClure, L.: Spoken like a woman: speech and gender in Athenian drama. Princeton University Press, Princeton, N.J. (1999).

17.

Mueller, M.: Gender. In: McClure, L. (ed.) A companion to Euripides. pp. 500–514. John Wiley & Sons Inc, Chichester, West Sussex, UK (2017).

18.

Ormand, K.: Exchange and the maiden: marriage in Sophoclean tragedy. University of Texas Press, Austin (1999).

19.

Pritchard, D.M.: The position of Attic women in democratic Athens. Greece and Rome. 61, (2014). https://doi.org/10.1017/S0017383514000072.

20.

Rabinowitz, N.S.: Anxiety veiled: Euripides and the traffic in women. Cornell University Press, Ithaca (1993).

21.

Rehm, R.: Marriage to death: the conflation of wedding and funeral rituals in Greek tragedy. Princeton University Press, Princeton, N.J. (1994).

22.

Seaford, R.: The Tragic Wedding. The Journal of Hellenic Studies. 107, (1987). https://doi.org/10.2307/630074.

23.

Seaford, R.: The structural problems of marriage in Euripides. In: Euripides, women, and sexuality. pp. 151–176. Routledge, London (1990).

24.

Shaw, M.: The Female Intruder: Women in Fifth-Century Drama. Classical Philology. 70, (1975).

25.

Tzanetou, A.: Citizen-mothers on the tragic stage. In: Mothering and motherhood in ancient Greece and Rome. pp. 97–120. University of Texas Press, Austin (2012).

26.

Wohl, V.: Intimate commerce: exchange, gender, and subjectivity in Greek tragedy. University of Texas Press, Austin (1998).

27.

Zeitlin, F.: Playing the Other: theater, theatricality, and the feminine in Greek drama. In: Nothing to do with Dionysos?: Athenian drama in its social context. pp. 63–96. Princeton University Press, Princeton, N.J. (1990).

28.

Easterling, P.E. ed: The Cambridge Companion to Greek Tragedy. Cambridge University Press, Cambridge, U.K. (1997).

29.

Gregory, J.: A companion to Greek tragedy. Blackwell Pub, Malden, MA (2005).

30.

James, S.L., Dillon, S.: A companion to women in the ancient world. Wiley-Blackwell, Malden, MA (2012).

31.

Lloyd, M.: Oxford Readings in Aeschylus. Oxford University Press, Oxford (2007).

32.

Markantonatos, A. ed: Brill’s companion to Sophocles. Brill, Leiden (2012).

33.

McClure, L. ed: A companion to Euripides. John Wiley & Sons Inc, Chichester, West Sussex, UK (2017).

34.

Mossman, J.: Oxford Readings in Euripides. Oxford University Press, Oxford (2003).

35.

Ormand, K.: A companion to Sophocles. John Wiley & Sons, Hoboken (2012).

36.

Segal, E.: Oxford readings in Greek tragedy. Oxford University Press, Oxford [Oxfordshire] (1983).

37.

Foley, H.P.: Female acts in Greek tragedy. Princeton University Press, Princeton, N.J.

38.

Goldhill, S.: Language, sexuality, narrative, the Oresteia. Cambridge University Press, Cambridge [Cambridgeshire] (1984).

39.

Goldhill, S.: Reading Greek tragedy. Cambridge University Press, Cambridge (1986).

40.

Goward, B.: Aeschylus: Agamemnon. Duckworth, London (2005).

41.

Griffith, M.: Brilliant Dynasts: Power and Politics in the ‘Oresteia’. Classical Antiquity. 14, (1995).

42.

Hame, K.J.: Female Control of Funeral Rites in Greek Tragedy: Klytaimestra, Medea, and Antigone. Classical Philology. 103, (2008). https://doi.org/10.1086/590091.

43.

Marshall, C.W.: Aeschylus, Libation bearers. Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, London (2017).

44.

McClure, L.: Spoken like a woman: speech and gender in Athenian drama. Princeton University Press, Princeton, N.J. (1999).

45.

McNeil, L.: Bridal Cloths, Cover-ups, and  Kharis: The ‘Carpet Scene’ in Aeschylus’  Agamemnon. Greece and Rome. 52, (2005).

46.

Robin Mitchell-Boyask: The Marriage of Cassandra and the ‘Oresteia’: Text, Image, Performance. Transactions of the American Philological Association (1974-). 136, (2006).

47.

Mitchell-Boyask, R.: Aeschylus: Eumenides. Duckworth, London (2009).

48.

