Bibliography for CLAS30027: Women and the Family in Ancient Greek Tragedy BETA

BARBARA GOFF. 2000. ‘Try to Make It Real Compared to What? Euripides’ “Electra” and the Play of Genres’. Illinois Classical Studies 24:93–105. https://www.jstor.org/stable/23065360?seq=1#page_scan_tab_contents.

Barlow, Shirley A. 1989. ‘Stereotype and Reversal in Euripides’ “Medea”’. Greece & Rome 36(2). https://www-jstor-org.bris.idm.oclc.org/stable/643169.

Bongie, Elizabeth Bryson. 1977. ‘Heroic Elements in the Medea of Euripides’. Transactions of the American Philological Association (1974-) 107. https://www-jstor-org.bris.idm.oclc.org/stable/284024.

Burnett, Anne Pippin. 1998. Revenge in Attic and Later Tragedy. Berkeley: University of California Press.

Cairns, Douglas. 2014. ‘Medea: Feminism or Misogyny?’ Pp. 123–37 in Looking at Medea: essays and a translation of Euripides’ tragedy, edited by D. Stuttard. London: Bloomsbury Academic.

Cairns, Douglas L. 2016. Sophocles, Antigone. London: Bloomsbury Academic.

Charles P. Segal. 1985a. ‘Tragedy, Corporeality, and the Texture of Language: Matricide in the Three Electra Plays’. The Classical World 79(1). https://www-jstor-org.bris.idm.oclc.org/stable/4349798.

Charles P. Segal. 1985b. ‘Tragedy, Corporeality, and the Texture of Language: Matricide in the Three Electra Plays’. The Classical World 79(1). https://www-jstor-org.bris.idm.oclc.org/stable/4349798.

Charles P. Segal. 1985c. ‘Tragedy, Corporeality, and the Texture of Language: Matricide in the Three Electra Plays’. The Classical World 79(1). https://www-jstor-org.bris.idm.oclc.org/stable/4349798.

Cropp, Martin. 1997. ‘Antigone’s Final Speech (Sophocles, 891–928)’. Greece and Rome 44(2):137–60. doi:10.1093/gr/44.2.137.

Dué, Casey. 2006. The Captive Woman’s Lament in Greek Tragedy. 1st ed. Austin: University of Texas Press.

Dunn, Francis. 2009. ‘Where Is Electra in Sophocles’ Electra?’ Pp. 345–56 in The play of texts and fragments: essays in honour of Martin Cropp. Vol. v. 314. Leiden: Brill.

Easterling, P. E. 1987. ‘Women in Tragic Space’. Bulletin of the Institute of Classical Studies 34(1). doi:10.1111/j.2041-5370.1987.tb00551.x.

Easterling, P. E., ed. 1997. The Cambridge Companion to Greek Tragedy. 1st ed. Cambridge, U.K.: Cambridge University Press.

Easterling, P. E., T. F. Gould, and C. J. Herington. 1977. ‘The Infanticide in Euripides’ Medea’. Pp. 177–92 in Greek Tragedy. Vol. no. 25. Cambridge: Cambridge University Press.

Foley, Helene P. 1981. Reflections of Women in Antiquity. New York: Gordon and Breach Science Publishers.

Foley, Helene P. 2015. Euripides: Hecuba. London: Bloomsbury Academic.

Foley, Helene P. n.d.-a. Female Acts in Greek Tragedy. Princeton, N.J.: Princeton University Press.

Foley, Helene P. n.d.-b. Female Acts in Greek Tragedy. Princeton, N.J.: Princeton University Press.

Foley, Helene P. n.d.-c. Female Acts in Greek Tragedy. Princeton, N.J.: Princeton University Press.

Foley, Helene P. n.d.-d. Female Acts in Greek Tragedy. Princeton, N.J.: Princeton University Press.

Foley, Helene P. n.d.-e. Female Acts in Greek Tragedy. Princeton, N.J.: Princeton University Press.