Mueller, M.: Objects as actors: props and the poetics of performance in Greek tragedy. The University of Chicago Press, Chicago (2016). https://doi.org/10.7208/chicago/9780226313009.001.0001.

49.

Charles P. Segal: Tragedy, Corporeality, and the Texture of Language: Matricide in the Three Electra Plays. The Classical World. 79, (1985).

50.

Wohl, V.: Intimate commerce: exchange, gender, and subjectivity in Greek tragedy. University of Texas Press, Austin (1998).

51.

Zeitlin, F.I.: The dynamics of misogyny: myth and mythmaking in the Oresteia. In: Playing the other: gender and society in classical Greek literature. pp. 87–122. University of Chicago Press, Chicago (1996).

52.

Dunn, F.: Where is Electra in Sophocles’ Electra? In: The play of texts and fragments: essays in honour of Martin Cropp. pp. 345–356. Brill, Leiden (2009).

53.

Foley, H.P.: Female acts in Greek tragedy. Princeton University Press, Princeton, N.J.

54.

Juffras, D.M.: Sophocles’ Electra 973-85 and Tyrannicide. Transactions of the American Philological Association (1974-). 121, (1991). https://doi.org/10.2307/284445.

55.

Kitzinger, R.: Why Mourning Becomes Elektra. Classical Antiquity. 10, 298–327 (1991). https://doi.org/10.2307/25010954.

56.

Lloyd, M.: Sophocles: Electra. Duckworth, London (2005).

57.

Ormand, K.: Exchange and the maiden: marriage in Sophoclean tragedy. University of Texas Press, Austin (1999).

58.

Seaford, R.: The Destruction of Limits in Sophokles’ Elektra. The Classical Quarterly. 35, (1985).

59.

Charles P. Segal: Tragedy, Corporeality, and the Texture of Language: Matricide in the Three Electra Plays. The Classical World. 79, (1985).

60.

Sorum, C.E.: The Family in Sophocles’ ‘Antigone’ and ‘Electra’. The Classical World. 75, (1982).

61.

Wright, M.: The Joy of Sophocles’ Electra. Greece & Rome. 52, (2005).

62.

Foley, H.P.: Female acts in Greek tragedy. Princeton University Press, Princeton, N.J.

63.

Gallagher, R.L.: Making the Stronger Argument the Weaker: Euripides, ‘Electra’ 518-44. The Classical Quarterly. 53, (2003).

64.

BARBARA GOFF: Try to Make it Real Compared to What? Euripides’ ‘Electra’ and the Play of Genres. Illinois Classical Studies. 24, 93–105 (2000).

65.

Lloyd, M.: Realism and Character in Euripides’ ‘Electra’. Phoenix. 40, (1986).

66.

Mossman, J.: Women’s Speech in Greek Tragedy: The Case of Electra and Clytemnestra in Euripides’ ‘Electra’. The Classical Quarterly. 51, (2001).

67.

Charles P. Segal: Tragedy, Corporeality, and the Texture of Language: Matricide in the Three Electra Plays. The Classical World. 79, (1985).

68.

Torrance, I.C.: Metapoetry in Euripides. Oxford University Press, Oxford, United Kingdom (2013). https://doi.org/10.1093/acprof:oso/9780199657834.001.0001.

69.

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70.

Zeitlin, F.I.: The Argive Festival of Hera and Euripides’ Electra. Transactions and Proceedings of the American Philological Association. 101, (1970).

71.

Barlow, S.A.: Stereotype and Reversal in Euripides’ ‘Medea’. Greece & Rome. 36, (1989).

72.

Bongie, E.B.: Heroic Elements in the Medea of Euripides. Transactions of the American Philological Association (1974-). 107, (1977).

73.

Cairns, D.: Medea: feminism or misogyny? In: Stuttard, D. (ed.) Looking at Medea: essays and a translation of Euripides’ tragedy. pp. 123–137. Bloomsbury Academic, London (2014).

74.

Easterling, P.E., Gould, T.F., Herington, C.J.: The infanticide in Euripides’ Medea. In: Greek Tragedy. pp. 177–192. Cambridge University Press, Cambridge (1977). https://doi.org/10.1017/CBO9780511933738.007.

75.

Foley, H.P.: Female acts in Greek tragedy. Princeton University Press, Princeton, N.J.

76.

Hame, K.J.: Female Control of Funeral Rites in Greek Tragedy: Klytaimestra, Medea, and Antigone. Classical Philology. 103, (2008). https://doi.org/10.1086/590091.

77.

Visser, M.: Medea: daughter, sister, wife, mother: natal family uersus conjugal family in Greek and Roman myths about women. In: Cropp, M., Fantham, E., and Scully, S.E. (eds.) Greek tragedy and its legacy: essays presented to D.J. Conacher. pp. 149–165. The University of Calgary Press, Calgary, Alberta, Canada (1986).

78.

Williamson, M.: A woman’s place in Euripides’ Medea. In: Euripides, women, and sexuality. pp. 16–31. Routledge, London (1990).

79.

Burnett, A.P.: Revenge in Attic and later tragedy. University of California Press, Berkeley (1998).

80.

Dué, C.: The captive woman’s lament in Greek tragedy. University of Texas Press, Austin (2006).

81.

Foley, H.P.: Euripides: Hecuba. Bloomsbury Academic, London (2015).

82.

Mossman, J.: Wild justice: a study of Euripides’ Hecuba. Bristol Classical Press, London (1999).

83.

Papastamati, S.: The Poetics of kalos thanatos in Euripides’ Hecuba: Masculine and Feminine Motifs in Polyxena’s Death. Mnemosyne. 70, (2017). https://doi.org/10.1163/1568525X-12341972.

84.

Scodel, R.: Δόμων ἄγαλμα: Virgin Sacrifice and Aesthetic Object. Transactions of the American Philological Association (1974-). 126, (1996).

85.

Scodel, R.: The Captive’s Dilemma: Sexual Acquiescence in Euripides Hecuba and Troades. Harvard Studies in Classical Philology. 98, (1998). https://doi.org/10.2307/311340.

86.

Segal, C.: Violence and the Other: Greek, Female, and Barbarian in Euripides’ Hecuba. Transactions of the American Philological Association (1974-). 120, (1990). https://doi.org/10.2307/283981.

87.

Segal, C.: Euripides and the poetics of sorrow: art, gender, and commemoration in Alcestis, Hippolytus, and Hecuba. Duke University Press, Durham, N.C. (1993).

88.

Wohl, V.: Euripides and the politics of form. Princeton University Press, Princeton (2015). https://doi.org/10.23943/princeton/9780691166506.001.0001.

89.

Zeitlin, F.I.: The body’s revenge: Dionysos and tragic action in Euripides’ Hekabe. In: Playing the other: gender and society in classical Greek literature. University of Chicago Press, Chicago (1996).

90.

Cairns, D.L.: Sophocles, Antigone. Bloomsbury Academic, London (2016).

91.

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92.

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93.

Goldhill, S.: Reading Greek tragedy. Cambridge University Press, Cambridge (1986).

94.

Hame, K.J.: Female Control of Funeral Rites in Greek Tragedy: Klytaimestra, Medea, and Antigone. Classical Philology. 103, (2008). https://doi.org/10.1086/590091.

95.

Murnaghan, S.: Antigone 904-920 and the Institution of Marriage. The American Journal of Philology. 107, (1986). https://doi.org/10.2307/294602.

96.

Neuburg, M.: How Like a Woman: Antigone’s ‘Inconsistency’. The Classical Quarterly. 40, (1990). https://doi.org/10.1017/S000983880002680X.

97.

Ormand, K.: Exchange and the maiden: marriage in Sophoclean tragedy. University of Texas Press, Austin (1999).

98.

Richard Seaford: The Imprisonment of Women in Greek Tragedy. The Journal of Hellenic Studies. 110, (1990).

99.

Segal, E.: Antigone: death and love, Hades and Dionysus. In: Oxford readings in Greek tragedy. pp. 167–176. Oxford University Press, Oxford [Oxfordshire] (1983).

100.

Sorum, C.E.: The Family in Sophocles’ ‘Antigone’ and ‘Electra’. The Classical World. 75, (1982).

101.

Zellner, H.M.: Antigone and the Wife of Intaphrenes. The Classical World. 90, (1997).

102.

Goldhill, S.: Antigone and the Politics of Sisterhood. In: Sophocles and the language of tragedy. pp. 231–248. Oxford University Press, Oxford (2012).

103.

Griffith, M.: The subject of desire in Sophocles’ Antigone. In: The soul of tragedy: essays on Athenian drama. pp. 91–136. University of Chicago Press, Chicago (2005).

104.

Holland, C.A.: After Antigone: Women, the Past, and the Future of Feminist Political Thought. American Journal of Political Science. 42, (1998).

105.

Holt, P.: Polis and Tragedy in the ‘Antigone’. Mnemosyne. 52, (1999).

106.

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107.

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108.

Sourvinou-Inwood, C.: Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone. The Journal of Hellenic Studies. 109, (1989).

109.

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