Foley, Helene P. n.d.-f. Female Acts in Greek Tragedy. Princeton, N.J.: Princeton University Press.

Gallagher, Robert L. 2003. ‘Making the Stronger Argument the Weaker: Euripides, “Electra” 518-44’. The Classical Quarterly 53(2). https://www-jstor-org.bris.idm.oclc.org/stable/3556211.

Goldhill, S. 2012. ‘Antigone and the Politics of Sisterhood’. Pp. 231–48 in Sophocles and the language of tragedy. Vol. The Onassis series in Hellenic culture. Oxford: Oxford University Press.

Goldhill, Simon. 1984. Language, Sexuality, Narrative, the Oresteia. Cambridge [Cambridgeshire]: Cambridge University Press.

Goldhill, Simon. 1986a. Reading Greek Tragedy. Cambridge: Cambridge University Press.

Goldhill, Simon. 1986b. Reading Greek Tragedy. Cambridge: Cambridge University Press.

Goldhill, Simon. 1994. ‘Representing Democracy: Women at the Great Dionysia’. Pp. 347–69 in Ritual, Finance, Politics: Athenian Democratic Accounts Presented to David Lewis. Oxford: Clarendon Press.

Goldhill, Simon. 1997. ‘The Audience of Athenian Tragedy’. Pp. 54–68 in The Cambridge Companion to Greek Tragedy, edited by P. E. Easterling. Cambridge, U.K.: Cambridge University Press.

Gould, John. 19800101. ‘Law, Custom and Myth: Aspects of the Social Position of Women in Classical Athens’. The Journal of Hellenic Studies 100. doi:10.2307/630731.

Goward, Barbara. 2005. Aeschylus: Agamemnon. London: Duckworth.

Gregory, Justina. 2005. A Companion to Greek Tragedy. Malden, MA: Blackwell Pub.

Griffith, Mark. 1995. ‘Brilliant Dynasts: Power and Politics in the “Oresteia”’. Classical Antiquity 14(1). https://www-jstor-org.bris.idm.oclc.org/stable/25000143.

Griffith, Mark. 2005. ‘The Subject of Desire in Sophocles’ Antigone’. Pp. 91–136 in The soul of tragedy: essays on Athenian drama. Chicago: University of Chicago Press.

Griffith, Mark. 2011. ‘Extended Families, Marriage, and Inter-City Relations in (Later) Athenian  Tragedy’. Pp. 175–208 in Why Athens?: a reappraisal of tragic politics. Oxford: Oxford University Press.

Hall, Edith. 1997. ‘The Sociology of Athenian Tragedy’. Pp. 93–126 in The Cambridge Companion to Greek Tragedy, edited by P. E. Easterling. Cambridge, U.K.: Cambridge University Press.

Hame, Kerri J. 2008a. ‘Female Control of Funeral Rites in Greek Tragedy: Klytaimestra, Medea, and Antigone’. Classical Philology 103(1). doi:10.1086/590091.

Hame, Kerri J. 2008b. ‘Female Control of Funeral Rites in Greek Tragedy: Klytaimestra, Medea, and Antigone’. Classical Philology 103(1). doi:10.1086/590091.

Hame, Kerri J. 2008c. ‘Female Control of Funeral Rites in Greek Tragedy: Klytaimestra, Medea, and Antigone’. Classical Philology 103(1). doi:10.1086/590091.

Henderson, Jeffrey. 1991. ‘Women and the Athenian Dramatic Festivals’. Transactions of the American Philological Association (1974-) 121. https://www.jstor.org/stable/284448.

Holland, Catherine A. 1998. ‘After Antigone: Women, the Past, and the Future of Feminist Political Thought’. American Journal of Political Science 42(4). https://www-jstor-org.bris.idm.oclc.org/stable/2991851.

Holt, Philip. 1999. ‘Polis and Tragedy in the “Antigone”’. Mnemosyne 52(6). https://www-jstor-org.bris.idm.oclc.org/stable/4433045.

Honig, Bonnie. 2013a. Antigone, Interrupted. Cambridge: Cambridge University Press.

Honig, Bonnie. 2013b. ‘Sacrifice, Sorority, Integrity’. Pp. 151–89 in Antigone, interrupted. Cambridge: Cambridge University Press.

James, Sharon L., and Sheila Dillon. 2012. A Companion to Women in the Ancient World. Malden, MA: Wiley-Blackwell.

Juffras, Diane M. 1991. ‘Sophocles’ Electra 973-85 and Tyrannicide’. Transactions of the American Philological Association (1974-) 121. doi:10.2307/284445.

King, Helen. 1993. ‘Bound to Bleed: Artemis and Greek Women’. Pp. 109–27 in Images of women in antiquity. London: Routledge.

Kitzinger, Rachel. 1991. ‘Why Mourning Becomes Elektra’. Classical Antiquity 10(2):298–327. doi:10.2307/25010954.

Koloski-Ostrow, Ann Olga, and Claire L. Lyons. 1997. Naked Truths: Women, Sexuality, and Gender in Classical Art and Archaeology. London: Routledge.

Lloyd, Michael. 1986. ‘Realism and Character in Euripides’ “Electra”’. Phoenix 40(1). https://www-jstor-org.bris.idm.oclc.org/stable/1088961.

Lloyd, Michael. 2005. Sophocles: Electra. London: Duckworth.

Lloyd, Michael. 2007. Oxford Readings in Aeschylus. Oxford: Oxford University Press.

Loraux, Nicole. 1987. Tragic Ways of Killing a Woman. Cambridge, Mass: Harvard University Press.

Maitland, Judith. 1992. ‘Dynasty and Family in the Athenian City State: A View from Attic Tragedy’. The Classical Quarterly 42(1). doi:10.1017/S0009838800042555.

March, Jennifer. 1990. ‘Euripides the Misogynist’. Pp. 32–75 in Euripides, women, and sexuality. London: Routledge.

Marilyn A. Katz. 1994. ‘The Character of Tragedy: Women and the Greek Imagination’. Arethusa 27(1). https://www.jstor.org/stable/26309598.

Markantonatos, Andreas, ed. 2012. Brill’s Companion to Sophocles. Leiden: Brill.

Marshall, C. W. 2017. Aeschylus, Libation Bearers. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc.

McClure, Laura. 1999a. Spoken like a Woman: Speech and Gender in Athenian Drama. Princeton, N.J.: Princeton University Press.

McClure, Laura. 1999b. Spoken like a Woman: Speech and Gender in Athenian Drama. Princeton, N.J.: Princeton University Press.

McClure, Laura, ed. 2017. A Companion to Euripides. Chichester, West Sussex, UK: John Wiley & Sons Inc.

McNeil, Lynda. 2005. ‘Bridal Cloths, Cover-Ups, and  Kharis: The “Carpet Scene” in Aeschylus’  Agamemnon’. Greece and Rome 52(1). https://doi-org.bris.idm.oclc.org/10.1093/gromej/cxi009.

Mitchell-Boyask, Robin. 2009. Aeschylus: Eumenides. London: Duckworth.

Mossman, Judith. 1999. Wild Justice: A Study of Euripides’ Hecuba. 2nd ed. London: Bristol Classical Press.

Mossman, Judith. 2001. ‘Women’s Speech in Greek Tragedy: The Case of Electra and Clytemnestra in Euripides’ “Electra”’. The Classical Quarterly 51(2). https://www-jstor-org.bris.idm.oclc.org/stable/1088961.

Mossman, Judith. 2003. Oxford Readings in Euripides. Oxford: Oxford University Press.

Mueller, Melissa. 2016. Objects as Actors: Props and the Poetics of Performance in Greek Tragedy. Chicago: The University of Chicago Press.

Mueller, Melissa. 2017. ‘Gender’. Pp. 500–514 in A companion to Euripides, edited by L. McClure. Chichester, West Sussex, UK: John Wiley & Sons Inc.

Murnaghan, Sheila. 1986. ‘Antigone 904-920 and the Institution of Marriage’. The American Journal of Philology 107(2). doi:10.2307/294602.

Neuburg, Matt. 1990. ‘How Like a Woman: Antigone’s “Inconsistency”’. The Classical Quarterly 40(1). doi:10.1017/S000983880002680X.

Ormand, Kirk. 1999a. Exchange and the Maiden: Marriage in Sophoclean Tragedy. 1st ed. Austin: University of Texas Press.

Ormand, Kirk. 1999b. Exchange and the Maiden: Marriage in Sophoclean Tragedy. 1st ed. Austin: University of Texas Press.

Ormand, Kirk. 1999c. Exchange and the Maiden: Marriage in Sophoclean Tragedy. 1st ed. Austin: University of Texas Press.

Ormand, Kirk. 2012. A Companion to Sophocles. Hoboken: John Wiley & Sons.

Papastamati, Stella. 2017. ‘The Poetics of Kalos Thanatos in Euripides’ Hecuba: Masculine and Feminine Motifs in Polyxena’s Death’. Mnemosyne 70(3). doi:10.1163/1568525X-12341972.

Pritchard, David M. 2014. ‘The Position of Attic Women in Democratic Athens’. Greece and Rome 61(2). doi:10.1017/S0017383514000072.

Rabinowitz, Nancy Sorkin. 1993. Anxiety Veiled: Euripides and the Traffic in Women. Ithaca: Cornell University Press.

Rehm, Rush. 1994. Marriage to Death: The Conflation of Wedding and Funeral Rituals in Greek Tragedy. Princeton, N.J.: Princeton University Press.

Richard Seaford. 1990. ‘The Imprisonment of Women in Greek Tragedy’. The Journal of Hellenic Studies 110. https://www-jstor-org.bris.idm.oclc.org/stable/631733.

Robin Mitchell-Boyask. 2006. ‘The Marriage of Cassandra and the “Oresteia”: Text, Image, Performance’. Transactions of the American Philological Association (1974-) 136(2). https://www-jstor-org.bris.idm.oclc.org/stable/4543294.

Scodel, Ruth. 1996. ‘Δόμων Ἄγαλμα: Virgin Sacrifice and Aesthetic Object’. Transactions of the American Philological Association (1974-) 126. https://www-jstor-org.bris.idm.oclc.org/stable/370174.

Scodel, Ruth. 1998. ‘The Captive’s Dilemma: Sexual Acquiescence in Euripides Hecuba and Troades’. Harvard Studies in Classical Philology 98. doi:10.2307/311340.

Seaford, Richard. 1985. ‘The Destruction of Limits in Sophokles’ Elektra’. The Classical Quarterly 35(2). https://www-jstor-org.bris.idm.oclc.org/stable/639065.

Seaford, Richard. 1987. ‘The Tragic Wedding’. The Journal of Hellenic Studies 107. doi:10.2307/630074.

Seaford, Richard. 1990. ‘The Structural Problems of Marriage in Euripides’. Pp. 151–76 in Euripides, women, and sexuality. London: Routledge.

Segal, Charles. 1990. ‘Violence and the Other: Greek, Female, and Barbarian in Euripides’ Hecuba’. Transactions of the American Philological Association (1974-) 120. doi:10.2307/283981.

Segal, Charles. 1993. Euripides and the Poetics of Sorrow: Art, Gender, and Commemoration in Alcestis, Hippolytus, and Hecuba. Durham, N.C.: Duke University Press.

Segal, Erich. 1983a. ‘Antigone: Death and Love, Hades and Dionysus’. Pp. 167–76 in Oxford readings in Greek tragedy. Oxford [Oxfordshire]: Oxford University Press.

Segal, Erich. 1983b. Oxford Readings in Greek Tragedy. Oxford [Oxfordshire]: Oxford University Press.

Shaw, Michael. 1975. ‘The Female Intruder: Women in Fifth-Century Drama’. Classical Philology 70(4). https://www-jstor-org.bris.idm.oclc.org/stable/268229.

Sorum, Christina Elliott. 1982a. ‘The Family in Sophocles’ “Antigone” and “Electra”’. The Classical World 75(4). https://www-jstor-org.bris.idm.oclc.org/stable/4349362.

Sorum, Christina Elliott. 1982b. ‘The Family in Sophocles’ “Antigone” and “Electra”’. The Classical World 75(4). https://www-jstor-org.bris.idm.oclc.org/stable/4349362.

Sourvinou-Inwood, Christiane. 1989. ‘Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone’. The Journal of Hellenic Studies 109. https://www-jstor-org.bris.idm.oclc.org/stable/632037.

Steiner, George. 1984. Antigones. New York: Oxford University Press.

Torrance, Isabelle C. 2013. Metapoetry in Euripides. Oxford, United Kingdom: Oxford University Press.

Tzanetou, Angeliki. 2012. ‘Citizen-Mothers on the Tragic Stage’. Pp. 97–120 in Mothering and motherhood in ancient Greece and Rome. Austin: University of Texas Press.

Visser, Margaret. 1986. ‘Medea: Daughter, Sister, Wife, Mother: Natal Family Uersus Conjugal Family in Greek and Roman Myths about Women’. Pp. 149–65 in Greek tragedy and its legacy: essays presented to D.J. Conacher, edited by M. Cropp, E. Fantham, and S. E. Scully. Calgary, Alberta, Canada: The University of Calgary Press.

Williamson, Margaret. 1990. ‘A Woman’s Place in Euripides’ Medea’. Pp. 16–31 in Euripides, women, and sexuality. London: Routledge.

Wohl, Victoria. 1998a. Intimate Commerce: Exchange, Gender, and Subjectivity in Greek Tragedy. Austin: University of Texas Press.

Wohl, Victoria. 1998b. Intimate Commerce: Exchange, Gender, and Subjectivity in Greek Tragedy. Austin: University of Texas Press.

Wohl, Victoria. 2015a. Euripides and the Politics of Form. Princeton: Princeton University Press.

Wohl, Victoria. 2015b. Euripides and the Politics of Form. Princeton: Princeton University Press.

Wright, Matthew. 2005. ‘The Joy of Sophocles’ Electra’. Greece & Rome 52(2). https://www-jstor-org.bris.idm.oclc.org/stable/3567867.

Zeitlin, Froma. 1990. ‘Playing the Other: Theater, Theatricality, and the Feminine in Greek Drama’. Pp. 63–96 in Nothing to do with Dionysos?: Athenian drama in its social context. Princeton, N.J.: Princeton University Press.

Zeitlin, Froma I. 1970. ‘The Argive Festival of Hera and Euripides’ Electra’. Transactions and Proceedings of the American Philological Association 101. https://www-jstor-org.bris.idm.oclc.org/stable/2936074.

Zeitlin, Froma I. 1996a. ‘The Body’s Revenge: Dionysos and Tragic Action in Euripides’ Hekabe’. in Playing the other: gender and society in classical Greek literature. Chicago: University of Chicago Press.

Zeitlin, Froma I. 1996b. ‘The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia’. Pp. 87–122 in Playing the other: gender and society in classical Greek literature. Chicago: University of Chicago Press.

Zellner, H. M. 1997. ‘Antigone and the Wife of Intaphrenes’. The Classical World 90(5). https://www-jstor-org.bris.idm.oclc.org/stable/4351958.